Guest Post: Many “Firsts” for Translation

Today’s post was written by my good friend, Lyn Miller-Lachmann, one of my classmates from VCFA. Lyn has written novels like Gringolandia, Surviving Santiago, and Rogue. She’s here to talk about her work as a translator. Take it away, Lyn!

The months of August and September are busy times for us translators of children’s books. For the past several weeks, we’ve honored international women writers and the women who have translated their work, and next month we recognize those books for children originally published outside the U.S. and Canada, many of them translations, as part of #WorldKidlit month.

I have had the good fortune to translate six books for young readers from Portuguese to English, all but one of them written by women. I became a translator quite by accident when I attended a meeting of children’s book authors where Claudia Bedrick, the publisher of Enchanted Lion Books was speaking. Enchanted Lion’s list consists primarily of picture books originally published abroad and translated into English, and she said that she needed someone to translate a book first published in Portugal. I’d recently returned from six months in Portugal, where I took an intensive class for immigrants, after which I completed a course in Brazilian Portuguese at the University of Albany.

I raised my hand.

The result was The World in a Second, by Isabel Minhós Martins and illustrated by Bernardo Carvalho, a book that earned my first starred review ever. In addition to giving the book a star, Kirkus named it to its list of Best Children’s Books of 2015. The book also appeared on the Best Children’s Books list of the Boston Globe and was named one of the 2016 CCBC Choices of the Cooperative Children’s Book Center at the University of Wisconsin. That was another coveted “first” for me, because I graduated in 1990 from the University of Wisconsin’s School of Library and Information Studies, and I knew that making CCBC Choices was a rare and important honor.

The text of The World in a Second consists of brief commentary on illustrations of scenes throughout the world that take place at the same moment. For me, it was an easy transition into translating children’s books. My next project for Enchanted Lion, Lines, Squiggles, Letters, Words, by Ruth Rocha and illustrated by Madalena Matoso, presented many more challenges. One was translating a story featuring a young Brazilian boy named João, who goes to school for the first time and sees his world in a new way, to make it accessible to a U.S. readership while maintaining its Brazilian feel. The popular but difficult-to-pronounce-in-English name João had to be changed out of consideration for teachers and caregivers reading the book aloud; I replaced it with the only slightly less popular Pedro. My editor wanted a new title for the book, as the one in Portuguese, O Menino Que Aprendeu a Ver (The Boy Who Learned to See), felt dull and preachy. Many of the illustrations had to be altered because Pedro learns words that begin with the letters A and D, but some of those don’t begin with A or D in English. The same occurred with billboards, street signs, and labels that begin to take on new meaning as my young protagonist recognizes the letters from school. Published in 2016, Lines, Squiggles, Letters, Words also received acclaim, including another spot in CCBC Choices and one on the USBBY’s Outstanding International Children’s Books list.

In the past two years, I’ve had two books come out each year. The fable, The Queen of the Frogs, by the Italian duo, author Davide Cali and illustrator Marco Somà, was published by Eerdmans Books for Young Readers, another award-winning publisher of international books in translation. While the story didn’t win as many distinctions as my books for Enchanted Lion, it is certainly a relevant one for our times—the story of a peaceful, egalitarian pond full of frogs where everything changes when one frog catches a gold ring dropped from a bridge, puts it on her head like a crown, and, with the support of a small coterie of advisers, declares herself the queen. With no special qualification, except maybe swimming and diving ability, she puts the ordinary frogs to work serving her and her allies while she enjoys a life of leisure and luxury on a lily pad.

My second book for 2017 is also a timely one. Three Balls of Wool (Can Change the World), by Henriqueta Cristina and illustrated by Yara Kono, is the story of a Portuguese family forced to flee as a result of a cruel dictatorship in their country that won’t allow children living in poverty or in rural areas to attend school. The parents and three children end up in a country where “all children go to school,” but everyone dresses alike and there is no more freedom to speak out than in Portugal. The young narrator misses her old home and notices the lines of worry and sadness on her parents’ faces. She and her mother come up with a way of speaking without actually speaking—knitting sweaters in new patterns and color combinations and showing how immigrants and refugees enrich the lives of the countries where they settle. This book attained another prestigious “first” for me—a Skipping Stones Honor Award in the Multicultural/International Books category.

Now that it’s 2018, I have one book that launched this month, and one more in the works. Published in North America by Charlesbridge, Olive the Sheep Can’t Sleep, by Clementina Almeida, illustrated by Ana Camila Silva, combines a soothing story for young children with tips for caregivers to help establish bedtime routines and ease the little one’s journey to slumber. Although I’ve translated academic articles, Olive the Sheep Can’t Sleep is the first time I’ve translated advice for general adult readers.

