Finish Well

One of the things I find fascinating about The Great British Baking Show (as it is known here in the States because of Pillsbury; it is The Great British Bake Off where it originated) is the fact that you can win the accolade of Star Baker—the best baker—in one week of the competition and be sent home crying in another. It’s what you do each week of the competition that counts—particularly the final week. (Don’t worry. I won’t give any spoilers.) You can see this scenario played out in any of the series on Netflix (or wherever you watch the show). So, winning Star Baker is not an iron-clad guarantee that you will win the whole competition.

A good motto for the show is, “What have you done for me lately?” On this show, you can’t coast on your laurels. You have to prove yourself every week to the very end.

This is the concept of finishing well. Haven’t you’ve seen Olympic runners tragically stumble before crossing the finish line, or a gymnast execute a perfect tumbling run only to stumble out of bounds—or worse—fall and injure himself or herself? And how many of us have mourned when our favorite sports team choked in the last minutes or the last game of the championship?

And who can forget the hoopla surrounding the eighth and final season of Game of Thrones—a show highly favored until the last season?

I’ve read book trilogies and viewed movie trilogies with endings that disappointed me to the point where I wished I’d never started the journey in the first place. Have you? Some of the trilogies I’ve regretted reading had endings that felt rushed or tacked on. In all fairness, the downside of some publishing efforts is that some authors spend years on the first book but are only given a matter of months to finish the second and the third.

And I know: art is subjective. The same trilogies I’ve disliked were liked by many people. You can’t please everybody! But there are some series with endings so satisfying, they have become regular destinations for me. One of those is The Lord of the Rings. Another is Avatar: The Last Airbender (the animated series, not the movie). (I realize that fantasy is not everyone’s cup of tea. 😀)

I’m impressed by the fact that the Avatar series creators, Michael Dante DiMartino (right) and Bryan Konietzko, knew the ending of their series well before that season ever aired. In Avatar: The Last Airbender—The Art of the Animated Series (Dark Horse Books, 2010), DiMartino and Bryan Konietzko explain what happened during a meeting they attended to discuss the show:

We pitched for over two hours, describing the four nations, the entire story arc—all three seasons’ worth (12).

So, before the show was ever greenlit, they knew what was going to happen. And the show ended pretty much on par with that pitch meeting. Many fans and critics agree that this series is one of the best animated series ever made. Ending the series took four episodes! But it was one of the most satisfying endings to a series I have ever seen.

 

Finishing well is definitely not an easy undertaking. If you’ve ever run a race, you know that your strength begins to flag before you reach the end. When my brother ran the Chicago marathon, he said that around mile 20, he was ready to quit. But he tapped into a well of determination to cross that finish line. (We enjoyed some great snacks when he did. 😄)

The road to finishing well begins with finishing what you started. But that’s just the beginning, especially in writing! For many who have written a story, an article, or any book, you know that finishing a draft leads you to the beginning of another journey—that of revision. But revising helps you finish well.

What do you do to ensure that you finish a story or some other project well? What series have you read that finished well?

Finish line image from the intentionallife.com. Mile 20 image from Wikimedia. Michael Dante DiMartino and Bryan Konietzko image from Toonzone. Avatar book photos by L. Marie.

Check This Out: Mennonite Daughter—The Story of a Plain Girl

I’m very pleased to welcome to the blog the amazing Marian Beaman, who is here to discuss her memoir, Mennonite Daughter—The Story of a Plain Girl, which launched on September 14.

   

You probably know Marian from her blog, which you can find here. After I talk to Marian, I’ll tell you about a giveaway of Mennonite Daughter—The Story of a Plain Girl.

El Space: Four quick facts about yourself?
Marian: 1. I met my first husband on a blind date. (He is my only husband!)


2. I flunked my driver’s test twice.
3. On Sunday mornings, I like to play with two-year-olds, making abstract art with tennis balls and paint on cardboard, blowing bubbles.
4. I watch my Fitbit like a hawk. Gotta get those step in!

El Space: What made you decide to write a memoir?
Marian: My blog readers helped make the decision for me. I wrote stories about my parents, grandparents, and other relatives on my blog. Readers wanted more, and suggested, “Write a book about it!” Though for many years I have wanted to leave a legacy of stories for my children and grandchildren, these readers pushed me toward actually doing it!

