Check This Out: Honey, the Dog Who Saved Abe Lincoln

With me on the blog today is the fabulous Shari Swanson (another great Secret Gardener classmate; for others, click here and here), who is here to talk about her picture book, Honey, the Dog Who Saved Abe Lincoln, which was published by Katherine Tegen Books/HarperCollins and debuts today, people! Woot!

     

Shari is represented by John Rudolph. After Shari and I chat, I’ll fill you in on a giveaway of this very book. Now, let’s talk to Shari!

El Space: Four quick facts about yourself?
Shari: My favorite color is periwinkle. Actually, periwinkle is a favorite word, too. Perhaps I’ll write a book about Mr. Perry Winkle and his Phantasmagoric Adventures Through Color. (Dibs. 😀)


• I love games, all sorts—puzzles, mysteries, board games, sports, hiding pictures, and treasure hunting.
• I have a beloved dog named Honey, not, surprisingly, named after Abraham Lincoln’s dog.
• I love words—etymologies, derivations, roots, cadence, sound, rhyme—everything about words. When I was in high school, I read All About Words by Maxwell Nurnberg and Morris Rosenblum while suntanning on the beach. One of my favorite courses in college was linguistics.

El Space: How did you come to write this picture book about a dog and Abraham Lincoln? How long was the process of writing the book?
Shari: When I was teaching middle school literature early this millennia, we read about Abraham Lincoln’s early years from an excerpt of Russell Freedman’s book on Lincoln. It was fascinating. I hadn’t ever heard about Lincoln’s Kentucky years and wanted to know more. I thought perhaps children would like to read about Lincoln when he was their age. I had the pleasure of meeting the late Russell Freedman at an SCBWI conference in 2006 and told him how much I wanted to write a picture book expanding on those details from his book. With tears in his eyes, he encouraged me and told me what a wonderful picture book that would be. When I was deep in that research, I discovered Honey. Honey had saved Lincoln’s life! What would the world be like if we hadn’t had Abraham Lincoln? Honey was an unknown hero. Honey, I thought, would make a wonderful picture book. And then I set off to write that story. The first draft of my book was written when I was doing the picture book semester at VCFA, back in 2011. I sold it in 2016, and now it is finally in the world!

El Space: How did you get started writing picture books?
Shari: I’m not sure there is an easy answer to this. I’ve always loved picture books. But I didn’t always understand that I could write them. Somewhere along the line, I realized that you don’t have to be a master artist to write a picture book, and that made me think maybe I could try it. I took a course in picture books at UCLA Extension way back in the early 1990s, I think, so it’s been a lifelong dream. I enrolled in the picture book semester when I was at VCFA with Julie Larios, and a workshop just prior to that with Julie and Uma Krishnaswami. That six months was maybe my favorite in my entire education as it was so filled with play and words and sheer delight.

El Space: How much input did you have with the illustrator? What was your reaction to seeing the illustrations?
Shari: Every picture book author/illustrator interaction is probably different. My editor, Maria Barbo at HarperCollins/Katherine Tegen books, was wonderful at taking my thoughts and opinions into account at each stage of the process. First, she asked me if I had an illustrator in mind to suggest. That inquiry sent me on a delightful tour through bookstores and libraries, trying to find artists that had the right feel for Honey. When she suggested Chuck Groenink, she sent me links to his portfolio. [Click here for a post about Chuck and his process on another picture book.] We both loved his work, especially his use of light in dark scenes, a skill that would be important for the cavern scenes in Honey. Seeing Chuck’s first drafts for Honey was a highlight of my life. Right there in my hands was this charming beautifully-realized art bringing my words to life. As we moved forward, I had the ability at every stage to offer my thoughts. One suggestion that I am thrilled Chuck incorporated was adding more detail to the forest scenes. I wanted the readers to feel just how distracting the woods were, with all the sounds and animals, and have the reader be literally distracted by the detail on the page just as young Abe was distracted on his journey.

El Space: What picture books have inspired you as a kid? As an adult?
Shari: As a child, I loved Where the Wild Things Are by Maurice Sendak, A Snowy Day by Ezra Jack Keats, Are You My Mother, by P. D. Eastman, and all things Dr. Seuss. As an adult, I love picture books that are poetic and musical; those that have wildly creative art, perhaps looking at things from unusual perspectives, and those that celebrate characters who are not stereotypic.