And one more “first”: Earlier this year, a Brazilian publisher, Editora Caixote, contacted me to translate a middle grade novel, which they would publish in a trilingual (Portuguese, Spanish, and English) edition. Written by noted Brazilian journalist Carolina Montenegro, Amal is the story of a 12-year-old girl from Syria who must flee her bombarded village and travel alone through Turkey and Greece to Italy, where her uncle lives—along the way meeting other unaccompanied children fleeing war and poverty. This book is due out at the beginning of 2019, and although readers in the U.S. won’t have access to it, I am pleased that my translations are finding an international audience. In the coming years, however, I hope that publishers and readers in the U.S. will become more open to international literature in translation and the different perspectives that these books offer.

For more information about these books, and translation of children’s books in general, please check out these links to my blog articles:
https://www.lynmillerlachmann.com/the-americanizer-and-other-tales-of-translation/
https://www.lynmillerlachmann.com/good-news-for-lines-squiggles-letters-words/
https://www.lynmillerlachmann.com/a-fable-for-our-time-the-queen-of-the-frogs/
https://www.lynmillerlachmann.com/the-time-has-come-for-three-balls-of-wool-can-change-the-world/
https://www.lynmillerlachmann.com/olive-the-sheeps-u-s-tour/

Looking for Lyn? You can find her at her website, Facebook, Twitter, and Instagram.

I’d love to give away one of these translated books to a worthy commenter. Comment below to be entered in the drawing. Tell me which book you’d like. The winner will be announced on August 27.

Book covers from Goodreads.

Check This Out: Yoga Frog

With me on the blog today is one of my wonderful classmates from Vermont College of Fine Arts—the awe-inspiring Nora Carpenter. Nora is here to talk about her picture book for young readers, Yoga Frog, which debuts today, people!

 

Nora is represented by Victoria Wells Arms. Yoga Frog was published by Running Press Kids and was illustrated by Mark Chambers. Nora also is the author of Yoga Frog: Reflections from the Lily Pond, which was written for adults and published in April (also illustrated by Mark Chambers). Check it out here. One of you will be given a copy of the Yoga Frog picture book for for young readers. Stay tuned after the interview to find out how. (Or skip ahead if you so choose. But you won’t be given any cake.)

Let’s talk to Nora!

El Space: Four quick facts about yourself?
Nora: 1. I grew up in rural West Virginia, where my closest neighbor was a mile away. I loved roaming the woods, but the distance from people was also challenging because I’m more extroverted than introverted.
2. I’m passionate about the environment and conservation, so I’m a super active board member and incoming president of the Friends of the Western North Carolina Nature Center in Asheville, where I now live. The Nature Center is an AZA-accredited zoological park that cares for animals that either couldn’t survive in the wild or are part of species survival and management programs.


3. I’m a Suzuki-trained violist, though I’ve been known to fiddle on occasion. 
4. I have three kiddos, ages 4 months, 3-1/2 years, and 6 years. I am . . . busy. And need to practice lots of yoga and mindfulness. LOL.

El Space: How did Yoga Frog come to be?
Nora: I’ve been practicing yoga since the early 2000s and became a CYT—certified yoga teacher—back when I lived just outside DC. I taught both adult and children’s classes, but I really fell in love with teaching yoga to pre-K kids. At that time, there weren’t a lot of quality materials for teaching yoga to young children, so I decided to write the book I wish I’d had as a teacher. It turned into a collection of yoga poems for children, and my graduate reading at VCFA included some poems from that collection. Several years later, a fellow alum who loved the poems went on to work for Running Press Kids, the publishing house that approached me about writing the book. I had never let go of the dream of introducing the healing world of yoga to kids through literature, so of course I jumped at the opportunity!

El Space: How long did it take to write? What was the path to publication for Yoga Frog?
Nora: Once I found the right framework, it didn’t take me super long to write, because I’m a yoga teacher and have had a yoga book idea for years and years! But like everything I write, the book went through numerous drafts. The first draft was a story about a little frog who learns yoga from Yoga Frog, whereas the final draft ended up as nonfiction with Yoga Frog as the sole character. Maybe one day I’ll revisit and reshape that original story. But I think Yoga Frog is definitely a better teaching tool in its final form.

