Check These Out: Brand-New Bubbe and A Songbird Dreams of Singing: Poems about Sleeping Animals

Today, I am privileged to be here with two amazing picture book authors who are no strangers to the blog: Sarah Aronson and Kate Hosford. Sarah is here to talk about Brand-New Bubbe, which was published by Charlesbridge.

   

Kate is here to talk about A Songbird Dreams of Singing: Poems about Sleeping Animals, which was published by Running Press Kids/Hachette.

    

Sarah is represented by Andrea Cascardi and Kate is represented by Victoria Wells Arms. (Click on the book titles above to learn more about each book.)

El Space: What inspired this book?
Sarah: Becoming a brand new bubbe! Hi Sylvie, Alice, and Emmett! When my stepson announced that he and his wife were expecting, my husband and I were delighted! I couldn’t wait to be a bubbe! I immediately found a dark lipstick! When I shared the good news with friends, someone said, “Does it feel odd, since technically, you aren’t related?” Not related? I couldn’t believe my ears. Our blended family IS family! I began thinking about our family and how family really is more than blood. It’s made with love. That was all the inspiration I needed! I sat back and thought about all the changes in Jillian’s life, and how change is hard for kids. And then I thought about how family, like soup, is made of love . . . Just like writing, right? I’m so grateful to my editor, Yolanda Scott, for seeing the potential in this story, and for finding Ariel Landy to create the illustrations. Now, when I read this book, I invite kids to make their “family constellation,” and include all the people that bring light into their lives. It’s amazing!

Kate: My original inspiration for this story came from reading The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness by the naturalist, Sy Montgomery. After finishing this amazing book, I was sure that I wanted to write a poetry collection about octopuses for children. Although I did not know the author, I reached out to her to see if I could write to some of her contacts at the New England Aquarium. To my delight, Sy invited me to go to the aquarium with her and a group of friends. During our visit, I met her namesake, Sy the Octopus, along with many wonderful aquarium employees and volunteers.

But somehow, the poetry collection for octopuses never happened. My poems either seemed too serious or too trite, and I felt that I could not do justice to these incredibly intelligent and complex creatures. However, somewhere in the midst of my research, I discovered that some scientists believe that octopuses can dream. This led me to research the sleep habits of many different animals. After I found out that otters hold hands while sleeping, zebra finches rehearse their songs while dreaming, and frigate birds can sleep while flying, I knew I had found a new topic for my book. In 2019, A Songbird Dreams of Singing: Poems about Sleeping Animals was published with Running Press Kids.

El Space: The joy of writing always comes through in each of your books. I know there had to be challenges, because every great book has those. But what was the most delightful aspect of writing this book?
Sarah: Always the most fun is getting the illustrations! I LOVE how Ariel Landy depicted Jillian and Bubbe—and their pets. I love a great subtext! Like every book I write, this one took lots of revision, tinkering, and reimagination. The turning point in this story came after I made a dummy. Writers, I know it can be hard, but it is such an important step. That dummy showed me where the pacing was working . . . and where it wasn’t.

Kate: Thank you for saying that! The most delightful part of writing these poems was twofold: I loved the challenge of translating the science into accessible poetry for children, using many different poetic forms. I also loved corresponding with animal scientists who are probably one of the most generous communities I’ve ever encountered. I reached out to experts from all over the world and almost all of them took the time to write me back, edit my research, and generally educate me on the sleep habits of animals.

One of my poems was about a snail who had been found in Egypt and added to the collection at the British Museum in 1846. The museum conchologists glued the shell to a label, assuming the snail was dead. In 1850, the conchologists noticed a slimy mucus plug underneath the shell and realized that he still might be alive. After the shell was bathed in warm water, and the snail emerged, no worse for wear. It became so famous for its long nap that its portrait was drawn by a prominent artist at the time. The snail is now housed at the Natural History Museum in London.

I had been corresponding with Jonathan Ablett, the senior curator of Mollusca at the Natural History Museum, who said he could show me the famous snail’s shell if I came to London. We were planning a vacation there anyway, so my husband and I were able to see the shell along with many invertebrate specimens collected by Darwin, and all sorts of other fascinating creatures housed in the floors beneath the museum’s exhibition halls. Jon also kindly added my book to the museum’s library of mollusca and cephalopods. This was, beyond a doubt, one of the highlights of my career.