     

El Space: Any advice for would-be picture book writers? What do you think a twenty-first century kid needs to see in a picture book?
Shari: My best advice it to read your work out loud. Notice where the pauses and awkward phrasings are so you can fix them. I also think it is hugely important to make a picture book dummy, eight sheets of paper folded in half to make 32 pages, and block out your story. Where are the breaks? Are there interesting page turns? Is there something that is illustratible on each page? Finally, don’t give up. Take the time to create as often as you can. The joy is in the journey. I’m not sure what a modern kid needs to see in a picture book. I hope in Honey, a modern reader can both identify with young Abe—his distractedness, his love for animals, his desire to help—and think about the differences, too, like how Abe walked miles alone through a wild dangerous forest, so that the book is both timeless and grounded in its time.

El Space: What will you work on next?
Shari: I have several more works in progress, but the one getting my immediate attention is a non-fiction picture book, another heartwarming story of an animal/human interaction, this one from WWII.

Thanks, Shari, for being my guest!

Looking for Shari? Look no further than her website, Twitter, or Pinterest.

Looking for Honey, the Dog Who Saved Abe Lincoln? Check out your local bookstore, Amazon, Barnes & Noble, or Indiebound.

One of you will receive a copy of Honey, the Dog Who Saved Abe Lincoln in your very own mailbox. Just comment below! Winner to be revealed January 20, 2020.

The first meeting of the picture book club almost ended in a fistfight. While Lazy Buns and the Squeezamal agreed that Honey, the Dog Who Saved Abe Lincoln, is a great book, they disagreed on the refreshments, or the lack thereof. “It was your job to bring tea with honey for us to share!” the Squeezamal grumbled, Lazy Buns having only remembered to bring herself a cup of coffee.

Author photo by Christie Lane Photography. Book covers, with the exception of Shari’s book, are from Goodreads. Periwinkle flower from Wikipedia. Book storyboard from somewhere on the internet. Other photo by L. Marie. Squeezamals are a product of Beverly Hills Teddy Bear Company. Lazy Buns is a Pop Hair Pet, a product of MGA Entertainment.

The Gift of Story


When I was a kid, I learned to value stories. My parents read books to me at bedtime, which made me want to read stories for myself. Many of the stories they read were fairy tales or fantastical adventures written by Dr Seuss. As soon as I learned to read, I read just about everything—fiction and nonfiction. I had (and still have) an insatiable curiosity for the stories of others. Sharing stories is the main reason why I love to give books away.

  

I love being taken on an adventure through the pages of a book. So many aspects of life are stressful these days, so I value more and more the stories I read and the characters I grow to care about. My favorite time of day is the time I can spend with a book, watching the workaday world fade away beyond the edges of the pages in front of me.

So without further ado, here are the winners of the books for the Christmas giveaways, which were announced in this post and this one:

The winner of Love, God, and Mexican Pastries is Nancy Hatch!

The winner of Up for Air is Laura Bruno Lilly!


The winner of The Art of Breaking Things Is Nicki!


The winner of A Time Traveler’s Theory of Relativity is Marian!

Winners, please comment below to confirm. Happy reading! And thank you to all who commented!

Christmas giveaway image from thefrontporchgourmet. Book stack from blogs.mtu.edu. Books covers (with the exception of those being given away) from Goodreads.

Check This Out: Love, God, and Mexican Pastries

With me on the blog today, for the first of two holiday giveaways (’tis the season) is one of my Secret Gardener VCFA classmates, the wonderful Karen Ripley. Karen is here to talk about her recently released young adult novel, Love, God, and Mexican Pastries, a Gallina Roja publication. You can find the synopsis here.

   

One of you will get a copy of Karen’s book. But we’ll discuss that later. Let’s talk to Karen!

El Space: Four quick facts about yourself?
Karen: (1) I had to fill the Santa cookie jar with old, leftover Halloween candy because I ate all the cookies.


(2) Yesterday, I went to an exercise class with my t-shirt on inside out.
(3) My kindergarten report card says, “Karen is great at napping.”
(4) My sixteen-year-old daughter and I goof off by practicing kickboxing in the kitchen when we’re making dinner.