Granddaughter Jenna at guest book with hostesses Judy and Carolyn at Marian’s book signing at the Deerwood Country Club

El Space: How did you decide how much to include and what sections of your life to leave out? What was your process as you wrote? Did you write an outline of events? Talk with family members along the way?
Marian: My life as a Mennonite was dramatically different from my life now, so I decided to make the first 24-year slice of my life the focus of my memoir.

A memoir is not a biography. Memoirs need a focus. My focus was the imprint of two forces upon my life: the boundaries of my life as a Mennonite and the blessings of two homes (my parents’ and my grandmother’s house close by).

The collage on the easel is a composite of various snaps of Marian’s family with Bossler Mennonite Church in the background (done by artist Cliff Beaman).

I agree with May Sarton who said that she has “never written a book that wasn’t born out of question I needed to answer for myself.” For me, that question was this: “What was the source of my father’s anger?” My memoir explores possible answers.

To learn the craft of storytelling, I took a memoir-writing course from Linda Joy Myers and Brooke Warner: “Writing Your Story in Six Months.” And to get me started, I wrote topics I could remember on colored sticky notes I pasted to ply-board. Some of the topics became scenes that made it into the memoir; others did not.

El Space: How did growing up in a Mennonite background shape you into the writer you are today? What did you appreciate most about your upbringing?
Marian: I grew up loving my faith traditions and my family. Also the Swiss/German stock from which I am descended has imprinted on me a strong work ethic, which gave me the strength and discipline to persevere through the five years it took to write my story.

El Space: After you described your baptism [chapter 28], I was struck by this quote from page 157: “I had to find a way to reconcile pleasing God with expressing my love for beautiful things, hairdos and clothes included.” Such a turning point in your life. What was one step you took as you were “beginning to ‘kick against the pricks’”?
Marian: My mother, aunt, and grandmother expressed their love of beauty by planting flower gardens in a riot of colors. They, along with women in my church, also made exquisite quilt designs. I wanted to look pretty like a flower, wearing bright colors and shiny shoes. My desire to buck the strict dress code enforced by my church at that time caused friction with authorities at the Mennonite School, where I was employed in my early twenties. My reaction to these restrictions is told in two chapters which bookend my memoir.

These are the most cheerful looking flowers I have seen in years. They remind me of Marian. 😊

El Space: What books or authors inspired you as you worked on your memoir?
Marian: Anne Lamott’s Bird by Bird: Some Instructions on Writing and Life—Sassy, sometimes sarcastic, but always instructive.

Jordan Rosenfeld’s Make a Scene: Crafting a Powerful Story One Scene at a Time—A good one to read early in the writing game.

Dani Shapiro: Still Writing—If you like Shapiro’s novels and memoirs, you’d like her take on the craft of writing.

Louise DeSalvo’s The Art of Slow Writing—A breath of fresh air, especially if you are tied up in a wad about your story and the writing process.

Dinty W. Moore’s The Story Cure: A Book Doctor’s Pain-Free Guide to Finishing Your Novel or Memoir—Book Doctor Dinty provides cures and checkups in his manual embellished with case studies. Humorous and practical!

El Space: What advice do you have for memoir writers?
Marian: 1. Write every day, even if you don’t feel like it. Inspiration comes to those who sit in the writing chair. But don’t go nuts over it; take walks, go shopping, chat with friends. 2. Don’t impose a strict Get-Done-By deadline on yourself. I hoped to finish in three years, but it took me five years. 3. Life goes on! In those five years, my mother and my aunt died, and we had to clear out two houses with scads of stuff. Last year my brother died. Three years ago we also moved from a house we had lived in for 37 years to our current address; lots of sorting, recycling, and tossing out.

El Space: What will you work on next?
Marian: When people ask that question, I say, “Give me a break! I need a vacation or at least time to relax.” 😃 However, two ideas are playing tag in my brain right now: 1. A children’s book based on the oak tree my children and their cousins planted in the Grandma Longenecker’s back yard after she died. I have an in-house illustrator—ha! 2. My year and half in the 36-foot trailer with two babies while my artist/performer husband did art and music performances all over the Southeast. The object was to keep our family together; the reality of the itinerant life wreaked havoc on my sanity!

