Check This Out—The Stuff Between the Stars: How Vera Rubin Discovered Most of the Universe

Welcome to the blog! Returning to the blog today is the awesome Sandra Nickel, who is here to talk about her latest picture book biography, The Stuff Between the Stars: How Vera Rubin Discovered Most of the Universe. It was published by Abrams in March of this year and was illustrated by the amazing Aimée Sicuro.

SandraNickel   TheStuffBetweenTheStars

Check out the fab book trailer.

If you’ve been around the blog over the years, you know the drill. Once I talk to Sandra, I’ll tell you how you can get this book for free in a drawing that I am hosting.

El Space: Since your picture book is all about astronomy: If you could name a star, what would you name it?
Sandra:
Does it have to be one star? Or can it be a star cluster like the Pleiades? I always loved the idea of the Seven Sisters, up in the sky, named after their mother. My mother gave birth to three of us. Maybe we could be the Eleanores.

El Space: How did you come to this project? Sadly, I didn’t know anything about Vera Rubin until I read your book. I certainly didn’t know her connection to the study of dark matter.
Sandra:
I also didn’t know about Vera Rubin, not until Kate Hosford (below), a wonderful picture book author, texted me and told me about a tribute to her in The New York Times. I read the article and was captivated. I started researching that very day.

red photo cropped

El Space: Tell us about the research. How did your findings help you decide on the story angle? At what point did you decide you’d done enough research to make a start or to conclude the writing?
Sandra:
When I read The New York Times article, Vera had died two days before and papers were flooded with homages to her. After reading these, I found articles and a book Vera had written. The greatest discoveries, however, were interviews with Vera. They gave such a clear vision of her personality, childhood, home life, and struggles.

For the most part, editors no longer require picture book biographies to tell a person’s story from cradle to grave. They are looking for a story that fits into the classic story structure. Introduction. Rising Action. Climax. Resolution. I had the introduction early on, because Vera said she fell in love with stars when she was eleven. The climax had to be her discovery. That left me searching for rising action. Vera had so many challenges thrown in her path—far more than made it into the book. Once I was confident that I had found the most important ones, I knew I had enough to start putting the rising action together. The trick was to select experiences that resonate with children. I chose the experience illustrated below because everyone can understand how awful it is to be the only one against a crowd.

Vera Facing the Senior Astronomers

El Space: Your book is so beautifully written. How challenging was it to explain scientific concepts in picture book form?
Sandra:
From the beginning, I knew I needed to come up with imagery that would help children understand. I searched and searched for different ways to describe gravity, galaxies, and dark matter. Once I had all of these in my head, it became very clear that these same descriptions could be used to portray Vera Rubin’s life itself. It was challenging from the point of view of filling my mind with new ideas. Minds don’t always want to accept new things. But once that was done, it wasn’t challenging at all. The metaphors appeared as if they had always been there.

El Space: How long was the process from writing to publication? Did you have much contact with the illustrator, Aimée Sicuro? Why or why not?
Sandra:
It took over four years from the afternoon I read The New York Times article to the day The Stuff Between the Stars came out. With some nonfiction picture books, the writer and illustrator need to exchange information because the writer discovers photographs and descriptions through private sources not available to the general public. My book Nacho’s Nachos was that way. The Stuff Between the Stars was completely different. There are a number of photographs of Vera Rubin online, and Aimée Sicuro discovered each one of them. She asked for only one thing from me: one of Vera’s equations. She incorporated it into the gorgeous illustration below where Vera stays up working at night as her family sleeps.

Vera Working at Night as Her Family Sleeps

El Space: What did you learn about Vera’s life that inspired you in your own life?
Sandra:
The greatest Vera Rubin lesson is: Choose your own way. I know that seems cliché. But it’s harder than it sounds. It’s easy to fall into thinking that life is just hard, that suffering is part of the journey. I love that Vera said, I don’t like being treated harshly, I don’t like all the negativity. I love that she found a way far from all that and then discovered something bigger than everyone else. I’ll never discover something as immense as dark matter, but by doing things my way, my writing will hopefully be infused with joy. Because it makes me happy. And that is marvelous already.

El Space: What will you work on next?
Sandra:
There’s a book I’m working on right now with an editor that I hope will bring readers the kind of joy I’m talking about. It involves a very big bear and a very little fish who see the world in very different ways.

