Adaptations

I recently watched and loved Enola Holmes, a Netflix original movie starring Millie Bobby Brown in the title role.

What’s unusual about this, at least for me, is that I hadn’t read even one of the books by Nancy Springer prior to watching it. (Not sure how I missed reading the first book at least when it debuted.) So I can’t say if the movie is a faithful adaptation or not. But watching it made me want to read the books. It had a great cast, an exciting plot, and decent production values.

  

Usually, if a film is adapted from on a MG or YA book or series, more than likely, I would have read the book first. Twilight? Check. The Fault in Our Stars? Check. Harry Potter? Duh. Hunger Games? C’mon. You’re not even trying.

  

One of my pet peeves is when the movie adaptation is so far removed from the source material that I wind up questioning why the film company optioned the rights in the first place. Why bother if you plan to completely change it? And I know: sometimes changes are made because the producers think new fans won’t care, since they probably didn’t read the book in the first place. If that’s the case, at least make it good.

When I think of my favorite adaptations, my go-tos are LoTR and the Harry Potter franchise. I also love Howl’s Moving Castle, though it is very different from Diana Wynne Jones’s classic novel. But since it is a Miyazaki film, I couldn’t help loving it.

  

I won’t go into my least favorites, because that would I don’t want to add a negative rant to this post. I’ll say this much: both begin with the letter E. I shudder every time I think of them.

What’s your favorite adaptation? While you think of that, I’ll move on to the winner of A Home for Her Daughter by Jill Weatherholt.

    

The winner is Ginger!

Ginger, please comment to confirm! Expect a signed copy of A Home for Her Daughter to be sent to you.

Thank you so much to everyone who commented!

Enola Holmes poster from vitalthrills.com. Deathly Hallows Part 1 poster from collider.com. Return of the King poster from goldposter.com. TFIOS poster from WordPress.com. Enola Holmes series covers from Goodreads. Other photo by L. Marie.

Check This Out: Eternal Road

Today on the blog I’m happy to have the one and only John Howell here to talk about his latest novel, Eternal Road. It was published on August 23. Go here to read a synopsis of the book. Now, give it up for John!

  

John: Thank you so much for having me on your blog today, Linda. I certainly appreciate being here with you.

El Space: My pleasure, John. Four quick facts about yourself?
John: 1. I write every day.
2. I’ll be 80 years old in the spring.
3. I am a pantster and do not outline my work.
4. When I begin a novel, I write the last three lines and then go back and write to that conclusion.

El Space: Groovy! What inspired you to write this book? I can’t help thinking of a film from 1978 called Heaven Can Wait. The premise of that film is nothing like your book. But the life-after-death aspect of your book made me think of it.
John: I wanted to do a historical fiction novel. While I was doing the research, I wrote a short story that started with a couple hitchhiking, and then as the characters came alive, it went in a different direction. Sam, the female protagonist, is reminiscent of a childhood friend who moved away. James, the male protagonist, exhibits the feelings I had as a boy when I lost my childhood friend. She did eventually die when we were both 30. The story is pretty much a way of coming to grips with that double loss so many years ago.

El Space: I have to ask if there is a story behind the use of a 1956 Oldsmobile. Please shed light on that.
John: When I was in high school, a neighbor had a 1656 Oldsmobile identical to the car on the cover. I used to wash and wax that car and fell in love with it. I wanted to honor those memories somehow, so the vehicle is in the story as a tool for Sam and James.

El Space: Time travel also is an aspect of the story. What are some of your favorite time travel stories?
John: I’ve read and seen so many, but I have to say The Time Machine by H.G. Wells is my favorite. Another one was on The Twilight Zone, where a successful guy went back in time to start over for the thrill of building an empire all over again. He went back to the time before the automobile and tried to get people to help him make one. Of course, no one had the skills, so his trip (and deal with the devil) is a waste.

    

El Space: C. S. Lewis once mentioned,

All my seven Narnian books . . . began with seeing pictures in my head. At first, they were not a story, just pictures. The Lion [The Lion, the Witch, and the Wardrobe] all began with a picture of a Faun carrying an umbrella and parcels in a snowy wood.

When you think of developing a story, which comes first for you—images in your head? The characters? The plot?
John: This is like asking a golfer if they inhale or exhale before their swing. Let me think a moment. I think my stories come about as a result of the images in my head first. These images can be relatively sparse and only a partial picture of what will become the full story. After the images, I then concentrate on the characters. The characters guide the story, and as they develop, they have a hand in developing the plot. Many times, the characters will create plot points by merely acting the way they usually would behave. In Eternal Road, a massive scene develops in the basement of a house due to following the instincts of the two characters. They are in the place and want to look in the basement. I had not planned to have them discover something there until one character all of a sudden said, “I wonder what we will find in the basement.”

El Space: What genre would you love to tackle that you haven’t yet?
John: I would love to write a pure Science Fiction book. I think it would be fun to create a futuristic world complete with political and social infrastructure. At this point, I’m not sure if it would be a thriller type of Sci-fi story or not. I do think the characters would have to be from Earth and on a mission of some sort. I would hope the mission would be one that, if accomplished, the Earth would be better off. Maybe something like word has been received that the inhabitants of a nearby system have discovered the cure for Cancer. The mission would be to go to a planet and bring back the cure. Of course, it would not be all that easy. Maybe the therapy only works on those who carry the DNA of ancient space travelers who visited the Earth many centuries ago. Everyone else who gets vaccinated for the disease dies. Well, I guess it would be a thriller after all.

El Space: Wow that sounds great! Hope you write that book someday. In the meantime, what will you work on next?
John: I had not intended to extend Eternal Road into a series. There have been a couple of reviewers who flatly state that it should be a series. I was going to get to work on a long-awaited story of one of the characters in my John Cannon Trilogy. His name is Ned Tranes, and he is the police chief of Port Aransas, Texas. Now I think Ned’s story is going to wait another year. He is very patient since he has been waiting for three years already. The last encounter we had, Ned’s wife, was taken hostage by a band working for the drug cartel. You know nothing good can come from that. Well, let’s hope they treat his wife nicely until we can get back to set her free.