El Space: What was the inspiration behind this young adult novel? Why was it important for you to tell this story?
Karen: ***BIG spoiler alert. Don’t read this if you are like me and don’t want to know the ending of a book before you read it.*** This novel is based on a very personal experience. Many years ago my young niece became pregnant and decided to place her baby for adoption. We’re good friends and I watched in awe at her faith as she courageously went through all heartbreaking steps and placed her beautiful daughter with a loving family. I asked myself over and over, how could someone make such a sacrifice? I don’t know if I ever answered that question, but this novel is me searching for that answer.

El Space: Your novel has gone through quite a metamorphosis. I’m so glad you hung in there with Melina [the main character]. How did critiques and your editor help you shape the story?
Karen: When I started writing, I read and heard advice such as trust your reader and make sure your character is likable. I thought that along with cutting out the adverbs, I was doing all of that. But when my critique group pointed out scenes that weren’t moving the story along and my editor said my character was starting to bug her, that’s when the real revision started. It was a lot of serious work but it also made me really proud of my writing.

El Space: How did the characters change as the story developed?
Karen: Probably the biggest change for me was coming to really love my characters. Starting the book, I knew some characters were going to do some rotten things and in many of my drafts, some of the characters, maybe all of them, felt more caricature-like than real. It wasn’t until I got to know their back story completely that I could understand them and I saw them develop. Recently, my daughter was reading my book, and said, “I’m so furious at Marcus right now.” And my first thoughts were, He’s really a good guy who’s just messed up.

El Space: What were the challenges of writing this novel?
Karen: Probably the biggest challenge was and is overcoming my own doubts and fears. I started this novel over a decade ago. I’ve needed to learn a lot about writing and it’s taken a long time. It’s so easy to doubt your abilities when it takes years and years to get a novel out. I put the manuscript aside for a solid year and worked on another novel after a very painful face-to-face rejection with an agent. Looking back, a year off was exactly what I needed to be able to come to the story with new eyes; but I really struggled with feeling like a failure.

El Space: How did you select the title?
Karen: Ha! 😄 Really, it was like the whole writing process, trial and error, critiquing, revision. I tried lots of cheesy titles such as: Love Story and The Right Forever. After bunches of cheese, I threw out Love, God, and Mexican Pastries almost as a joke. My daughter really liked it, my editor loved it, and that’s how it came to be.

El Space: Who designed the cover? How did you feel about it when you first saw it?
Karen: Shawnda Craig was the cover designer, and she’s amazing. As an indie author it’s different than traditional publishing where you usually don’t get to consult with the cover designer, but Shawnda and I chatted about different concepts and went through several drafts. When she sent me two covers I loved, it felt like seeing the first snowfall of the year.

El Space: What are you hoping teens or other readers will take away after reading your novel?
Karen: I’d love readers to finish the book with a feeling of hope and a joy in family.

El Space: What books have inspired you lately?
Karen: I’m reading about book marketing lately. Make a Killing on Kindle by Michael Alvear has a lot of great advice for indie authors. I enjoy reading to my grandson, though he’s 18 months and only sits still for a couple of pages. I love reading Long Ago, on a Silent Night by Julie Berry to him. And every night I try to read something beautiful, and lately it’s been The Keeper of Lost Things by Ruth Hogan.

   

El Space: What will you work on next?
Karen: I’ve got a middle-grade story about a spunky girl who goes to battle with her bus driver. Another middle-grade story about a young cowboy who competes in the rodeo is in a rough-draft state. Also, I’ve done a little free writing on another YA novel but so far that’s just mush.

Thanks, Karen, for being my guest!

Looking for Karen? You can find her here. Looking for Love, God, and Mexican Pastries? (Or all three in a different context?) Click here.

One of you will be sent a copy of Love, God, and Mexican Pastries simply because you commented. Winner to be announced after next week’s giveaway.

Katie insists that you read this book, because it’s the best book ever and you should also feel that way, ’cause she is always real with people and that’s how she feels.

Christmas giveaway image from thefrontporchgourmet. Author photo by Sara Brewer. Love, God, and Mexican Pastries cover courtesy of the author. Other book covers from Goodreads. Santa cookie jar from ebay. Kickboxing image from clipart-library. Failure sign from teachertoolkit.me. Other photo by L. Marie. Katie is one of the Capsule Chix, a product of Moose Toys.

Hidden Figures

After reading the title of this post, you’re probably thinking of the 2016 movie of the same name. But I’m thinking of this person.