Thank you, Sandra for being my guest!

If you want to learn more about The Stuff Between the Stars, check out this video produced by the Smithsonian. In it, Sandra reads the book and interviews Aimée Sicuro. You’ll also see a fun demonstration by Aimée on painting a galaxy.

Looking for Sandra? Check out her website, Twitter, and Instagram.

Looking for The Stuff Between the Stars? Look for it at Barnes and Noble, Amazon, Indiebound, Bookshop, or your favorite local bookstore.

But one of you will look in your mailbox or tablet and go, “Oh my goodness! A free book!” Comment below to be entered in a drawing to receive a copy of The Stuff Between the Stars. Winner to be announced sometime next week.

Author photo, book spreads, and book cover courtesy of the author. Illustrations by Aimée Sicuro. Author photo credit: Emo-Photo. 

Check This Out: Eternal Road

Today on the blog I’m happy to have the one and only John Howell here to talk about his latest novel, Eternal Road. It was published on August 23. Go here to read a synopsis of the book. Now, give it up for John!

  

John: Thank you so much for having me on your blog today, Linda. I certainly appreciate being here with you.

El Space: My pleasure, John. Four quick facts about yourself?
John: 1. I write every day.
2. I’ll be 80 years old in the spring.
3. I am a pantster and do not outline my work.
4. When I begin a novel, I write the last three lines and then go back and write to that conclusion.

El Space: Groovy! What inspired you to write this book? I can’t help thinking of a film from 1978 called Heaven Can Wait. The premise of that film is nothing like your book. But the life-after-death aspect of your book made me think of it.
John: I wanted to do a historical fiction novel. While I was doing the research, I wrote a short story that started with a couple hitchhiking, and then as the characters came alive, it went in a different direction. Sam, the female protagonist, is reminiscent of a childhood friend who moved away. James, the male protagonist, exhibits the feelings I had as a boy when I lost my childhood friend. She did eventually die when we were both 30. The story is pretty much a way of coming to grips with that double loss so many years ago.

El Space: I have to ask if there is a story behind the use of a 1956 Oldsmobile. Please shed light on that.
John: When I was in high school, a neighbor had a 1656 Oldsmobile identical to the car on the cover. I used to wash and wax that car and fell in love with it. I wanted to honor those memories somehow, so the vehicle is in the story as a tool for Sam and James.

El Space: Time travel also is an aspect of the story. What are some of your favorite time travel stories?
John: I’ve read and seen so many, but I have to say The Time Machine by H.G. Wells is my favorite. Another one was on The Twilight Zone, where a successful guy went back in time to start over for the thrill of building an empire all over again. He went back to the time before the automobile and tried to get people to help him make one. Of course, no one had the skills, so his trip (and deal with the devil) is a waste.

    

El Space: C. S. Lewis once mentioned,

All my seven Narnian books . . . began with seeing pictures in my head. At first, they were not a story, just pictures. The Lion [The Lion, the Witch, and the Wardrobe] all began with a picture of a Faun carrying an umbrella and parcels in a snowy wood.

When you think of developing a story, which comes first for you—images in your head? The characters? The plot?
John: This is like asking a golfer if they inhale or exhale before their swing. Let me think a moment. I think my stories come about as a result of the images in my head first. These images can be relatively sparse and only a partial picture of what will become the full story. After the images, I then concentrate on the characters. The characters guide the story, and as they develop, they have a hand in developing the plot. Many times, the characters will create plot points by merely acting the way they usually would behave. In Eternal Road, a massive scene develops in the basement of a house due to following the instincts of the two characters. They are in the place and want to look in the basement. I had not planned to have them discover something there until one character all of a sudden said, “I wonder what we will find in the basement.”

El Space: What genre would you love to tackle that you haven’t yet?
John: I would love to write a pure Science Fiction book. I think it would be fun to create a futuristic world complete with political and social infrastructure. At this point, I’m not sure if it would be a thriller type of Sci-fi story or not. I do think the characters would have to be from Earth and on a mission of some sort. I would hope the mission would be one that, if accomplished, the Earth would be better off. Maybe something like word has been received that the inhabitants of a nearby system have discovered the cure for Cancer. The mission would be to go to a planet and bring back the cure. Of course, it would not be all that easy. Maybe the therapy only works on those who carry the DNA of ancient space travelers who visited the Earth many centuries ago. Everyone else who gets vaccinated for the disease dies. Well, I guess it would be a thriller after all.