 

El Space: Oh dear.
John: So I think I will jump in and write book two of Eternal Road.

Good idea! Thank you, John, for hanging out with me.

Looking for John? Check his blog, Facebook, Goodreads, Amazon.

Looking for Eternal Road? Click here!

One of you will find a copy of Eternal Road on your device or in your mailbox. Comment below to be entered in the drawing. Winner to be announced on September 30.

Other books by John:

 

Author photo and Eternal Road book cover courtesy of John Howell. Eternal Road book cover by Roseanna White Designs. Other book covers from Goodreads. Twilight Zone logo from Bloody Disgusting. Heaven Can Wait movie poster from RogerEbert.com.Sci-fi image from wallpaperup.com.

Check This Out: The Edge of Anything

With me on the blog today is another of my awesome Secret Gardener classmates from VCFA: Nora Shalaway Carpenter. You might remember her from this post. She’s here to talk about her young adult novel, The Edge of Anything, which debuted on March 24. It was published by Running Press Teens/Hachette Book Group. Click here for the synopsis.

  

Nora is represented by Victoria Arms Wells of Wells Arms Literary in association with HG Literary. Now let’s talk to Nora!

El Space: Four quick facts about yourself?
Nora: 1. My favorite food is watermelon.
2. I am a certified yoga teacher.
3. My favorite imaginary creature is a phoenix.
4. My hair is often blue.

 

El Space: The Edge of Anything is very powerful and moving. How did it come to be? What came first—the characters or the plot?
Nora: Thank you so much, Linda. I’m glad you enjoyed it. The characters definitely came first. I’ve always wanted to write a volleyball character because I played volleyball growing up and it was a huge part of my identity. However, I never found any books about teen volleyball players while I was growing up, and I wanted to change that. That’s how Sage got her start.

Len evolved because I wanted to write a character who was unknowingly suffering a mental health crisis. This happened to me in early adulthood and it was the most horrific thing I’ve ever experienced. I had no idea what was happening, and even though I had a supportive spouse and good health insurance, we had an incredibly tough time not only figuring out what was happening, but then finding the right care. I remember thinking I was going to die. I also remember feeling so incredibly alone, like no one else had ever experienced anything like what I was going through. I later found out that wasn’t true, of course, but there’s so much stigma and misinformation about mental health conditions—and the people who suffer from them—that many people don’t talk about it. I wanted to open a conversation. The Edge of Anything is the book I wish I’d had during that awful time in my life, a time when I doubted if things could ever get better. I wanted to create a book that showed a character struggling authentically and that depicted the hidden internal battles a person goes through daily. Most importantly—I wanted to show that Len—like all real people struggling with mental health—is so much more than this condition that is terrorizing her brain. She is a regular person, worthy of love and respect and dignity.

El Space: What were the challenges of bringing personal issues to light?
Nora: I talk about this a bit in the author’s note, but the biggest challenge was dealing with any lingering shame I had about my own experience with severe OCD. Over the years, I found that the more I talked about having OCD, the more people connected with me about it and offered their own experiences, and the less shame I felt. Still, writing a book is a whole different level of opening up. But I wanted to. Communication can be life saving when it comes to mental health conditions, and if my story could help someone, then I wanted it out there. It’s also important to note, though, that The Edge of Anything is not autobiographical. I used my own emotional experiences to inform Len’s, but the story is fictional.

El Space: Why was the setting important to you?
Nora: Place always plays a big role in my stories. A number of important scenes in The Edge of Anything take place in the forest surrounding the Blue Ridge Parkway, so it was super important that the book be set somewhere where the characters had easy access to such a place. There are also hiking scenes, and as I live in the North Carolina mountains, I drew on my own experiences hiking the area.

Blue Ridge Parkway

El Space: I love the emphasis on female friendship. Please tell us why that was valuable to you.
Nora: I’ve always been fascinated with deep friendships—why they form and how they last. Female friendships have been incredibly important in my own life, and so I wanted to really dig into what puts one of these life-changing friendships on a different level than an average friendship. How is that bond established?

El Space: As you wrote your novel, what craft advice, if any, helped you along the way?
Nora: I struggle with perfectionism, which is basically the antidote to productive writing, so while writing The Edge of Anything I adhered to the mantra “write shitty.” It might sound silly, but my writing flows much better if I have permission to write badly at first. I even have a sticky note on my laptop that literally says, Write shitty, Nora. It makes me laugh, and it also makes writing much more manageable for me. I want my work to end up beautiful and cohesive, of course, but if you set out trying to write a finished product from scratch, you’re setting yourself up to fail.

First drafts are always bad, unless you’re the kind of writer that revises while you write, which can take a long time. But when I see my note to myself, I relax, because the pressure is off. I know I can write shitty, and so the words start flowing. Then, after I get the story out on the page, I can go back and see what themes my unconscious has put into the book, and start to tease those out. I can revise and re-vision and make the words beautiful. That mantra got me through drafting the book, and I recommend it to writers constantly. One of the biggest challenges for many writers, I think, is getting to the end of a draft when you know there are lots of things you want to fix in the beginning and middle. Of course there are and there’s time for that. But you have to get to the end so you can see the whole picture.

El Space: Did you read YA books growing up? How do you feel being part of the community of YA authors now?
Nora: This is an interesting question because there weren’t that many books designated as YA when I was growing up. At least I didn’t know they had that designation if they did. I feel like I jumped pretty quickly from reading the Berenstain Bears to middle grades like Tuck Everlasting and Bridge to Terabithia and then Lord of the Flies and Fahrenheit 451. I do remember reading The Catcher in the Rye and freaking loving it. In fact, I’m a little afraid to reread it as an adult because I’m worried I won’t enjoy it as much. It’s truly a life-long dream come true to be part of the author community now.

El Space: What inspires you as you write?
Nora: Other books and nature. Whenever I’m feeling creatively stifled, I always start reading a ton and I spend as much time as I can outside and away from my phone and social media. For me, there is nothing like soaking up great books and reconnecting with the earth to get those creative juices flowing.