Illustration by Mark Chambers

El Space: The illustrations are great! What was it like working with the illustrator, Mark Chambers? How much input did you have in regard to the illustrations?
Nora: Aren’t they adorable?! I’ve only met Mark virtually, because he lives in the UK, but he’s incredibly talented and kind. He made a Yoga Frog activity sheet for me to use at presentations, which was just so nice. And I LOVE the way he brought Yoga Frog to life. I viewed numerous versions of the illustrations and poster, including preliminary pencil sketches. My input included minor changes to the character’s body position to make sure Yoga Frog was clearly and accurately modeling each pose. Oh, and once I noticed that on one page he didn’t have eyebrows. LOL. But really, Mark did such a great job that I didn’t need to make too many suggestions. Also, he taught himself animation, which you can see in the Yoga Frog book trailer.

   

Book poster. Lemony Limes especially loves the resting yoga pose.

El Space Note: I wanted to feature the book trailer. But this post went live before the book trailer went live. You can find it online.
El Space: In 1935, famed author Margaret Wise Brown said, “A book should try to accomplish something more than just to repeat a child’s own experiences. One would hope rather to make a child laugh or . . . lift him for a few minutes from his own problems.” Would you agree? Please explain. What do you hope children will take away when they read Yoga Frog?


Nora: I absolutely agree. I designed the opening lines of Yoga Frog to help kids identify with Yoga Frog, but also to set a fun tone that will, I hope, take them away from their own problems for a bit. I also hope that the book gives them a fun, accessible way to manage those problems and stresses, which is why the poses have kid-friendly names in addition to their Sanskrit names. If kids have fun practicing yoga, they’ll want to do it again. And again. And again. Before they know it, they’ll have developed a life-long healthy habit that they can practice anytime they feel anxious or need a little mental or physical boost. The book includes an Author’s Note for parents with more explanation of yoga’s benefits for kids.

   

Left photo is Nora teaching an interactive presentation of the book at the Greensboro Bound Literary festival. Photo on right shows Nora’s sons.

El Space: Based on what you’ve learned in writing Yoga Frog, what advice would you give to a newbie picture book author? Why?
Nora: That’s a big, important question. Definitely READ current picture books, of course. Lots of them. And write. Constantly and ferociously. The longer I write, the more I understand the necessity of looking fear in the face and tackling your project in spite of it. This applies to all kinds of writing. Heck, any creative endeavor really. If you’re like me, there’s always that inner critic nagging at you: What if I’m not writing this story the right way? What if no one likes my idea? What if—heaven forbid—I make a mistake? To the best of your ability, tell those What Ifs where they can go. You’re going to make mistakes. You must. If you don’t make mistakes, you’re not writing enough, and you’ll never uncover the rich ideas beneath them, the ideas that wouldn’t have emerged if it hadn’t been for those previous mistakes. Oh, and get yourself a writing group whose members will both give you honest, constructive feedback AND boost your confidence when you need it.

El Space: What will you work on next?
Nora: I’ve got a couple projects up in the air, but my primary writing focus right now is my next young adult novel.

El Space: Thanks for being my guest, Nora.
Nora: Thank you so much for having me, Linda! Always great to chat.

Looking for Nora? You can find her at her website, Instagram, and Twitter.

Looking for Yoga Frog? You can find it at your local bookstore or online at Amazon, Barnesandnoble.com., and Indiebound.

One of you will receive a copy of Yoga Frog just by commenting. That’s right. Comment below and you’ll be entered in the drawing. Winner to be announced on June 11. Why then? Because another classmate is coming on the blog soon. That’s right. I’m hosting two giveaways!

Now, free cake for everyone! It’s gluten free!

Author photo, book cover, Nature Center sign, book illustration, and yoga photos courtesy of Nora Carpenter. Author photo by Chip Bryan Photography. Yoga Frog illustration by Mark A. Chambers Book birthday image from romancingrakes4theluvofromance.blogspot.com. Goodnight Moon cover from barnesandnoble.com. Cake from goodtokmow.co.uk. Lemony Limes photo by L. Marie. Lemony Limes Shoppie doll is a registered trademark of Moose Toys.

Check This Out: How The Queen Found the Perfect Cup of Tea

With me on the blog today is the always lovely Kate Hosford. She’s here to talk about her latest picture book, How the Queen Found the Perfect Cup of Tea, which was illustrated by the amazing Gabi Swiatkowska. This book, published by Carolrhoda Books in March 2017, is too delightful for words.

  

Check out the book trailer:

Now, let’s talk to Kate!

El Space: Four quick facts about yourself?
Kate: (1) I love the tea set that my grandmother left me.

Kate’s grandmother’s Spode china

(2) When I studied in India during college, I loved drinking chai on trains.

Indian chai at the launch party at Books of Wonder in New York

(3) This summer, I got to drink tea at the Buckingham Palace Garden Café, where they have really nice paper cups.

Fancy to-go cups

(4) My new favorite place in New York is the Japanese tea house, Cha-An, where they have wonderful Matcha and a great selection of desserts.