Kate’s book, with a very orange octupus.

El Space: What will you work on next?
Sarah: I am finishing up work on my next picture book biography, Abzuglutely: Battling Bellowing Bella Abzug (Calkins Creek, Astra Publishing). I just got a peek at the illustrations, and WOW. It is going to be gorgeous. Bella was one of my childhood heroes, and I am SO HONORED to be writing about her. I also just finished an adult novel and I’ve got a couple of projects in other genres, too. Anyone that knows me knows that I can’t say no to any idea, or a new genre! Creativity should not come with a brand. It’s all about joy! And reaching for more. And thinking and dreaming big, always with wonder and appreciation.

Kate: I usually work on many different things at once. My picture book, You’ll Always Be My Chickadee will come out with Chronicle in the spring of 2024. I wrote it during the summer of 2020, which we spent in Vermont where I grew up. I thought a lot that summer about all the time I had spent with my family exploring the forest, river, meadow, and other natural wonders around my childhood home, and bonds that nature can create between parent and child. I have also sold another book and will be happy to reveal more about that soon!

In terms of other projects, I am working on a book about animal mothers, a collection of poems about things that shed, a story about a day spent wearing pajamas, an early reader series, and a book about the moon.

Thank you both for being my guests!

Kate: Thank you for having me and Sarah on El Space today!

Looking for Sarah? You can find her at her website, Facebook, Twitter, Instagram, and Pinterest.

Looking for Kate? You can find her at her website, Twitter, Instagram, and Facebook.

Brand-New Bubbe: Bookshop, Indiebound, Booked, Amazon, Barnes and Noble

A Songbird Dreams of Singing: Poems about Sleeping Animals: Bookshop, Amazon, Barnes and Noble

A copy of each book will be given away, Kate’s to one winner and Sarah’s to another. (Happy Holidays, y’all.) Comment below on your favorite seasonal cookie to be entered in the drawing. Winner to be announced next week.

Other books by Sarah and Kate (click on each book to learn where to purchase)

  

 

Book covers from Goodreads. Sarah Aronson author photo courtesy of Sarah Aronson. Kate Hosford author photo and museum photo courtesy of Kate Hosford. Sleeping otters photo from Reddit.

It’s Beginning to Look a Lot Like The Christmas Alphabet

I’m still pretty much a kid caught up in the lights, sights, and sounds of Christmas. The other day I reminisced with a friend about the tissue paper wreaths and the red, white, and green construction paper chains we used to make in elementary school. And looking at the lights while driving home from her house was another trip down memory lane as I recalled the leisurely car rides my family took to admire the Christmas lights. I haven’t done that since my nieces and nephews were small.

After putting up the tree, I pulled from my shelf a book that captures some of the wonder of the holiday.

This pop-up book takes me back to elementary school and dioramas made. In case you have no idea what a diorama is, here the definition from Merriam-Webster:

a scenic representation in which sculptured figures and lifelike details are displayed usually in miniature so as to blend indistinguishably with a realistic painted background

We didn’t get all fancy like that definition. We used a cardboard box, tissue paper, Elmer’s glue, construction paper, and other pieces of cardboard to make old-school dioramas back in the days before Pinterest.

  

I love the simplicity of each image in The Christmas Alphabet. And yes, I’m fully aware that paper engineering might seem simple, but is complex in its execution.

The Christmas Alphabet reminds me of the simple joys of the holiday season. Even if I choose to avoid venturing out into the cold or feel overwhelmed by the hustle and bustle, I can open the book and be inspired all over again.

Photos by L. Marie.

Cozy, Stress-Free Reading

Lately, I’ve heard more than one person describe the stress he/she feels. I can relate! So, in times of stress, at bedtime I turn to books that are calming. Like picture books. Yes, I’m an adult who reads (and loves) picture books. I’m also reading The Silmarillion, in case you’re wondering. But my nighttime favorite picture books include the following. To learn more about them, click on the titles below.

 

Big Bear and Little Fish and Knight Owl

 

Extra Yarn and I’m Not Scared, You’re Scared

Goldilocks and the Three Dinosaurs

They make me laugh, think, and cause a warm feeling to well up inside each time I read them.

What, if anything, do you read at night or during the day to de-stress in general? If books aren’t your thing, but other activities are (exercising, puzzles, cleaning, building model cars, crocheting/knitting [me too], sitting with your puppy or kitty in your lap), do tell!