El Space: What will you work on next?
Nora: I’m currently writing another contemporary YA. This one is set is rural West Virginia. But my next book is a mixed genre anthology called Rural Voices: 15 authors Challenge Stereotypes of Small-Town America, out October 13, 2020 from Candlewick Press.

El Space: Thanks, Nora, for being my guest!
Nora: Thanks so much for having me on the blog, Linda!

Looking for Nora? Click below:

            .

Looking for The Edge of Anything? Check out your local bookstore, Amazon, Malaprop’s Bookstore/Cafe. Barnes and Noble, or Indiebound.

One of you will receive a copy of Nora’s novel in your very own mailbox. Just comment below! Winner to be revealed next week sometime.

 

In these days of social distancing, the book club had to meet on Zoom. But they were on the same page when both said they wished the characters in The Edge of Anything were friends of theirs.

The Edge of Anything book cover and author photo courtesy of the author. Chip Bryan took the photo. Cover illustration: Fabio Consoli. Cover design by Frances J. Soo Ping Chow. Other book covers from Goodreads. Volleyball from cliparts.co. Blue Ridge Parkway map from blueridgeparkway.org. Watermelon image from download.com. Yoga clipart from 101clipart.com. Other photos by L. Marie.

Check This Out: WordStirs

With me on the blog today is another of my awesome VCFA classmates, the delightful Laura Byrne, who is here to talk about her news website, WordStirs, which she maintains with her son, Tim.

     

El Space: Four quick facts about yourself?
Laura:
• I’m a former sports editor and writer, whose athletic son had to remind her that there is more at stake in the world than the score of any given football game.
• Tim is a former finance student and current consultant, who plans to drown the world in unbiased, simple news so we can stop beating each other up at family dinners, and get back to arguing about important things, like whether or not ketchup should be refrigerated.
• We are a mother/son partnership that somehow works, despite a few notable differences. Example: Tim lives in Manhattan in an apartment the size of an elevator, with no car, and eats food the names of which most people can’t pronounce, from countries he’s never visited. I live in rural New Jersey, on 25 acres, and make my own bread, which is usually white.
• We bring two worldviews together to model how differences can be valued, and information shared through simple, unbiased articles.

El Space: What’s your process for choosing news stories? How do you keep track of trending news and still sleep and keep your sanity?
Laura: You know how some dogs will chase a ball forever? You toss one down the driveway for my Barney and he won’t stop retrieving it—a thousand throws, some day—until you take that slobbery ball away. That’s Tim and me with news. A thousand stories, and then we take Tim’s slobbery laptop from him. While retrieving all that news, we try to determine, given our readers’ limited time, what single story will help them to understand the world a little better.

Barney and Fred (yes, they are brothers)

El Space: The articles are so engaging! How did you come up the format?
Laura: How WordStirs is organized: Every article set is developed from one topic that is summarized in a paragraph or two in our News Made Simple. Then, that News Made Simple article segues into three additional articles, which continue to explain the topic:
   • The Geek. Want more background on the News Made Simple topic? You can click on the Geek.
   • The Debater. Want to understand two sides of the News Made Simple topic? You can check out the Debater, which is often a discussion between Tim and me.
   • The Runner. In a hurry? The Runner can get you out the door with just enough information about a current event to make you feel informed.

We take a subject, say, the coronavirus relief package, and look at the Fox News perspective. Then, we consider The New York Times, The Washington Post, The Wall Street Journal—and more. We also go to original documents, including Congressional records and World Health Organization guidelines. We look at fact-checking sites like PolitiFact, Snopes, and FactCheck.org. If we’ve done our job, somewhere in the article set you should see your perspective. But, if we’ve done our job, somewhere you’ll also discover something that makes you think, that challenges you and your prior beliefs.

  

El Space: How has the advent of COVID-19 affected your news coverage?
Laura: The coronavirus has dominated the news, including our coverage, and it carries with it additional concerns. For example, correct information is critically important and yet harder to get than ever as so many people are armchair-epidemiologist-ing the cures, courses of action, and predictions for the future. We’re trying to be even more critical of our sources and careful with our work.

El Space: Who inspires you?
Laura: The Secret Gardeners, my graduating class from Vermont College, are the most talented writers in the world, and their voices are always in my head, reminding me of the power of words.

El Space: Yay! What’s next for the site? What else are you working on?
Laura: Tim and I are working on a podcast. We’ve tried a few practice recordings and, so far, haven’t gotten past teasing each other. We’ll get it together, hopefully soon.

Thanks, Laura, for being my guest! Click here to access WordStirs or follow on Instagram.

Check out this video at Tim Byrne’s YouTube Channel:

The unicorn helps Henry get the point about social distancing.

P.S. The winners of the next two child Yodas are Charles and Marian. Again, I had to let them know ahead of time because of the fluctuating times we live in. I am working on yet another Yoda, so it’s not too late to put your bid in for one. 😀

Author photos and logo courtesy of Laura Byrne. Breaking news image from freepik. Washington Post logo from Wikimedia. Other logos found at various places on the internet. Other photo by L. Marie.

Nostalgia

Happy Martin Luther King Day! He had a dream. What’s yours? As you think about that, I’ll move on.

Lately, characters from past television series have been making the news because of their return to the silver screen. Jean-Luc Picard (Patrick Stewart, below). Lizzie McGuire. The cast of Saved by the Bell and Full House. Not to mention MacGuyver, in a show rebooted awhile ago. I’m just waiting for an announcement about a Columbo reboot, though I can’t imagine the show without the late, great Peter Falk.

Nostalgia has been the catalyst for the return of many film franchises, shows, toys, and candy. This is probably why you can see so many old favorites from the past (toys, candy, TV shows on DVD) at the gift shops of restaurants like Cracker Barrel or specialty shops.