Thanks, Marian, for being my guest!
Looking for Marian? Click on the icons below:

                    

Looking to buy Mennonite Daughter—The Story of a Plain Girl? Head to Amazon or to your mailbox, since
one of you will receive a copy of this memoir just for commenting! Winner to be announced sometime next week!

The book club, after reading and loving Mennonite Daughter—The Story of a Plain Girl, unanimously decided to shop for red shoes.

Author photo by Joel Beaman, courtesy of Marian Beaman. Mennonite Daughter—The Story of a Plain Girl cover designed by Cliff Beaman, courtesy of Marian Beaman. Other covers from Goodreads. Book signing photos courtesy of Marian Beaman. Book club and flowers photos by L. Marie. Neonlicious and Royal Bee OMG dolls are products of MGA Entertainment, Inc.

What Might Have Been

Growing up, my brothers were not into cartoons or shows about Barbie or Polly Pocket (whose Alpine set is shown below). They certainly would not have cared about My Little Pony, had those ponies existed back then.

So, since there was only one small TV and I was outnumbered, I got used to watching wrestling matches and any other televised sport, including Roller Derby (remember the Thunderbirds? . . . No?)—and Godzilla and martial arts movies.

Bull Curry. . . . Don’t remember him? . . . Yeah, I’m old.

Terri Lynch of the Thunderbirds

And I read DC and Marvel comic books. Oh and Archie too, but I don’t have any of those from childhood.

 

So lately, I’ve wondered what my life would have been like had I grown up with a sister—a fervent wish when I was a kid. My best friend, who lived next door, was like a sister. I just wanted someone (a non-parent) to talk to who understood what it was like to be a girl. She was an only child. So neither of us knew what it was really like to have a sister. When we hung out, we rode our bikes and watched horror films hosted by Svengoolie (a show also known as Screaming Yellow Theater and Son of Svengoolie) and crashed into each other ala the Roller Derby.

  

Svengoolie (Jerry G. Bishop) and Son of Svengoolie (Rich Koz)

I can’t say those activities are what I imagined growing up as the kind of activities sisters participated in. I always thought sisters did each other’s hair and makeup and wore each other’s clothes, none of which I could do with a brother.

Those of you who grew up with sisters are probably thinking I sound extremely naive about sisters. You’re right. And I know the grass is greener and all that. But now that I think about it, I can’t help pondering over why I thought the activities I mentioned above were the kind of activities sisters did.

I am a product of the times in which I grew up. When I was a kid, the women’s rights movement was just beginning. Certain stereotypes about “the woman’s place” had yet to be challenged. Case in point: back when I was a kid, females in sports were frowned upon. Running and playing baseball in the alley—two things I loved to do—were not seen as “ladylike.” Sadly, I allowed the opinions of others to sway me away from them.

Yet no one could dissuade me from expressing my imagination through writing—though many tried. And as I think about what might have been had I grown up under different circumstances, I realize that those circumstances helped shape the writer I became.

So I have no regrets about the past. (Well, one regret—that I didn’t date that guy who expressed interest on the last day of my senior year in high school.) Though I might have watched a lot more wrestling than I cared to watch, I learned a lot growing up with guys. I learned to always look first before sitting on the toilet seat in the middle of the night while half awake (the lid might be up), to take risks (some of them stupid—I’ve mentioned before about jumping out of windows), how to fight (useful during my middle school years), that insects didn’t have to be feared, that a towel makes a good cape. But mostly, I learned that my brothers always had my back. (Well, most of the time.) I wouldn’t trade them for any mythical sister in the world.

Tia Tigerlily is grateful for her Girls Day outings with Marsha Mellow, despite the fact that Henry always tries to tag along.

Polly Pocket Alpine scene from ebay.com. Godzilla poster from mymightymega.com. Wrestling image from mentalfloss.com. Terri Lynch photo from Pinterest. Svengoolie image from the miniaturespage.com. Son of Svengoolie from Pinterest. Other photos by L. Marie. Tia Tigerlily and Marsha Mellow Shoppie dolls are products of Moose Toys.

Button, Button, Who’s Got the Buttons?

Whenever I go to a craft store, one of the first sections I head to, other than the yarn section, is the button aisle. I love to buy buttons, especially buttons like these.

