Hidden Figures

After reading the title of this post, you’re probably thinking of the 2016 movie of the same name. But I’m thinking of this person.

Back in the day, I was really into the Waldo books. If you don’t know what those are, they are picture books in which the reader is tasked with finding Waldo, a character hidden within a crowded scene.

Like this one.

Not as easy as it sounds. How about you? Have you see the Waldo books? Were you ever a fan?

Though I knew this series was the creation of London illustrator Martin Handford (left) back in the 80s, I didn’t realize the character was originally called Wally in the UK until I looked for images for this post. The name had been changed when the books were published in the U.S. The character also has different names in other countries where the books are found.

I wondered why finding this character (and others, like Wenda, Wilma, and Odlaw [below]) was and still is popular. (You can even find Waldo on Facebook.) According to this article at Smithsonian.com, it all comes down to the satisfaction of visual search—staring fixedly at something until you find what you’re looking for. This is why word searches are so popular. Also, the search for Waldo/Wally has helped scientists study eye movement.

 

Here’s another article on the science of finding Waldo: https://exploringyourmind.com/how-does-our-brain-find-waldo/

Writing a memoir or a biography is a kind of search. Instead of looking for Waldo, the author looks for his or her place or his or her subject’s place in the vast arena of history. And yes, that’s the segue to the reveal of what you probably came for: the winner of a copy of Mennonite Daughter—The Story of a Plain Girl by the one and only Marian Beaman. Click here for the interview with Marian.

   

The winner of Mennonite Daughter—The Story of a Plain Girl is Lori of Lori’s Lane!

Thank you to all who commented.

Henry is convinced that he would make an excellent Waldo. In fact, he thinks you’ll have a hard time finding him in this photo.

Waldo postcard from blogspot.com. Book cover from barnesandnoble.com. Martin Handford photo from waldo.fandom.com. Wenda from somewhere on Pinterest. Odlaw from Waldo.wikia. Henry photo by L. Marie.

The Peanut Butter Falcon—Dream a Little Dream

This past weekend, a friend and I headed to the theater to see a movie neither of us knew much about: The Peanut Butter Falcon, which was written and directed by Tyler Nilson and Michael Schwartz. (Don’t worry. There are no spoilers in this post.) Shia LaBeouf, Zack Gottsagen, and Dakota Johnson are the stars of this drama/adventure. Though Shia LaBeouf and Dakota Johnson are more well known and are very compelling in this, the main draw of the film is Zack Gottsagen, an actor with Down syndrome—only the second time I’ve seen representation onscreen like this, the first being a TV show called Life Goes On. Zack plays Zak (yes, Zak), a young man who fervently hopes to become a professional wrestler, a fact you learn in the trailer.

The film premiered at the South by Southwest film festival this past March. As my friend and I discussed the movie afterward, we talked about how these days we’ve seldom seen such a heartfelt journey story, one that critics describe as Mark Twain-esque—a very apt description. We were impressed by the messages of the film—follow your dreams; treat others with grace and dignity even if it means going the extra mile for that person. (By the way, what dream are you following?)

In a day when many are pilloried on social media, and spewing hateful comments is deemed a fundamental right, I can’t help being inspired by a pair of director/writers who chose to present an alternative to negativity. (Click here to see an interview with the actors.)

I can’t think of a better segue to a giveaway of some books by Jill Weatherholt, an author whose goal also is to provide an alternative to negativity. I interviewed her in my last post, which you can find here.

   

The winner of A Mother for His Twins (which would sound really funny if you heard someone say this out of context) is Lyn!

The winners of the Autumn Hearts anthology are Charles and Clare!

Winners, please comment below to confirm. Thank you to all who commented.

Having been inspired by The Peanut Butter Falcon, Tia Tigerlily has made a practice of giving at least one affirmation a day to her mini-me, whose dream is to own a flower shop someday.

Peanut Butter Falcon poster from justjared.com. Book covers from Jill Weatherholt and Goodreads. Author photo courtesy of Jill Weatherholt. Other photo by L. Marie. Tia Tigerlily Shoppie doll is a product of Moose Toys.

