About L. Marie

I am an aspiring writer of fantasy for kids and teens. This blog encompasses my thoughts on the writing life, movies, animation—whatever pops into my head (not always a good thing). I was a student at the Vermont College of Fine Arts and earned an MFA in Writing for Children and Young Adults. I have worked as an editor, a ghostwriter, a technical writer, a bulk foods stocker, a receptionist, and a babysitter. I brake for squirrels and geese.

Check This Out: Maud—A Novel Inspired by the Life of L.M. Montgomery

With me on the blog today is the awesome Melanie Fishbane! She’s here to talk about her novel, Maud: A Novel Inspired by the Life of L. M. Montgomery. Yes, that Lucy Maud Montgomery of Anne of Green Gables and Emily of New Moon fame. Maud was published by Penguin Random House on April 25, 2017.

    

If you follow my blog, you know the drill. I’ll discuss a giveaway at the end of the interview. If you’re new to the blog, well, the same information is appropriate. Now, let’s talk to Melanie!

El Space: What made you decide to write a novel based on the life of Lucy Maud Montgomery?
Melanie: I’ve been reading L. M. Montgomery for most of my life. I first read her when I was about 11 and was enamored by the woman behind the books. I’ve also always wanted to write historical fiction for kids and teens. It was one of the reasons I did my first M. A. and studied biographies for children—in that case it was Joan of Arc—so when this opportunity presented itself, I couldn’t say, “No.” It was the perfect symmetry of everything I loved coming together. Maud’s teen years are also something rarely explored, so it felt like I would be telling a new story. This story has never been told, and it felt important to show a side of Montgomery that many people had not seen. Essentially, the portrait of an artist as a young woman.

L. M. Montgomery

El Space: What was your process for researching this project?
Melanie: It was important to me that I visit where the novel took place, so I spent about a week in Prince Albert, Saskatchewan and returned often to Prince Edward Island to do research. In fact, I travelled to all the places Maud lived, including Leaskdale, Norval and Toronto, Ontario.

I also interviewed as many people as I could. In Cavendish and Park Corner, PEI, I interviewed Maud’s relatives and in Prince Albert, I spoke to the archivist at the Prince Albert Historical Society, as well as a local volunteer who drove me around and showed me where things once were.

There were also many hours in the various archives that included Montgomery’s journals, book collection, and other artefacts, such the L. M. Montgomery Institute, and L. M. Montgomery Collection Archives and Special Collection at the University of Guelph. Then I went to the secondary sources and her times, including the history of PEI, a local history of Prince Albert, and Saskatchewan, as well as a book on indigenous peoples in Saskatchewan. I also used websites with old newspapers, such as Island newspapers and Peel’s Prairie Provinces.

Prince Edward Island

I included a selected list of these books and the websites at the back of Maud and in my References and Resources section on my website.

El Space: I love Anne of Green Gables, Anne of Avonlea, and other books. Anne was irrepressible. Was L. M. Montgomery anything like Anne or like Emily Starr, or another of her heroines? Why or why not?
Melanie: Montgomery encouraged a connection between herself and her characters and the world she built. In her autobiography, The Alpine Path, she shows particular places in Cavendish, such as the Haunted Woods and Lover’s Lane, that appear in the Anne series. Avonlea is inspired by the village that Maud grew up in. Anne’s situation, being an orphan and her imagination, is reflective of Maud’s experience. Maud felt like she was. Her mother died when she was 21 months old and she used her writing as a way to channel these feelings. Montgomery, however, said that it was Emily Starr, the character in the Emily series, she was probably most like, and that the series would be the most autobiographical, because it was the story of a young writer.

     

El Space: What did you learn about yourself as a writer as you worked on this novel?
Melanie: I have so much to learn. 🙂 Seriously, I discovered a lot about how much I enjoyed the revision process. While some writers might like the first draft, I found that it was getting into the weeds of the revision process where I could really find my story—Maud’s story. I also see how close I can become to things, and the importance of the editor in the process. My editor was amazing in pushing me to the next level, and gave me room to make mistakes. And there were many. . . .

El Space: What writing advice do you have for authors who want to write novels based on real people?
Melanie: Depending upon who you might be writing about, people have particular ideas about who that person is. Having some compassion too—that is important, but it is also important to allow your character to emerge. Be true to the story you need to tell, that your character is inspiring you to. I would also say that it should be realistic.

