Check This Out: Through His Disciples’ Eyes

With me on the blog today is the fabulous L. Virelli {Lori}, who is here to talk about her recently released novel, Through His Disciples’ Eyes.

Here’s a blurb:

As the author, I found it difficult to choose a specific genre for this novel. It’s not fantasy, but there’s mysticism. It’s not romance, but there’s love. It’s not Christian, but there’s Christ. It’s not psychological, but it’s emotional. It’s not religious, but it’s spiritual. In addition to all of the above, it’s an impassioned, poignant, inspirational tale which takes three characters on soul searching journeys they don’t even really know they are on.
***
What if Jesus lived in modern times? Would history repeat itself?

In the year 2029, the world is broken, and so is Max Greenwood. In his attempt to find inner peace, he learns of a long-lost prophet—Joshua Cane—who lived in the 1950s. His life appears to mirror that of Jesus, complete with healing miracles, disciples, and being murdered in his thirties. Researching for more, Max uncovers information on two of the disciples. Tobias Jones is a tempestuous man who separates from Cane’s other followers to spread the prophet’s teachings on his own. His ideas to control the righteous message lead to trouble. Julia Flores is a teen whose mother kicked her out. Homeless and feeling unloved, she finds purpose in following Joshua Cane on his Mission to spread peace. As she travels with him, emotional issues from her past emerge, causing drama along the way. The stories of these troubled souls searching for meaning trigger life-altering revelations for Max Greenwood—revelations not only about Joshua and his disciples, but about himself and all of us.

L. Virelli interweaves concepts from self-help, spirituality, the Bible, and New Thought into an allegorical tale.

El Space: What inspired you to write Through His Disciples’ Eyes?
Lori: You’d think this would be a simple answer for an author, right? This one is not easy to explain. The inspiration to write this novel began around 2005. I’ve written blog posts about a time of seeking I went through due to unexpected circumstances in my life. I was doing inner work and spent lots of time in the spiritual and self-help sections of the bookstore. Sometimes I read entire books while sitting in a chair at Borders. Several of those books were helpful for my growth, and most of them were instructional. I was wishing for one in story form as well—one that gives hope—characters with difficult issues they overcome. I had enjoyed the book Way of the Peaceful Warrior, by Dan Millman, which was partially fiction. That was when my mind started churning with ideas for my own fully fictional story and characters.

El Space: How long did it take you to write this novel?
Lori: The format of the book was a difficult one to put together. It starts out eight years in the future and then goes back in time to the 1950s and 60s. The author of the earlier centuries is the character, Max Greenwood, telling the story of the two other characters, Julia Flores and Tobias Jones. In addition, I needed to integrate deep spiritual principles. Since I only had short stories published at the time, and hadn’t written a novel yet, I decided to start with something easier first. I began writing Through His Disciples’ Eyes after publication of my first novel, Whit’s End, a family saga.

After writing Through His Disciples’ Eyes, it went through my critique group for fixes, and then my editor for more fixes. It ended up being five years from the first words on the blank page to publication. But it’s been a long time coming since my first ideas around 2005.

El Space: How did you research it?
Lori: The research for the book was from all the spiritual seeking and reading I’d done years earlier. Many of the spiritual principles I derived from the Bible and my favorite author and sage, Paul Ferrini. I modernized some Bible stories for the twentieth-century characters. I watched old movies, TV shows, and a couple documentaries to research the 1950s and 60s for the trends and lifestyles.

El Space: What was the hardest part about writing this novel?
Lori: The hardest part was writing three separate stories and then tying them all together at the end.

El Space: What kept you going through the writing process?
Lori: Though the novel is not fully Christian in nature, reading the Bible and watching stories about Christ kept me going.

El Space: What do you hope a reader will take away from reading your novel?
Lori: Hope. There are three broken characters who go on soul-searching journeys they don’t really know they’re on. I want their processes of learning and overcoming to offer hope to others.

El Space: What will you work on next?
Lori: I have outlined a coming home story—about an empathic woman floundering and stumbling through life. She leaves home at eighteen, thinking moving away will improve her life, but matters only get worse. Will going home mean finding herself?

Thank you, Lori, for being my guest!

Looking for Lori? Check her out at her blog, Facebook, and Twitter.

Looking for Through His Disciples’ Eyes? Check Amazon!

One of you will be given a copy of Through His Disciples’ Eyes, just by commenting. Winner to be announced next week sometime. And check out this other book by Lori by clicking on the photo.

Book cover and author photo courtesy of L. Virelli. Other book covers from Goodreads.

Check These Out: Brand-New Bubbe and A Songbird Dreams of Singing: Poems about Sleeping Animals

Today, I am privileged to be here with two amazing picture book authors who are no strangers to the blog: Sarah Aronson and Kate Hosford. Sarah is here to talk about Brand-New Bubbe, which was published by Charlesbridge.

   

Kate is here to talk about A Songbird Dreams of Singing: Poems about Sleeping Animals, which was published by Running Press Kids/Hachette.

    

Sarah is represented by Andrea Cascardi and Kate is represented by Victoria Wells Arms. (Click on the book titles above to learn more about each book.)

El Space: What inspired this book?
Sarah: Becoming a brand new bubbe! Hi Sylvie, Alice, and Emmett! When my stepson announced that he and his wife were expecting, my husband and I were delighted! I couldn’t wait to be a bubbe! I immediately found a dark lipstick! When I shared the good news with friends, someone said, “Does it feel odd, since technically, you aren’t related?” Not related? I couldn’t believe my ears. Our blended family IS family! I began thinking about our family and how family really is more than blood. It’s made with love. That was all the inspiration I needed! I sat back and thought about all the changes in Jillian’s life, and how change is hard for kids. And then I thought about how family, like soup, is made of love . . . Just like writing, right? I’m so grateful to my editor, Yolanda Scott, for seeing the potential in this story, and for finding Ariel Landy to create the illustrations. Now, when I read this book, I invite kids to make their “family constellation,” and include all the people that bring light into their lives. It’s amazing!