As I read Shari Swanson’s picture book, Honey, the Dog Who Saved Abe Lincoln (Katherine Tegen Books/HarperCollins), which we discuss here, I felt a sense of nostalgia watching young Abe exploring the woods near his home. He had a lot more freedom than most kids his age do nowadays. So did I. When I was eight (a year older than Abe is in the story) and was given my first bike, I would tell Mom, “I’m off,” and would be gone for hours, riding around the neighborhood. Even with T-Rexes still roaming the earth back then (totally dating myself), I had the freedom to go off with just a friend who was my age.

    

Lest you think, What awful parents, this was the norm back then. Starting in kindergarten, my best friend and I walked to school without hovering parents. And I lived in a neighborhood in Chicago!

My parents had taught my brothers and me to always look both ways while crossing the street, as well as teaching us “Stranger Danger” stuff, like never talk to strangers or accept anything from them. Even with all of that freedom, I survived childhood. (Spoiler alert in case you wondered.)

Nowadays parents would probably be arrested for the amount of freedom my parents and Abe’s parents allowed kids. Sadly, we live in a world where many parents have to go the extra mile to keep their children safe. I hardly ever see kids out by themselves, with the exception of my neighbors’ kids. But I know their parents are just a shout away.

So I’m nostalgic for the times when I was free to roam without fear. If I had a dream, in the vein of Martin Luther King, Jr., my dream would be for a world in which children could do the same.

The winner of Honey, the Dog Who Saved Abe Lincoln is Lyn!

Lyn, please comment below to confirm. Thank you to all who commented on the interview post.

What makes you feel nostalgic?

Patrick Stewart photo from The Daily Telegraph. Dream image from clipart-library.com. Martin Luther King, Jr. image from wallpapersin4k.org. Candy from 4imprint.com.

Check This Out: Honey, the Dog Who Saved Abe Lincoln

With me on the blog today is the fabulous Shari Swanson (another great Secret Gardener classmate; for others, click here and here), who is here to talk about her picture book, Honey, the Dog Who Saved Abe Lincoln, which was published by Katherine Tegen Books/HarperCollins and debuts today, people! Woot!

     

Shari is represented by John Rudolph. After Shari and I chat, I’ll fill you in on a giveaway of this very book. Now, let’s talk to Shari!

El Space: Four quick facts about yourself?
Shari: My favorite color is periwinkle. Actually, periwinkle is a favorite word, too. Perhaps I’ll write a book about Mr. Perry Winkle and his Phantasmagoric Adventures Through Color. (Dibs. 😀)


• I love games, all sorts—puzzles, mysteries, board games, sports, hiding pictures, and treasure hunting.
• I have a beloved dog named Honey, not, surprisingly, named after Abraham Lincoln’s dog.
• I love words—etymologies, derivations, roots, cadence, sound, rhyme—everything about words. When I was in high school, I read All About Words by Maxwell Nurnberg and Morris Rosenblum while suntanning on the beach. One of my favorite courses in college was linguistics.

El Space: How did you come to write this picture book about a dog and Abraham Lincoln? How long was the process of writing the book?
Shari: When I was teaching middle school literature early this millennia, we read about Abraham Lincoln’s early years from an excerpt of Russell Freedman’s book on Lincoln. It was fascinating. I hadn’t ever heard about Lincoln’s Kentucky years and wanted to know more. I thought perhaps children would like to read about Lincoln when he was their age. I had the pleasure of meeting the late Russell Freedman at an SCBWI conference in 2006 and told him how much I wanted to write a picture book expanding on those details from his book. With tears in his eyes, he encouraged me and told me what a wonderful picture book that would be. When I was deep in that research, I discovered Honey. Honey had saved Lincoln’s life! What would the world be like if we hadn’t had Abraham Lincoln? Honey was an unknown hero. Honey, I thought, would make a wonderful picture book. And then I set off to write that story. The first draft of my book was written when I was doing the picture book semester at VCFA, back in 2011. I sold it in 2016, and now it is finally in the world!

El Space: How did you get started writing picture books?
Shari: I’m not sure there is an easy answer to this. I’ve always loved picture books. But I didn’t always understand that I could write them. Somewhere along the line, I realized that you don’t have to be a master artist to write a picture book, and that made me think maybe I could try it. I took a course in picture books at UCLA Extension way back in the early 1990s, I think, so it’s been a lifelong dream. I enrolled in the picture book semester when I was at VCFA with Julie Larios, and a workshop just prior to that with Julie and Uma Krishnaswami. That six months was maybe my favorite in my entire education as it was so filled with play and words and sheer delight.

El Space: How much input did you have with the illustrator? What was your reaction to seeing the illustrations?
Shari: Every picture book author/illustrator interaction is probably different. My editor, Maria Barbo at HarperCollins/Katherine Tegen books, was wonderful at taking my thoughts and opinions into account at each stage of the process. First, she asked me if I had an illustrator in mind to suggest. That inquiry sent me on a delightful tour through bookstores and libraries, trying to find artists that had the right feel for Honey. When she suggested Chuck Groenink, she sent me links to his portfolio. [Click here for a post about Chuck and his process on another picture book.] We both loved his work, especially his use of light in dark scenes, a skill that would be important for the cavern scenes in Honey. Seeing Chuck’s first drafts for Honey was a highlight of my life. Right there in my hands was this charming beautifully-realized art bringing my words to life. As we moved forward, I had the ability at every stage to offer my thoughts. One suggestion that I am thrilled Chuck incorporated was adding more detail to the forest scenes. I wanted the readers to feel just how distracting the woods were, with all the sounds and animals, and have the reader be literally distracted by the detail on the page just as young Abe was distracted on his journey.

El Space: What picture books have inspired you as a kid? As an adult?
Shari: As a child, I loved Where the Wild Things Are by Maurice Sendak, A Snowy Day by Ezra Jack Keats, Are You My Mother, by P. D. Eastman, and all things Dr. Seuss. As an adult, I love picture books that are poetic and musical; those that have wildly creative art, perhaps looking at things from unusual perspectives, and those that celebrate characters who are not stereotypic.