I get so excited when I find just the right buttons to use in craft projects. Buttons are connectors. And I’m not just stating the obvious, since buttons connect one piece of fabric to another. First, my heart needs to make a connection to the button. And then when I use it, I hope it aids the recipient to connect with/love the craft.

Right now, your eyes might be glazing over because maybe buttons Just. Don’t. Excite. You. But surely something makes a connection with you. Maybe the sight of a home goods or sporting goods store hits the right button. If not, what do you like to shop for or collect in general?

     

But when it comes to buttons, I don’t just think of craft store staples. I also think of the aspects of a story that cause it to hit all of the right buttons for me. The first is a cast of characters headed by a compelling protagonist I can’t help rooting for. Another is an irresistible adventure, one that can be emotional, physical, or spiritual. Still another is world building that brings the setting vividly to life and makes me want to visit often. Like any good hand-made craft, a well-crafted story takes time and effort to get just right.

 

This cow is of the opinion that the unicorn button is far superior to any other button. And no, she was not paid for her opinion, she was quick to add.

Okay, I see that look. You want to know the winner of the $25 card. (See this post if you’re at sea.) It’s Jennie, who will receive a Barnes and Noble gift card! Please comment below to confirm.

Kiiroitori, the pet bird of Kaoru on the show Rilakkuma and Kaoru, wonders if this button is good to eat. (Um, I don’t know how to pronounce Kiiroitori. I know it means “yellow bird.”)

The beaver thinks the other animals look a little too “Children of the Corn.”

Home improvement image from dreamstime.com. Sporting goods from sociable.co. Photos by L. Marie. Most of the buttons shown came from JOANN or Michaels. Kiiroitori is a character designed by Aki Kondo for San-X.

Lollipops: Stick to the Old or Savor the New?

National Lollipop Day was July 20. Did you participate by consuming a lollipop? I wish I had! (Never too late to do so!)

Growing up, I was a fan of the free lollipops (which we also called “suckers”) usually given to kids at the doctor’s office or at a bank.

“Here you go, kid. Now go away.”

The freebies were usually Dum-Dums. (And no, I am not making a judgment call.) Or sometimes Tootsie Roll Pops were handed out.

       

Though I appreciated having a huge lollipop like the kind shown at the start of this post—the kind you can still find in candy stores today—I was never a big fan of them. I just liked how colorful they were, though they made my chin and fingers very sticky after eating one.

But my absolute favorite lollipops were (and still are) Charms Blow Pops. Why are they my favorites? Because of the gum inside of them. What were your favorite lollipops growing up?

Okay, those are tried and true lollipops. Here are some unique lollipops.

   

Yes, that’s right. Tabasco sauce and scorpions.

No actual chickens were harmed in the making of this.

You know you want these bacon-flavored lollipops.

I love that candy makers thought outside of the box. Would you try any of these? I would try them all, even though Tabasco sauce is not my favorite. I’ve eaten insects (grasshoppers, locusts, ants) before, so my guess is that arachnids probably would be okay too. (I can tell you are giving me a look right about now.)’

Looking at these unique lollipops, I can’t help seeing the correlation to writers who put a new spin on well-known tropes in the hope of creating a new flavor combination in a genre. 😊 Perhaps you are one such writer who feels the need do something new with an old trope. If so, my hat is off to you.

But you didn’t really come here for a discussion about lollipops, right? You came for the giveaway of The Art of Breaking Things by Laura Sibson (below left) and An Impossible Distance to Fall by Miriam McNamara (below right). Click here and here for the interviews.

        

   

The winner of An Impossible Distance to Fall is Ally Bean. And the winner of The Art of Breaking Things is Jacqui Murray. Please comment below to confirm, then send address details to lwashin301(at)comcast(dot)net.

Tia is hesitant to tell Henry that the “lollipop” he thinks matches her outfit so perfectly, is really the cap to a pencil case.

Big lollipop found at tensepresent.wordpress.com. Dum-Dums found at dumdumpops.com. Charms Blow Pops found at ebay.com. Tabasco lollipop from Oddee.com. Scorpion and bacon-flavored lollipops found at vat19.com. Other photos by L. Marie. Tia Tigerlily Shoppie is a product of Moose Toys. Squeezamals are a product of Beverly Hills Teddy Bear Company.