Back in the day, I was really into the Waldo books. If you don’t know what those are, they are picture books in which the reader is tasked with finding Waldo, a character hidden within a crowded scene.

Like this one.

Not as easy as it sounds. How about you? Have you see the Waldo books? Were you ever a fan?

Though I knew this series was the creation of London illustrator Martin Handford (left) back in the 80s, I didn’t realize the character was originally called Wally in the UK until I looked for images for this post. The name had been changed when the books were published in the U.S. The character also has different names in other countries where the books are found.

I wondered why finding this character (and others, like Wenda, Wilma, and Odlaw [below]) was and still is popular. (You can even find Waldo on Facebook.) According to this article at Smithsonian.com, it all comes down to the satisfaction of visual search—staring fixedly at something until you find what you’re looking for. This is why word searches are so popular. Also, the search for Waldo/Wally has helped scientists study eye movement.

 

Here’s another article on the science of finding Waldo: https://exploringyourmind.com/how-does-our-brain-find-waldo/

Writing a memoir or a biography is a kind of search. Instead of looking for Waldo, the author looks for his or her place or his or her subject’s place in the vast arena of history. And yes, that’s the segue to the reveal of what you probably came for: the winner of a copy of Mennonite Daughter—The Story of a Plain Girl by the one and only Marian Beaman. Click here for the interview with Marian.

   

The winner of Mennonite Daughter—The Story of a Plain Girl is Lori of Lori’s Lane!

Thank you to all who commented.

Henry is convinced that he would make an excellent Waldo. In fact, he thinks you’ll have a hard time finding him in this photo.

Waldo postcard from blogspot.com. Book cover from barnesandnoble.com. Martin Handford photo from waldo.fandom.com. Wenda from somewhere on Pinterest. Odlaw from Waldo.wikia. Henry photo by L. Marie.

Check This Out: A Mother for His Twins and An Apple Orchard Reunion

Hello! With me on the blog today is the amazing Jill Weatherholt, who has three publications to discuss: her latest Love Inspired novel, A Mother for His Twins; her novella, An Apple Orchard Reunion in the Autumn Hearts anthology, and “A Labor Day Reunion,” a short story in Woman’s World Magazine—just in time for Labor Day, the holiday that just passed.

      

    

Jill is represented by Jessica Alvarez. After Jill and I talk, stay tuned for a giveaway announcement.

El Space: Four quick facts about yourself?
Jill: 1. I’m afraid of heights and will not ride on an escalator, but I’ve always wanted to go skydiving.
2. When I was twenty-years-old, I was diagnosed with Crohn’s Disease.
3. I once won a limbo contest while vacationing in Key West.
4. I love cayenne pepper and I put it on most foods.

El Space: Jill, so much is happening for you. A Mother for His Twins just released. Your novella, Autumn Orchard Reunion also debuted in Autumn Hearts. And you have a short story in Woman’s World. You’re very committed to romance and happily ever after stories. Please tell us why this is so and why you see stories like this as important today.
Jill: When some people think of romance, they often associate it with a Fabio-type hero and heroines who are helpless or weak. For me, writing romance and happily ever after stories is a way to unplug from the 24-hour bombardment of news stories that are often tragic and can leave me feeling hopeless. People say you should write the book you want to read. When I read, I want to escape from the pain and suffering going on in the world. I want to have faith that things can get better and good things can happen, even when it feels like all hope is lost. When I read that last page, I don’t want to be left feeling sad or depressed. I want to be reassured there is still good in the world.

     

El Space: What were the challenges for you in producing your third novel for Love Inspired?
Jill: As you know, through our email exchanges, A Mother for His Twins was the most difficult book for me to write. It was a challenging time for my family. Distractions and worries kept me from maintaining my focus. At times I felt physically and emotionally drained. I wondered how in the world I’d ever meet my deadline. I questioned my ability. I felt like I was sinking in quicksand. Thankfully, through prayer and the support from those who care about me, I could press on and get the book done.

El Space: Family members have inspired some of your characters. Who, if anyone, were the inspirations for Joy and Nick in A Mother for His Twins?
Jill: That’s true, in some of my short stories, family members have been my inspiration, particularly my mother. Joy and Nick weren’t really inspired by anyone I know. I developed these characters through journaling from their point of view and I allowed them to surprise me as the story unfolded.