Matcha with something sweet at Cha-An

El Space: How did you come up with the idea for this picture book?
Kate: At first, I simply had a vague idea about a queen going around the world and drinking tea with children from different cultures. But after several revisions, the story became about a lonely, pampered Queen who thinks she is searching for the perfect cup of tea, when she is actually searching for friends and meaning in her life. In the final version, tea still has a multicultural function in the story, but it is also a metaphorical device for tracking the Queen’s emotional state. Gabi Swiatkowska did such a great job showing the Queen’s many emotional states not only as she learns to make tea, but as she learns how to do other things as well, like snuggle a kitten.

El Space: This is your second collaboration with illustrator Gabi Swiatkowska. What was your process for working with Gabi? How long was the process from writing to production?
Kate: Gabi and I met in an illustrators’ group in 2000, back when I was doing illustration. We were good friends before we became collaborators, which was probably helpful. This book has a complex emotional arc, with the Queen making a bit more progress in each place she visits, but then backsliding to her old haughty ways at the beginning of each visit to a new place. Gabi did an amazing job of conveying all the emotional complexity in the book. Sometimes I offered opinions that Gabi took, and other times, she would stand her ground. I have learned that when Gabi stands her ground, she is always right!

Gabi and Kate at their launch party at Books of Wonder

I started this book with my faculty advisor, Uma Krishnaswami, in 2009, when I was getting my MFA in Writing for Children and Young Adults at Vermont College of Fine Arts. I sold it to Carolrhoda Books in 2013, and it came out this spring. In my original drafts, I had the children in each country giving the Queen little gifts, and acting deferential. Uma encouraged me to “turn colonialism on its ear,” and create child characters that are completely unimpressed with royalty. This is when the book really came together. When the children treat her like a normal person, the Queen begins to evolve emotionally.

Interior illustrations © 2017 by Gabi Swiatkowska

El Space: Favorite tea? What, if anything, do you take in your tea?
Kate: I drink a lot of peppermint tea and honey, lemon tea and honey, green tea, and chai.

El Space: In a discussion of why picture books are important, Kwame Alexander said

Picture books are the great experience equalizer. We don’t have to leave the comforts of the beds in the rooms of our houses, and yet we can still travel through time and place and circumstance.

Erzsi Deak said

Picture books are also the groundwork for understanding innately how Story works, as the reader anxiously turns the page to see WHAT HAPPENS NEXT.

Why do you think they’re important?
Kate: Oh there are so many reasons! I agree with everything that Kwame and Erzsi said, and here a few other reasons as well:

Picture books can create intimacy. Often picture books are read out loud, either by a teacher or parent. This sort of intimate experience allows the child and adult to bond over the book together, which then gives the child yet another reason to continue reading.

Picture books hone a child’s ear. When picture books are read out loud, they allow children to hear the rhythms and cadences of beautiful language, which hopefully makes them want to read more.

Picture books are good for the brain. The child who is seated next to a picture book reader is synthesizing the words on the page, the language of the reader, and the illustrations. The constant toggling back and forth between these elements is stimulating and complex, forging the neural pathways that are essential for increasing intelligence in a young child.

El Space: Name a favorite picture book from your childhood. Why was it a favorite?
Kate: Probably my favorite book was called Alexander and the Magic Mouse by Martha Sanders and Philippe Fix. It is a gorgeous, eccentric book about an old lady who lives on the top of a hill with a Magical Mouse, a Brindle London Squatting Cat, a Yak, and an alligator. One day, the Magical Mouse predicts that the town below will be endangered by thirty days of rain. It is then up to Alexander to make the treacherous journey into town to warn the mayor about the rain. The book’s illustrations are just spectacular, and I loved the fact that this eclectic group of animals lived with the Old Lady.

The cover where the Old Lady is serving tea

Strangely, I didn’t realize until I just reread the story that tea plays a rather important role in the book. The Old Lady gathers her friends every day in the drawing room for tea, she nurses Alexander back to health with ginger tea when he returns from warning the mayor, and at the end of the book, when the mayor comes to honor the Old Lady for saving the town, she gives the medal to Alexander instead, and invites the mayor and her animal family to tea.