Check This Out: An Impossible Distance to Fall

On the blog today is the second of my awesome Secret Gardener classmates, the marvelous Miriam McNamara. No stranger to the blog is Miriam. (Click here for her last visit.) She’s here to talk about her young adult historical novel, An Impossible Distance to Fall, published by Sky Pony Press on July 2. (Click here for a synopsis.)

   

Miriam is represented by Linda Epstein. After our conversation, stay tuned to hear about a giveaway of An Impossible Distance to Fall.

El Space: Four quick facts about yourself?
Miriam: 1. I’ve never flown a biplane or wing walked, but like Birdie, I’ve always loved to dance! The dance scenes were some of the most fun for me to write as I played with how movement and emotion interact in the body creatively. Yum!


2. I went to college pretty young—when I was sixteen—around the time a lot of upheaval in my family of origin was happening. When I got to school, I was kind of adopted by a group of queer upperclassmen who looked out for me and invited me to things, and made sure I was doing okay. Birdie’s departure from her family and integration into the barnstorming circus is based on that experience.
3. I started this novel during the Recession after 2008, when the stock market crash of 1929 and how it affected people seemed particularly relevant. My generation and the young adults of today are still dealing with a lot of financial uncertainty, so I think these lessons of the past are particularly interesting.


4. I have a lot of tattoos, but Birdie’s tattoo that she gets in the novel is based on a stick-and-poke tattoo that I gave my friend Ivy in college. It was a flock of bird silhouettes, just like Birdie’s, and done in the same manner, with a needle and thread and India ink.

Miriam at her book signing at MOON PALACE BOOKS in Minneapolis

El Space: Your last novel was about pirates. What was the inspiration behind this novel about wing walkers and a barnstorming circus in 1930?
Miriam: A nonfiction writer read aloud from a work-in-progress about a real-life wing walker from the ’20s at a workshop I attended, and my mind was blown. I’d never heard of such a thing. As I listened to her read I thought, I would NEVER take such an insane risk as walking out on the wing of a flying airplane! But at exactly the same time, I remembered who I was when I was sixteen, and knew that that me would have done it in a heartbeat. It made me want to write a story about that person.

El Space: What do you hope teens will gain from your main character Birdie’s life and the times in which she lived?
Miriam: Birdie’s external life explodes when the stock market crashes—but what causes her deepest pain is the loss of her father when he disappears. For young Birdie, life and her dad both seemed ideal. She has to learn to accept that things aren’t always perfect. People and circumstance will let you down over and over. You have to love and honor the good stuff while acknowledging that other stuff sucks and it’s okay to be hurt and to grieve. And when your life explodes or falls apart, it also leads to so much possibility and openness that wouldn’t have been there otherwise. Storms bring rainbows, you know?

El Space: Birdie interacts with a large cast of characters who aid in her evolution as a character. Who were the most fun or the most challenging to write about?
Miriam: I think the most challenging for me was Gilda, the woman that Birdie’s father chases after. Birdie initially thinks of her as this Jezebel character who has stolen her father away. It was challenging to really communicate Gilda’s complexity. She plays this seductive character professionally as a lounge singer, but she’s actually a real person who did nothing wrong, and Birdie’s anger is misplaced. It took me a few tries to show who she really is beyond the role she plays in Birdie’s life, which leads to a lot of growth in Birdie.

The most fun to write, though! It’s so hard to choose. I loved writing Colette, the tattooed lady; she’s so cranky and deadpan and soooo NOT impressed with Birdie—but then at the crux of the novel, Colette lets Birdie know that she sees and values the person struggling inside of Birdie’s perfect veneer.

But then there’s June. Sigh. . . . I love writing a love interest! June is so sexy. I loved writing her lanky tomboy-in-a-flight-suit Southern Charmer personality.

 

El Space: This is your second historical fiction novel. What is it about historical fiction that appeals to you?
Miriam: I love reading historical fiction, but queer people, especially queer women, have been so written out of history, always relegated to tragic plot devices if they are included at all. I want to write them back into history, and give them so much love and life and joy along with their struggles.

El Space: What was your research process? How did you keep the details you gleaned from research from overwhelming the story you wanted to tell? [One of the tips offered for historical fiction writers in this post here.]
Miriam: With my first novel, I often felt like the details overtook my narrative! The struggle is real. With this novel, I let the narrative guide me into my research. How did banks fail? How did the larger stock market crash impact the financial chain? Who were some wing walkers and women pilots and barnstormers I could use for inspiration? I tried to stick to the story I wanted to tell without getting sidelined by too many interesting details as I came across them. Once I had a strong narrative, then I went back to add in a lot more fun historical stuff—and that led to a lot of richness being layered in once the story was there.