Photos by L. Marie.

Check This Out: Big Bear and Little Fish

I’m so glad to welcome back to the blog the amazing Sandra Nickel, who is here to talk about her latest picture book, Big Bear and Little Fish. It was illustrated by Il Sung Na and published on September 6 by Carolrhoda Books/Lerner Publishing Group. Sandra is represented by Victoria Wells Arms.

Check out the book trailer:

El Space: Well, now, you’ve gone from nonfiction to fiction! Congratulations! Please tell us how this book came about.
Sandra: After you and I graduated with our MFAs in Writing for Children and Young Adults, I did an extra semester. This time, I focused on picture books, and had the great luck to study with Kathi Appelt, who as you know, is a Newbery Honoree and a two-time National Book Award finalist. During that semester, I worked on nonfiction, but I also wanted to understand how some of my favorite fiction authors did what they did. I was particularly fascinated by Arnold Lobel, who wrote stories with heart and humor, and a touch of philosophy.

I read every single one of Lobel’s stories. I read them slowly and repeatedly over a period of four weeks. After I finished, I didn’t have much time for the writing I owed Kathi Appelt. I was worried. But then, I opened my laptop and Bear and Little Fish tumbled out. I think Kathi was a little surprised when they landed on her desk. They were so different from everything else I had sent her. But there they were, all the same, a bear and a fish.

 

El Space: How did you shape this tale of friendship? Did you base Bear or Fish on people you know or did you start from scratch? Why or why not?
Sandra: I didn’t consciously base Bear or Fish on anyone. But I must admit that I’m a lot like Bear. I’m a worrier, as she is. I try hard to get things right, but so often don’t. So, I guess you could say, I’m Bear. And what about Fish? Thanks to your question, I’ve realized that Fish is a conglomerate of my close friends. She’s thoughtful, a bit of a philosopher, and wonderfully positive and upbeat. She’s a fantastic friend like my friends and the perfect counterpoint for the worriers of the world.

El Space: Kirkus called Big Bear and Little Fish a “lovely, gently humorous story,” and “a delightful tale.” I totally agree. What were the challenges that came with writing your book?
Sandra: There really weren’t any challenges. As soon as I opened my laptop after reading Arnold Lobel’s books, Bear and Fish were there. I had heard other authors talk about how their books wrote themselves. How characters showed up and talked to them. How the characters told their own story. But this had never happened to me, not until Bear and Fish. And what a joy it was to listen to them and write down their story! It was so much easier than my nonfiction books, with their months of research and just as many months of reducing that research down to a thirty-two-page story.

El Space: Il Sung Na’s illustrations are just perfect for your book. Do you have a favorite spread? If so, which one?
Sandra: I 100% agree about Il Sung Na being the perfect illustrator for Big Bear and Little Fish. I had this incredible wave of joy the first time I saw the final illustrations. That cover! The look on Bear’s face is so befuddled, you can’t wait to throw open the book and find out what is going on. And those endpapers! I laugh each time I see Il Sung’s vignettes of Bear’s different emotional states as she adjusts to the idea of a little fish being in her life.

As for my favorite spread, hmm, that’s a tough one. I really do love all the illustrations. But for you, L. Marie, I made myself choose one—well, two. I love the spread where Bear is bringing Fish home for the first time. Il Sung has given Bear an extremely worried expression and emphasized her emotional state by casting her in a purple shadow that is reminiscent of a dark fairytale forest. The combination of setting and Bear psychology is brilliant! Bookending this spread, toward the end of the story, is Bear after she’s walked through all the shadows and worry. Here, she’s on the other side of her discoveries about Fish, and more importantly, the discoveries about herself! She is surrounded by bright light, she carries Fish on her head, and is thrilled with her place in the world. The juxtaposition of these two spreads is inspired and so fulfilling for the reader.

El Space: Your book is so quirky. Are there any humorous picture books that inspired you? If so, which ones?
Sandra: You’ve already heard about Arnold Lobel and how he inspired me. During my extra semester, I also read other friendship stories. George and Martha by James Marshall and Winnie-the-Pooh by A.A. Milne. We’re all used to these stories now, having read them since childhood, so we may have forgotten how really quirky the characters in these books are. George likes to peek in windows. Martha loves looking at herself in mirrors so much that she wakes up during the night to look at herself some more. And as for the Hundred Acres Wood, it includes a piglet who is scared of nearly everything, an owl who is not as smart as he thinks he is, a donkey who has become synonymous with doom and gloom, and a bear who thinks he is empty headed but is, in fact, quite the philosopher. Each of these characters is fun and funny because of their utter uniqueness. When it comes to humor, the more the character is filled with foibles, the more fun it is.