  

The Old Lady, nursing Alexander back to health with ginger tea (left); the mayor, having tea with the Old Lady and her friends at the end of the book

El Space: What will you work on next?
Kate: A poetry collection about how brilliant the octopus is! I read Sy Montgomery’s incredible book, The Soul of an Octopus: A Surprising Exploration into the Wonders of Consciousness. and then was lucky enough to meet Sy and interact with her namesake, Sy the Giant Pacific Octopus at the New England Aquarium. I also want to do something funny related to the life of a classical musician. This is a bit of a challenge since most of them had really difficult and tragic lives. However, Jonah Winter was able to do it in his fabulous picture book, The 39 Apartments of Ludwig van Beethoven, where he tries to figure out how Beethoven could have moved five legless pianos to 39 different apartments. It’s such a unique topic, and his treatment of it is wonderful.
I’m also very excited about a picture book I have coming out next spring with Abrams called Mama’s Belly. It’s about a little girl waiting for her sister to be born, and wondering if there will be enough love to go around. (Spoiler alert: There is!)

    

Thanks, Kate, for being my guest!

And thank you to all who visited this blog. You can find How the Queen Found the Perfect Cup of Tea at Amazon, Barnes and Noble, and Indiebound.

Want a curriculum guide for How the Queen Found the Perfect Cup of Tea? Click here.

You can find Kate at her website, Twitter, and Facebook.

One of you will find her book in your mailbox or tablet. Comment below to be entered in the drawing. You could name your favorite tea as you comment. The winner will be announced on May 1.

Kirstea, the tea-loving Shoppie, gives Kate’s book five stars!

Book covers, author photo, interior illustrations, and book signing photos courtesy of the author. The Soul of an Octopus, Surf’s Up, and Pumpkin Time covers from Goodreads. Kirstea photo by L. Marie. Kirstea Shoppie doll by Moose Toys.

Check These Out: Picture Books by Eric Pinder

Greetings from the frozen north! (Yes, we had a snow visitation recently.)

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’Tis the season to be jolly as the well-known Christmas carol goes. And I can guarantee some jolliness when you check out the following picture books by the erudite and extraordinary Eric Pinder.

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Both books were illustrated by Stephanie Graegin and published by Farrar, Straus Giroux. Eric is represented by Ammi-Joan Paquette. Stick around till the end of the interview to learn about the giveaway. Ho-ho-ho!

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Kitty dressed as Santa? Perhaps she has something to do with this giveaway?

El Space: Four quick facts about yourself?
Eric: (1) Once upon a time, I worked at an observatory on top of a mountain and commuted home—well, partway home—by sled. As job perks go, it’s hard to beat an eight-mile sled ride.
(2) The last time I bought a new vehicle, it was a unicycle.
(3) My summer job in high school was working on a dairy farm. But the cows there couldn’t type.
(4) I still want to be an astronaut when I grow up.

The author reading one of his picture books to a library lion

The author reading one of his picture books to a library lion

El Space: You’ve written two books in the sharing with a bear series. They are utterly delightful! What inspired this series?
Eric: Thank you! Building blanket forts and blanket caves with nephews inspired the setting of the first book. Usually character or plot comes to me first, but this time the first thing the Muses gave me was a clear image of the setting for the opening scene. I could picture the room, and the cave, and someone reading inside it by flashlight.

For a long time, the working title of what became How to Share with a Bear was just “Cave.” I didn’t have any idea yet how the story would end or even who all the characters were. But I knew right away it would start with a blanket cave. And what lives in caves? A bear!

After reading How to Share with a Bear, students at Polaris Charter School made blanket caves.—Polaris Charter School, Manchester, NH

After reading How to Share with a Bear, students at Polaris Charter School made blanket caves.—Polaris Charter School, Manchester, NH

The themes about sharing and siblings developed from there.

El Space: Picture books have had a resurgence in publishing lately. Why do you suppose that is the case?
Eric: Picture books are such amazing works of art that adults often appreciate them too. At craft fairs and book signings, sometimes adults will wistfully browse the picture books and confide, sounding almost embarrassed, “I wish I had grandkids, because I still love picture books.”

Of course, the elaborate pictures and design also make them expensive to print, which probably makes publishers and readers alike choosier when budgets are tight. I don’t know, but I’d guess the resurgence is a combination of the economy improving and the Millennial generation starting to have children and looking for good books.

White Birch Books made bear-shaped cookies for a recent How to Build a Snow Bear book signing. The kids approved.

White Birch Books made bear-shaped cookies for a recent How to Build a Snow Bear book signing. The kids approved.

El Space: What drew you to picture books?
Eric: Until almost age 30, I had no inkling that I’d someday write books for children. In high school, I wanted to write science fiction like Ray Bradbury. In college, a class about nature writing introduced me to writers like Annie Dillard and Barry Lopez, and since I’d always liked the outdoors, that became my focus. Then a funny thing happened: everyone in my circle of friends started having kids. Suddenly, their houses were full of books by Seuss and Boynton.