     

El Space: Any advice for would-be picture book writers? What do you think a twenty-first century kid needs to see in a picture book?
Shari: My best advice it to read your work out loud. Notice where the pauses and awkward phrasings are so you can fix them. I also think it is hugely important to make a picture book dummy, eight sheets of paper folded in half to make 32 pages, and block out your story. Where are the breaks? Are there interesting page turns? Is there something that is illustratible on each page? Finally, don’t give up. Take the time to create as often as you can. The joy is in the journey. I’m not sure what a modern kid needs to see in a picture book. I hope in Honey, a modern reader can both identify with young Abe—his distractedness, his love for animals, his desire to help—and think about the differences, too, like how Abe walked miles alone through a wild dangerous forest, so that the book is both timeless and grounded in its time.

El Space: What will you work on next?
Shari: I have several more works in progress, but the one getting my immediate attention is a non-fiction picture book, another heartwarming story of an animal/human interaction, this one from WWII.

Thanks, Shari, for being my guest!

Looking for Shari? Look no further than her website, Twitter, or Pinterest.

Looking for Honey, the Dog Who Saved Abe Lincoln? Check out your local bookstore, Amazon, Barnes & Noble, or Indiebound.

One of you will receive a copy of Honey, the Dog Who Saved Abe Lincoln in your very own mailbox. Just comment below! Winner to be revealed January 20, 2020.

The first meeting of the picture book club almost ended in a fistfight. While Lazy Buns and the Squeezamal agreed that Honey, the Dog Who Saved Abe Lincoln, is a great book, they disagreed on the refreshments, or the lack thereof. “It was your job to bring tea with honey for us to share!” the Squeezamal grumbled, Lazy Buns having only remembered to bring herself a cup of coffee.

Author photo by Christie Lane Photography. Book covers, with the exception of Shari’s book, are from Goodreads. Periwinkle flower from Wikipedia. Book storyboard from somewhere on the internet. Other photo by L. Marie. Squeezamals are a product of Beverly Hills Teddy Bear Company. Lazy Buns is a Pop Hair Pet, a product of MGA Entertainment.

Check This Out: Love, God, and Mexican Pastries

With me on the blog today, for the first of two holiday giveaways (’tis the season) is one of my Secret Gardener VCFA classmates, the wonderful Karen Ripley. Karen is here to talk about her recently released young adult novel, Love, God, and Mexican Pastries, a Gallina Roja publication. You can find the synopsis here.

   

One of you will get a copy of Karen’s book. But we’ll discuss that later. Let’s talk to Karen!

El Space: Four quick facts about yourself?
Karen: (1) I had to fill the Santa cookie jar with old, leftover Halloween candy because I ate all the cookies.


(2) Yesterday, I went to an exercise class with my t-shirt on inside out.
(3) My kindergarten report card says, “Karen is great at napping.”
(4) My sixteen-year-old daughter and I goof off by practicing kickboxing in the kitchen when we’re making dinner.

El Space: What was the inspiration behind this young adult novel? Why was it important for you to tell this story?
Karen: ***BIG spoiler alert. Don’t read this if you are like me and don’t want to know the ending of a book before you read it.*** This novel is based on a very personal experience. Many years ago my young niece became pregnant and decided to place her baby for adoption. We’re good friends and I watched in awe at her faith as she courageously went through all heartbreaking steps and placed her beautiful daughter with a loving family. I asked myself over and over, how could someone make such a sacrifice? I don’t know if I ever answered that question, but this novel is me searching for that answer.

El Space: Your novel has gone through quite a metamorphosis. I’m so glad you hung in there with Melina [the main character]. How did critiques and your editor help you shape the story?
Karen: When I started writing, I read and heard advice such as trust your reader and make sure your character is likable. I thought that along with cutting out the adverbs, I was doing all of that. But when my critique group pointed out scenes that weren’t moving the story along and my editor said my character was starting to bug her, that’s when the real revision started. It was a lot of serious work but it also made me really proud of my writing.

El Space: How did the characters change as the story developed?
Karen: Probably the biggest change for me was coming to really love my characters. Starting the book, I knew some characters were going to do some rotten things and in many of my drafts, some of the characters, maybe all of them, felt more caricature-like than real. It wasn’t until I got to know their back story completely that I could understand them and I saw them develop. Recently, my daughter was reading my book, and said, “I’m so furious at Marcus right now.” And my first thoughts were, He’s really a good guy who’s just messed up.

El Space: What were the challenges of writing this novel?
Karen: Probably the biggest challenge was and is overcoming my own doubts and fears. I started this novel over a decade ago. I’ve needed to learn a lot about writing and it’s taken a long time. It’s so easy to doubt your abilities when it takes years and years to get a novel out. I put the manuscript aside for a solid year and worked on another novel after a very painful face-to-face rejection with an agent. Looking back, a year off was exactly what I needed to be able to come to the story with new eyes; but I really struggled with feeling like a failure.

El Space: How did you select the title?
Karen: Ha! 😄 Really, it was like the whole writing process, trial and error, critiquing, revision. I tried lots of cheesy titles such as: Love Story and The Right Forever. After bunches of cheese, I threw out Love, God, and Mexican Pastries almost as a joke. My daughter really liked it, my editor loved it, and that’s how it came to be.

El Space: Who designed the cover? How did you feel about it when you first saw it?
Karen: Shawnda Craig was the cover designer, and she’s amazing. As an indie author it’s different than traditional publishing where you usually don’t get to consult with the cover designer, but Shawnda and I chatted about different concepts and went through several drafts. When she sent me two covers I loved, it felt like seeing the first snowfall of the year.

El Space: What are you hoping teens or other readers will take away after reading your novel?
Karen: I’d love readers to finish the book with a feeling of hope and a joy in family.

El Space: What books have inspired you lately?
Karen: I’m reading about book marketing lately. Make a Killing on Kindle by Michael Alvear has a lot of great advice for indie authors. I enjoy reading to my grandson, though he’s 18 months and only sits still for a couple of pages. I love reading Long Ago, on a Silent Night by Julie Berry to him. And every night I try to read something beautiful, and lately it’s been The Keeper of Lost Things by Ruth Hogan.

