Check This Out: The World’s Greatest Detective

Hi, ho! Please help me welcome back to the blog the one and only Caroline Carlson. (Click here for Caroline’s last visit.) Today is the birthday of her latest middle grade novel, The World’s Greatest Detective! It was published by HarperCollins with a cover illustrated by Júlia Sardà. You can read an excerpt of the book at Entertainment Weekly’s website. Click here to do so.

    

Caroline is represented by Sarah Davies. Now, grab your deerstalker and magnifying glass, and let’s talk to Caroline!

El Space: Four quick facts about yourself?
Caroline: I believe there is an inherently delicious way to cook any vegetable, but sometimes that way is hard to find.
I can tap dance. I’m pretty good.
I am that obnoxious sort of person who likes to get to airports several days in advance of my flight.
I’ve been visiting schools and bookstores talking to kids for five years now, but I still get nervous every time!

El Space: You’re known for your pirate series—The Very Nearly Honorable League of Pirates. So, what inspired your new middle grade mystery novel, The World’s Greatest Detective? Is this a series also?
Caroline: I’ve always loved reading mystery novels and have wanted to try my hand at one for a while now. All three books in the Very Nearly Honorable League of Pirates series have elements of mystery in them, actually, but The World’s Greatest Detective is the first book I’ve written that’s styled after classic whodunits. Readers who are familiar with Sherlock Holmes or with Agatha Christie’s novels will probably recognize a lot of the story’s elements, and that’s intentional—one of my goals was to honor my favorite mystery icons and introduce kids to the genre in a fun and humorous way.

     

The World’s Greatest Detective isn’t part of a series, at least for now. I’d love to send Toby and Ivy on a new adventure someday, but I don’t want to write another mystery novel unless I have a really good idea for the mystery at the heart of the story, and that hasn’t happened just yet. It’s also been lots of fun, after working on a trilogy, to write a book that can stand on its own metaphorical feet.

      

El Space: Batman considers himself to be the world’s greatest detective. But he’s got money and gadgets to help him out. Without giving any spoilers, what do Toby and Ivy have to help them solve mysteries?
Caroline: I don’t know if Toby and Ivy would be any good at saving Gotham, but they do the best they can with their limited resources. Toby has learned a little bit about detective work from his uncle Gabriel, who has an office on the famous Detectives’ Row, and he also happens to be enrolled in a correspondence course to become a junior detective. Ivy’s got a huge library of true crime stories, a clothes rack full of disguises, a skeleton named Egbert, and a knack for setting traps with tablecloths and trip wires. Ultimately, though, they’ve got to put away their gadgets and rely on their powers of deduction to solve the murder that happens right under their noses.

El Space: Sounds exciting! Steve Moser, who was a former police detective in real life, gave some tips from this article at the Police Magazine website. Here is one of them:

Take time to step away and regroup. Sometimes you have to step back and either do something else or just take a break. Many ah-ha moments occur this way.

Would your characters agree? Why or why not? Why is this also good writing advice?
Caroline: Toby and Ivy would hate to step away from a good case, but I think they’d grudgingly agree that some of their most crucial insights have come at the moments when they’ve been forced to remove themselves from an investigation. And I certainly agree that breaks are essential to my own writing process. By the time I’ve finished a first draft of a book, I’ve been working on it nonstop for months, and I usually don’t have much of a sense of what’s working and what’s not. It’s hard for me to view the manuscript objectively—as an editor or a reader would—until I’ve taken some time away from it. Sometimes a writing problem that seems intractable can be solved with a little bit of time and distance.

  

El Space: Did you have a favorite mystery book or series when you were a kid? If so, what? Why?
Caroline: Yes, lots! I particularly loved mysteries that encourage readers to solve a puzzle along with the characters. My favorite example of this type of book is Ellen Raskin’s The Westing Game. There are a few subtle Westing Game references in The World’s Greatest Detective; let me know if you find them!

El Space: What will you work on next?
Caroline: I’m just finishing up a draft of my next book, which is a fantasy adventure tentatively called “The Door at the End of the World.” It has a little bit of magic, lots of jokes, and too many bees.

Thanks, Caroline, for being my guest!

And thank you to all who stopped by to chat with Caroline. Looking for Caroline? You can find her at her website, Twitter, Facebook.

The World’s Greatest Detective and other novels by Caroline can be found at Amazon, Barnes and Noble, and Indiebound. But I will send a copy of The World’s Greatest Detective to one of you who comments below. Winner to be announced on May 29. (Another giveaway also will be announced then.)

Author photo by Amy Rose Capetta. The World’s Greatest Detective cover courtesy of the author. Other covers from Goodreads. LEGO Batman from fanpop.com. Detective images from cctvcamerapros.com and clipartpanda.com. Veggies from clipartlord.com. Bee image from Pinterest.

Check This Out: Ritual of the Lost Lamb

Dark times are waiting for the champions in
RITUAL OF THE LOST LAMB!

Cover Art by Jason Pedersen

Death is a blessing that the Baron is not ready to bestow upon his new toy.

In the chaos surrounding the Spirit Well, Luke Callindor has disappeared and the only clue the psychic scream of agony that Dariana cannot ignore. Knowing that a journey to Shayd will result in their ultimate battle, the champions have devised another way to rescue their friend. With permission from the gods, Nyx has begun the Ritual of the Lost Lamb. It is a long and exhausting spell, which is made even more difficult by a new threat that is out to make all of the Baron’s enemies suffer.