One of the things that I had to realize is that the real Montgomery was quietly subversive, mostly in her writing. She never stood up and marched or was an activist in our contemporary understanding of what that might mean. She was a product of her times and Victorian codes of behavior, and that meant that she wouldn’t necessarily be overtly “feminist.” She didn’t even call herself a suffragette. But her books are feminist. At this point she would have to learn how to navigate these constricting spaces and that meant being true to this. As much as modern Mel would have liked Maud to stand up for certain injustices she saw or fight for things in the way we would like to today, it wouldn’t have been true to her character. So, I stayed true to that. I got out of my own way. Be true to the character, his/hers/their times and story.

El Space: What will you work on next?
Melanie: Currently, I have two essays due at the end of the month. So I’ll be working on that. 🙂 In terms of fiction, there are two novels that are whispering to me. We’ll see which one will win this summer.

Thanks, Melanie, for being my guest!

Looking for Melanie? Check out her website, Twitter, and Facebook.

You can find Maud: A Novel Inspired by the Life of L.M. Montgomery at Amazon, Barnes and Noble, and Indiebound. But stop the presses! One of you will get a copy sent to your address! Comment below to be entered in the drawing. Winner to be announced on May 29.

The girls wonder when Melanie will write a series about them, since they’re irrepressible too.

Author photo by Ayelet Tsabari. L. M. Montgomery photo from freeclassicebooks.com. Book covers from Goodreads. Map of Canada from commercialpropertycashflow.com. Prince Edward Island map from commons.wikimedia.org. Writer thinking image from clker.com. Stick figures from clipartpanda.com. Rosie Bloom, Kirstea, and Lippy Lulu by Moose Toys. Photo by L. Marie.

Check This Out: The World’s Greatest Detective

Hi, ho! Please help me welcome back to the blog the one and only Caroline Carlson. (Click here for Caroline’s last visit.) Today is the birthday of her latest middle grade novel, The World’s Greatest Detective! It was published by HarperCollins with a cover illustrated by Júlia Sardà. You can read an excerpt of the book at Entertainment Weekly’s website. Click here to do so.

    

Caroline is represented by Sarah Davies. Now, grab your deerstalker and magnifying glass, and let’s talk to Caroline!

El Space: Four quick facts about yourself?
Caroline: I believe there is an inherently delicious way to cook any vegetable, but sometimes that way is hard to find.
I can tap dance. I’m pretty good.
I am that obnoxious sort of person who likes to get to airports several days in advance of my flight.
I’ve been visiting schools and bookstores talking to kids for five years now, but I still get nervous every time!

El Space: You’re known for your pirate series—The Very Nearly Honorable League of Pirates. So, what inspired your new middle grade mystery novel, The World’s Greatest Detective? Is this a series also?
Caroline: I’ve always loved reading mystery novels and have wanted to try my hand at one for a while now. All three books in the Very Nearly Honorable League of Pirates series have elements of mystery in them, actually, but The World’s Greatest Detective is the first book I’ve written that’s styled after classic whodunits. Readers who are familiar with Sherlock Holmes or with Agatha Christie’s novels will probably recognize a lot of the story’s elements, and that’s intentional—one of my goals was to honor my favorite mystery icons and introduce kids to the genre in a fun and humorous way.

     

The World’s Greatest Detective isn’t part of a series, at least for now. I’d love to send Toby and Ivy on a new adventure someday, but I don’t want to write another mystery novel unless I have a really good idea for the mystery at the heart of the story, and that hasn’t happened just yet. It’s also been lots of fun, after working on a trilogy, to write a book that can stand on its own metaphorical feet.

      

El Space: Batman considers himself to be the world’s greatest detective. But he’s got money and gadgets to help him out. Without giving any spoilers, what do Toby and Ivy have to help them solve mysteries?
Caroline: I don’t know if Toby and Ivy would be any good at saving Gotham, but they do the best they can with their limited resources. Toby has learned a little bit about detective work from his uncle Gabriel, who has an office on the famous Detectives’ Row, and he also happens to be enrolled in a correspondence course to become a junior detective. Ivy’s got a huge library of true crime stories, a clothes rack full of disguises, a skeleton named Egbert, and a knack for setting traps with tablecloths and trip wires. Ultimately, though, they’ve got to put away their gadgets and rely on their powers of deduction to solve the murder that happens right under their noses.