   

El Space: How will you challenge yourself next? What are you working on?
Sandra: I just received an offer for my most recent nonfiction book, so I think I’ll turn to fiction again. Maybe a garden story. Or, one about friends. Or, one about ideas. Who knows? Maybe I’ll even dream up a sequel to Big Bear and Little Fish. Wouldn’t that be fun!?!

Yes it would! Thank you, Sandra, for being my guest!

Looking for Sandra? Check out her website, Twitter, and Instagram.

Looking for Big Bear and Little Fish? Look for it at Barnes and Noble, Amazon, Indiebound, Bookshop, or your favorite local bookstore.

One of you will received a signed copy of Big Bear and Little Fish. Comment below to be entered in a drawing. Winner to be announced sometime next week.

Check out Sandra’s other books:

 

Author photo, Big Bear and Little Fish book covers and spread courtesy of the author. Illustrations by Il Sung Na. Author photo credit: Emo-Photo. Other book covers from Goodreads. Kathi Appelt photo from the VCFA website.

Check This Out: Breaking Through the Clouds: The Sometimes Turbulent Life of Meteorologist Joanne Simpson

At long last I have posted. I’m thrilled to have on the blog once more the awesome Sandra Nickel, who is here to talk about her latest picture book, the gorgeous Breaking Through the Clouds: The Sometimes Turbulent Life of Meteorologist Joanne Simpson, published on March 8 by Abrams and beautifully illustrated by Helena Perez Garcia.

Check out this book trailer:

Sandra is represented by Victoria Wells Arms.

El Space: You’ve written books about the invention of nachos and about astronomy. So what made you turn to meteorology?
Sandra: That’s the golden question, isn’t it? Nachos. Dark Matter. Clouds. What do they have in common? The through line is that Ignacio Anaya, Vera Rubin, and Joanne Simpson each achieved something incredible, yet they remain unknown to most. I wanted to help broadcast their achievements. I wanted kids to know about them. Nacho invented nachos. Vera discovered dark matter. And Joanne was not only a trailblazing female meteorologist, but she also sparked a whole field of science by creating the first mathematical model of clouds—a model that helped us predict upcoming weather.

   

El Space: What did you do to prepare to write Joanne’s story?
Sandra: Before Joanne died, she gave boxes and boxes of her scientific and personal papers to Harvard University. I went to Harvard and looked through everything in those boxes. I learned about her discoveries, examined her work and family photographs, reviewed her personal thoughts, and read what others said about her in newspaper and scholarly articles. Then, I took all of that, keeping a clear eye on how Joanne told her own story, and formulated that into a story for children. It’s fascinating and challenging to learn about a life with its many facets and then try to reduce it down to the 32 pages that are normally in a picture book.

El Space: Since Joanne Simpson was such a trailblazer, I can’t help thinking of Vera Rubin, another trailblazer you featured in a book. [See cover above. Click here for more information.) What do these trailblazers inspire in you?
Sandra: It wasn’t easy for Joanne and Vera. For reasons I still don’t fully understand, the barriers for women in science were higher than for women in other areas. Joanne was the very first woman in the world to receive a Doctor of Meteorology. One of her professors told her that no woman ever had, and no woman ever would. But, Joanne did. Vera also faced strong resistance as a woman in astronomy. What I admire about these women is that they went on to actively support the young scientists coming after them. Just think about all the female meteorologists we see on TV these days. That’s thanks to Joanne. As one young meteorologist said, Joanne didn’t just blaze a trail, she blazed an entire road.

El Space: I love what this Publishers Weekly review says:

Enlivening simply relayed cloud facts (“Just like people, cumulus clouds are born, grow, and die. But unlike people, they exist for no longer than two hours”), Nickel threads the well-paced tale with myriad weather-related metaphors.