   

El Space: What will you work on next?
Karen: I’ve got a middle-grade story about a spunky girl who goes to battle with her bus driver. Another middle-grade story about a young cowboy who competes in the rodeo is in a rough-draft state. Also, I’ve done a little free writing on another YA novel but so far that’s just mush.

Thanks, Karen, for being my guest!

Looking for Karen? You can find her here. Looking for Love, God, and Mexican Pastries? (Or all three in a different context?) Click here.

One of you will be sent a copy of Love, God, and Mexican Pastries simply because you commented. Winner to be announced after next week’s giveaway.

Katie insists that you read this book, because it’s the best book ever and you should also feel that way, ’cause she is always real with people and that’s how she feels.

Christmas giveaway image from thefrontporchgourmet. Author photo by Sara Brewer. Love, God, and Mexican Pastries cover courtesy of the author. Other book covers from Goodreads. Santa cookie jar from ebay. Kickboxing image from clipart-library. Failure sign from teachertoolkit.me. Other photo by L. Marie. Katie is one of the Capsule Chix, a product of Moose Toys.

Check This Out: Mennonite Daughter—The Story of a Plain Girl

I’m very pleased to welcome to the blog the amazing Marian Beaman, who is here to discuss her memoir, Mennonite Daughter—The Story of a Plain Girl, which launched on September 14.

   

You probably know Marian from her blog, which you can find here. After I talk to Marian, I’ll tell you about a giveaway of Mennonite Daughter—The Story of a Plain Girl.

El Space: Four quick facts about yourself?
Marian: 1. I met my first husband on a blind date. (He is my only husband!)


2. I flunked my driver’s test twice.
3. On Sunday mornings, I like to play with two-year-olds, making abstract art with tennis balls and paint on cardboard, blowing bubbles.
4. I watch my Fitbit like a hawk. Gotta get those step in!

El Space: What made you decide to write a memoir?
Marian: My blog readers helped make the decision for me. I wrote stories about my parents, grandparents, and other relatives on my blog. Readers wanted more, and suggested, “Write a book about it!” Though for many years I have wanted to leave a legacy of stories for my children and grandchildren, these readers pushed me toward actually doing it!

Granddaughter Jenna at guest book with hostesses Judy and Carolyn at Marian’s book signing at the Deerwood Country Club

El Space: How did you decide how much to include and what sections of your life to leave out? What was your process as you wrote? Did you write an outline of events? Talk with family members along the way?
Marian: My life as a Mennonite was dramatically different from my life now, so I decided to make the first 24-year slice of my life the focus of my memoir.

A memoir is not a biography. Memoirs need a focus. My focus was the imprint of two forces upon my life: the boundaries of my life as a Mennonite and the blessings of two homes (my parents’ and my grandmother’s house close by).

The collage on the easel is a composite of various snaps of Marian’s family with Bossler Mennonite Church in the background (done by artist Cliff Beaman).

I agree with May Sarton who said that she has “never written a book that wasn’t born out of question I needed to answer for myself.” For me, that question was this: “What was the source of my father’s anger?” My memoir explores possible answers.

To learn the craft of storytelling, I took a memoir-writing course from Linda Joy Myers and Brooke Warner: “Writing Your Story in Six Months.” And to get me started, I wrote topics I could remember on colored sticky notes I pasted to ply-board. Some of the topics became scenes that made it into the memoir; others did not.

El Space: How did growing up in a Mennonite background shape you into the writer you are today? What did you appreciate most about your upbringing?
Marian: I grew up loving my faith traditions and my family. Also the Swiss/German stock from which I am descended has imprinted on me a strong work ethic, which gave me the strength and discipline to persevere through the five years it took to write my story.

El Space: After you described your baptism [chapter 28], I was struck by this quote from page 157: “I had to find a way to reconcile pleasing God with expressing my love for beautiful things, hairdos and clothes included.” Such a turning point in your life. What was one step you took as you were “beginning to ‘kick against the pricks’”?
Marian: My mother, aunt, and grandmother expressed their love of beauty by planting flower gardens in a riot of colors. They, along with women in my church, also made exquisite quilt designs. I wanted to look pretty like a flower, wearing bright colors and shiny shoes. My desire to buck the strict dress code enforced by my church at that time caused friction with authorities at the Mennonite School, where I was employed in my early twenties. My reaction to these restrictions is told in two chapters which bookend my memoir.

These are the most cheerful looking flowers I have seen in years. They remind me of Marian. 😊

El Space: What books or authors inspired you as you worked on your memoir?
Marian: Anne Lamott’s Bird by Bird: Some Instructions on Writing and Life—Sassy, sometimes sarcastic, but always instructive.

Jordan Rosenfeld’s Make a Scene: Crafting a Powerful Story One Scene at a Time—A good one to read early in the writing game.

Dani Shapiro: Still Writing—If you like Shapiro’s novels and memoirs, you’d like her take on the craft of writing.

Louise DeSalvo’s The Art of Slow Writing—A breath of fresh air, especially if you are tied up in a wad about your story and the writing process.

Dinty W. Moore’s The Story Cure: A Book Doctor’s Pain-Free Guide to Finishing Your Novel or Memoir—Book Doctor Dinty provides cures and checkups in his manual embellished with case studies. Humorous and practical!

El Space: What advice do you have for memoir writers?
Marian: 1. Write every day, even if you don’t feel like it. Inspiration comes to those who sit in the writing chair. But don’t go nuts over it; take walks, go shopping, chat with friends. 2. Don’t impose a strict Get-Done-By deadline on yourself. I hoped to finish in three years, but it took me five years. 3. Life goes on! In those five years, my mother and my aunt died, and we had to clear out two houses with scads of stuff. Last year my brother died. Three years ago we also moved from a house we had lived in for 37 years to our current address; lots of sorting, recycling, and tossing out.