It is a race against time where every minute lost brings Luke Callindor one step closer to a fate worse than oblivion.

Grab it on Amazon!

Add it to your Goodreads ‘To Read’ List!

Excerpt: Audience Granted

Having said her piece, Nyx gnaws on a hunk of jerky and sips at a waterskin while the others discuss her idea. She refuses to admit that she is having second thoughts about breaking a god seal even with permission. The last time she accomplished such a feat was by accident and resulted in her magic being sealed for days. Nyx shudders at the memory of feeling so many lives ending at her hands and takes a sloppy drink of leathery water to steady her nerves. The result is a full body convulsion of disgust and a hacking cough as the liquid goes down her windpipe. Flicking a green beetle off her shoulder, the channeler impatiently paces in a circle and wonders why the others are taking so long.

The hairs on the back of Nyx’s neck rise and her arms become covered in goosebumps as a pulse of energy ripples through the clearing. She is about to ask her friends if they feel anything, but stops when she sees that they are frozen in time. The half-elf’s heart pounds in her chest as she fears that the Baron is about to attack. More terror seeps into her mind when she expects to turn around and find Luke’s tortured body dangling before her eyes. Not wanting to be caught by surprise, a flaming disc appears in her palm and hums as she searches for the source of the powerful spell. The snap of a twig to her left causes Nyx to hurl the fiery circle, which splits into a swarm of deadly copies that would destroy any normal enemy. Against the ebony platemail of Gabriel, the discs puff into balls of harmless smoke that remain hovering in place.

“Your friends have agreed to your idea,” the Destiny God states, ignoring the mortal’s amusing attack. He removes his black cape, which becomes a vague chair for the nervously bowing channeler. “Now, this is unique. In fact, it is quite unheard of, which is why I am granting you an audience. The Law of Influence says I cannot get involved, but nobody has ever asked for permission to do something like this. Needless to say, all of us are very curious to see how all of this plays out.”

“I want to unseal the Ritual of the Lost Lamb,” Nyx politely requests while she takes a seat on the cape. An enchanting warmth rises from the cloth and she nearly falls asleep from the blissful energy that infects her body. “This is the only way to save Luke without marching into the Baron’s territory. We both know that is what he wants. With the forbidden ritual, I can gather my little brother’s residual energy and bring him home. None of us will be at risk since it’s a combination of a summoning and teleportation spell.”

“Strange that you know about a spell designed by channelers. Especially since it has not been used since the ancient Race War,” Gabriel says with a nod of his head. Urging voices in the back of his head causes the god to hum with his mouth closed, the spell jolting the sources of his rising irritation. “The Ritual of the Lost Lamb was taken from mortals before my time, but I understand the reason it made the gods worry. Such a thing could be the first step into summoning a deity against his or her will. Possibly even stealing immortality. Though I believe times have changed and we should reconsider the sealing.”

“Time is also running out,” the channeler replies, shying away when the powerful deity stares at her. A flickering realization that the Baron’s power might be on the same level of Gabriel gives her the courage to meet the man’s piercing eyes. “I apologize for sounding like I’m rushing you. Yet, it has been said that the gods and goddesses have no concept of time since you exist forever. That means I have to push even though I want to speak with respect.”

“In other words, you want a decision now.”

“That would be best, sir.”

“Sadly, I cannot agree to your terms.”

“I haven’t made any terms.”

“Exactly.”

Need to catch Legends of Windemere from the beginning? Then click on the covers below!

You can start for FREE . . .

Cover art by Jason Pedersen

Or grab the $4.99 ‘3 in 1’ bundles!

Cover Art by Jason Pedersen 3D Conversion by Bestt_graphics

Cover Art by Jason Pedersen
3D Conversion by Bestt_graphics

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

 

Also Available in Single eBooks:

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover art by Jason Pedersen

Cover art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Interested in a new adventure? Then grab your Kindle & dive back into the world of Windemere! Don’t forget an apple for Fizzle.

Author PhotoAbout the Author:

Charles Yallowitz was born and raised on Long Island, NY, but he has spent most of his life wandering his own imagination in a blissful haze. Occasionally, he would return from this world for the necessities such as food, showers, and Saturday morning cartoons. One day he returned from his imagination and decided he would share his stories with the world. After his wife decided that she was tired of hearing the same stories repeatedly, she convinced him that it would make more sense to follow his dream of being a fantasy author. So, locked within the house under orders to shut up and get to work, Charles brings you Legends of Windemere. He looks forward to sharing all of his stories with you, and his wife is happy he finally has someone else to play with.

Blog: www.legendsofwindemere.com
Twitter: @cyallowitz
Facebook: Charles Yallowitz
Website: www.charleseyallowitz.com

Check This Out: How The Queen Found the Perfect Cup of Tea

With me on the blog today is the always lovely Kate Hosford. She’s here to talk about her latest picture book, How the Queen Found the Perfect Cup of Tea, which was illustrated by the amazing Gabi Swiatkowska. This book, published by Carolrhoda Books in March 2017, is too delightful for words.

  

Check out the book trailer:

Now, let’s talk to Kate!