First, congrats on this great review. I wish I could think of a weather-related metaphor to aptly describe your beautiful prose! What do you do to hone your craft?
Sandra: I read. I read a lot. And then, for the science-based stories I tell, I try to think of ways to make the stories engaging and understandable for children. In the case of Breaking Through the Clouds, I used weather-related metaphors, as Publishers Weekly mentions. Then, of course, I have lots of people read my drafts before I submit to my agent and editors. There is nothing in this world like having others read your work and tell you how it reads to them.

El Space: How much collaboration was involved in the picture side of things? How did you communicate with the illustrator, Helena Perez Garcia?
Sandra: Since I had the chance to visit Harvard, but Helena didn’t, I sent photos that I had taken of Joanne’s notebooks and the pictures Joanne archived there. I also fielded questions she had—scientific questions, but also time-period questions, such as what type of projector Joanne used when she watched films of clouds. I sent all of this information via our editor Maggie Lehrman at Abrams, so Helena and I never spoke directly until the book was finished. It’s always fascinating to speak with an illustrator after the project is done and learn about their process. If anyone is interested, you can read about Helena’s work on Breaking Through the Clouds here.

El Space: You have another picture book debuting later this year—Big Bear and Little Fish. Congratulations! What will you work on next?
Sandra: I always have a few projects going at the same time. I have a picture book about the secret creator of the Tiffany Lamps (hint: it wasn’t Louis Tiffany as everyone thinks). I’m working on a story inspired by my three uncles who are blind. I have a story about a pigeon. And, I’m working on a collaboration with a wonderful writer, L. Marie about two girls who share a love of creating hats.

El Space: 😊 Thank you, Sandra for being my guest!

Sandra: Thanks so much, Linda! It’s always such a pleasure to talk with you about books and the craft of writing.

Looking for Sandra? Check out her website, Twitter, and Instagram.

Looking for Breaking Through the Clouds? Look for it at Barnes and Noble, Amazon, Indiebound, Bookshop, or your favorite local bookstore.

Good news! One of you will received a free copy of Breaking Through the Clouds. Comment below to be entered in a drawing. Winner to be announced sometime next week.

Author photo, book spreads, and Breaking Through the Clouds book cover courtesy of the author. Illustrations by Helena Perez Garcia. Author photo credit: Emo-Photo. Big Bear and Little Fish cover from Goodreads.

Details, Details

Quiz time for fiction writers. No need to fear. This is easy.

• As you think of the main character(s) in your work-in-progress, what color is that character’s hair? Eyes? (See? Easy-peasy.)

• Does he or she have a nickname? If so, what is it?
• Where does that character live? Town, city, or rural community? What is the character’s street address (or what are the landmarks that lead to this dwelling if an address can’t be given)? This can be a made-up address like 1313 Mockingbird Lane. Kudos to whoever knows this address from an old TV show. Skip to the very end of the post to see if you are right.
• What animals are in this character’s life (like a pet or a warhorse)? What are their names? Species? Colors?

Now think of a secondary character and answer the above questions. If you have fifty secondary characters, could you easily answer the same questions about all of them?

By now you are probably wondering why I’m being so nosy. Well, for one thing, sometimes I forget some of the information about my characters, especially in a book with fifty plus characters. That’s why I have to keep a list of people, places, and things, especially when I am writing a series. But I keep a list even for a standalone book with fewer characters. Nowadays I add to the list as I write the book. I remember how tedious it was to write the list after the book was done.

I’m wondering how many authors keep a list of pertinent character information. Some authors have told me they keep track of everything in their head. Do you? If you don’t keep a list, would you consider doing so? I ask this also as someone who wears the freelance book editor hat from time to time. I have had to email or text authors to inquire about hair and eye color, names, addresses, etc. because of inconsistencies found while editing.

Speaking of other useful things to have, I also think of a timeline sheet for a book. Do you keep a list of the day-to-day events (for example, June 4—the Fruit Fly Festival in Harbor Creek)? If you say a book starts on a Tuesday in April and ends on a Wednesday in May, do you check a calendar to make sure the timing of the story events works? If you’re writing historical fiction, do you search the internet to see if May 4, 1925 really was on a Monday as you mentioned in your manuscript? (It really was on a Monday, by the way.)

Maybe you’re thinking, Why should I do any of this? The editor is going to check all of that. True. But why not do it for your own sake, instead of waiting for a busy editor to take time out of his or her day to ask you questions about inconsistencies. After all, none of us is perfect. Okay, I take it back. You are. But for everyone else, if you keep a list, maybe the questions won’t have to be asked by an editor (or a reader, who might not be kind).