El Space: What will you work on next?
Marian: When people ask that question, I say, “Give me a break! I need a vacation or at least time to relax.” 😃 However, two ideas are playing tag in my brain right now: 1. A children’s book based on the oak tree my children and their cousins planted in the Grandma Longenecker’s back yard after she died. I have an in-house illustrator—ha! 2. My year and half in the 36-foot trailer with two babies while my artist/performer husband did art and music performances all over the Southeast. The object was to keep our family together; the reality of the itinerant life wreaked havoc on my sanity!

Thanks, Marian, for being my guest!
Looking for Marian? Click on the icons below:

                    

Looking to buy Mennonite Daughter—The Story of a Plain Girl? Head to Amazon or to your mailbox, since
one of you will receive a copy of this memoir just for commenting! Winner to be announced sometime next week!

The book club, after reading and loving Mennonite Daughter—The Story of a Plain Girl, unanimously decided to shop for red shoes.

Author photo by Joel Beaman, courtesy of Marian Beaman. Mennonite Daughter—The Story of a Plain Girl cover designed by Cliff Beaman, courtesy of Marian Beaman. Other covers from Goodreads. Book signing photos courtesy of Marian Beaman. Book club and flowers photos by L. Marie. Neonlicious and Royal Bee OMG dolls are products of MGA Entertainment, Inc.

Check This Out: A Mother for His Twins and An Apple Orchard Reunion

Hello! With me on the blog today is the amazing Jill Weatherholt, who has three publications to discuss: her latest Love Inspired novel, A Mother for His Twins; her novella, An Apple Orchard Reunion in the Autumn Hearts anthology, and “A Labor Day Reunion,” a short story in Woman’s World Magazine—just in time for Labor Day, the holiday that just passed.

      

    

Jill is represented by Jessica Alvarez. After Jill and I talk, stay tuned for a giveaway announcement.

El Space: Four quick facts about yourself?
Jill: 1. I’m afraid of heights and will not ride on an escalator, but I’ve always wanted to go skydiving.
2. When I was twenty-years-old, I was diagnosed with Crohn’s Disease.
3. I once won a limbo contest while vacationing in Key West.
4. I love cayenne pepper and I put it on most foods.

El Space: Jill, so much is happening for you. A Mother for His Twins just released. Your novella, Autumn Orchard Reunion also debuted in Autumn Hearts. And you have a short story in Woman’s World. You’re very committed to romance and happily ever after stories. Please tell us why this is so and why you see stories like this as important today.
Jill: When some people think of romance, they often associate it with a Fabio-type hero and heroines who are helpless or weak. For me, writing romance and happily ever after stories is a way to unplug from the 24-hour bombardment of news stories that are often tragic and can leave me feeling hopeless. People say you should write the book you want to read. When I read, I want to escape from the pain and suffering going on in the world. I want to have faith that things can get better and good things can happen, even when it feels like all hope is lost. When I read that last page, I don’t want to be left feeling sad or depressed. I want to be reassured there is still good in the world.

     

El Space: What were the challenges for you in producing your third novel for Love Inspired?
Jill: As you know, through our email exchanges, A Mother for His Twins was the most difficult book for me to write. It was a challenging time for my family. Distractions and worries kept me from maintaining my focus. At times I felt physically and emotionally drained. I wondered how in the world I’d ever meet my deadline. I questioned my ability. I felt like I was sinking in quicksand. Thankfully, through prayer and the support from those who care about me, I could press on and get the book done.

El Space: Family members have inspired some of your characters. Who, if anyone, were the inspirations for Joy and Nick in A Mother for His Twins?
Jill: That’s true, in some of my short stories, family members have been my inspiration, particularly my mother. Joy and Nick weren’t really inspired by anyone I know. I developed these characters through journaling from their point of view and I allowed them to surprise me as the story unfolded.

El Space: How did the opportunity to write a novella come about? How did you decide what to write?
Jill: A fellow author and friend presented the opportunity to write a novella for a collection with four other writers. I’d never considered self-publishing, but I thought going in with a group might be a good way to get my feet wet. Since the collection was autumn-themed stories, I decided to write a reunion story that revolved around an apple orchard.

El Space: What advice do you have for would-be romance writers?
Jill: Study the craft, write, and always keep an eye open for contests.

El Space: What will you work on next?
Jill: I’m currently working on my fourth Love Inspired book and continuing to write short stories. I have a new aspiration that I’m working towards. . . . Time will tell.

Thank you, Jill, for being my guest!

Looking for Jill? Click on the icons below:

                    

Looking for A Mother for His Twins or Autumn Hearts? Click here for Jill’s website, which has a link to retailers. Looking for Jill’s short story? Check out the Woman’s World at your local grocery store!

One of you will receive a signed copy of Jill’s novel in the mail. Two of you will receive a download of Autumn Hearts. Just comment below! Winners to be announced sometime next week.

The book club agreed that A Mother for His Twins is a great book. Reading about snow and cooler weather has Royal Bee and Neonlicious totally craving hot chocolate.

Book covers from Jill Weatherholt and Goodreads. Author author photo courtesy of Jill Weatherholt. Fabio photo from theguardian.com. Quicksand image from thepandorasociety.com. Apple orchard from abcparish.blogspot.com. Other photos by L. Marie. Neonlicious and Royal Bee OMG dolls are products of MGA Entertainment, Inc.

Check This Out: An Impossible Distance to Fall

On the blog today is the second of my awesome Secret Gardener classmates, the marvelous Miriam McNamara. No stranger to the blog is Miriam. (Click here for her last visit.) She’s here to talk about her young adult historical novel, An Impossible Distance to Fall, published by Sky Pony Press on July 2. (Click here for a synopsis.)

   

Miriam is represented by Linda Epstein. After our conversation, stay tuned to hear about a giveaway of An Impossible Distance to Fall.

El Space: Four quick facts about yourself?
Miriam: 1. I’ve never flown a biplane or wing walked, but like Birdie, I’ve always loved to dance! The dance scenes were some of the most fun for me to write as I played with how movement and emotion interact in the body creatively. Yum!