El Space: Four quick facts about yourself?
Kate: (1) I love the tea set that my grandmother left me.

Kate’s grandmother’s Spode china

(2) When I studied in India during college, I loved drinking chai on trains.

Indian chai at the launch party at Books of Wonder in New York

(3) This summer, I got to drink tea at the Buckingham Palace Garden Café, where they have really nice paper cups.

Fancy to-go cups

(4) My new favorite place in New York is the Japanese tea house, Cha-An, where they have wonderful Matcha and a great selection of desserts.


Matcha with something sweet at Cha-An

El Space: How did you come up with the idea for this picture book?
Kate: At first, I simply had a vague idea about a queen going around the world and drinking tea with children from different cultures. But after several revisions, the story became about a lonely, pampered Queen who thinks she is searching for the perfect cup of tea, when she is actually searching for friends and meaning in her life. In the final version, tea still has a multicultural function in the story, but it is also a metaphorical device for tracking the Queen’s emotional state. Gabi Swiatkowska did such a great job showing the Queen’s many emotional states not only as she learns to make tea, but as she learns how to do other things as well, like snuggle a kitten.

El Space: This is your second collaboration with illustrator Gabi Swiatkowska. What was your process for working with Gabi? How long was the process from writing to production?
Kate: Gabi and I met in an illustrators’ group in 2000, back when I was doing illustration. We were good friends before we became collaborators, which was probably helpful. This book has a complex emotional arc, with the Queen making a bit more progress in each place she visits, but then backsliding to her old haughty ways at the beginning of each visit to a new place. Gabi did an amazing job of conveying all the emotional complexity in the book. Sometimes I offered opinions that Gabi took, and other times, she would stand her ground. I have learned that when Gabi stands her ground, she is always right!

Gabi and Kate at their launch party at Books of Wonder

I started this book with my faculty advisor, Uma Krishnaswami, in 2009, when I was getting my MFA in Writing for Children and Young Adults at Vermont College of Fine Arts. I sold it to Carolrhoda Books in 2013, and it came out this spring. In my original drafts, I had the children in each country giving the Queen little gifts, and acting deferential. Uma encouraged me to “turn colonialism on its ear,” and create child characters that are completely unimpressed with royalty. This is when the book really came together. When the children treat her like a normal person, the Queen begins to evolve emotionally.

Interior illustrations © 2017 by Gabi Swiatkowska

El Space: Favorite tea? What, if anything, do you take in your tea?
Kate: I drink a lot of peppermint tea and honey, lemon tea and honey, green tea, and chai.

El Space: In a discussion of why picture books are important, Kwame Alexander said

Picture books are the great experience equalizer. We don’t have to leave the comforts of the beds in the rooms of our houses, and yet we can still travel through time and place and circumstance.

Erzsi Deak said

Picture books are also the groundwork for understanding innately how Story works, as the reader anxiously turns the page to see WHAT HAPPENS NEXT.

Why do you think they’re important?
Kate: Oh there are so many reasons! I agree with everything that Kwame and Erzsi said, and here a few other reasons as well:

Picture books can create intimacy. Often picture books are read out loud, either by a teacher or parent. This sort of intimate experience allows the child and adult to bond over the book together, which then gives the child yet another reason to continue reading.

Picture books hone a child’s ear. When picture books are read out loud, they allow children to hear the rhythms and cadences of beautiful language, which hopefully makes them want to read more.

Picture books are good for the brain. The child who is seated next to a picture book reader is synthesizing the words on the page, the language of the reader, and the illustrations. The constant toggling back and forth between these elements is stimulating and complex, forging the neural pathways that are essential for increasing intelligence in a young child.

El Space: Name a favorite picture book from your childhood. Why was it a favorite?
Kate: Probably my favorite book was called Alexander and the Magic Mouse by Martha Sanders and Philippe Fix. It is a gorgeous, eccentric book about an old lady who lives on the top of a hill with a Magical Mouse, a Brindle London Squatting Cat, a Yak, and an alligator. One day, the Magical Mouse predicts that the town below will be endangered by thirty days of rain. It is then up to Alexander to make the treacherous journey into town to warn the mayor about the rain. The book’s illustrations are just spectacular, and I loved the fact that this eclectic group of animals lived with the Old Lady.

The cover where the Old Lady is serving tea

Strangely, I didn’t realize until I just reread the story that tea plays a rather important role in the book. The Old Lady gathers her friends every day in the drawing room for tea, she nurses Alexander back to health with ginger tea when he returns from warning the mayor, and at the end of the book, when the mayor comes to honor the Old Lady for saving the town, she gives the medal to Alexander instead, and invites the mayor and her animal family to tea.

  

The Old Lady, nursing Alexander back to health with ginger tea (left); the mayor, having tea with the Old Lady and her friends at the end of the book

El Space: What will you work on next?
Kate: A poetry collection about how brilliant the octopus is! I read Sy Montgomery’s incredible book, The Soul of an Octopus: A Surprising Exploration into the Wonders of Consciousness. and then was lucky enough to meet Sy and interact with her namesake, Sy the Giant Pacific Octopus at the New England Aquarium. I also want to do something funny related to the life of a classical musician. This is a bit of a challenge since most of them had really difficult and tragic lives. However, Jonah Winter was able to do it in his fabulous picture book, The 39 Apartments of Ludwig van Beethoven, where he tries to figure out how Beethoven could have moved five legless pianos to 39 different apartments. It’s such a unique topic, and his treatment of it is wonderful.
I’m also very excited about a picture book I have coming out next spring with Abrams called Mama’s Belly. It’s about a little girl waiting for her sister to be born, and wondering if there will be enough love to go around. (Spoiler alert: There is!)