This public service broadcast was brought to you by I-will-now-mind-my-own-business.

And now onto the winners (finally) of the following books written by Charles Yallowitz and Sandra Nickel respectively. (Click here and here for the interview posts with these authors.)

The winner of The Stuff Between the Stars is Marian Beaman. The winner of War of Nytefall: Savagery is S.K. Van Zandt.

Marian and S. K. Van Zandt, please comment below to confirm. Thank you for commenting!

Address Answer: 1313 Mockingbird Lane is the home of the Munster family in The Munsters.

Author photos and book covers courtesy of the authors. Eye image from lolwot.com. May calendar image from dreamstime.

Check This Out—The Stuff Between the Stars: How Vera Rubin Discovered Most of the Universe

Welcome to the blog! Returning to the blog today is the awesome Sandra Nickel, who is here to talk about her latest picture book biography, The Stuff Between the Stars: How Vera Rubin Discovered Most of the Universe. It was published by Abrams in March of this year and was illustrated by the amazing Aimée Sicuro.

 

Check out the fab book trailer.

If you’ve been around the blog over the years, you know the drill. Once I talk to Sandra, I’ll tell you how you can get this book for free in a drawing that I am hosting.

El Space: Since your picture book is all about astronomy: If you could name a star, what would you name it?
Sandra: Does it have to be one star? Or can it be a star cluster like the Pleiades? I always loved the idea of the Seven Sisters, up in the sky, named after their mother. My mother gave birth to three of us. Maybe we could be the Eleanores.

El Space: How did you come to this project? Sadly, I didn’t know anything about Vera Rubin until I read your book. I certainly didn’t know her connection to the study of dark matter.
Sandra: I also didn’t know about Vera Rubin, not until Kate Hosford (below), a wonderful picture book author, texted me and told me about a tribute to her in The New York Times. I read the article and was captivated. I started researching that very day.

El Space: Tell us about the research. How did your findings help you decide on the story angle? At what point did you decide you’d done enough research to make a start or to conclude the writing?
Sandra: When I read The New York Times article, Vera had died two days before and papers were flooded with homages to her. After reading these, I found articles and a book Vera had written. The greatest discoveries, however, were interviews with Vera. They gave such a clear vision of her personality, childhood, home life, and struggles.

For the most part, editors no longer require picture book biographies to tell a person’s story from cradle to grave. They are looking for a story that fits into the classic story structure. Introduction. Rising Action. Climax. Resolution. I had the introduction early on, because Vera said she fell in love with stars when she was eleven. The climax had to be her discovery. That left me searching for rising action. Vera had so many challenges thrown in her path—far more than made it into the book. Once I was confident that I had found the most important ones, I knew I had enough to start putting the rising action together. The trick was to select experiences that resonate with children. I chose the experience illustrated below because everyone can understand how awful it is to be the only one against a crowd.

El Space: Your book is so beautifully written. How challenging was it to explain scientific concepts in picture book form?
Sandra: From the beginning, I knew I needed to come up with imagery that would help children understand. I searched and searched for different ways to describe gravity, galaxies, and dark matter. Once I had all of these in my head, it became very clear that these same descriptions could be used to portray Vera Rubin’s life itself. It was challenging from the point of view of filling my mind with new ideas. Minds don’t always want to accept new things. But once that was done, it wasn’t challenging at all. The metaphors appeared as if they had always been there.

El Space: How long was the process from writing to publication? Did you have much contact with the illustrator, Aimée Sicuro? Why or why not?
Sandra: It took over four years from the afternoon I read The New York Times article to the day The Stuff Between the Stars came out. With some nonfiction picture books, the writer and illustrator need to exchange information because the writer discovers photographs and descriptions through private sources not available to the general public. My book Nacho’s Nachos was that way. The Stuff Between the Stars was completely different. There are a number of photographs of Vera Rubin online, and Aimée Sicuro discovered each one of them. She asked for only one thing from me: one of Vera’s equations. She incorporated it into the gorgeous illustration below where Vera stays up working at night as her family sleeps.