Check This Out: A Mother for His Twins and An Apple Orchard Reunion

Hello! With me on the blog today is the amazing Jill Weatherholt, who has three publications to discuss: her latest Love Inspired novel, A Mother for His Twins; her novella, An Apple Orchard Reunion in the Autumn Hearts anthology, and “A Labor Day Reunion,” a short story in Woman’s World Magazine—just in time for Labor Day, the holiday that just passed.

      

    

Jill is represented by Jessica Alvarez. After Jill and I talk, stay tuned for a giveaway announcement.

El Space: Four quick facts about yourself?
Jill: 1. I’m afraid of heights and will not ride on an escalator, but I’ve always wanted to go skydiving.
2. When I was twenty-years-old, I was diagnosed with Crohn’s Disease.
3. I once won a limbo contest while vacationing in Key West.
4. I love cayenne pepper and I put it on most foods.

El Space: Jill, so much is happening for you. A Mother for His Twins just released. Your novella, Autumn Orchard Reunion also debuted in Autumn Hearts. And you have a short story in Woman’s World. You’re very committed to romance and happily ever after stories. Please tell us why this is so and why you see stories like this as important today.
Jill: When some people think of romance, they often associate it with a Fabio-type hero and heroines who are helpless or weak. For me, writing romance and happily ever after stories is a way to unplug from the 24-hour bombardment of news stories that are often tragic and can leave me feeling hopeless. People say you should write the book you want to read. When I read, I want to escape from the pain and suffering going on in the world. I want to have faith that things can get better and good things can happen, even when it feels like all hope is lost. When I read that last page, I don’t want to be left feeling sad or depressed. I want to be reassured there is still good in the world.

     

El Space: What were the challenges for you in producing your third novel for Love Inspired?
Jill: As you know, through our email exchanges, A Mother for His Twins was the most difficult book for me to write. It was a challenging time for my family. Distractions and worries kept me from maintaining my focus. At times I felt physically and emotionally drained. I wondered how in the world I’d ever meet my deadline. I questioned my ability. I felt like I was sinking in quicksand. Thankfully, through prayer and the support from those who care about me, I could press on and get the book done.

El Space: Family members have inspired some of your characters. Who, if anyone, were the inspirations for Joy and Nick in A Mother for His Twins?
Jill: That’s true, in some of my short stories, family members have been my inspiration, particularly my mother. Joy and Nick weren’t really inspired by anyone I know. I developed these characters through journaling from their point of view and I allowed them to surprise me as the story unfolded.

El Space: How did the opportunity to write a novella come about? How did you decide what to write?
Jill: A fellow author and friend presented the opportunity to write a novella for a collection with four other writers. I’d never considered self-publishing, but I thought going in with a group might be a good way to get my feet wet. Since the collection was autumn-themed stories, I decided to write a reunion story that revolved around an apple orchard.

El Space: What advice do you have for would-be romance writers?
Jill: Study the craft, write, and always keep an eye open for contests.

El Space: What will you work on next?
Jill: I’m currently working on my fourth Love Inspired book and continuing to write short stories. I have a new aspiration that I’m working towards. . . . Time will tell.

Thank you, Jill, for being my guest!

Looking for Jill? Click on the icons below:

                    

Looking for A Mother for His Twins or Autumn Hearts? Click here for Jill’s website, which has a link to retailers. Looking for Jill’s short story? Check out the Woman’s World at your local grocery store!

One of you will receive a signed copy of Jill’s novel in the mail. Two of you will receive a download of Autumn Hearts. Just comment below! Winners to be announced sometime next week.

The book club agreed that A Mother for His Twins is a great book. Reading about snow and cooler weather has Royal Bee and Neonlicious totally craving hot chocolate.

Book covers from Jill Weatherholt and Goodreads. Author author photo courtesy of Jill Weatherholt. Fabio photo from theguardian.com. Quicksand image from thepandorasociety.com. Apple orchard from abcparish.blogspot.com. Other photos by L. Marie. Neonlicious and Royal Bee OMG dolls are products of MGA Entertainment, Inc.