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There’s a poetry to picture books—a kind of music. While hiking with two friends and their six-month-old on the Imp Trail in the White Mountains one day, I heard them recite from memory the entire text of a Dr. Seuss book. The humor and the rhythm of the words, and the obvious delight of the audience—their toddler—gave me a real appreciation for the work and lyricism that go into picture books.

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I just wish I had the talent to illustrate them, too. I admire and envy those who do. At the end of one book signing, when things were slow, I was absentmindedly doodling on a scrap paper. A customer across the room noticed the book cover on display, and her eyes lit up. “Ooh!” she said excitedly. “Are you the illustrator?” Then, walking closer, she noticed my drawing, frowned, and said, “Oh. No, you’re not.

El Space: Oh my goodness! I guess she didn’t realize how rude that sounded. . . . In an interview awhile back with CNN, famed picture book author Mo Willems was asked how to create a timeless tale. Is that something you think about when you write a picture book? Why or why not?
Eric: I like that quote by Mo Willems, “Always think of your audience, but never think for your audience.” I think there are certain universal emotions or experiences, like sharing or anxiety or trying new things, that can help keep a story timeless even if it’s presented in a topical way. A century or two from now, I’m sure, there will be kids who want to drive the family spaceship instead of the bus. But I’d bet Don’t Let the Pigeon Drive the Bus would still resonate with them, because it’s not so much the topical vehicle that matters—it’s the underlying idea of imagining a pigeon or a child driving something big and bulky and thus capable of fun mayhem, which usually only the adults get to drive, that’s amusing and timeless.

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El Space: What advice do you have for budding picture book authors?
Eric: Because picture books are real aloud, performed in a sense by the parent or teacher or babysitter, the cadence of every sentence and the sound of every syllable is important. I recommend reading poetry, as well as picture books, to get a feel for the sounds of words and the moods and nuances they can convey. I like to think of poetry as “using the language as a musical instrument, to convey emotion or meaning.” Stephen Fry’s The Ode Less Travelled is a funny, informative book about poetic meter. It’s helped me a lot with writing picture books. But the biggest help was taking the picture book semester at VCFA.

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El Space: What will you work on next?
Eric: New ideas for picture books spring up all the time. Sometimes just witnessing a silly pet pratfall, or hearing a heartwarming anecdote, or noticing a strange word combination or phrase on a billboard can start the wheels in motion on a new story. Recently I’ve been revising a picture book about a little girl on Mars. I’m also finishing up a narrative nonfiction book about the joys and challenges of teaching in the era of standardized tests and student loans. When I teach nature writing at our college, we go on a lot of class field trips in the woods, so there’s a bear in that book, too.

My next picture book, The Perfect Pillow, is forthcoming in 2018. Surprisingly, that one does not include a bear, but there’s still a lot of sharing. And a dragon.

Thank you, Eric, for being my guest!

Looking for Eric? You can find him on Facebook, Twitter, and his website.

You can find How to Share with a Bear, How to Build a Snow Bear, and other picture books by Eric Pinder at Amazon, Barnes and Noble, Wal-Mart, Powells, and possibly on your own front doorstep. One of you will win How to Share with a Bear and How to Build a Snow Bear. Simply comment below, giving the title of a favorite picture book you had as a child (or now), to be entered into the drawing. The winner will be announced on December 15. Stayed tuned for more book giveaways and information on Kitty Santa!

Author photo by Jenn Pinder. Cookie photo by Eric Pinder. Book covers from Goodreads. Dr. Seuss image from cliparts.co. Snow and Kitty photos by L. Marie.

Suitable for Adults?

What items would you deem suitable for adults? Why do I ask? Let me elaborate in case your mind is going in a totally different direction than mine. If I go to a store and purchase a DVD or blu-ray for an animated show or movie, most of the time the cashier will ask if I want a gift receipt under the assumption that I’m making a purchase for a child. The question is never posed to me if I buy a live action movie.

The same question occurs if I enter a bookstore and purchase a middle grade book. I once told a cashier, “No, I’m going to read that.” She offered a “You’re kidding me” look. Never mind the fact that people who write books for kids can learn a lot by reading books other people have written for kids.

Several years ago, before miniseries like Galavant were even a gleam in the eye of ABC executives, a friend gave me this as a gift.

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(Um, not the books. The knight and horse.) Makes you think of this image, doesn’t it?

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She knew I loved stories about knights and was researching them for a book. Yet this knight and horse have drawn some disbelieving glances from others of the “Why would you want that?” variety.

When I was a kid, I remember asking my parents if I had to dress a certain way and like certain things when I became an adult. Would I have to give up Chuck Taylors? If so, being an adult would totally suck.

