With me on the blog today is none other than Charles E. Yallowitz, whom you know from his blog, Legends of Windemere, and the many books he has published, including the series, Legends of Windemere, War of Nytefall, and others. Today, he’s here to discuss his fantasy writer craft book, Do I Need to Use a Dragon? which was published on July 2.
Cover art by Alison Hunt
El Space: What made you decide to write a craft book on fantasy writing?
Charles: Partially insanity and self-doubt not showing up until I was already well into the project. Well, that’s the funny reason. The truth is that I was texting with a friend about writing and various topics that I discussed on my blog. She suggested that I write a how-to-write-fantasy book, and then her husband chimed in. It was pointed out that I was already giving good advice to authors who asked me questions, so I might as well attempt a craft book. It took me about a year to come up with the presentation style, topics, and titles. After that, I used the first Covid summer to finish writing the last two War of Nytefall books and dove into Do I Need to Use a Dragon? before I could think myself out of it.
Interior art by Alison Hunt
El Space: During an interview, an author of fairy tale retellings gave this advice that I am paraphrasing: “Take a fairy tale you hate and retell it the way you want it told.” Did you have a similar desire—to write a craft book with the kind of advice you would want to be given, rather than advice people often give that you don’t find helpful? Why or why not?
Charles: I’ve had a rough history with craft books, but I had to read a few in college. They definitely felt like they were talking to someone else most of the time. So, I can see how a person can look at them and feel like it isn’t helpful. Another person might read the book as gospel because it’s exactly what they want to hear. For example, I had to read Stephen King’s book on writing in college and most of my classmates thought it sang to them. I sat there feeling like the advice wouldn’t work for my genre, style, and aspirations.
For myself, the problem with most craft books is that they speak with the jargon that one would only know from experience as an author. If that isn’t a big hurdle, then it might be the depth and deviations, which can make a new author feel overwhelmed and quit. This is why I focused on the delivery more than the specific advice. I wrote every section as if it was a long blog post, so there’s a minimal use of jargon and a casual voice. This is how I would have liked to learn about writing instead of it being so clinical. Make me think we’re having a conversation or that you’re talking to me like a person instead of a face in the crowd. This won’t work for everyone, but I hope it helps those who are nervous about their path.
Also, probably helps that I flat out say that my advice won’t work for everyone. That’s a big thing that many people forget.
El Space: What advice on fantasy writing or writing in general has been really helpful to you?
Charles: Thinking back, I can’t remember any solid writing advice that I received. The closest one is probably when a high school teacher told me to pick a tense and stick to it. I had been switching from past to present all the time, including in the same sentences. She explained how it worked and I went with present tense, which is where I am now. Everything else that I could call advice really came from discussions with other authors. You learn a lot from talking to those in the same situation and the casual conversation can reveal nuggets of advice even though the speaker doesn’t intend for it to happen. Situations like this is when I realized characters and plot feed off each other, pantser/plotter hybrids might be the best method, and other aspects of my author identity that have sunk into my core.
El Space: What fantasy series (book, TV, anime) really inspires you? Why?
Charles: I have this voice in my head telling me to say Tolkien or Saberhagen. That’s the safe answer that most authors go for. The truth is that I’ve been inspired by so much over the last 28 years of writing that I can’t pick one thing. Dungeons & Dragons can take the top spot only because many of my stories are based around the campaigns I played. I used those to test out characters and get a sense of story. Even so, I’ve added pieces of various comic books, video games, shows, and novels that triggered an idea. My inspiration really has become this amalgam of sources that I can no longer put a finger on unless we’re talking about a specific series. Probably not the answer people like to hear from authors, but it’s what I realized while pondering this question for an hour.
El Space: What, if anything, about the current state of fantasy writing would you want to see changed or explored more?
Charles: Admittedly, I haven’t really checked out a lot of recent fantasy books. It felt like everything was either Harry Potter, Lord of the Rings, and Game of Thrones again. So, the genre appeared to be stale and spinning its wheels. That’s mostly due to streaming shows, which must be overshadowing the books of newer authors. At least, I hope so. If not, then I would love to see more fresh faces and worlds be lifted to the spotlight. I feel like audiences, publishers, and authors themselves are just stuck on the established franchises. It doesn’t leave any air for a new story to be discovered, especially since the indie author trend seems to have become a shadow of its glory days. Too cynical? Probably, but I decided to be honest in Do I Need to Use a Dragon? and I’ll be honest here too.
El Space: What will you work on next?
Charles: My current project is a new fantasy series that I’m hoping to start publishing next year. I’ve actually been writing volumes since 2021 just to maintain my skills. It’s going to be called The Slumberlord Chronicles and will take place in Windemere after the events of Legends of Windemere. The main character is a halfling named Darwin Slepsnor who is seen as a town nuisance because his attempts to help tend to create incidents. He means well, but he isn’t good at social queues and panics very easily. The series follows him after he gains magic and decides that he can be a hero like those in his childhood stories. Of course, Darwin creates messes as well and is simply a friendly, happy force of chaos that is unknowingly disrupting the very fabric of destiny. I’m having a lot of fun writing this character and I hope people enjoy his adventures when I get them ready for publishing.
Thank you, Charles for being my guest.
Looking for Charles E. Yallowitz? You can find him at his blog, website, Facebook, Instagram, and Twitter.
Looking for Do I Need to Use a Dragon? You can find it on Amazon or in your very own Kindle just by commenting below on good advice you were given about writing or life or both. Winner to be announced sometime next week. But the winner of Andy’s book will be announced later this week.
Check out these books by Charles:
Cover, interior art, series book covers, and author photo courtesy of Charles Yallowitz. Cover and interior art by Alison Hunt. Other book covers from Goodreads.