Check This Out: An Impossible Distance to Fall

On the blog today is the second of my awesome Secret Gardener classmates, the marvelous Miriam McNamara. No stranger to the blog is Miriam. (Click here for her last visit.) She’s here to talk about her young adult historical novel, An Impossible Distance to Fall, published by Sky Pony Press on July 2. (Click here for a synopsis.)

   

Miriam is represented by Linda Epstein. After our conversation, stay tuned to hear about a giveaway of An Impossible Distance to Fall.

El Space: Four quick facts about yourself?
Miriam: 1. I’ve never flown a biplane or wing walked, but like Birdie, I’ve always loved to dance! The dance scenes were some of the most fun for me to write as I played with how movement and emotion interact in the body creatively. Yum!


2. I went to college pretty young—when I was sixteen—around the time a lot of upheaval in my family of origin was happening. When I got to school, I was kind of adopted by a group of queer upperclassmen who looked out for me and invited me to things, and made sure I was doing okay. Birdie’s departure from her family and integration into the barnstorming circus is based on that experience.
3. I started this novel during the Recession after 2008, when the stock market crash of 1929 and how it affected people seemed particularly relevant. My generation and the young adults of today are still dealing with a lot of financial uncertainty, so I think these lessons of the past are particularly interesting.


4. I have a lot of tattoos, but Birdie’s tattoo that she gets in the novel is based on a stick-and-poke tattoo that I gave my friend Ivy in college. It was a flock of bird silhouettes, just like Birdie’s, and done in the same manner, with a needle and thread and India ink.

Miriam at her book signing at MOON PALACE BOOKS in Minneapolis

El Space: Your last novel was about pirates. What was the inspiration behind this novel about wing walkers and a barnstorming circus in 1930?
Miriam: A nonfiction writer read aloud from a work-in-progress about a real-life wing walker from the ’20s at a workshop I attended, and my mind was blown. I’d never heard of such a thing. As I listened to her read I thought, I would NEVER take such an insane risk as walking out on the wing of a flying airplane! But at exactly the same time, I remembered who I was when I was sixteen, and knew that that me would have done it in a heartbeat. It made me want to write a story about that person.

El Space: What do you hope teens will gain from your main character Birdie’s life and the times in which she lived?
Miriam: Birdie’s external life explodes when the stock market crashes—but what causes her deepest pain is the loss of her father when he disappears. For young Birdie, life and her dad both seemed ideal. She has to learn to accept that things aren’t always perfect. People and circumstance will let you down over and over. You have to love and honor the good stuff while acknowledging that other stuff sucks and it’s okay to be hurt and to grieve. And when your life explodes or falls apart, it also leads to so much possibility and openness that wouldn’t have been there otherwise. Storms bring rainbows, you know?

El Space: Birdie interacts with a large cast of characters who aid in her evolution as a character. Who were the most fun or the most challenging to write about?
Miriam: I think the most challenging for me was Gilda, the woman that Birdie’s father chases after. Birdie initially thinks of her as this Jezebel character who has stolen her father away. It was challenging to really communicate Gilda’s complexity. She plays this seductive character professionally as a lounge singer, but she’s actually a real person who did nothing wrong, and Birdie’s anger is misplaced. It took me a few tries to show who she really is beyond the role she plays in Birdie’s life, which leads to a lot of growth in Birdie.

The most fun to write, though! It’s so hard to choose. I loved writing Colette, the tattooed lady; she’s so cranky and deadpan and soooo NOT impressed with Birdie—but then at the crux of the novel, Colette lets Birdie know that she sees and values the person struggling inside of Birdie’s perfect veneer.

But then there’s June. Sigh. . . . I love writing a love interest! June is so sexy. I loved writing her lanky tomboy-in-a-flight-suit Southern Charmer personality.

 

El Space: This is your second historical fiction novel. What is it about historical fiction that appeals to you?
Miriam: I love reading historical fiction, but queer people, especially queer women, have been so written out of history, always relegated to tragic plot devices if they are included at all. I want to write them back into history, and give them so much love and life and joy along with their struggles.