Kate: My original inspiration for this story came from reading The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness by the naturalist, Sy Montgomery. After finishing this amazing book, I was sure that I wanted to write a poetry collection about octopuses for children. Although I did not know the author, I reached out to her to see if I could write to some of her contacts at the New England Aquarium. To my delight, Sy invited me to go to the aquarium with her and a group of friends. During our visit, I met her namesake, Sy the Octopus, along with many wonderful aquarium employees and volunteers.

But somehow, the poetry collection for octopuses never happened. My poems either seemed too serious or too trite, and I felt that I could not do justice to these incredibly intelligent and complex creatures. However, somewhere in the midst of my research, I discovered that some scientists believe that octopuses can dream. This led me to research the sleep habits of many different animals. After I found out that otters hold hands while sleeping, zebra finches rehearse their songs while dreaming, and frigate birds can sleep while flying, I knew I had found a new topic for my book. In 2019, A Songbird Dreams of Singing: Poems about Sleeping Animals was published with Running Press Kids.

El Space: The joy of writing always comes through in each of your books. I know there had to be challenges, because every great book has those. But what was the most delightful aspect of writing this book?
Sarah: Always the most fun is getting the illustrations! I LOVE how Ariel Landy depicted Jillian and Bubbe—and their pets. I love a great subtext! Like every book I write, this one took lots of revision, tinkering, and reimagination. The turning point in this story came after I made a dummy. Writers, I know it can be hard, but it is such an important step. That dummy showed me where the pacing was working . . . and where it wasn’t.

Kate: Thank you for saying that! The most delightful part of writing these poems was twofold: I loved the challenge of translating the science into accessible poetry for children, using many different poetic forms. I also loved corresponding with animal scientists who are probably one of the most generous communities I’ve ever encountered. I reached out to experts from all over the world and almost all of them took the time to write me back, edit my research, and generally educate me on the sleep habits of animals.

One of my poems was about a snail who had been found in Egypt and added to the collection at the British Museum in 1846. The museum conchologists glued the shell to a label, assuming the snail was dead. In 1850, the conchologists noticed a slimy mucus plug underneath the shell and realized that he still might be alive. After the shell was bathed in warm water, and the snail emerged, no worse for wear. It became so famous for its long nap that its portrait was drawn by a prominent artist at the time. The snail is now housed at the Natural History Museum in London.

I had been corresponding with Jonathan Ablett, the senior curator of Mollusca at the Natural History Museum, who said he could show me the famous snail’s shell if I came to London. We were planning a vacation there anyway, so my husband and I were able to see the shell along with many invertebrate specimens collected by Darwin, and all sorts of other fascinating creatures housed in the floors beneath the museum’s exhibition halls. Jon also kindly added my book to the museum’s library of mollusca and cephalopods. This was, beyond a doubt, one of the highlights of my career.

Kate’s book, with a very orange octupus.

El Space: What will you work on next?
Sarah: I am finishing up work on my next picture book biography, Abzuglutely: Battling Bellowing Bella Abzug (Calkins Creek, Astra Publishing). I just got a peek at the illustrations, and WOW. It is going to be gorgeous. Bella was one of my childhood heroes, and I am SO HONORED to be writing about her. I also just finished an adult novel and I’ve got a couple of projects in other genres, too. Anyone that knows me knows that I can’t say no to any idea, or a new genre! Creativity should not come with a brand. It’s all about joy! And reaching for more. And thinking and dreaming big, always with wonder and appreciation.

Kate: I usually work on many different things at once. My picture book, You’ll Always Be My Chickadee will come out with Chronicle in the spring of 2024. I wrote it during the summer of 2020, which we spent in Vermont where I grew up. I thought a lot that summer about all the time I had spent with my family exploring the forest, river, meadow, and other natural wonders around my childhood home, and bonds that nature can create between parent and child. I have also sold another book and will be happy to reveal more about that soon!

In terms of other projects, I am working on a book about animal mothers, a collection of poems about things that shed, a story about a day spent wearing pajamas, an early reader series, and a book about the moon.

Thank you both for being my guests!

Kate: Thank you for having me and Sarah on El Space today!

Looking for Sarah? You can find her at her website, Facebook, Twitter, Instagram, and Pinterest.

Looking for Kate? You can find her at her website, Twitter, Instagram, and Facebook.

Brand-New Bubbe: BookshopIndiebound, Booked, Amazon, Barnes and Noble

A Songbird Dreams of Singing: Poems about Sleeping Animals: Bookshop, Amazon, Barnes and Noble

A copy of each book will be given away, Kate’s to one winner and Sarah’s to another. (Happy Holidays, y’all.) Comment below on your favorite seasonal cookie to be entered in the drawing. Winner to be announced next week.

Other books by Sarah and Kate (click on each book to learn where to purchase)

  

 

Book covers from Goodreads. Sarah Aronson author photo courtesy of Sarah Aronson. Kate Hosford author photo and museum photo courtesy of Kate Hosford. Sleeping otters photo from Reddit.

Check This Out: Film Makers and Torch

With me on the blog today is the awe-inspiring Lyn Miller-Lachmann who is here to talk about two more books she has written. She’s already been on the blog in recent months to discuss two other books. Click here and here for those interviews. Today, we’re celebrating her nonfiction book, Film Makers: 15 Groundbreaking Women Directors, which was coauthored by Tanisa “Tee” Moore and published by Chicago Review Press on September 6.

       

Torch, her historical novel for young adults, will be published by Lerner/Carolrhoda on November 1. Click here to read the synopsis.  Lyn is represented by Jacqui Lipton.