El Space: Wow that sounds great! Hope you write that book someday. In the meantime, what will you work on next?
John: I had not intended to extend Eternal Road into a series. There have been a couple of reviewers who flatly state that it should be a series. I was going to get to work on a long-awaited story of one of the characters in my John Cannon Trilogy. His name is Ned Tranes, and he is the police chief of Port Aransas, Texas. Now I think Ned’s story is going to wait another year. He is very patient since he has been waiting for three years already. The last encounter we had, Ned’s wife, was taken hostage by a band working for the drug cartel. You know nothing good can come from that. Well, let’s hope they treat his wife nicely until we can get back to set her free.

 

El Space: Oh dear.
John: So I think I will jump in and write book two of Eternal Road.

Good idea! Thank you, John, for hanging out with me.

Looking for John? Check his blog, Facebook, Goodreads, Amazon.

Looking for Eternal Road? Click here!

One of you will find a copy of Eternal Road on your device or in your mailbox. Comment below to be entered in the drawing. Winner to be announced on September 30.

Other books by John:

 

Author photo and Eternal Road book cover courtesy of John Howell. Eternal Road book cover by Roseanna White Designs. Other book covers from Goodreads. Twilight Zone logo from Bloody Disgusting. Heaven Can Wait movie poster from RogerEbert.com.Sci-fi image from wallpaperup.com.

Check This Out: How The Queen Found the Perfect Cup of Tea

With me on the blog today is the always lovely Kate Hosford. She’s here to talk about her latest picture book, How the Queen Found the Perfect Cup of Tea, which was illustrated by the amazing Gabi Swiatkowska. This book, published by Carolrhoda Books in March 2017, is too delightful for words.

  

Check out the book trailer:

Now, let’s talk to Kate!

El Space: Four quick facts about yourself?
Kate: (1) I love the tea set that my grandmother left me.

Kate’s grandmother’s Spode china

(2) When I studied in India during college, I loved drinking chai on trains.

Indian chai at the launch party at Books of Wonder in New York

(3) This summer, I got to drink tea at the Buckingham Palace Garden Café, where they have really nice paper cups.

Fancy to-go cups

(4) My new favorite place in New York is the Japanese tea house, Cha-An, where they have wonderful Matcha and a great selection of desserts.


Matcha with something sweet at Cha-An

El Space: How did you come up with the idea for this picture book?
Kate: At first, I simply had a vague idea about a queen going around the world and drinking tea with children from different cultures. But after several revisions, the story became about a lonely, pampered Queen who thinks she is searching for the perfect cup of tea, when she is actually searching for friends and meaning in her life. In the final version, tea still has a multicultural function in the story, but it is also a metaphorical device for tracking the Queen’s emotional state. Gabi Swiatkowska did such a great job showing the Queen’s many emotional states not only as she learns to make tea, but as she learns how to do other things as well, like snuggle a kitten.

El Space: This is your second collaboration with illustrator Gabi Swiatkowska. What was your process for working with Gabi? How long was the process from writing to production?
Kate: Gabi and I met in an illustrators’ group in 2000, back when I was doing illustration. We were good friends before we became collaborators, which was probably helpful. This book has a complex emotional arc, with the Queen making a bit more progress in each place she visits, but then backsliding to her old haughty ways at the beginning of each visit to a new place. Gabi did an amazing job of conveying all the emotional complexity in the book. Sometimes I offered opinions that Gabi took, and other times, she would stand her ground. I have learned that when Gabi stands her ground, she is always right!

Gabi and Kate at their launch party at Books of Wonder

I started this book with my faculty advisor, Uma Krishnaswami, in 2009, when I was getting my MFA in Writing for Children and Young Adults at Vermont College of Fine Arts. I sold it to Carolrhoda Books in 2013, and it came out this spring. In my original drafts, I had the children in each country giving the Queen little gifts, and acting deferential. Uma encouraged me to “turn colonialism on its ear,” and create child characters that are completely unimpressed with royalty. This is when the book really came together. When the children treat her like a normal person, the Queen begins to evolve emotionally.