2. I went to college pretty young—when I was sixteen—around the time a lot of upheaval in my family of origin was happening. When I got to school, I was kind of adopted by a group of queer upperclassmen who looked out for me and invited me to things, and made sure I was doing okay. Birdie’s departure from her family and integration into the barnstorming circus is based on that experience.
3. I started this novel during the Recession after 2008, when the stock market crash of 1929 and how it affected people seemed particularly relevant. My generation and the young adults of today are still dealing with a lot of financial uncertainty, so I think these lessons of the past are particularly interesting.


4. I have a lot of tattoos, but Birdie’s tattoo that she gets in the novel is based on a stick-and-poke tattoo that I gave my friend Ivy in college. It was a flock of bird silhouettes, just like Birdie’s, and done in the same manner, with a needle and thread and India ink.

Miriam at her book signing at MOON PALACE BOOKS in Minneapolis

El Space: Your last novel was about pirates. What was the inspiration behind this novel about wing walkers and a barnstorming circus in 1930?
Miriam: A nonfiction writer read aloud from a work-in-progress about a real-life wing walker from the ’20s at a workshop I attended, and my mind was blown. I’d never heard of such a thing. As I listened to her read I thought, I would NEVER take such an insane risk as walking out on the wing of a flying airplane! But at exactly the same time, I remembered who I was when I was sixteen, and knew that that me would have done it in a heartbeat. It made me want to write a story about that person.

El Space: What do you hope teens will gain from your main character Birdie’s life and the times in which she lived?
Miriam: Birdie’s external life explodes when the stock market crashes—but what causes her deepest pain is the loss of her father when he disappears. For young Birdie, life and her dad both seemed ideal. She has to learn to accept that things aren’t always perfect. People and circumstance will let you down over and over. You have to love and honor the good stuff while acknowledging that other stuff sucks and it’s okay to be hurt and to grieve. And when your life explodes or falls apart, it also leads to so much possibility and openness that wouldn’t have been there otherwise. Storms bring rainbows, you know?

El Space: Birdie interacts with a large cast of characters who aid in her evolution as a character. Who were the most fun or the most challenging to write about?
Miriam: I think the most challenging for me was Gilda, the woman that Birdie’s father chases after. Birdie initially thinks of her as this Jezebel character who has stolen her father away. It was challenging to really communicate Gilda’s complexity. She plays this seductive character professionally as a lounge singer, but she’s actually a real person who did nothing wrong, and Birdie’s anger is misplaced. It took me a few tries to show who she really is beyond the role she plays in Birdie’s life, which leads to a lot of growth in Birdie.

The most fun to write, though! It’s so hard to choose. I loved writing Colette, the tattooed lady; she’s so cranky and deadpan and soooo NOT impressed with Birdie—but then at the crux of the novel, Colette lets Birdie know that she sees and values the person struggling inside of Birdie’s perfect veneer.

But then there’s June. Sigh. . . . I love writing a love interest! June is so sexy. I loved writing her lanky tomboy-in-a-flight-suit Southern Charmer personality.

 

El Space: This is your second historical fiction novel. What is it about historical fiction that appeals to you?
Miriam: I love reading historical fiction, but queer people, especially queer women, have been so written out of history, always relegated to tragic plot devices if they are included at all. I want to write them back into history, and give them so much love and life and joy along with their struggles.

El Space: What was your research process? How did you keep the details you gleaned from research from overwhelming the story you wanted to tell? [One of the tips offered for historical fiction writers in this post here.]
Miriam: With my first novel, I often felt like the details overtook my narrative! The struggle is real. With this novel, I let the narrative guide me into my research. How did banks fail? How did the larger stock market crash impact the financial chain? Who were some wing walkers and women pilots and barnstormers I could use for inspiration? I tried to stick to the story I wanted to tell without getting sidelined by too many interesting details as I came across them. Once I had a strong narrative, then I went back to add in a lot more fun historical stuff—and that led to a lot of richness being layered in once the story was there.

El Space: What books or authors inspire you?
Miriam: This year I decided I was going to read as many books by queer people about queer people as possible. I am very inspired by LGBTQ+ authors telling their stories, especially for young readers. So over the past few months I’ve been super inspired by Amy Rose Capetta and Cori McCarthy, some VCFA friends who are writing all sorts of queer stories; I finally was introduced to Jillian and Mariko Tamaki’s graphic novels, which are amazing; I read awesome books by Kacen Callender and Lev Rosen and Alex Gino; and a Minneapolis author, Junauda Petrus, has a queer young adult love story coming out this fall called The Stars and the Blackness Between Them that I haven’t read yet, but I’ve heard excerpts read aloud, and I know it’s going to inspire the hell out of me.

 

El Space: What will you work on next?
Miriam: I’m taking a break from research and writing a contemporary YA novel, but I also have an idea for a historical fantasy that I’m itching to write. I’m definitely taking it slow and feeling out where I want to go from here. Publishing two books in the past two years has been such a whirlwind, accompanied by a lot of life craziness. I could go anywhere from here, you know? Kinda like Birdie. Anything is possible from here. . . .

Thanks, Miriam, for being my guest!

Looking for Miriam? Look no further than her website or Twitter. On Instagram she is booklovemiriam.

Looking for An Impossible Distance to Fall? (Taken out of context, that question is very interesting.) Check out your local bookstore, Amazon, Barnes and Noble, or Indiebound. Also look no further than your very own mailbox or Kindle (if you prefer), since one of you will get a copy of this book simply by commenting below! Winner to be announced one day next week.

Royal Bee looks skeptically on as Neon practices her wing walker routine. “Looks more like a mummy walking than like Birdie,” Royal Bee quips.

Book cover and author photo courtesy of Miriam McNamara. Author photo by Rose Kaz at Rose Photo. Other book covers from Goodreads. Wing walker image from wallpaperim.net. Dance image from clipground.com. Newspaper clipping from balkanplumbing.com. Old airplane photo from pxhere.com. Other photos by L. Marie. Neonlicious and Royal Bee OMG dolls are products of MGA Entertainment, Inc.