El Space: What books or authors inspire you?
Miriam: This year I decided I was going to read as many books by queer people about queer people as possible. I am very inspired by LGBTQ+ authors telling their stories, especially for young readers. So over the past few months I’ve been super inspired by Amy Rose Capetta and Cori McCarthy, some VCFA friends who are writing all sorts of queer stories; I finally was introduced to Jillian and Mariko Tamaki’s graphic novels, which are amazing; I read awesome books by Kacen Callender and Lev Rosen and Alex Gino; and a Minneapolis author, Junauda Petrus, has a queer young adult love story coming out this fall called The Stars and the Blackness Between Them that I haven’t read yet, but I’ve heard excerpts read aloud, and I know it’s going to inspire the hell out of me.

 

El Space: What will you work on next?
Miriam: I’m taking a break from research and writing a contemporary YA novel, but I also have an idea for a historical fantasy that I’m itching to write. I’m definitely taking it slow and feeling out where I want to go from here. Publishing two books in the past two years has been such a whirlwind, accompanied by a lot of life craziness. I could go anywhere from here, you know? Kinda like Birdie. Anything is possible from here. . . .

Thanks, Miriam, for being my guest!

Looking for Miriam? Look no further than her website or Twitter. On Instagram she is booklovemiriam.

Looking for An Impossible Distance to Fall? (Taken out of context, that question is very interesting.) Check out your local bookstore, Amazon, Barnes and Noble, or Indiebound. Also look no further than your very own mailbox or Kindle (if you prefer), since one of you will get a copy of this book simply by commenting below! Winner to be announced one day next week.

Royal Bee looks skeptically on as Neon practices her wing walker routine. “Looks more like a mummy walking than like Birdie,” Royal Bee quips.

Book cover and author photo courtesy of Miriam McNamara. Author photo by Rose Kaz at Rose Photo. Other book covers from Goodreads. Wing walker image from wallpaperim.net. Dance image from clipground.com. Newspaper clipping from balkanplumbing.com. Old airplane photo from pxhere.com. Other photos by L. Marie. Neonlicious and Royal Bee OMG dolls are products of MGA Entertainment, Inc.

Check This Out: The Art of Breaking Things

With me on the blog today is my good friend, the awe-inspiring Laura Sibson, who is here to talk about her debut young adult novel, The Art of Breaking Things. Laura is the first of two awesome Secret Gardener classmates from VCFA on the blog this week.

         

Cover designer: DANA Li
Cover illustrator: AGATA WIERZBICKA

Laura is represented by Brianne Johnson. The Art of Breaking Things was published by Viking/Penguin on June 18. Click here to read the synopsis. After I talk with Laura, I’ll tell you about a giveaway of this very book.

El Space: Four quick facts about yourself?
Laura:
• When I was sorted as a Gryffindor on Pottermore, I was both surprised and slightly dismayed. I expected to be Hufflepuff, but also it seems to me that Gryffindor has fallen out of favor of late. When I asked my sons if I should take it again, they were like: “Mom, you’re a total Gryffindor.”

Laura at the Philly book launch with her husband and sons

• I love flowers and plants, but I murder every plant that has been brought into my house, except one. I have a peace lily that was given to us after my mother-in-law died and I have kept that plant alive come hell or high water.
• When weather permits, I work at my laptop on my back deck. At the moment, I feel a slight breeze despite the heat. I hear different birds singing their morning tunes. And I see that the big old hydrangea tree in my line of vision is readying itself to bloom.
• While The Art of Breaking Things is my first novel to be published, it’s the third manuscript that I completed. It took ten years from finishing my first manuscript to the publication of this book.

El Space: The Art of Breaking Things is partially based on your own experience. How challenging was it to separate what happened to your main character, Skye, with your own experiences?
Laura: Early on, someone had advised me to write the truth first and then set it aside. When I was ready, I started to fictionalize the story. I was interested in exploring what could happen in a small family of three females if an abusive father figure re-entered their world. I was intent on writing an active—not a passive—main character. As soon as Skye appeared, I knew she could carry the story in the way that I hoped. She was fierce and passionate. Through her voice, I was able to keep my personal story separate from the novel I was crafting.