El Space: Lyn, you have been quite the workhorse this year with so many books debuting. Film Makers: 15 Groundbreaking Women Directors debuted last month. Torch debuts next month. There’s a connection between the two, besides you as their author. Please share that connection if you can, unless there is a huge spoiler you can’t reveal.
Lyn: No spoiler at all! I came up with the idea for Torch after watching the TV miniseries Burning Bush, which begins with the self-immolation of Charles University student Jan Palach in Prague in 1969 to protest the Soviet invasion of Czechoslovakia the previous year and his people’s passivity after losing their freedom and independence. The director of that miniseries is Agnieszka Holland, a Polish director who has made a number of significant historical films, including three that explore the Holocaust and the more recent, Mr. Jones, about the Soviet terror-famine known as the Holodomor in 1930s Ukraine. Holland is one of the groundbreaking women directors I included in Film Makers and one of my all-time favorite directors.

El Space: You have so many interests. I’m always curious as to how you choose a project to work on.
Lyn: While Burning Bush showed me the different ways the people of Czechoslovakia resisted the Soviet occupation, I never got a sense from the miniseries of the young people who bore the brunt of the repression, including Palach, who sacrificed his life. I asked myself, Who were his friends? How did his death change their lives? What consequences did they face as a result of their association with him? From there, my characters of Pavol, Štěpán, Tomáš, and Lída emerged.

In the case of Film Makers, my agent, Jacqui Lipton, represented other authors who were writing for Chicago Review’s Women of Power series, and she invited me to submit a proposal. I like films and use them heavily in researching my historical fiction, so I suggested women directors. And since one of the filmmakers I wanted to include was Ava DuVernay and Tanisia Tee Moore, who was one of Jacqui’s other clients at the time, is a huge fan of her work, I suggested Tee as a co-author.

El Space: I was only familiar with nine of the fifteen filmmakers featured in your book. How did you research it? Were you able to talk to the featured directors?
Lyn: The series features contemporary directors, ones still working in the industry, so Tee and I chose some of our current favorites. We wanted directors from diverse backgrounds, those who worked with both popular franchises and indie films, documentary filmmakers, and TV directors and showrunners. Most of the directors make both feature films and TV episodes. We weren’t able to talk to the directors personally—that’s show business—but we saw several in exclusive panels for festivals and premieres.

El Space: How did the characters of Torch come to you? Why was it important for you to tell their story?
Lyn: Pavol is based on Jan Palach and even more on a secondary student, Jan Zajíc, who followed in his footsteps a month later. The first one of his friends who came to me was his girlfriend Lída, who, unbeknown to him, is pregnant with his child. Tomáš is my most autobiographical character—an autistic child of privilege who cannot fulfill his father’s expectations because of his neurodivergence but has a keen eye for the hypocrisy of the communist elite. Pavol is a genuinely kind person, and Tomáš clings to him as his first and only friend. Štěpán, on the other hand, is the bully who has tormented Tomáš all the way through school. However, his friendship with Pavol—due in part because they share a desire for freedom, and in part because he has an unrequited crush on Pavol—motivates Štěpán to change, even though change is hard for him. I wanted to tell these stories because all four teenagers lose their dreams and their futures when the democracy and freedom of expression they’ve been promised is taken away. This freedom is precious to them, and they’re willing to give up everything—their families, their homes, even their lives—to keep it. This is a something I think many young people in our country are becoming aware of now, because we’re beginning to lose our freedom in so many areas.

El Space: Though Torch is historical fiction, it feels current thanks to recent events. How did you wrap your head around the past events? Did you have to turn off today’s news in order to stay immersed in the past?
Lyn: I’ve written about young activists and human rights, most notably my debut YA novel, Gringolandia, about a Chilean refugee teen during the Pinochet dictatorship whose father, an underground journalist, is released from a political prison and comes to live with his family in exile. I think that growing up in an oppressive social and political environment in the South and being bullied because of my differences has made me keenly aware of how societies bully and oppress. And no, I didn’t turn off today’s news. It’s in the background of everything I write.

El Space: What was your process for working on multiple projects with more than one co-author? Is there anything you would do differently? Why or why not? What advice do you have for an author who juggles multiple projects?
Lyn: For both Film Makers and Moonwalking, the verse novel I wrote with Zetta Elliott, my co-author and I were responsible for alternating chapters in the book. In the case of Moonwalking, I wrote the poems from the point of JJ, my white autistic character obsessed with The Clash, and Zetta wrote the ones for Pie, the Afro-Latinx honor student who wants to make it in the art world like Jean-Michel Basquiat. For Film Makers, we divvied up the 15 directors and drew from our backgrounds and experiences in writing their biographies. In both cases, the collaboration worked because each of us had our strengths that complemented each other. But it takes a lot of trust in each other to make that happen.

As far as juggling multiple projects, which I continue to do, what helps is scheduling blocks of time for each project. By now, I have a good idea of how much time each needs and the best environment—work space, time of day—to work on each.

El Space: What will you work on next?
Lyn: I’m working on four translations from Portuguese—two picture books and two YA graphic novels. I’m also in the middle of a YA verse novel that’s set in Portugal and inspired by several of my translation projects. There will be more exciting news to come!

Thank you as always, Lyn, for being my guest!

Searching for Lyn? You can find her at her website and Twitter. Film Makers: 15 Groundbreaking Women Directors  and Torch can be found here:

Amazon        Amazon
B&N              B&N
Indiebound    Indiebound
Bookshop      Bookshop

One commenter will receive Film Makers: 15 Groundbreaking Women Directors. Another will receive Torch. Comment below to be entered in the drawing. Winners to be announced sometime next week.

Book covers and author photo courtesy of Lyn Miller-Lachmann. Ava DuVernay and Agnieszka Holland photos found somewhere on the internet.

Check This Out: Big Bear and Little Fish

I’m so glad to welcome back to the blog the amazing Sandra Nickel, who is here to talk about her latest picture book, Big Bear and Little Fish. It was illustrated by Il Sung Na and published on September 6 by Carolrhoda Books/Lerner Publishing Group. Sandra is represented by Victoria Wells Arms.