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Well, I’m an adult, and my love of the above has yet to dissipate. But I guess I sometimes make other adults uncomfortable, because I still love

bubblegumPicture books
• Puddles (though I don’t jump into them these days)
• Animated series
• Bubblegum
• Graphic novels
• Fairy tales

You’re probably ready to sing “My Favorite Things” now, aren’t you? Part of being an adult is admitting to being childlike without being childish. For example, sticking my tongue out and going, “Nyeah!” when someone looks askance at a purchase I’ve made (though I really want to do so), would be childish. But I have to wonder why being an adult means you have to give up something you love just because you cross a certain threshold age-wise.

The apostle Paul stated

When I was a child, I spoke and thought and reasoned as a child. But when I grew up, I put away childish things.
1 Corinthians 13:11

But did Paul mean that being an adult means dictating how all other adults should behave? I can’t help thinking back to third grade when we used to say to each other, “Ewwww! You like that?” So are we suddenly more grown up if we utter the same statement about something harmless another adult happens to like?

Don’t get me wrong. I love books like this

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which is an award-winning adult fiction book. And I love these Prada boots

Prada boots

though I can’t afford them. And in the winter, I love this:

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(In case you can’t read the label, this is Windshield De-Icer. For those of you who live in warmer climates and don’t see products like this, it makes scraping ice off windshields a lot easier.) And I love this brand of lipstick no matter what season:

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So, I need to take joy in the things I love and not worry if I get “the look” from someone. Instead of scowling, I can say, “Okay, sure” when someone asks me if I need a gift receipt, simply because it’s not worth the time to justify a purchase I have every right to make for myself. Now, if you’ll excuse me, I’m going to watch Justice League: War. And I might chew some bubblegum while I’m at it.

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Chuck Taylors from shoebizsf.com. Galavant poster from melty.fr. Book cover from Goodreads. Justice League: War image from mundobignada.com. Bubblegum from whoguides.com.

Check This Out: Toby

Glad you stopped by the blog. Someone else is here too: the fabulous Stacy Nyikos. She’s here to talk about her latest picture book, Toby, published by Stonehorse Publishing, debuts June 30. Toby was illustrated by Shawn Sisneros, a graduate of the Art Institute of Chicago.

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Stacy is represented by Stephen Fraser. To make your visit to the blog a profitable one, I’ll tell you about a giveaway at the end of the interview. Let’s talk to Stacy first, shall we?

El Space: Welcome to the blog, Stacy. Four quick facts about yourself?
Stacy: (1) I’m afraid to swim in the ocean—sharks!—but I love to write about it.
(2) I have a secret stash of dark chocolate in my desk drawer for those times when the writing gets tough. (3) I walked to the local high school when I was three by following the neighbor boy because I was bored. I thought school would be more exciting. It was! (4) I used to try to levitate rocks in bed at night because I wanted to be a Jedi.

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Stacy’s secret stash

El Space: Please walk us through the process for creating this picture book. How did you come up with the idea? How was the illustrator chosen? How long was the process from the initial concept to finished product?
Stacy: Toby was the brain child of a lot of very eager readers I met over the years while doing signings at aquariums. So many asked, “Would you write a picture book about a sea turtle?” I wanted to, but I could never quite come up with the right idea. Then a few years ago, I was driving back from an aquarium event, my head full or more requests for a sea turtle book. I think they must have reached some sort of critical mass—or bonded together and created their own idea—but by the time I got home, I had the outline of Toby in my head.

Shawn Sisneros loves underwater animals as much as I do. He’s illustrated two other aquatic picture books I wrote. He has this awesome way of creating a character who looks like the real animal but is generalized enough, sort of like a cartoon figure, so that the reader can imagine themselves in the role as they read the story.

How long did the project take? Well, if you skip the five years of mulling over to get the idea, from the moment I finally had one until the book came out was about four years. Writing books takes patience in a way I never imagined!

El Space: You have a number of sea-oriented picture books. What draws you over and over to the ocean habitat?
Stacy: I’m mesmerized by the ocean. I’m scared stiff of swimming in it, but at the same time can’t seem to learn enough about it. We know so little about what goes on underneath the surface of the water. For a long time, scientists didn’t think anything could live really, really far down in the ocean. It was too dark and cold and the water too heavy. Then they built subs that could travel really far down in the water and lo and behold, they found lots of life there. The ocean is full of possibility. I think that’s what draws my imagination back to it over and over.

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El Space: Awhile ago, Mac Barnett, Jon Scieszka, Lemony Snicket, and many other writers wrote a picture book manifesto. If you could write your own manifesto, what would you write to show your thoughts about picture books?
Stacy: Man, it’s hard to improve upon greatness. Their manifesto hits upon so many good points. Let’s see. Challenge your audience. They aren’t afraid of big words or topics. You shouldn’t be either.