    

Thanks, Kate, for being my guest!

And thank you to all who visited this blog. You can find How the Queen Found the Perfect Cup of Tea at Amazon, Barnes and Noble, and Indiebound.

Want a curriculum guide for How the Queen Found the Perfect Cup of Tea? Click here.

You can find Kate at her website, Twitter, and Facebook.

One of you will find her book in your mailbox or tablet. Comment below to be entered in the drawing. You could name your favorite tea as you comment. The winner will be announced on May 1.

Kirstea, the tea-loving Shoppie, gives Kate’s book five stars!

Book covers, author photo, interior illustrations, and book signing photos courtesy of the author. The Soul of an Octopus, Surf’s Up, and Pumpkin Time covers from Goodreads. Kirstea photo by L. Marie. Kirstea Shoppie doll by Moose Toys.

Check This Out: Chasing Bedlam

Return to the Shattered States
for a tale of love between a woman & her jeep!

Cover Art by Jon Hunsinger

Cover Art by Jon Hunsinger

Lloyd and Cassidy’s last adventure was to honor a life. This time they are out to end one.

It was a normal, violent mission to Texas that should have had nothing more than beer-induced hiccups. That is until an old enemy makes off with Cassidy’s jeep and most of their gear. Needless to say, she’s pissed off and challenging Lloyd for the psychopath of the month award. With the mouthy serial killer by her side, she is going on the warpath from Dallas to Miami even if it means declaring war on the drug cartels.

So strap in for another wild ride through the Shattered States and learn why you never mess with Cassidy’s jeep.

Available on Amazon for 99 cents!

Want a taste?

“So your boss thought she could send assassins to kill the Riflemen,” the black-haired leader says, earning a cheer from his men. A firm smack to the prisoner’s head silences her gurgling attempt to deny the charge. “Nothing you say can prevent the inevitable. Don’t go thinking that pet serial killer will save you either. The idiot brought a paintball gun to Texas and thought he’d win a gunfight? I’m surprised he lasted as long as he did. All we need to do is find the body and we can collect the bounty on him too. Guess you’re lucky that he’s wanted dead and you’re wanted alive by that warden up north.”

“I’d be careful, boss,” a sword-wielding gang member warns. She leans away from the angry glare, but rolls up her sleeve to reveal a sloppily stitched wound. “While this one isn’t as tough as her reputation says, she can still hit hard. Lost two men before we restrained her and three more are nursing broken balls. Maybe we should use some of our tranquilizer stash and keep her sedated.”

“No reason for th-” Top Hog begins as he runs his hand across the prisoner’s forehead. He rubs his fingers at the sensation of something sticky between his fingers and looks closer to figure out what he has touched. “This scar is fake. Made from glue or something. Are you sure this is Cassidy?”

“She was with Lloyd Tenay at the bar,” a one-eyed man replies in a shaky voice. He shifts from one foot to the other when everyone else takes a step away from him. “You told us to look for him and a blonde woman. She had the denim jacket, the forehead scar, cursed a lot, carried two pistols, and even has the correct tramp stamp. Everyone was calling her Cassidy after she drove up in the blue jeep too. We made sure that everything checked out, boss. Even bribed the bartender and two waitresses.”

Sweat beading on his face, Top Hog draws his large gun and presses it to the prisoner’s temple. He leans around her, his eyes repeatedly darting toward her hands to make sure they are still bound. Lifting her white shirt, he sees the unique tattoo that the widespread stories mention Cassidy getting a little less than a year ago. The design is two pistols back to back with vines of bone curling around and binding them together. A strange discoloration catches the gang leader’s attention and he rubs his thumb along the woman’s side, pushing his weapon harder against her head to prevent wiggling. He swears that he feels a seam, so he gets a dirty fingernail beneath what turns out to be a flesh-colored sticker. Top Hog yanks it off and shows it to his men, the prisoner biting her lower lip to avoid screaming. He can already see that the tattoo is smeared from where he has touched it with his meaty fingers.

Enraged and embarrassed, the gang leader is about to kill the fake Cassidy when he hears distant rock music. Within seconds, he realizes that the source is getting closer and is soon joined by maniacal laughter coming over a crackling megaphone. With a snap of his fingers, Top Hog orders one of his men to take the prisoner to his office while the others run for the exit. Nobody gets very far before a blue jeep, which has been outfitted with a wide battering ram, smashes through the front of the warehouse. The vehicle leaves a gaping hole in the wall, which is made worse by hooked chains on the rear bumper that catch and tear more of the obstacle down. The jeep continues at full speed through crates, shelving units, and the slower gang members whose deaths are celebrated by honks of the horn. Tires screech as the driver hits the brakes and gets the car to spin, the move appearing to have no purpose beyond making those inside dizzy. With an embarrassing thud, the vehicle hits the back wall and hisses to a stop.