El Space: What was your research process? How did you keep the details you gleaned from research from overwhelming the story you wanted to tell? [One of the tips offered for historical fiction writers in this post here.]
Miriam: With my first novel, I often felt like the details overtook my narrative! The struggle is real. With this novel, I let the narrative guide me into my research. How did banks fail? How did the larger stock market crash impact the financial chain? Who were some wing walkers and women pilots and barnstormers I could use for inspiration? I tried to stick to the story I wanted to tell without getting sidelined by too many interesting details as I came across them. Once I had a strong narrative, then I went back to add in a lot more fun historical stuff—and that led to a lot of richness being layered in once the story was there.

El Space: What books or authors inspire you?
Miriam: This year I decided I was going to read as many books by queer people about queer people as possible. I am very inspired by LGBTQ+ authors telling their stories, especially for young readers. So over the past few months I’ve been super inspired by Amy Rose Capetta and Cori McCarthy, some VCFA friends who are writing all sorts of queer stories; I finally was introduced to Jillian and Mariko Tamaki’s graphic novels, which are amazing; I read awesome books by Kacen Callender and Lev Rosen and Alex Gino; and a Minneapolis author, Junauda Petrus, has a queer young adult love story coming out this fall called The Stars and the Blackness Between Them that I haven’t read yet, but I’ve heard excerpts read aloud, and I know it’s going to inspire the hell out of me.

 

El Space: What will you work on next?
Miriam: I’m taking a break from research and writing a contemporary YA novel, but I also have an idea for a historical fantasy that I’m itching to write. I’m definitely taking it slow and feeling out where I want to go from here. Publishing two books in the past two years has been such a whirlwind, accompanied by a lot of life craziness. I could go anywhere from here, you know? Kinda like Birdie. Anything is possible from here. . . .

Thanks, Miriam, for being my guest!

Looking for Miriam? Look no further than her website or Twitter. On Instagram she is booklovemiriam.

Looking for An Impossible Distance to Fall? (Taken out of context, that question is very interesting.) Check out your local bookstore, Amazon, Barnes and Noble, or Indiebound. Also look no further than your very own mailbox or Kindle (if you prefer), since one of you will get a copy of this book simply by commenting below! Winner to be announced one day next week.

Royal Bee looks skeptically on as Neon practices her wing walker routine. “Looks more like a mummy walking than like Birdie,” Royal Bee quips.

Book cover and author photo courtesy of Miriam McNamara. Author photo by Rose Kaz at Rose Photo. Other book covers from Goodreads. Wing walker image from wallpaperim.net. Dance image from clipground.com. Newspaper clipping from balkanplumbing.com. Old airplane photo from pxhere.com. Other photos by L. Marie. Neonlicious and Royal Bee OMG dolls are products of MGA Entertainment, Inc.

Check This Out: The Art of Breaking Things

With me on the blog today is my good friend, the awe-inspiring Laura Sibson, who is here to talk about her debut young adult novel, The Art of Breaking Things. Laura is the first of two awesome Secret Gardener classmates from VCFA on the blog this week.

         

Cover designer: DANA Li
Cover illustrator: AGATA WIERZBICKA

Laura is represented by Brianne Johnson. The Art of Breaking Things was published by Viking/Penguin on June 18. Click here to read the synopsis. After I talk with Laura, I’ll tell you about a giveaway of this very book.

El Space: Four quick facts about yourself?
Laura:
• When I was sorted as a Gryffindor on Pottermore, I was both surprised and slightly dismayed. I expected to be Hufflepuff, but also it seems to me that Gryffindor has fallen out of favor of late. When I asked my sons if I should take it again, they were like: “Mom, you’re a total Gryffindor.”

Laura at the Philly book launch with her husband and sons

• I love flowers and plants, but I murder every plant that has been brought into my house, except one. I have a peace lily that was given to us after my mother-in-law died and I have kept that plant alive come hell or high water.
• When weather permits, I work at my laptop on my back deck. At the moment, I feel a slight breeze despite the heat. I hear different birds singing their morning tunes. And I see that the big old hydrangea tree in my line of vision is readying itself to bloom.
• While The Art of Breaking Things is my first novel to be published, it’s the third manuscript that I completed. It took ten years from finishing my first manuscript to the publication of this book.