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Murakami, HarukiEl Space: What books or authors influence you as a writer?
Stacy: I love all things written from Machiavelli to Berkeley Breathed to Mary Stewart, but I don’t like to reread (bad, bad author!), so when it comes to influences, it’s more these obscure nuggets I’ve collected and spun together in my own gyre of writing style—“All happy families are alike; each unhappy family is unhappy in its own way” from Tolstoy. Hemingway wrote standing up (or so the legends go) so that he only wrote what was absolutely necessary. “If you read the books everyone else is reading, you can only think what everyone else is thinking” (Haruki Murakami). The best piece of advice Stephen King got from an editor was: “2nd Draft = 1st draft – 10%.” And my daughter, Sophia, who taught me that making up words is fun: Geroninball!

El Space: What advice do you have for authors who want to write picture books?
Stacy: Imagination is everything. You can have lousy style. You can be the worst speller. You can overwrite, underwrite, break the unbreakable rules, but if it’s imaginative, you will find your way. Your imagination, the way you see the world, is what makes your work new and different and like nothing anyone has ever read before. Write from there.

El Space: What writing project are you working on now?
Stacy: I usually work on a couple of projects at a time. I’m rewriting a YA novel called Skin Deep which is basically a retelling of Moses set in a Blade Runner-esque world that I started during my MFA. I’m tweaking a picture book, Attack of the Glazed Donut Monster, and I’m in the end stages of research on an historical novel about an 18-year old’s adventures from the Mississippi River through the Battle of the Bulge that is loosely based on my grandfather’s life. When I first started writing, I worried the ideas would run out. Nowadays, I worry I won’t have time to explore them all!

Thanks, Stacy, for being my guest!

Looking for Stacy? You don’t have to head to the nearest ocean. You can find her at her website, Twitter, and Facebook. Or, check out the other picture books by Stacy: Shelby (illustrated by Shawn Sisneros), Squirt (illustrated by Shawn Sisneros), Rope ’Em! (illustrated by Bret Conover).

Toby is available here:
Amazon
Barnes and Noble

Two of you will win a copy of this picture book. Just comment to be entered in the drawing. Tell us your favorite marine animal as you comment. Winners will be announced on June 16. Thanks for stopping by!

Ocean photo from blirk.net. Haruki Murakami photo from bogbrokken.blogspot.com.

The Winner’s Circle

Bless you, Random Numbers Generator. I would give you a present, but you’re software. Still, you’ve been a big help to me today.

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The winners of Infinity and Me by Kate Hosford and illustrated by Gabi Swiatkowska are . . .

Are . . .

Are . . .

Are . . .

Sharon Van Zandt and beatthemtodeathwiththeirownshoes!!!

Books will be ordered from Amazon, so please email me at lmarie7b(at)gmail(dot)com to confirm snail mail addresses.

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The winner of Charlotte’s Web by E. B. White is . . .

Is . . .

Is . . .

Is . . .

Is . . .

Professor VJ Duke!!!

Please email to confirm your snail mail address.

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For Janet Fox’s books, I’ve got a winner and a surprise winner.

The winner of the $20 gift card to purchase two of Janet’s books, one of which has to be Sirens, is . . .

Is . . .

Is . . .

Is . . .

Andra Watkins!!!

But I’m also giving away a copy of Faithful—surprise—to someone. And that person is . . .

Is . . .

Is . . .

Is . . .

Jill Weatherholt!!!

Andra and Jill, please confirm your snail mail addresses. Janet will also mail a bookplate to you.

Thank you to all who commented. Winners, please email me to let me know email addresses and all of that good stuff. Congratulations to you all!

Naruto-Opening01_222Recently, I watched two movies based on the popular manga series starring Naruto Uzumaki, a kid ninja in training. One was Naruto the Movie 3: Guardians of the Crescent Moon Kingdom.
Anyway, a quote of Naruto’s struck me:

I’m not giving up. Ever.

Maybe someone needed to see these words and take them to heart today. Maybe you’re a NaNoite who wonders if you’ll really crack that 50,000 words. Or, maybe you’re just someone who has a big task ahead and aren’t sure you can do it. Or, maybe you think you’ll never be published. The winner’s circle isn’t just for people who’ve won books. It’s for people who face the dance with discouragement, but like Naruto commit to keep going. That’s you, right?

I thought so.

P. S. A special shout-out to another good friend—Laura Sibson—who is running a marathon today. Run well, Laura! You can do this!

Infinity and Me cover courtesy of Kate Hosford. Naruto image from Wikipedia. Charlotte’s Web cover from Goodreads. Janet’s covers from her website.