El Space: What did you learn about Vera’s life that inspired you in your own life?
Sandra: The greatest Vera Rubin lesson is: Choose your own way. I know that seems cliché. But it’s harder than it sounds. It’s easy to fall into thinking that life is just hard, that suffering is part of the journey. I love that Vera said, I don’t like being treated harshly, I don’t like all the negativity. I love that she found a way far from all that and then discovered something bigger than everyone else. I’ll never discover something as immense as dark matter, but by doing things my way, my writing will hopefully be infused with joy. Because it makes me happy. And that is marvelous already.

El Space: What will you work on next?
Sandra: There’s a book I’m working on right now with an editor that I hope will bring readers the kind of joy I’m talking about. It involves a very big bear and a very little fish who see the world in very different ways.

Thank you, Sandra for being my guest!

If you want to learn more about The Stuff Between the Stars, check out this video produced by the Smithsonian. In it, Sandra reads the book and interviews Aimée Sicuro. You’ll also see a fun demonstration by Aimée on painting a galaxy.

Looking for Sandra? Check out her website, Twitter, and Instagram.

Looking for The Stuff Between the Stars? Look for it at Barnes and Noble, Amazon, Indiebound, Bookshop, or your favorite local bookstore.

But one of you will look in your mailbox or tablet and go, “Oh my goodness! A free book!” Comment below to be entered in a drawing to receive a copy of The Stuff Between the Stars. Winner to be announced sometime next week.

Author photo, book spreads, and book cover courtesy of the author. Illustrations by Aimée Sicuro. Author photo credit: Emo-Photo. 

“Minuit, Chrétiens” aka “Midnight, Christians”/“O Holy Night”

Peuple a genoux, attends ta delivrance!
Noel! Noel! Voici le Redempteur!
Noel! Noel! Voici le Redempteur!

People kneel down, wait for your deliverance.
Christmas, Christmas, here is the Redeemer,
Christmas, Christmas, here is the Redeemer!

The following are the lyrics many know. Though they are different from the above, the music is the same.

Fall on your knees; O hear the Angel voices!
O night divine, O night when Christ was born
O night, O Holy night, O night divine!

Composer: Adolphe Adam (1847)

Lyrics: Placide Cappeau (whose original title was “Cantique de Noël”)

Translated from French to English by John Sullivan Dwight.

The winner of the delightful, soon-to-be-a-Christmas-staple, The Unicorns Who Saved Christmas by Mary Winn Heider (click here for the interview with Mary Winn), is Marian Beaman!

 

Marian, please comment below to confirm. Happy Holidays to all!

Nativity image from somewhere on the internet. Mary Winn’s book cover is from her website. Author photo by Popio Stumpf.

Check This Out: The Unicorns Who Saved Christmas

With me on the blog today is the marvelous Mary Winn Heider, another Secret Gardener classmate, who is here today to talk about her picture book, The Unicorns Who Saved Christmas, which was published by Running Press Kids. Mary Winn is represented by Tina DuBois.

 

El Space: How on earth did you come up with this concept? Why unicorns?
Mary Winn: And of course the flip side to that coin, how could it possibly be anything but unicorns!

El Space: Good point!
Mary Winn: The truth is that I didn’t come up with the idea—my editor pitched me the premise and I thought it just sounded like so much fun. So I started with the idea that Santa has to use unicorns instead of reindeer, and then I experimented with a variety of scenarios explaining why it had to happen and how it ended up like that, which included both a Magical Animal Temp Staffing Agency and a parody version of The Night Before Christmas. I really love the wild brainstorming phase. But the more I worked on it, the more I was drawn to this very sweet unicorn troop who were absolutely bowled over to be invited to audition as reindeer substitutes. There is something so adorable to me about these fantastic, magical, stylish unicorns being so gaga about Santa.

El Space: Your book is so funny and quirky—a really tough balancing act to pull off. I can’t help thinking of Santa Cows by Cooper Eden, though your book isn’t about cows. 😄 I also think of Elf, a movie I love watching each year. It seems to take just the right balance to keep the humor from sinking into the sea of coy. How do you achieve that balance? I can’t help thinking of your novel, The Mortification of Fovea Munson [click here for the interview with Mary Winn about that book], which also has that balance.