El Space: The Art of Breaking Things is partially based on your own experience. How challenging was it to separate what happened to your main character, Skye, with your own experiences?
Laura: Early on, someone had advised me to write the truth first and then set it aside. When I was ready, I started to fictionalize the story. I was interested in exploring what could happen in a small family of three females if an abusive father figure re-entered their world. I was intent on writing an active—not a passive—main character. As soon as Skye appeared, I knew she could carry the story in the way that I hoped. She was fierce and passionate. Through her voice, I was able to keep my personal story separate from the novel I was crafting.

Laura with Cordelia Jensen, another of our awesome classmates who has been on the blog (click here and here).

El Space: How did the supporting characters change as the story developed?
Laura: Initially, Emma, Skye’s sister, read as way too young. Luisa, Skye’s best friend, was more critical of Skye hooking up and their friendship was fairly shallow. Ben, Skye’s best guy friend—and maybe more?—sort of existed just for Skye’s benefit and Keith, a guy they go to school with, was an obnoxious jerk. Through revision, I worked to learn more about those characters, ensuring that they had lives outside of Skye’s life. Revising those characters made the overall story deeper and allowed me to create more nuance.

El Space: You were interviewed for an article on the #MeToo movement for Publishers Weekly. [Click here for that article.] But you wrote this book before that movement started. How has being linked to the movement been a game changer?
Laura: I started drafting the book in 2014. By the time I queried the agent who said yes, the #MeToo movement had broken and my agent saw a way to pitch my book. She was right because she sold the book in six weeks! When I started drafting the book, it was just for me. I wasn’t sure that anyone would want to read the difficult story of a teen girl struggling with the aftermath of sexual assault. But #MeToo has helped us remove some of the stigma around discussing these experiences. I’m grateful to the movement because it’s also helped me let go of some of my own shame.

At HEAD HOUSE BOOKS in Philadelphia with fellow debut author ALEX VILLASANTE

El Space: How important is the premise when it comes to novel writing?
Laura: For me, the basic premise helps frame the overall story. Though I am not a plotter—I wish I was, believe me!—I do like keeping the overall premise in the forefront of my mind as I draft. For The Art of Breaking Things, I knew that I wanted to explore how a teen attempts to protect her younger sister when she can’t speak up about past abuse, and I wanted to place a party girl in the limelight. Many plot points around that premise changed during drafting and revision, but the basic concept remained the same from the very beginning.

   

THE CHILDREN’S BOOKSTORE in Baltimore (left); Laura with her niece

El Space: Based on Skye’s journey and your own, what would you want a teen or anyone else who has gone through trauma to come away with?
Laura: I want readers to see that we aren’t good girls or bad girls, we are all just girls. I hope that young survivors feel seen and that they can begin the journey toward letting go of shame. I hope that people see that there can be healthy relationships after trauma and that there are resources to help you with the process of healing. But I also hope that people experience The Art of Breaking Things simply as a good read.

     

Laura at ALA (left); Laura and Alex with Katie Locke at B & N NESHAMINY

El Space: What inspires you as you write?
Laura: Being in nature inspires me. Scenes often unfold for me as I’m walking in the woods. I can see them clearly and then I can’t wait to return home to write them down. I also find that I can untangle plot problems while walking my dog on the two-mile loop that we do most days. I read a lot, so I’ll also get inspired by the ways that authors bring their own stories to life. While I’m actually drafting, a hot cup of coffee doesn’t necessarily inspire me, but it helps keep me in my seat. 😄

 

El Space: What will you work on next?
Laura: I’m working on a new YA novel—a grief narrative that explores family relationships and the ways that we try to keep memories alive. The main character is living on a houseboat with her grandmother in southern Maryland and she’s being visited by the ghost of her mother who died less than a year earlier. In this story I’m particularly interested in the lies we tell ourselves about the people we love and ways that the loss of a parent can affect the way that a teen moves through her world.

Thank you, Laura, for being my guest!

Looking for Laura? Look no further than her website, Twitter, or Instagram.

Looking for The Art of Breaking Things? Check out your local bookstore, Amazon, Barnes and Noble, or Indiebound.