Check out the book trailer:

El Space: Well, now, you’ve gone from nonfiction to fiction! Congratulations! Please tell us how this book came about.
Sandra: After you and I graduated with our MFAs in Writing for Children and Young Adults, I did an extra semester. This time, I focused on picture books, and had the great luck to study with Kathi Appelt, who as you know, is a Newbery Honoree and a two-time National Book Award finalist. During that semester, I worked on nonfiction, but I also wanted to understand how some of my favorite fiction authors did what they did. I was particularly fascinated by Arnold Lobel, who wrote stories with heart and humor, and a touch of philosophy.

I read every single one of Lobel’s stories. I read them slowly and repeatedly over a period of four weeks. After I finished, I didn’t have much time for the writing I owed Kathi Appelt. I was worried. But then, I opened my laptop and Bear and Little Fish tumbled out. I think Kathi was a little surprised when they landed on her desk. They were so different from everything else I had sent her. But there they were, all the same, a bear and a fish.

 

El Space: How did you shape this tale of friendship? Did you base Bear or Fish on people you know or did you start from scratch? Why or why not?
Sandra: I didn’t consciously base Bear or Fish on anyone. But I must admit that I’m a lot like Bear. I’m a worrier, as she is. I try hard to get things right, but so often don’t. So, I guess you could say, I’m Bear. And what about Fish? Thanks to your question, I’ve realized that Fish is a conglomerate of my close friends. She’s thoughtful, a bit of a philosopher, and wonderfully positive and upbeat. She’s a fantastic friend like my friends and the perfect counterpoint for the worriers of the world.

El Space: Kirkus called Big Bear and Little Fish a “lovely, gently humorous story,” and “a delightful tale.” I totally agree. What were the challenges that came with writing your book?
Sandra: There really weren’t any challenges. As soon as I opened my laptop after reading Arnold Lobel’s books, Bear and Fish were there. I had heard other authors talk about how their books wrote themselves. How characters showed up and talked to them. How the characters told their own story. But this had never happened to me, not until Bear and Fish. And what a joy it was to listen to them and write down their story! It was so much easier than my nonfiction books, with their months of research and just as many months of reducing that research down to a thirty-two-page story.

El Space: Il Sung Na’s illustrations are just perfect for your book. Do you have a favorite spread? If so, which one?
Sandra: I 100% agree about Il Sung Na being the perfect illustrator for Big Bear and Little Fish. I had this incredible wave of joy the first time I saw the final illustrations. That cover! The look on Bear’s face is so befuddled, you can’t wait to throw open the book and find out what is going on. And those endpapers! I laugh each time I see Il Sung’s vignettes of Bear’s different emotional states as she adjusts to the idea of a little fish being in her life.

As for my favorite spread, hmm, that’s a tough one. I really do love all the illustrations. But for you, L. Marie, I made myself choose one—well, two. I love the spread where Bear is bringing Fish home for the first time. Il Sung has given Bear an extremely worried expression and emphasized her emotional state by casting her in a purple shadow that is reminiscent of a dark fairytale forest. The combination of setting and Bear psychology is brilliant! Bookending this spread, toward the end of the story, is Bear after she’s walked through all the shadows and worry. Here, she’s on the other side of her discoveries about Fish, and more importantly, the discoveries about herself! She is surrounded by bright light, she carries Fish on her head, and is thrilled with her place in the world. The juxtaposition of these two spreads is inspired and so fulfilling for the reader.

El Space: Your book is so quirky. Are there any humorous picture books that inspired you? If so, which ones?
Sandra: You’ve already heard about Arnold Lobel and how he inspired me. During my extra semester, I also read other friendship stories. George and Martha by James Marshall and Winnie-the-Pooh by A.A. Milne. We’re all used to these stories now, having read them since childhood, so we may have forgotten how really quirky the characters in these books are. George likes to peek in windows. Martha loves looking at herself in mirrors so much that she wakes up during the night to look at herself some more. And as for the Hundred Acres Wood, it includes a piglet who is scared of nearly everything, an owl who is not as smart as he thinks he is, a donkey who has become synonymous with doom and gloom, and a bear who thinks he is empty headed but is, in fact, quite the philosopher. Each of these characters is fun and funny because of their utter uniqueness. When it comes to humor, the more the character is filled with foibles, the more fun it is.

   

El Space: How will you challenge yourself next? What are you working on?
Sandra: I just received an offer for my most recent nonfiction book, so I think I’ll turn to fiction again. Maybe a garden story. Or, one about friends. Or, one about ideas. Who knows? Maybe I’ll even dream up a sequel to Big Bear and Little Fish. Wouldn’t that be fun!?!

Yes it would! Thank you, Sandra, for being my guest!

Looking for Sandra? Check out her website, Twitter, and Instagram.

Looking for Big Bear and Little Fish? Look for it at Barnes and Noble, Amazon, Indiebound, Bookshop, or your favorite local bookstore.

One of you will received a signed copy of Big Bear and Little Fish. Comment below to be entered in a drawing. Winner to be announced sometime next week.

Check out Sandra’s other books:

 

Author photo, Big Bear and Little Fish book covers and spread courtesy of the author. Illustrations by Il Sung Na. Author photo credit: Emo-Photo. Other book covers from Goodreads. Kathi Appelt photo from the VCFA website.

Check This Out: Coming Up Short

With me on the blog today is the fabulous Laurie Morrison, who is here to talk about her latest middle grade novel, Coming Up Short, released on June 21 by Abrams. Cover art by Mike Burdick and design by Deena Fleming. Laurie is represented by Sara Crowe. (Click on Abrams above to be taken to the synopsis.)