El Space: How did the opportunity to write a novella come about? How did you decide what to write?
Jill: A fellow author and friend presented the opportunity to write a novella for a collection with four other writers. I’d never considered self-publishing, but I thought going in with a group might be a good way to get my feet wet. Since the collection was autumn-themed stories, I decided to write a reunion story that revolved around an apple orchard.

El Space: What advice do you have for would-be romance writers?
Jill: Study the craft, write, and always keep an eye open for contests.

El Space: What will you work on next?
Jill: I’m currently working on my fourth Love Inspired book and continuing to write short stories. I have a new aspiration that I’m working towards. . . . Time will tell.

Thank you, Jill, for being my guest!

Looking for Jill? Click on the icons below:

                    

Looking for A Mother for His Twins or Autumn Hearts? Click here for Jill’s website, which has a link to retailers. Looking for Jill’s short story? Check out the Woman’s World at your local grocery store!

One of you will receive a signed copy of Jill’s novel in the mail. Two of you will receive a download of Autumn Hearts. Just comment below! Winners to be announced sometime next week.

The book club agreed that A Mother for His Twins is a great book. Reading about snow and cooler weather has Royal Bee and Neonlicious totally craving hot chocolate.

Book covers from Jill Weatherholt and Goodreads. Author author photo courtesy of Jill Weatherholt. Fabio photo from theguardian.com. Quicksand image from thepandorasociety.com. Apple orchard from abcparish.blogspot.com. Other photos by L. Marie. Neonlicious and Royal Bee OMG dolls are products of MGA Entertainment, Inc.

Check This Out: The Art of Breaking Things

With me on the blog today is my good friend, the awe-inspiring Laura Sibson, who is here to talk about her debut young adult novel, The Art of Breaking Things. Laura is the first of two awesome Secret Gardener classmates from VCFA on the blog this week.

         

Cover designer: DANA Li
Cover illustrator: AGATA WIERZBICKA

Laura is represented by Brianne Johnson. The Art of Breaking Things was published by Viking/Penguin on June 18. Click here to read the synopsis. After I talk with Laura, I’ll tell you about a giveaway of this very book.

El Space: Four quick facts about yourself?
Laura:
• When I was sorted as a Gryffindor on Pottermore, I was both surprised and slightly dismayed. I expected to be Hufflepuff, but also it seems to me that Gryffindor has fallen out of favor of late. When I asked my sons if I should take it again, they were like: “Mom, you’re a total Gryffindor.”

Laura at the Philly book launch with her husband and sons

• I love flowers and plants, but I murder every plant that has been brought into my house, except one. I have a peace lily that was given to us after my mother-in-law died and I have kept that plant alive come hell or high water.
• When weather permits, I work at my laptop on my back deck. At the moment, I feel a slight breeze despite the heat. I hear different birds singing their morning tunes. And I see that the big old hydrangea tree in my line of vision is readying itself to bloom.
• While The Art of Breaking Things is my first novel to be published, it’s the third manuscript that I completed. It took ten years from finishing my first manuscript to the publication of this book.

El Space: The Art of Breaking Things is partially based on your own experience. How challenging was it to separate what happened to your main character, Skye, with your own experiences?
Laura: Early on, someone had advised me to write the truth first and then set it aside. When I was ready, I started to fictionalize the story. I was interested in exploring what could happen in a small family of three females if an abusive father figure re-entered their world. I was intent on writing an active—not a passive—main character. As soon as Skye appeared, I knew she could carry the story in the way that I hoped. She was fierce and passionate. Through her voice, I was able to keep my personal story separate from the novel I was crafting.

Laura with Cordelia Jensen, another of our awesome classmates who has been on the blog (click here and here).

El Space: How did the supporting characters change as the story developed?
Laura: Initially, Emma, Skye’s sister, read as way too young. Luisa, Skye’s best friend, was more critical of Skye hooking up and their friendship was fairly shallow. Ben, Skye’s best guy friend—and maybe more?—sort of existed just for Skye’s benefit and Keith, a guy they go to school with, was an obnoxious jerk. Through revision, I worked to learn more about those characters, ensuring that they had lives outside of Skye’s life. Revising those characters made the overall story deeper and allowed me to create more nuance.