 

Mary Winn: That’s such a lovely compliment—thank you for that, Linda. I agree with you that the balance is important, and while I’m drafting, I definitely err on one side and the other. That overstepping is a really useful part of my writing process—and I think for how I write, the metaphor really works: it feels exactly like being on a balance beam. I start off making big swings and toppling into the tries that don’t quite work, and then gradually making more nuanced adjustments until I feel a sort of intuitive rightness. I don’t have an algorithm so much as a very, very loose recipe. I like to make sure that as absurd and ridiculous as I get (and I like to get real absurd and ridiculous—my writing partner on my current project just sent me comments on a chapter today, which included the note, Mary Winn, this is preposterous. And to be clear, I consider that a really positive note)—as absurd as I go, I make sure that the story always stays grounded in something true and real. In this case, it’s the unicorns’ sincere need to not let Santa down.

El Space: So glad to hear about your process and the hard work you put into your books. And I love the illustrations! How much input did you have with the illustrator, Christian Cornia?
Mary Winn: I didn’t talk to Christian until after the book was out, but I adooooooore the way he drew the unicorns. All the little details, like that How to Rainbow book that one of them is reading at the top—just to die for. And the crocodiles! That crocodiles spread is among my favorite things ever.

El Space: That is a great spread in the book [which you can see part of if you click here and scroll down]! What Christmas book, if any, did you love to read when you were a kid or as an adult? Why?
Mary Winn: Hmmm. . . . Good question. I don’t actually recall one that I liked to read specifically at Christmas. I was a weird, indiscriminate kid, and loved to read seasonal books all year. But I do associate Christmas with reading, because I’d be off from school and I could just read the entire break!

El Space: What will you work on next?
Mary Winn: My next novel—The Losers at the Center of the Galaxy—comes out in March, so I’m starting to think about that book again. It’s funny how they sort of hibernate in your brain between the time that you finish them and they come out. And I’m working on a really exciting hybrid graphic/prose novel with an illustrator pal. It’s definitely the most exciting part of my days right now!

Thanks as always, Mary Winn, for being my guest.

Looking for Mary Winn? You can find her by clicking on one of these:
Website, Highlights, Twitter, Instagram, and Barrel of Monkeys.

Looking for The Unicorns Who Saved Christmas? Look here: Indiebound, Barnes and Noble, and Bookshop

But one of you will receive a copy at your home! Ho-ho-ho! (After Christmas, sadly, but something to look forward to.) Comment below to be entered in the drawing. Winner to be announced early next week.

 

When my copy of The Unicorns Who Saved Christmas arrived, Henry quickly commandeered it. “And look how nicely it fits under the Christmas tree,” he said, I guess as a hint for me to get him a copy of the book since I snatched mine back.

Random squirrel meme:

Mary Winn’s book covers are from her website. Author photo by Popio Stumpf. Santa Cows cover from Goodreads. Elf movie poster from Ebay. Random squirrel meme from sayingimages.com. Balance beam image from HuffPost. Henry photos by L. Marie, who is grateful for her copy of The Unicorns Who Saved Christmas.

My Definition of Restful and Why That Might Be Weird to You

Recently, I’ve had text, email, or Zoom conversations with friends about books we’re reading, and in one of them, I made this statement: “I want a restful book.” Though you were not part of that discussion, I want to elaborate on what I meant.

By restful, I mean a book I can enjoy any hour of the day or night or during a pandemic. It is one that does not evoke feelings of righteous indignation, rage, depression, or mind-numbing fear. Though dinosaurs may or may not eat people and wealthy tyrants might be murdered in locked rooms by any number of suspects, I don’t fret about it, especially since I’m not the one being eaten nor the one whose murder is the basis of a cozy, but entertaining mystery.

My reading does not always involve murder or full-bellied dinosaurs, however. I thoroughly enjoy Mr. Darcy getting a comeuppance by Elizabeth Bennet (you know this one); Valancy Stirling experiencing life in a new way (The Blue Castle); and a small, unsupervised child crawling out of a window via a handy tree and going off by himself at night in search of a pillow. (Guess which book this is. No parenting advice will be forthcoming from me.)

 

  

Pride and Prejudice DVD case shown here, rather than the book cover, because I already had this photo in my blog library

Many of the books I’ve read in the last two months are restful in that they are familiar like well-loved walking trails. I’ve traversed these paths again and again and still appreciate the scenery.

What is restful reading to you? If books are not your thing, what have you been watching lately that you would categorize as restful?

The Blue Castle cover from Goodreads. Other photos by L. Marie.