El Space: Now that you’ve got four published novels, if you could go back in time to before you knew Every Shiny Thing would be published, what would you say to yourself then to encourage yourself?
Laurie: That’s a great question. As you know, it took a while (and a handful of shelved manuscripts) before Every Shiny Thing sold, and there were times when I felt disheartened because I was pouring so much time and work into writing books that didn’t get published. Looking back from my current vantage point, I would try to reassure my former self that none of that work was wasted. All those early projects helped me hone my craft and develop a whole repository of ideas and characters that have found their way into books that did get published. So I would urge myself to trust my own process and have faith that as long as I am writing stories I love—stories that no one but me could write in quite the same way—then I am doing everything I can to make my dream of becoming a published writer come true, and my work has value whether it ends up in bookstores or not.

El Space: I love that! Great answer! What inspired you to write this novel? Why was it important for you to tell this story?
Laurie: After writing Up for Air, which features a competitive swimmer, I was eager to write another sports story. There are so many compelling dynamics to explore when it comes to sports, and I was so moved by readers’ responses to Up for Air that I wanted to offer a follow-up that people who loved that novel would be excited about. This time, I wanted to write about softball—a sport I played growing up—and I wanted to focus on pressure and performance anxiety because I was a kid who loved sports but didn’t respond well to the intensity that comes along with sports once you reach a certain level. I also really wanted to write about a kid who feels pressure to be perfect and responsible for her parents’ happiness; those are other pressures that I’ve dealt with and seen my former middle school students grapple with, but I hadn’t seen them explored much in middle grade fiction and I think they’re important to delve into.

El Space: What characteristics of yours does Bea share? How is she different from you?
Laurie: Bea has some of my perfectionism, and she and I both feel responsible for things that aren’t really our responsibility and we’re hard on herself when we make mistakes. But she’s a whole lot tougher and feistier than I am, and she’s a much better softball player than I was!

El Space: What inspires you these days—books, podcasts—whatever?
Laurie: Two middle grade novels that have inspired me a lot are Erin Entrada Kelly’s Those Kids from Fawn Creek and Tae Keller’s Jennifer Chan Is Not Alone. They’re the kinds of books I want to read once for enjoyment and then again to analyze and learn from them. I recently binge-listened to Hayley Chewins and Lindsay Eager’s Story of the Book podcast and found their conversations about craft to be extremely inspiring and illuminating, and I’m also really inspired by the picture books and chapter books my young kids are devouring. We’ve been reading a lot of Princess in Black books recently, and it’s been such a joy to see how that series builds and to notice which aspects delight my kids the most.

 

El Space: As an author, what other formats do you think you’d like to try—graphic novels, screenplays, etc.? What would you stay away from?
Laurie: I’ve always wanted to write a book that’s entirely epistolary, and I’d also like to write a short story or two as well as a novel that’s really funny. There’s some humor in all my books, but I’d like to try something where the humor is central. I keep waiting for all the books I read with my kids to rub off on me because I’d love to try writing for a younger audience, whether that’s a picture book or chapter book, at some point, but so far I feel most drawn toward writing for an upper middle grade audience. Maybe someday I’ll try another age category, but I’m happy in this niche for now. I don’t think I’d ever try to write a graphic novel script—though I love graphic novels—because I’m not very visual or concise, so I don’t think that format would play to my strengths at all!

 

Two epistolary novels

El Space: What will you work on next?
Laurie: I have another realistic upper middle grade novel in the works that hasn’t been announced yet, but I’m excited about it. For now, I’ll just say that it features academic overachiever rivals, distance running, the summer between eighth and ninth grade, and more of a romance than any of my other books to date.

How awesome to have Laurie on the blog! If you’re looking for her, you will find her on her website, Instagram, and Twitter.

To find Coming Up Short, check out Children’s Book World, Indiebound, Amazon, and Barnes and Noble. And check out Laurie’s other books.

  

Comment below to be entered into a drawing for a signed copy of Comng Up Shorr. Winner to be announced sometime next week..

Author photo courtesy of Laurie Morrison. Author photo credit: Laura Billingham. Books covers from Goodreads.

Check This Out: Moonwalking

Put on your ’80s going-to-the-mall clothes! With me on the blog is the awesome and prolific Lyn Miller-Lachmann (left), who is here to discuss Moonwalking, her historical novel in verse co-authored with the equally awesome Zetta Elliott. (See cover reveal post here.) Moonwalking was published by Farrar, Straus and Giroux (BYR) on April 12. Lyn is represented by Jacqui Lipton.

   

For a synopsis of the book, click here.

El Space: You have two books debuting this month! We’ll talk later about the second. But how amazing is that? How does that make you feel?
Lyn:
Very busy! My last book launch, not including translations, was June 2015—seven years ago—so it was a huge adjustment to get back into promoting my books. Also, the industry has changed and my last book was a YA novel, Surviving Santiago, so how I’ve gotten the word out about the books has been different. I’m grateful to my co-author, Zetta Elliott, for doing more than her share in terms of blogging about Moonwalking and going on social media. This is an exciting time, and I’m learning a lot, which will surely help me when my next YA novel, Torch, launches on November 1 of this year.

9780762456338

El Space: Congrats on getting four starred reviews for Moonwalking from Publishers Weekly, Booklist, Kirkus, and Horn Book. How has that recognition been a game changer for you?
Lyn:
The starred reviews for Moonwalking are the first I’ve received for any book I’ve written, though I did get Kirkus stars for two of my translations from Portuguese to English:The World in a Second (Enchanted Lion, 2015) and The President of the Jungle (Nancy Paulsen Books, 2020). I feel that the starred reviews have given me a certain level of approval in terms of craft that’s especially gratifying because I spent a lot of time in the seven years between publications to improve my craft and try new forms and techniques like the verse novel. These stars make me think of when JJ gets his social studies project back and sees, “My first A+ ever!”