El Space: You were interviewed for an article on the #MeToo movement for Publishers Weekly. [Click here for that article.] But you wrote this book before that movement started. How has being linked to the movement been a game changer?
Laura: I started drafting the book in 2014. By the time I queried the agent who said yes, the #MeToo movement had broken and my agent saw a way to pitch my book. She was right because she sold the book in six weeks! When I started drafting the book, it was just for me. I wasn’t sure that anyone would want to read the difficult story of a teen girl struggling with the aftermath of sexual assault. But #MeToo has helped us remove some of the stigma around discussing these experiences. I’m grateful to the movement because it’s also helped me let go of some of my own shame.

At HEAD HOUSE BOOKS in Philadelphia with fellow debut author ALEX VILLASANTE

El Space: How important is the premise when it comes to novel writing?
Laura: For me, the basic premise helps frame the overall story. Though I am not a plotter—I wish I was, believe me!—I do like keeping the overall premise in the forefront of my mind as I draft. For The Art of Breaking Things, I knew that I wanted to explore how a teen attempts to protect her younger sister when she can’t speak up about past abuse, and I wanted to place a party girl in the limelight. Many plot points around that premise changed during drafting and revision, but the basic concept remained the same from the very beginning.

   

THE CHILDREN’S BOOKSTORE in Baltimore (left); Laura with her niece

El Space: Based on Skye’s journey and your own, what would you want a teen or anyone else who has gone through trauma to come away with?
Laura: I want readers to see that we aren’t good girls or bad girls, we are all just girls. I hope that young survivors feel seen and that they can begin the journey toward letting go of shame. I hope that people see that there can be healthy relationships after trauma and that there are resources to help you with the process of healing. But I also hope that people experience The Art of Breaking Things simply as a good read.

     

Laura at ALA (left); Laura and Alex with Katie Locke at B & N NESHAMINY

El Space: What inspires you as you write?
Laura: Being in nature inspires me. Scenes often unfold for me as I’m walking in the woods. I can see them clearly and then I can’t wait to return home to write them down. I also find that I can untangle plot problems while walking my dog on the two-mile loop that we do most days. I read a lot, so I’ll also get inspired by the ways that authors bring their own stories to life. While I’m actually drafting, a hot cup of coffee doesn’t necessarily inspire me, but it helps keep me in my seat. 😄

 

El Space: What will you work on next?
Laura: I’m working on a new YA novel—a grief narrative that explores family relationships and the ways that we try to keep memories alive. The main character is living on a houseboat with her grandmother in southern Maryland and she’s being visited by the ghost of her mother who died less than a year earlier. In this story I’m particularly interested in the lies we tell ourselves about the people we love and ways that the loss of a parent can affect the way that a teen moves through her world.

Thank you, Laura, for being my guest!

Looking for Laura? Look no further than her website, Twitter, or Instagram.

Looking for The Art of Breaking Things? Check out your local bookstore, Amazon, Barnes and Noble, or Indiebound.

But one of you will receive a signed copy of Laura’s novel in your very own mailbox. Just comment below! Winner to be revealed after an interview that I will do with another great classmate later this week.

The first meeting of the book club went well. Though Royal Bee and Neon agreed That The Art of Breaking Things was the ideal first book to read, they argued about who would be more compatible with Ben.

Book cover, book signing photos, and author photo courtesy of Laura Sibson. Author photo by Rachael Balascak. Other photos by L. Marie. Neonlicious and Royal Bee OMG dolls are products of MGA Entertainment, Inc.

Check This Out: In Brigantia

It’s raining authors around the blog! Today, the amazing Andrew Murray (or Andy as many of you who know him and follow his blogs, City Jackdaw and Coronets For Ghosts, call him) is here to talk about his latest poetry collection, In Brigantia. (His first was Heading North, which we talked about here.)

  

Stick around after the interview to learn about a giveaway of this collection. Now, let’s talk to Andy.

El Space: Four quick facts about yourself?
Andy: Thank you! (1) I’m (at least) the fifth generation of Murray born in Manchester.
(2) My favourite place is Orkney.

 

Photos by Andy Murray © 2019

(3) A big Whovian, I once stumbled across a scene being filmed for the Doctor Who 50th Anniversary episode, and was totally unaware of it until it aired on TV.
(4) My dreams begin while I’m still awake.

El Space: Please tell us how you came to choose the theme you chose for In Brigantia.