The gang have already drawn their weapons and are cautiously approaching the jeep when the sunroof opens. Bullets fly at the blonde figure that leaps out, the projectiles creating so many holes that the top half of their target falls off. The legs of the cardboard cutout are casually tossed to the floor before the shriek of a megaphone makes everyone cringe and cover their ears. With the tattered remains laying face up, the frustrated criminals realize that they have destroyed another Cassidy decoy. They are about to inch closer when the jeep briefly roars to life and a man inside begins making engine noises. The sounds change to the exaggerated screams and detailed begging of those whose parts are still stuck to the scuffed battering ram.

“So that was your plan, Cassidy?” Top Hog asks with a chuckle. He turns to see their prisoner is trying to roll away and fires his gun into the air to stop her. “Two decoys, so that you could get the drop on us. Guess you thought more of us would get run over. You still have thirteen of my crew standing and you’re cornered in that jeep. Now, the only question is if I send a piece of you back to the Duchess as a message that she should stay out of my business. Damn northerner needs to stay out of Texas’s business.”

“Actually, that young woman was the bait and I was the distraction,” Lloyd announces from inside. With a gleeful laugh, he opens one of the doors and yanks it back when the gang shoots at him. “Well shit. That was my favorite power window button. Anyway, people make that mistake all the time. You see, bait draws you in and, at least here, allows the real predators to follow you back to the previously hidden hideout. Not even a sign to help us out, which is very rude and unaccommodating. Now, the distraction’s job is to keep you looking in one direction while a mischievous maiden of mayhem prepares her new toy somewhere else. Don’t bother running, boys, because she’ll take that as an insult.”

Top Hog and his men turn toward the hole in the wall, which has exposed them to the large parking lot. The sun forces them to squint at the lone figure standing behind a loaded mini-gun, the weapon glinting in the midday light. Clouds move across the sky, which makes it easier for the gang to identify the denim jacket and blonde hair of their enemy. They take a few shots at the distant woman, but their bullets either miss completely or bounce off several riot shields that are strapped to the weapon. A slamming car door causes them to jump, but they turn in the wrong direction and are unable to stop Lloyd from racing toward the prisoner. Wearing orange pants from his time as a prisoner and a red shirt with a lightning bolt, the black-haired serial killer seems like an obvious target as he scoops up the young woman and dives behind a box of grenades. Suddenly afraid for their lives, Top Hog and his men attempt to scatter and hunt for cover.

“I hate moving targets,” Cassidy growls.

And don’t forget how it all started in
CROSSING BEDLAM!
Also on sale for 99 cents!

charles

About the Author:

Charles Yallowitz was born and raised on Long Island, NY, but he has spent most of his life wandering his own imagination in a blissful haze. Occasionally, he would return from this world for the necessities such as food, showers, and Saturday morning cartoons. One day he returned from his imagination and decided he would share his stories with the world. After his wife decided that she was tired of hearing the same stories repeatedly, she convinced him that it would make more sense to follow his dream of being a fantasy author. So, locked within the house under orders to shut up and get to work, Charles brings you Legends of Windemere. He looks forward to sharing all of his stories with you, and his wife is happy he finally has someone else to play with.

Blog: www.legendsofwindemere.com
Twitter: @cyallowitz
Facebook: Charles Yallowitz
Website: www.charleseyallowitz.com

Check This Out: Mythos

With me on the blog today is the awesome Andy Murray. If you’re a follower of his blog, City Jackdaw, you know that he’s a poet who released a collection of poems called Heading North, published by Nordland in December 2015. We talked about that here on the blog. Now, Andy is here to talk about the short stories he contributed to Mythos, the second volume in the Northlore series, published by Nordland in December 2016. (By the way, Andy contributed a short story and a poem to Folklore, the first volume of the series.) Stick around after the interview to learn how you can get your hands on Mythos.

coverreveal Andy Photo

El Space: Four quick facts about yourself?
Andy: 1. I’m at least six-generation Mancunian. 2. I knew my wife for twenty-six years before we got together. I play the long game. 3. I’m vegetarian. 4. Despite my name, I don’t like tennis!

El Space: What interested you about writing stories for this second volume? When I read the premise, I couldn’t help thinking of Neil Gaiman’s American Gods. I’m also reminded of Juliet Marillier’s Bridei Chronicles, in which the author mentions the Picts’ desire to hang on to their religion as Christianity moves forward in the land.
Andy: Well, I knew that the Northlore series was a planned trilogy of books, and being a part of volume one was such a positive experience I wanted to be a part of the succeeding book. Folklore was a great collection of prose and poetry, with something for everyone, and Mythos feels like a step up. They complement each other perfectly.
I’m not familiar with Bridei Chronicles, but I know what you mean about American Gods. The stories in Mythos are arranged in chronological order, in many different locations, and some of them are indeed set in modern America. The premise of the collection is that with the advent of Christianity the old gods knew that their time had come and they withdrew, but they didn’t cease to be. These are their continuing stories.