El Space: How did you decide that Moonwalking needed to be a novel in verse? Did you experiment with other formats or was telling the story in verse the chosen way from the beginning?
Lyn:
Zetta suggested the verse novel format right at the beginning, as we were coming up with the story line and the characters. She’s a celebrated poet for adults, but she’d never written a verse novel for young readers, one that foregrounds story arc and accessibility. She wanted to try a form that captures the artistic flowering of 1980s New York City even though neither Pie nor JJ see themselves as poets. I had been working on a YA verse novel at the time—one in which the protagonist does dream of being a poet in the mold of Elizabeth Acevedo’s groundbreaking The Poet X—but I put it aside to work on Moonwalking. We sold the book on the basis of a detailed synopsis and three poems each. I’d never sold a novel with so little written before, so this was a new experience for me—and it was a verse novel from the very beginning.

El Space: Why was it important for you to tell this story?
Lyn:
I came up with JJ’s story because I wanted to write about a white boy who’s grown up comfortably middle class and privileged, losing it all when the government fires and blacklists his father and the other members of the PATCO union after the August 1981 strike. I read Gregory Pardlo’s haunting memoir, Air Traffic, where he talks about his family suddenly descending into poverty and instability as his father is unable to find regular work. Sadly, this has been the story of so many Americans of all races (Pardlo, for instance, is Black), but the growing numbers of white Americans who have lost the economic security and communal ties that unions offer make them especially vulnerable to demagogues seeking to blame the Other. JJ is struggling to find his way within these circumstances, but he’s also coming to see how he often gets more consideration because he’s white.

El Space: What was the process of collaborating with your coauthor? Did you guys each start with a character? With the plot?
Lyn:
We started with our individual characters and their stories—JJ, the newcomer to Brooklyn trying to find his place, and Pie, the longtime resident who loves his neighborhood and the nexus of adults who support him but also wants to escape to something better like his artistic role model, Jean-Michel Basquiat (photo below). Because I broke my ankle in January 2020, around the time we signed the contract, I was stuck at home with lots of time to write, so I finished my poems long before Zetta, who moved house three times in the middle of a pandemic. Once she finished, we looked at what we had, brainstormed some endings that diverged from our original outline/synopsis, and added, subtracted, and revised poems.

El Space: How long was the writing period? What was the road to getting it accepted at a publisher?
Lyn:
We had a tentative acceptance within a week after submitting the outline/synopsis and sample poems. Several publishers were interested. We spoke to them by phone over the course of a week, and ultimately decided on the pre-empt with Grace Kendall at FSG—the editor of Zetta and Noa Denmon’s Caldecott Honor Book, A Place Inside of Me—because we loved her vision and her equal appreciation of both boys’ stories. It took me about six months to write my draft of the poems, another six months for Zetta to finish hers, and another six months for revising and incorporating our separate narratives into one unified narrative.

El Space: What novels in verse inspired you?
Lyn:
Besides Elizabeth Acevedo’s The Poet X and her dual point of view, Clap When You Land. I especially appreciated Susan Hood’s WWII verse novel Lifeboat 12 for its portrayal of a 12-year-old boy who felt invisible in his family and in school and struggled with what probably were learning disabilities. Like Ken in her book, JJ has a lot going on inside and doesn’t realize the extent of his power and what he can accomplish if he stands up for what’s right. At the same time, many of the people around him don’t recognize that he’s a keen observer of the world around him and the hypocrisy within it, and that he’s on his way to becoming a composer of the music that allows him to express himself when his words can’t.

 

El Space: What will you work on next?
Lyn: I’m going back to that YA verse novel, but I’ve also been working on several nonfiction projects for older elementary school students related to twentieth century history. I like the idea of working in multiple genres and categories, but related topics, because it allows me to reuse and expand upon the extensive research that I do.

Thank you as always, Lyn, for being my guest!

Searching for Lyn? You can find her at her website and Twitter. Moonwalking can be found here:

Amazon
Barnes and Noble
Indiebound
Bookshop

I’m giving away a copy of Moonwalking. Comment below to be entered in the drawing. Winner to be announced next week sometime.

Book cover and author photo courtesy of Lyn Miller-Lachmann. Other covers from Goodreads. Jean-Michel Basquiat photo by Andy Warhol found at Wikipedia.

Expert Advice

First, let me announce that this is NOT an April Fool’s joke.

The other day, I thought about expertise and what exactly makes someone an expert. Years of experience? A large social media platform? When you seek advice, do you seek advice from an expert? It really depends on what you need, right? After all, you wouldn’t go to someone for legal advice who was still in law school. But you might go to that law student if you were looking for advice about the application process, since that person successfully completed the process.

When it comes to publishing, I usually look for someone who can offer me more experiential knowledge than I currently have. Though I have many years of experience in publishing, I still don’t consider myself an expert, because no one masters every imaginable genre in publishing. So there’s always something to learn, especially from a fellow writer, an editor, or an agent. Even as an editor, I can only give an opinion to the author about what may or may not need to change—even in line edits.

Awhile ago I pitched a manuscript to a mentorship program where mentorships are offered by published novelists if your pitch is picked. Once chosen (not everyone is) you would then submit your manuscript to the mentor or mentors who would then help you to submit it to an agent. The one I’m referring to is this one. Click to find out more information. That’s one way of seeking expert advice.

What expert advice have you sought recently? Were you satisfied with the result? While you consider your answer, let’s celebrate the winners of the following:

Laura Bruno Lilly’s Swimming with Swans: The Music—Goat Suite (Saga) (Click here for the interview.)

and Sandra Nickel’s Breaking Through the Clouds: The Sometimes Turbulent Life of Meteorologist Joanne Simpson (Click here for the interview.)

The winners of Swimming with Swans: The Music—Goat Suite (Saga) are

Jennie

Nancy Hatch

The winner of Breaking Through the Clouds: The Sometimes Turbulent Life of Meteorologist Joanne Simpson is

S. K. Van Zandt!

Winners, please comment below to confirm. Thank you to all who commented.

Covers and photos courtesy of the composer and author. Expert image expertly done by L. Marie.