12294646_10153732827966740_3177437019818522964_nAndy: The title of the collection takes its name from the opening long poem, ‘Brigantia’ being the territorial name of northern Celtic tribe the Brigantes. Being northern myself, the poems are either set in, or were written in, that same area, though set in the modern day. My writing is often rooted in place.


Romano-British Brigantes map

El Space: How long did it take to complete this collection?
Andy: I never started writing with a collection in mind. I continued to write individual poems following the publication of Heading North in late 2015 and eventually, when I had a considerable number, I began to go through them with an eye on bringing some together in a new book.

Along with the post-2015 poems, there are three older poems also included, one dating back to the September 11th attack, when I received a postcard from a close friend of mine, on that very day, telling me that she was in New York and going to go up one of those towers. It shook my complacency about our friendship. That friend is now my wife.

El Space: Wow! What a great story! What’s your process for writing a poem? How do you know when a poem is “done”?
Andy: I never sit to write a poem; words and lines tend to come to me when I’m out and about doing other things. I take a note of them and they grow from there; it’s quite organic really. Knowing when they are ‘done’ is an instinctive thing, just a feeling I get. As with all writing, I guess, it’s a subjective process. I was sat in a coffee shop watching a guy working the room, trying, unsuccessfully, to chat up the girls who were in there, and straight away I got every single line for ‘Romeo of Lever Street,’ written on the handy notes section of my phone. That also comes in useful for phrases that come to me when on the edge of sleep.

El Space: Amazon’s description of this collection mentions historical royalty like Queen Cartimandua and Hollywood “royalty” like Marilyn Monroe and Tom Cruise. How did these individuals come to be in this collection?

  

Andy: There’s a story to the Monroe one. I was on a train journey, listening to an audio drama over headphones as we approached the next station. As the train pulled in, the guard announced, “The next station, ladies and gentlemen, is Mytholmroyd.” I really thought, above the story that I was tuned into, that what had been said was “Ladies and gentlemen: Marilyn Monroe!” I pulled my headphones off, “What?!” Looking wildly through the window to see exactly where we were. In my defence, I was also due to have my ears syringed soon at the local surgery, but still-—Monroe! I thought to myself ‘Wouldn’t that have been a sight for a Thursday morning?’ And that’s how ‘Mytholmroyd’ came into being.

Photo by Andy Murray © 2019

As for Cartimandua, she was the queen of the Brigantes tribe. Her name translates as ‘sleek pony,’ and that’s how I came up with the cover image for the book.

El Space: Which poem(s) in the collection had the most difficult birth?
Andy: ‘Hanging On ‘Til Morning.’ With this one I went against my usual writing process, mentioned above, looking to write lyrics instead of waiting for the lyrics to come to me. I say lyrics, because this originally was for a friend who is in a band and had asked for help in coming up with words for a song. I got carried away, imagining all sorts of melodies and chord changes before I came to my senses and reigned myself in. Music is his talent, not mine, so I gave him what I’d written and told him to adapt it however he wanted to fit what he was doing.

El Space: Which poets or other artists inspire you?
Andy: There are many. Different poets speak to different people. I like Kenneth White—he writes about the things that inspire me. Now in his eighties, I mentioned him in the foreword to Heading North and received a letter from him wishing me well upon my own journey, which was wonderful. I also like Werner Aspenström, but need to brush up on my Swedish as there is only a limited amount of his work translated into English.

  

  

El Space: What will you work on next?
Andy: I will be turning to fiction next. A new publisher has expressed interest in a short story collection, tentatively called The Night Spills In. It’s the kind of stuff I read when growing up—folklore and the supernatural. I was that kind of kid! Beyond that I have the first draft of a contemporary novel, Seasons on the Hill, that I’ve left to breathe for a while, to pick up again. And I will still be writing poetry along the way.

Thank you, Andy, for being my guest!

Looking for Andy? You can find him at his blogs (City Jackdaw and Coronets For Ghosts).

Looking for In Brigantia? You can find it at Amazon. But one of you will get a copy of In Brigantia simply because you commented. Winner to be announced next week sometime!

Author photo and other photos courtesy of Andy Murray. In Brigantia cover came from Andy’s City Jackdaw blog. Kenneth White and Werner Aspenström poetry collection covers came from Goodreads and Amazon. Romano-British Brigantes map from Wikipedia. Marilyn Monroe photo from thefashiontag blog. Tom Cruise photo from vulture.com. Doctor Who image from fandomania.