Laura with Cordelia Jensen, another of our awesome classmates who has been on the blog (click here and here).

El Space: How did the supporting characters change as the story developed?
Laura: Initially, Emma, Skye’s sister, read as way too young. Luisa, Skye’s best friend, was more critical of Skye hooking up and their friendship was fairly shallow. Ben, Skye’s best guy friend—and maybe more?—sort of existed just for Skye’s benefit and Keith, a guy they go to school with, was an obnoxious jerk. Through revision, I worked to learn more about those characters, ensuring that they had lives outside of Skye’s life. Revising those characters made the overall story deeper and allowed me to create more nuance.

El Space: You were interviewed for an article on the #MeToo movement for Publishers Weekly. [Click here for that article.] But you wrote this book before that movement started. How has being linked to the movement been a game changer?
Laura: I started drafting the book in 2014. By the time I queried the agent who said yes, the #MeToo movement had broken and my agent saw a way to pitch my book. She was right because she sold the book in six weeks! When I started drafting the book, it was just for me. I wasn’t sure that anyone would want to read the difficult story of a teen girl struggling with the aftermath of sexual assault. But #MeToo has helped us remove some of the stigma around discussing these experiences. I’m grateful to the movement because it’s also helped me let go of some of my own shame.

At HEAD HOUSE BOOKS in Philadelphia with fellow debut author ALEX VILLASANTE

El Space: How important is the premise when it comes to novel writing?
Laura: For me, the basic premise helps frame the overall story. Though I am not a plotter—I wish I was, believe me!—I do like keeping the overall premise in the forefront of my mind as I draft. For The Art of Breaking Things, I knew that I wanted to explore how a teen attempts to protect her younger sister when she can’t speak up about past abuse, and I wanted to place a party girl in the limelight. Many plot points around that premise changed during drafting and revision, but the basic concept remained the same from the very beginning.

   

THE CHILDREN’S BOOKSTORE in Baltimore (left); Laura with her niece

El Space: Based on Skye’s journey and your own, what would you want a teen or anyone else who has gone through trauma to come away with?
Laura: I want readers to see that we aren’t good girls or bad girls, we are all just girls. I hope that young survivors feel seen and that they can begin the journey toward letting go of shame. I hope that people see that there can be healthy relationships after trauma and that there are resources to help you with the process of healing. But I also hope that people experience The Art of Breaking Things simply as a good read.

     

Laura at ALA (left); Laura and Alex with Katie Locke at B & N NESHAMINY

El Space: What inspires you as you write?
Laura: Being in nature inspires me. Scenes often unfold for me as I’m walking in the woods. I can see them clearly and then I can’t wait to return home to write them down. I also find that I can untangle plot problems while walking my dog on the two-mile loop that we do most days. I read a lot, so I’ll also get inspired by the ways that authors bring their own stories to life. While I’m actually drafting, a hot cup of coffee doesn’t necessarily inspire me, but it helps keep me in my seat. 😄

 

El Space: What will you work on next?
Laura: I’m working on a new YA novel—a grief narrative that explores family relationships and the ways that we try to keep memories alive. The main character is living on a houseboat with her grandmother in southern Maryland and she’s being visited by the ghost of her mother who died less than a year earlier. In this story I’m particularly interested in the lies we tell ourselves about the people we love and ways that the loss of a parent can affect the way that a teen moves through her world.

Thank you, Laura, for being my guest!

Looking for Laura? Look no further than her website, Twitter, or Instagram.

Looking for The Art of Breaking Things? Check out your local bookstore, Amazon, Barnes and Noble, or Indiebound.

But one of you will receive a signed copy of Laura’s novel in your very own mailbox. Just comment below! Winner to be revealed after an interview that I will do with another great classmate later this week.

The first meeting of the book club went well. Though Royal Bee and Neon agreed That The Art of Breaking Things was the ideal first book to read, they argued about who would be more compatible with Ben.

Book cover, book signing photos, and author photo courtesy of Laura Sibson. Author photo by Rachael Balascak. Other photos by L. Marie. Neonlicious and Royal Bee OMG dolls are products of MGA Entertainment, Inc.