Interior illustrations © 2017 by Gabi Swiatkowska

El Space: Favorite tea? What, if anything, do you take in your tea?
Kate: I drink a lot of peppermint tea and honey, lemon tea and honey, green tea, and chai.

El Space: In a discussion of why picture books are important, Kwame Alexander said

Picture books are the great experience equalizer. We don’t have to leave the comforts of the beds in the rooms of our houses, and yet we can still travel through time and place and circumstance.

Erzsi Deak said

Picture books are also the groundwork for understanding innately how Story works, as the reader anxiously turns the page to see WHAT HAPPENS NEXT.

Why do you think they’re important?
Kate: Oh there are so many reasons! I agree with everything that Kwame and Erzsi said, and here a few other reasons as well:

Picture books can create intimacy. Often picture books are read out loud, either by a teacher or parent. This sort of intimate experience allows the child and adult to bond over the book together, which then gives the child yet another reason to continue reading.

Picture books hone a child’s ear. When picture books are read out loud, they allow children to hear the rhythms and cadences of beautiful language, which hopefully makes them want to read more.

Picture books are good for the brain. The child who is seated next to a picture book reader is synthesizing the words on the page, the language of the reader, and the illustrations. The constant toggling back and forth between these elements is stimulating and complex, forging the neural pathways that are essential for increasing intelligence in a young child.

El Space: Name a favorite picture book from your childhood. Why was it a favorite?
Kate: Probably my favorite book was called Alexander and the Magic Mouse by Martha Sanders and Philippe Fix. It is a gorgeous, eccentric book about an old lady who lives on the top of a hill with a Magical Mouse, a Brindle London Squatting Cat, a Yak, and an alligator. One day, the Magical Mouse predicts that the town below will be endangered by thirty days of rain. It is then up to Alexander to make the treacherous journey into town to warn the mayor about the rain. The book’s illustrations are just spectacular, and I loved the fact that this eclectic group of animals lived with the Old Lady.

The cover where the Old Lady is serving tea

Strangely, I didn’t realize until I just reread the story that tea plays a rather important role in the book. The Old Lady gathers her friends every day in the drawing room for tea, she nurses Alexander back to health with ginger tea when he returns from warning the mayor, and at the end of the book, when the mayor comes to honor the Old Lady for saving the town, she gives the medal to Alexander instead, and invites the mayor and her animal family to tea.

  

The Old Lady, nursing Alexander back to health with ginger tea (left); the mayor, having tea with the Old Lady and her friends at the end of the book

El Space: What will you work on next?
Kate: A poetry collection about how brilliant the octopus is! I read Sy Montgomery’s incredible book, The Soul of an Octopus: A Surprising Exploration into the Wonders of Consciousness. and then was lucky enough to meet Sy and interact with her namesake, Sy the Giant Pacific Octopus at the New England Aquarium. I also want to do something funny related to the life of a classical musician. This is a bit of a challenge since most of them had really difficult and tragic lives. However, Jonah Winter was able to do it in his fabulous picture book, The 39 Apartments of Ludwig van Beethoven, where he tries to figure out how Beethoven could have moved five legless pianos to 39 different apartments. It’s such a unique topic, and his treatment of it is wonderful.
I’m also very excited about a picture book I have coming out next spring with Abrams called Mama’s Belly. It’s about a little girl waiting for her sister to be born, and wondering if there will be enough love to go around. (Spoiler alert: There is!)

    

Thanks, Kate, for being my guest!

And thank you to all who visited this blog. You can find How the Queen Found the Perfect Cup of Tea at Amazon, Barnes and Noble, and Indiebound.

Want a curriculum guide for How the Queen Found the Perfect Cup of Tea? Click here.

You can find Kate at her website, Twitter, and Facebook.

One of you will find her book in your mailbox or tablet. Comment below to be entered in the drawing. You could name your favorite tea as you comment. The winner will be announced on May 1.

Kirstea, the tea-loving Shoppie, gives Kate’s book five stars!

Book covers, author photo, interior illustrations, and book signing photos courtesy of the author. The Soul of an Octopus, Surf’s Up, and Pumpkin Time covers from Goodreads. Kirstea photo by L. Marie. Kirstea Shoppie doll by Moose Toys.