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El Space: What was the inspiration behind your stories, “Into the Storm” and “Saga”?
Andy: My wife and I used to be foster carers. A private tutor used to visit the house to give extra tuition to a teenage girl who was living with us. Through no fault of her own she had missed out on a lot of schooling and was behind many of the students in her class. In a bid to encourage her English, the tutor decided to set a writing competition for the whole family. My wife was mortified. She stipulated that our stories could be about anything, but had to bear the title ‘Holes’. I came up with a story set in the Somme of the First World War, you know: foxholes, shell holes, etc. But also a depiction of how some people seemed not to be made in the same way as others, as though there were pieces missing from their character and they were riddled with holes. I can’t recall how exactly I put it now, but it was along those lines. Anyway, I had that story lying around, and when I saw the call for submissions for Mythos, I took it and adapted it in a way that fit Nordland’s criteria. ‘Holes became ‘Into The Storm‘.

‘Saga‘ was born on a half hour bus journey from Manchester to my hometown. I was sat on the upstairs deck, daydreaming. This is how I sometimes get lines for my poetry. In my reverie, these spontaneous lines crossed my mind:

She asked me to write a four word love story:
she came home early.
She asked me to write a four word horror story:
she came home early.

I don’t know where this came from. Do we ever, really? But I began to think about it. How ‘she came home early’ could fit both love and horror stories, and what they implied. But, more importantly, I began to wonder about who ‘she’ was who was doing the asking. By the time I reached my destination I had the story finished in my head, but not trusting my memory I jotted down the outline on the Notes part of my mobile phone.

El Space: In a 1957 interview with Truman Capote [photo below] in The Paris Review, Capote said, “When seriously explored, the short story seems to me the most difficult and disciplining form of prose writing extant.” How would you respond to this?
Andy: Well, I love Capote, and I know that he was a very disciplined and methodical writer. I’m also reminded of Dylan Thomas referring to ‘my craft or sullen art’. In contrast with these two huge figures, though it may sound simplistic all I can say is that I write the type of fiction and poetry that I would like to read, and endeavour to make them the best that I can.

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El Space: When it comes to short story writing, which comes first for you: a character; a situation/plot; or an image? Any of the above? None of the above? I mentioned image, because C.S. Lewis once explained that the image of a faun with an umbrella came to his mind way before he wrote The Lion, the Witch and the Wardrobe.
Andy: A faun with an umbrella—that’s pretty cool! I wonder if he was on a bus? 🙂 I think for me the gist of the story comes first. I have in mind the kind of thing that I want to say, and in pondering on how to realise this everything else is born.

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El Space: What was your introduction to writing?
Andy: As a child I loved books, and loved writing too. My primary school teacher expressed concern to my mother one parent’s evening about the type of books that I read—James Herbert, Stephen King. But I later learnt that that same teacher used to pass my stories around the staff room for the other teachers to read. On my last day, before leaving for high school, she wrote in my autograph book ‘I hope you manage to get a book published one day‘. I tried to track her down recently to present her with a copy of Heading North, but was unable to find her. I’ve not given up, though.

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El Space: What will you work on next?
Andy: I’m actually on the second draft of a novel at the moment, provisionally called ‘Seasons On The Hill‘. It is about life on a northern housing estate, as seen through the eyes of different, interacting characters. The estate in question is actually a fictionalised version of where I live. Although none of the characters are based on real people, many of the situations involved really happened. Maybe with a little embellishment. Part humour; part tragedy. The stuff of life, yes?

El Space: Yes! Thanks, Andy, for being my guest!
Andy: Thank you Linda for this opportunity. As I saw someone comment recently upon one of your posts: you’re such an enabler!

El Space: Aw. I’m just glad people want to stop by here. 🙂

If you’re looking for Andy, head to Facebook and his blog.

You can find Mythos at Amazon. But one of you will find it in your mailbox or on your tablet. How? Comment below to be entered in the drawing. Winner TBA on February 4.

Mythos cover from the Northland website. Other book covers from Goodreads. Truman Capote photo from biography.com.

Check This Out: The Spirit Well

Return to Windemere in THE SPIRIT WELL!

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Born from the light and darkness, Dariana can no longer avoid her fate.

The final corrupted temple stands between the champions and Baron Kernaghan having their great battle. Only one problem: the Compass Key refuses to work with Dariana, who long ago wiped all memories of the Spirit Well from her mind. Now, they are forced to follow a trail of clues that Dariana’s former self left behind centuries ago. It is a path that will lead the champions into a part of their friend’s past that could tear them all apart.

Will the bonds of friendship be stronger than the call of blood?

Grab it on Amazon!

Add it to your Goodreads ‘To Read’ List!

Excerpt: I’m Sorry . . . Again

“I’m sorry, but I told you that my powers make the Compass Key argumentative when it comes to the Spirit Well,” Dariana sheepishly explains while rubbing her clear ring. She smiles when Fizzle lands on her head, the drite’s cool tail running down her spine. “This is very scary for me. None of the champions have made it to this temple, much less the final battle with my father. It’s hard to take in after this destiny being my entire life for so long. I used to always dream of how I would handle my temple, but things are different now that it’s no longer a distant dream. What if I make a mistake and get someone killed?”

“We trust you, my friend, and know that you will not fail,” Timoran whispers as he slides the Compass Key across the table. He is confused when the relic sparks at her touch and gets pushed back into his hand. “That is fairly disheartening. If you cannot use the Compass Key then there is no way to find this Spirit Well. Perhaps it does not like your physical touch and will respond to your telepathy. I wonder why the gods would create this obstacle.”