But one of you will receive a signed copy of Laura’s novel in your very own mailbox. Just comment below! Winner to be revealed after an interview that I will do with another great classmate later this week.

The first meeting of the book club went well. Though Royal Bee and Neon agreed That The Art of Breaking Things was the ideal first book to read, they argued about who would be more compatible with Ben.

Book cover, book signing photos, and author photo courtesy of Laura Sibson. Author photo by Rachael Balascak. Other photos by L. Marie. Neonlicious and Royal Bee OMG dolls are products of MGA Entertainment, Inc.

The Language of Flowers

On my walk the other day, I was drawn to the peonies in the yard. I love this time of year, with its abundance of green grass and trees, and especially with flowers blooming everywhere. And since we’ve experienced a ton of rain in my neck of the woods (with a flood advisory in some areas ☹️), the flowers are growing quite nicely.

Looking at the flowers got me to thinking about what flowers symbolize in the floral arranging community. When I checked online, I learned a new word: florigraphy—the language of flowers. According to howstuffworks.com, the following flowers have these meanings (captions and punctuation as per that website):

Peony = I’m shy, but I like you a lot.

 

Iris = Thank you, or Sending sympathy.

Gerbera daisy = Cheer up, or Thank you.

Tulip = Happy housewarming, or You’re a great host.

Red rose = I love you.

But during my walk, the peonies spoke a different message to me. The closed bud below reminded me of how I sometimes approach life—with a closed mind when opportunities to stretch or change come my way, or with closed hands when asked to give time or energy that I think I don’t have.

Or I’m like the peony below: sort of open but still wary.

The fully open peony reminds me of open-handedness or open-mindedness. I wish my default mode was flexible/open. But as of late, I’ve realized how cautious I’ve been about trying new things. Perhaps that’s a factor of getting older. But I know I’ve played it too safe at times. I’m working toward being more open. How about you?

Jennie, I hope you have an open hand to receive your copy of Mary Quattlebaum’s book, Brother, Sister, Brother, Sister, Me and You.

  

And Charles, the same goes for you in regard to Andy Murray’s book In Brigantia. Please comment below to confirm.

 

Tia Tigerlily and her mini-me are pleased at the floral theme of the post and the fact that the FTD site mentioned that the tiger lily symbolizes “confidence, pride, and wealth.” “Very fitting for me,” she said (though she probably has about 37 cents to her name).

Photos by L. Marie. Tia Tigerlily Shoppie is a product of Moose Toys.

Photos by L. Marie

Check This Out: Brother, Sister, Me and You and Other National Geographic Kids Books

It’s not every day that I get to welcome to the blog one of my awesome grad school advisors. But here today is the one and only Mary Quattlebaum! She’s here to talk about the National Geographic Kids books she wrote, which were published by Penguin Random House, and include Brother, Sister, Me and You.

      

  Author photo by Michelle Rivet

El Space: Four quick facts about yourself?
Mary: 1. I am the oldest of seven kids.
2. My favorite food is popcorn.
3. One of my favorite jobs was as an 18th century tavern wench for Colonial Williamsburg in Virginia.
4. All the dogs I’ve lived with as an adult have been rescue dogs, in one way or the other. One dog, Charlie, even conveyed with the house we bought, because the owner was going to put him in a shelter.

Mary with her elderly border collie Shine. Photo by Christopher David.

El Space: You’ve written a ton of books for kids, including your rhyming Jo MacDonald series and other picture books like Mighty Mole and Super Soil, The Hungry Ghost of Rue Orleans, and Pirate vs. Pirate, as well as your Jackson Jones novel series. Today, let’s talk about the National Geographic Kids books you wrote in the last few years: Brother, Sister, Me and You; National Geographic Kids Chapters: Hero Dogs; and National Geographic Kids Chapters Together Forever: True Stories of Amazing Animal Friendships! Many of your stories feature animals and the environment. Please tell us why that was important to you.

 

Mary: I’ve always been curious about the natural world, probably because I grew up in the country. And now there’s the added concern about the effect of climate change and pollution on the environment. Humans are deeply connected to other species, historically and in the present moment; we’re all part of an ecosystem. With my books—whether fiction or nonfiction—I guess I try to bring that connection to the fore and celebrate it. Plus, animals and plants are pretty amazing! Did you know that beaver kits help to care for younger siblings? And that a female guppy gives birth to live fry—sometimes 200 within a few hours?