Check This Out—War of Nytefall: Eulogy

On the eve of Clyde’s dream becoming reality, his life will be torn asunder.

Cover Art by Alison Hunt

As his dream of peace becomes a reality, Clyde faces his darkest challenge.

With the Dawn Fangs’ existence exposed, the time for negotiations has begun. Mortal rulers and the council of Nytefall gather to discuss terms, but chaos is already stirring. It does not take long for Clyde’s dream to become a nightmare as villages are slaughtered by a Dawn Fang who is rumored to be the newly crowned Vampire King. Bodies of friends and enemies pile up as this mysterious imposter reveals why mortals should fear Clyde. Will Clyde’s final adventure see his dream of peace fail before it is realized?

The truth is more horrifying than the Dawn Fangs ever imagined.

*****

Curiosity piqued? Check out this teaser!

The Truth?

Coming to the windmill, Magrus coats his body in a protective shell and carefully climbs to the top of the broken structure. Slowly turning in a circle, he scans the area to get a full sense of the remaining magic. He ignores the auras of the guards, who are sifting through the wreckage to find more bodies. Those who have been located have already been moved to the outskirts where they are being prepared for transport. Peering down the narrow road, he can see an oxen-driven cart is getting closer and sighs at how it will not be enough to collect all of the dead. Magrus considers warning the lieutenant, but he fears it will lead to a long conversation and waste more of his precious time. He turns to where the man is helping to prop up a wall, which has crushed a family of four. Shaking his head, the Zarian climbs down from his perch and uses his staff to help him navigate his way out of town. Nothing catches his interest, but he stops momentarily to send a few more lost souls to the afterlife.

“Let us see what really happened,” Magrus whispers as he reaches the woods.

Turning back to the village, the man plunges his staff into the earth and grips it tightly to prevent himself from falling over. His eyes develop a rainbow shimmer over the gold as he wavers on his feet. Fighting through the looming fatigue, the priest lets his magical vision change from what is in front of him to revealing phantoms of the past. Transparent buildings rise back into place and ghostly figures go about their lives even though he can still sense a little of what is truly there. Magrus scowls at the sight of a black-haired figure landing a few feet away, the puff of dirt revealing an illusion covering the small crater. Within seconds of appearing, the man rushes at the town and begins destroying everything in sight. Using only his fists and feet, he breaks houses and shatters people. The attacker’s speed is almost too much for the Zarian to follow, so he focuses on examining the phantasmal carnage for clues. He spots bite marks on several necks and sees the chickens were devoured in the blink of an eye. Torches and candles are knocked over to start the fires, which explode into an inferno connected to the illusionary plume of smoke. Magrus is not sure what caused the sudden blast since the attacker had been tearing the local blacksmith in half at the time. Deciding he has seen enough, the man freezes the vision before falling to his knees from the exertion. He is able to hold the image for another second before it disappears, but it still gives him a clear view of the rampaging figure.

“This cannot be shared,” Magrus says as he takes out a piece of paper. He mutters a spell to transfer the image of a black-haired man with a corn-shaped necklace from his brain to the parchment. “It would appear that Clyde of Nytefall is not as big a fan of peace as one would believe. Yet, I still see mysteries here. The fires grew without his influence and I see no reason why he would want this place discovered. I have many questions, Lady Zaria, so I cannot purify the Vampire King until I have answers. There has never been a man or monster who has escaped my thorough investigations. This one will be no different. I swear on my goddess’s crimson hair that Clyde and the Dawn Fangs will be judged. Then, if necessary, they will be punished.”

Click here for your copy of the Dawn Fangs’ final battle for
99 cents on Amazon!
Help spread the word by adding it to your Goodreads ‘To Read’ List!

*****

New to War of Nytefall?Grab all 8 Volumes for 99 cents each ($8 total)!

Cover Art by Alison Hunt

Interested in more Windemere? Then don’t forget to check out Charles E. Yallowitz’s first series: Legends of Windemere

Cover Art by Jason Pedersen

About the Author:

Charles Yallowitz was born and raised on Long Island, NY, but he has spent most of his life wandering his own imagination in a blissful haze. Occasionally, he would return from this world for the necessities such as food, showers, and Saturday morning cartoons. One day he returned from his imagination and decided he would share his stories with the world. After spending many years fiddling with his thoughts and notebooks, he decided that it was time to follow his dream of being a fantasy author. So, locked within the house with only pizza and seltzer to sustain him, Charles brings you tales from the world of Windemere. He looks forward to sharing all of his stories with you and drawing you into a world of magic.

Blog: www.legendsofwindemere.com
Twitter: @cyallowitz
Facebook: Charles Yallowitz
Instagram: https://www.instagram.com/cyallowitz/

Enjoy Clyde’s final adventure by clicking here!

L. Marie here. I’m giving away a copy of War of Nytefall: Eulogy to a commenter. So to enter the drawing, please comment below!

When I Relax, I . . . Work?

Sadly, I did not get a post out last week to announce the winner of Charles Yallowitz’s War of Nytefall: Anarchy. The week got away from me with its awful stress. I’m sure you can relate to stress. One of these days, I’ll have the emotional wherewithal to tell you alllllllllllll about it. For now, let’s discuss a stress management tactic—rest/relaxation. I don’t mean taking a nap, though my mom says that’s her favorite form of stress relief. I’m not much of a napper, because napping subtracts from my nighttime sleep hours. The only time it doesn’t is when I’m really ill.

  

One of my favorite forms of rest/relaxation, besides watching this show (based on the book by Guillermo del Toro and Daniel Kraus)

or playing this

is to crochet. I’m currently making an underwater habitat for this little whale as part of a gift.

   

Whale crochet pattern by LittleMagicHouse

Coral, seaweed, and shell patterns by TheYarnConspiracy.

It might seem like a lot of work. And it is. But with every stitch crocheted or felt sewn, that’s minutes of stress off my back. I’m not sure why it works that way for me. Some people do crossword or jigsaw puzzles (looking at you, Jill Weatherholt and Charles Yallowitz); I crochet. I like to keep my hands busy while watching a movie or show on Netflix.