“It’s possible that we did this,” Delvin suggests while using one of his enchanted rings to create a delicious cup of coffee. He gestures for the barbarian to throw the relic over to him, but the red-haired barbarian refuses. “You’re right, Timoran. Probably not a good idea to toss something like that around. Anyway, we had the Compass Key warded against agents of the Baron. They aren’t able to see it, which means they can’t find or use it. The decision made sense at the time, but things are different now. Maybe our spell has a small effect on Dariana. Not saying you’re working with the Baron, but there could be enough of an aural touch to cause this problem. Do you think we should cancel the spells, Nyx?”

The channeler heats up a cup of tea, which she sips at while considering the possibility of her magic being the issue. “They should stay because I don’t think they’re the problem. Dariana said this has happened before, which means the gods made a mistake. Sorry for how that came out. Gabriel, who better not get angry at this conversation, created the Compass Key first and then turned Dariana into a champion. He couldn’t fix the problem thanks to the Law of Influence, so it’s remained all this time. Though he had to have created something to help us move on.”

“Maybe we have to find Isaiah and he’ll lead the way,” Sari says from the couch. Flipping to her feet, she joins her friends and immediately takes a strawberry off Luke’s plate. “He hasn’t been much help since the first temple, so one has to wonder what his purpose is. I doubt we need his protection any more, which means he has to have another role to play. What do you think, Dari?”

The telepath rubs her temples while scanning the city for a sign of the fireskin, part of her praying he is not nearby. Dariana finds evidence that Isaiah has been spying on them until recently, but the caster is long gone. She considers tracking the faint trail and goes as far as the outer wall, which is where the psychic tracks make an odd leap into the sky. The strain of following Isaiah any further makes Dariana pull back and return to find that everyone is staring at her again. Realizing that she can no longer delay the inevitable, she gets out of her chair and kneels to her friends. Fizzle is still clinging to her head, which makes the apologetic bow both amusing and awkward.

“I know I say this a lot, but I really am sorry, my friends,” Dariana states while keeping her forehead pressed to the stone floor. She looks up at the sound of rustling feet and is surprised to see that everyone is approaching her. “Long ago, I managed to avoid being put back to sleep long enough to track down the Spirit Well. My curiosity got the best of me and I wanted to know where my path would meet its end. I was still forced to wipe my memory of the location, but I do know that I left a map behind. There are a few clues that I buried in my subconscious where even I could not dislodge them after erasing the original discovery. More may come to me as we get closer, but all I know now is that we should go to Rodillen. I was hoping the Compass Key would work and we could avoid this extra journey.”

“Like our luck would be that good,” Nyx mutters while she helps Dariana stand.

Need to catch Legends of Windemere from the beginning? Then click on the covers below!

You can start for FREE . . .

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Or grab the $4.99 ‘3 in 1’ bundles!

Cover Art by Jason Pedersen 3D Conversion by Bestt_graphics

Cover Art by Jason Pedersen
3D Conversion by Bestt_graphics

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

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Also Available in Single eBooks:

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover art by Jason Pedersen

Cover art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Interested in a new adventure? Then grab your Kindle & dive back into the world of Windemere! Don’t forget an apple for Fizzle.

Author PhotoAbout the Author:

Charles Yallowitz was born and raised on Long Island, NY, but he has spent most of his life wandering his own imagination in a blissful haze. Occasionally, he would return from this world for the necessities such as food, showers, and Saturday morning cartoons. One day he returned from his imagination and decided he would share his stories with the world. After his wife decided that she was tired of hearing the same stories repeatedly, she convinced him that it would make more sense to follow his dream of being a fantasy author. So, locked within the house under orders to shut up and get to work, Charles brings you Legends of Windemere. He looks forward to sharing all of his stories with you, and his wife is happy he finally has someone else to play with.

Blog: www.legendsofwindemere.com
Twitter: @cyallowitz
Facebook: Charles Yallowitz
Website: www.charleseyallowitz.com

[L. Marie here. I plan to give away a copy of The Spirit Well to a commenter. The winner will be announced toward the end of the week.]

Check These Out: Picture Books by Eric Pinder

Greetings from the frozen north! (Yes, we had a snow visitation recently.)

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’Tis the season to be jolly as the well-known Christmas carol goes. And I can guarantee some jolliness when you check out the following picture books by the erudite and extraordinary Eric Pinder.

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Both books were illustrated by Stephanie Graegin and published by Farrar, Straus Giroux. Eric is represented by Ammi-Joan Paquette. Stick around till the end of the interview to learn about the giveaway. Ho-ho-ho!

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Kitty dressed as Santa? Perhaps she has something to do with this giveaway?

El Space: Four quick facts about yourself?
Eric: (1) Once upon a time, I worked at an observatory on top of a mountain and commuted home—well, partway home—by sled. As job perks go, it’s hard to beat an eight-mile sled ride.
(2) The last time I bought a new vehicle, it was a unicycle.
(3) My summer job in high school was working on a dairy farm. But the cows there couldn’t type.
(4) I still want to be an astronaut when I grow up.

The author reading one of his picture books to a library lion

The author reading one of his picture books to a library lion

El Space: You’ve written two books in the sharing with a bear series. They are utterly delightful! What inspired this series?
Eric: Thank you! Building blanket forts and blanket caves with nephews inspired the setting of the first book. Usually character or plot comes to me first, but this time the first thing the Muses gave me was a clear image of the setting for the opening scene. I could picture the room, and the cave, and someone reading inside it by flashlight.