El Space: Wow! I did not know that! How did you come to write nonfiction? What is the research process like for each project?
Mary: First of all, congratulations on your forthcoming nonfiction books! I’m looking forward to reading them!

El Space: Thank you. 😊
Mary: Now to your question: I’ve always enjoyed research, and for years I’ve written freelance articles for The Washington Post and other publications. But I had a palm-to-the-forehead moment when I wrote my Jo MacDonald books and realized the pleasures and challenges of writing narrative nonfiction for kids. Now, I’m doing both narrative nonfiction and straight nonfiction books. The narrative nonfiction chapter books often involve interviews—similar to what I do as a freelance journalist—as well the usual deep research into primary and secondary sources for traditional nonfiction.

   

El Space: I always roll my eyes when someone comments that writing a book for young children “must be easy.” What were the challenges of writing these books?
Mary: Well, when writing nonfiction, one big challenge is to ensure the accuracy of each fact, while presenting it in a way that’s going to engage kids. So, writers are always thinking carefully about sound, rhythm, sentence structure, etc. For Brother, Sister, Me and You, for example, I wanted a range of animals—not just cute mammals—and I wanted strong verbs so that children could act out the movements of the featured animals. So, I watched a lot of animal videos to make sure those verbs were accurate as well as fun. I also went to a pet store and looked at a tank of guppies to make sure that those little fish did, indeed, “flash with finny flicks.”

El Space: You teach at Vermont College of Fine Arts and you review books for The Washington Post, Washington Parent, and probably others I’m forgetting. How do you fit everything in?
Mary: Writers with families seem to juggle so much—deadlines, family responsibilities, teaching! Now, that my daughter is in college, time pressures have eased a bit, which makes for more time to walk the dog and garden—or at least think about gardening 😊—and to watch Schitt’s Creek. And I have to say, it’s a pleasure to work with motivated writing students who want to learn and grow, whether in Washington, DC, where I live, or at Vermont College of Fine Arts. I had a great time working with you, L. Marie, and I’m thrilled for you with your forthcoming books.

El Space: You are making me blush, Mary! When I was a student, you told me to experiment with poetry based on the prompts in The Aspiring Poet’s Journal by Bernard Friot. I copied this quote from a handout you gave me: “The book gets one thinking not just about words on the page but about ‘seeing’ and experiencing the world in a creative, ever-present way.” Why is the exercise of writing poetry helpful for novelists or nonfiction writers?


Mary: So glad you’re still exploring poetry and wordplays! For me, anyway, there is nothing like the reading and writing of poetry to encourage a deep awareness of and appreciation for the possibilities of language. Every word and every mark of punctuation is important, sound and rhythm are paramount. And the writing of poetry seems to call for an attentiveness to the world, an alertness to the extraordinary in even ordinary moments. Dogs seem to be wonderful models for living in the present moment. I love seeing how our dog takes in his surroundings, with curiosity and gusto.

El Space: What will you work on next?
Mary: I’m now beavering away on an animal-related early-reader project.

Thank you, Mary, for being my guest!

Looking for Mary? Look no farther than her website! If you subscribe to The Washington Post or Washington Parent, look for her book reviews.

Looking for Brother, Sister, Me and You or any of Mary’s other books? Check your local bookstore, Amazon, Dawn Publications, Indiebound, or Barnes and Noble or your own doorstep, since one of you will be given a copy of this book or any of Mary’s books of your choosing simply because you commented below.

Since this week I will feature another wonderful author, I will announce the winners of both giveaways sometime next week!

The Squeezamals and Henry’s bear wonder when Mary will write a book about their friendship. They’re animals . . . sort of.

Book covers courtesy of Mary Quattlebaum, her website, or were found at Dawn Publications. Book spread courtesy of Mary Quattlebaum. See above for more photo attributions. Other photos by L. Marie. Squeezamals are a product of Beverly Hills Teddy Bear Company.