What do you do for relaxation? While you consider that, Marian Beaman, consider yourself a winner of Charles’s latest book!

Thank you to all who commented and faithfully read this weird blog.

Book cover and author photos courtesy of Charles Yallowitz. Other photos by L. Marie.

Check This Out–War of Nytefall: Anarchy Is 99 cents!

As the vampires battle in the shadows, a new enemy appears to drag them into the light!

Cover Art by Alison Hunt

The paladins of Windemere have had enough!

As the Vampire Civil War heats up, mysterious murders are being committed against members of every holy order. All signs point to the culprits being vampires, which has resulted in the creation of a unified paladin army. To protect his people, Clyde must find the killers before the holy warriors unleash their purifying crusade. It is a battle against frustrating obstacles as the war inches closer to mortal civilization and ambitious new allies join Nytefall.

One slip is all that is needed for the secret of the Dawn Fangs to be revealed.

Curiosity piqued? Check out this teaser!

The urge to move faster nearly overtakes Lost’s common sense, but she reminds herself that adults are supposed to be patient. As if her mind is trying to undermine her actions, she is on the verge of whistling the first tune that slips into her thoughts. Sucking in her lips, the Dawn Fang pierces them with her fangs to stop them from causing trouble. The pain makes her eyes water and she squishes mud in her hands to hold back a scream. Reaching out with her telepathy, she tries to locate her targets while she lets her unfocused thoughts run their course. A distant prayer to Ram the War God causes her to change her direction and she takes a deep breath to regain her composure. With the paladins so far away, Lost moves a little faster, but stops short of giving in to her silly, impatient urges. Seeing the edge of the tall grass, she drops again and uses her elbows to pull herself along like she remembers seeing Titus do on several missions. As she comes out of her cover, the bright sun blinds her, so she is unable to stop herself from banging into something metal, which falls onto her back.

“Get off of me!” Lost shouts before telekinetically hurling the object into the river. She scrambles to her feet and freezes at the sight of six paladins standing in her path. “Such shiny and pretty armors, you have here. I really like the guy with the big helmet. Is that an ostrich feather? I keep meaning to ride one of those again. So, nice day for a walk. This is bunny who is totally unable to fly. That’s why he’s on my head. Your friend seems okay, so there’s absolutely no reason for us to spend any more time together. Bye!”

“You must be Lost,” Lord Adam says through his great helm. He takes a step forward and holds out a diamond fused to a bronze chain. “We are well aware of you and your abilities, monster. That is why I travel with this. None of your mind tricks will work on those who stand in my presence. Even your keen senses are tricked by the spells designed specifically to thwart your actions. Be honored that we went to so much trouble to design items with you in mind. No other Dawn Fang has earned so much individual attention.”

“That’s kind of creepy,” she replies as she steps back. Seeing weapons getting drawn, she stops retreating and playfully slaps at the mud with her bare feet. “Needed to wash some gunk out from between my toesies. Well, this is awkward. You brought me such a pretty present and I don’t have anything for you. Bunny says that I need to work on my manners. There’s really no need for violence. Dawn Fangs are mostly good. Just like mortals, we have some bad ones, but we’re all individuals like all of you. I mean, we all eat soup the same way, right? I really hope you all use spoons for that comparison to work.”

“Abominations such as you-” the paladin begins to announce.

“Look at the naked heretic!” she shouts while pointing into the distance.

All of the holy warriors, except for Lord Adam, turn to see what Lost is gesturing at, so she flings mud at their leader’s helmet grating. The man coughs and hacks as the Dawn Fang sprints back to the river and launches herself to the other side. A quake meets her as she lands and she nearly topples onto her side, but manages to stumble along. Glancing over her shoulder, she does not see any of the paladins in pursuit and considers slowing down to get her bearings. Lost’s eyes go wide when she sees the powerful steeds rise into the air, arch over the river, and land in a perfect line that immediately charges ahead. The open plains allow the warriors to move at full speed, which is only slightly slower than the sprinting Dawn Fang. They hurl spells and glowing weapons, which return to their hands, but the attacks never hit their mark. Those that come close are deflected by a telekinetic shield, which repeatedly shatters upon impact thanks to Lord Adam’s diamond weakening her even from a distance. With the relic defending the paladins’ minds and muffling their hoofbeats, she has to repeatedly look over her shoulder to make sure none of them have disappeared. To her relief, they never break formation and she gets a sense of their attack pattern, which never falters.

Get a copy of this vampire action adventure for
99 cents on Amazon!
Help spread the word by adding it on Goodreads!

*****

Want to catch up on War of Nytefall? Grab the volumes 1-6 for 99 cents each ($6 total)!

Cover Art by Alison Hunt

Interested in more Windemere? Then don’t forget to check out Charles E. Yallowitz’s first series: Legends of Windemere

Cover Art by Jason Pedersen

About the Author:

Charles Yallowitz was born and raised on Long Island, NY, but he has spent most of his life wandering his own imagination in a blissful haze. Occasionally, he would return from this world for the necessities such as food, showers, and Saturday morning cartoons. One day he returned from his imagination and decided he would share his stories with the world. After spending many years fiddling with his thoughts and notebooks, he decided that it was time to follow his dream of being a fantasy author. So, locked within the house with only pizza and seltzer to sustain him, Charles brings you tales from the world of Windemere. He looks forward to sharing all of his stories with you and drawing you into a world of magic.

Blog: www.legendsofwindemere.com
Twitter: @cyallowitz
Facebook: Charles Yallowitz
Instagram: https://www.instagram.com/cyallowitz/

Enjoy the fang-filled adventure by clicking here!

L. Marie here. Comment below to be entered into a drawing to receive a free copy of War of Nytefall: Anarchy. Winner to be announced next week.