For a long time, the working title of what became How to Share with a Bear was just “Cave.” I didn’t have any idea yet how the story would end or even who all the characters were. But I knew right away it would start with a blanket cave. And what lives in caves? A bear!

After reading How to Share with a Bear, students at Polaris Charter School made blanket caves.—Polaris Charter School, Manchester, NH

After reading How to Share with a Bear, students at Polaris Charter School made blanket caves.—Polaris Charter School, Manchester, NH

The themes about sharing and siblings developed from there.

El Space: Picture books have had a resurgence in publishing lately. Why do you suppose that is the case?
Eric: Picture books are such amazing works of art that adults often appreciate them too. At craft fairs and book signings, sometimes adults will wistfully browse the picture books and confide, sounding almost embarrassed, “I wish I had grandkids, because I still love picture books.”

Of course, the elaborate pictures and design also make them expensive to print, which probably makes publishers and readers alike choosier when budgets are tight. I don’t know, but I’d guess the resurgence is a combination of the economy improving and the Millennial generation starting to have children and looking for good books.

White Birch Books made bear-shaped cookies for a recent How to Build a Snow Bear book signing. The kids approved.

White Birch Books made bear-shaped cookies for a recent How to Build a Snow Bear book signing. The kids approved.

El Space: What drew you to picture books?
Eric: Until almost age 30, I had no inkling that I’d someday write books for children. In high school, I wanted to write science fiction like Ray Bradbury. In college, a class about nature writing introduced me to writers like Annie Dillard and Barry Lopez, and since I’d always liked the outdoors, that became my focus. Then a funny thing happened: everyone in my circle of friends started having kids. Suddenly, their houses were full of books by Seuss and Boynton.

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There’s a poetry to picture books—a kind of music. While hiking with two friends and their six-month-old on the Imp Trail in the White Mountains one day, I heard them recite from memory the entire text of a Dr. Seuss book. The humor and the rhythm of the words, and the obvious delight of the audience—their toddler—gave me a real appreciation for the work and lyricism that go into picture books.

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I just wish I had the talent to illustrate them, too. I admire and envy those who do. At the end of one book signing, when things were slow, I was absentmindedly doodling on a scrap paper. A customer across the room noticed the book cover on display, and her eyes lit up. “Ooh!” she said excitedly. “Are you the illustrator?” Then, walking closer, she noticed my drawing, frowned, and said, “Oh. No, you’re not.

El Space: Oh my goodness! I guess she didn’t realize how rude that sounded. . . . In an interview awhile back with CNN, famed picture book author Mo Willems was asked how to create a timeless tale. Is that something you think about when you write a picture book? Why or why not?
Eric: I like that quote by Mo Willems, “Always think of your audience, but never think for your audience.” I think there are certain universal emotions or experiences, like sharing or anxiety or trying new things, that can help keep a story timeless even if it’s presented in a topical way. A century or two from now, I’m sure, there will be kids who want to drive the family spaceship instead of the bus. But I’d bet Don’t Let the Pigeon Drive the Bus would still resonate with them, because it’s not so much the topical vehicle that matters—it’s the underlying idea of imagining a pigeon or a child driving something big and bulky and thus capable of fun mayhem, which usually only the adults get to drive, that’s amusing and timeless.

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El Space: What advice do you have for budding picture book authors?
Eric: Because picture books are real aloud, performed in a sense by the parent or teacher or babysitter, the cadence of every sentence and the sound of every syllable is important. I recommend reading poetry, as well as picture books, to get a feel for the sounds of words and the moods and nuances they can convey. I like to think of poetry as “using the language as a musical instrument, to convey emotion or meaning.” Stephen Fry’s The Ode Less Travelled is a funny, informative book about poetic meter. It’s helped me a lot with writing picture books. But the biggest help was taking the picture book semester at VCFA.

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El Space: What will you work on next?
Eric: New ideas for picture books spring up all the time. Sometimes just witnessing a silly pet pratfall, or hearing a heartwarming anecdote, or noticing a strange word combination or phrase on a billboard can start the wheels in motion on a new story. Recently I’ve been revising a picture book about a little girl on Mars. I’m also finishing up a narrative nonfiction book about the joys and challenges of teaching in the era of standardized tests and student loans. When I teach nature writing at our college, we go on a lot of class field trips in the woods, so there’s a bear in that book, too.

My next picture book, The Perfect Pillow, is forthcoming in 2018. Surprisingly, that one does not include a bear, but there’s still a lot of sharing. And a dragon.

Thank you, Eric, for being my guest!

Looking for Eric? You can find him on Facebook, Twitter, and his website.

You can find How to Share with a Bear, How to Build a Snow Bear, and other picture books by Eric Pinder at Amazon, Barnes and Noble, Wal-Mart, Powells, and possibly on your own front doorstep. One of you will win How to Share with a Bear and How to Build a Snow Bear. Simply comment below, giving the title of a favorite picture book you had as a child (or now), to be entered into the drawing. The winner will be announced on December 15. Stayed tuned for more book giveaways and information on Kitty Santa!

Author photo by Jenn Pinder. Cookie photo by Eric Pinder. Book covers from Goodreads. Dr. Seuss image from cliparts.co. Snow and Kitty photos by L. Marie.