El Space: Sounds exciting! Steve Moser, who was a former police detective in real life, gave some tips from this article at the Police Magazine website. Here is one of them:

Take time to step away and regroup. Sometimes you have to step back and either do something else or just take a break. Many ah-ha moments occur this way.

Would your characters agree? Why or why not? Why is this also good writing advice?
Caroline: Toby and Ivy would hate to step away from a good case, but I think they’d grudgingly agree that some of their most crucial insights have come at the moments when they’ve been forced to remove themselves from an investigation. And I certainly agree that breaks are essential to my own writing process. By the time I’ve finished a first draft of a book, I’ve been working on it nonstop for months, and I usually don’t have much of a sense of what’s working and what’s not. It’s hard for me to view the manuscript objectively—as an editor or a reader would—until I’ve taken some time away from it. Sometimes a writing problem that seems intractable can be solved with a little bit of time and distance.

  

El Space: Did you have a favorite mystery book or series when you were a kid? If so, what? Why?
Caroline: Yes, lots! I particularly loved mysteries that encourage readers to solve a puzzle along with the characters. My favorite example of this type of book is Ellen Raskin’s The Westing Game. There are a few subtle Westing Game references in The World’s Greatest Detective; let me know if you find them!

El Space: What will you work on next?
Caroline: I’m just finishing up a draft of my next book, which is a fantasy adventure tentatively called “The Door at the End of the World.” It has a little bit of magic, lots of jokes, and too many bees.

Thanks, Caroline, for being my guest!

And thank you to all who stopped by to chat with Caroline. Looking for Caroline? You can find her at her website, Twitter, Facebook.

The World’s Greatest Detective and other novels by Caroline can be found at Amazon, Barnes and Noble, and Indiebound. But I will send a copy of The World’s Greatest Detective to one of you who comments below. Winner to be announced on May 29. (Another giveaway also will be announced then.)

Author photo by Amy Rose Capetta. The World’s Greatest Detective cover courtesy of the author. Other covers from Goodreads. LEGO Batman from fanpop.com. Detective images from cctvcamerapros.com and clipartpanda.com. Veggies from clipartlord.com. Bee image from Pinterest.

Check This Out: Ritual of the Lost Lamb

Dark times are waiting for the champions in
RITUAL OF THE LOST LAMB!

Cover Art by Jason Pedersen

Death is a blessing that the Baron is not ready to bestow upon his new toy.

In the chaos surrounding the Spirit Well, Luke Callindor has disappeared and the only clue the psychic scream of agony that Dariana cannot ignore. Knowing that a journey to Shayd will result in their ultimate battle, the champions have devised another way to rescue their friend. With permission from the gods, Nyx has begun the Ritual of the Lost Lamb. It is a long and exhausting spell, which is made even more difficult by a new threat that is out to make all of the Baron’s enemies suffer.

It is a race against time where every minute lost brings Luke Callindor one step closer to a fate worse than oblivion.

Grab it on Amazon!

Add it to your Goodreads ‘To Read’ List!

Excerpt: Audience Granted

Having said her piece, Nyx gnaws on a hunk of jerky and sips at a waterskin while the others discuss her idea. She refuses to admit that she is having second thoughts about breaking a god seal even with permission. The last time she accomplished such a feat was by accident and resulted in her magic being sealed for days. Nyx shudders at the memory of feeling so many lives ending at her hands and takes a sloppy drink of leathery water to steady her nerves. The result is a full body convulsion of disgust and a hacking cough as the liquid goes down her windpipe. Flicking a green beetle off her shoulder, the channeler impatiently paces in a circle and wonders why the others are taking so long.

The hairs on the back of Nyx’s neck rise and her arms become covered in goosebumps as a pulse of energy ripples through the clearing. She is about to ask her friends if they feel anything, but stops when she sees that they are frozen in time. The half-elf’s heart pounds in her chest as she fears that the Baron is about to attack. More terror seeps into her mind when she expects to turn around and find Luke’s tortured body dangling before her eyes. Not wanting to be caught by surprise, a flaming disc appears in her palm and hums as she searches for the source of the powerful spell. The snap of a twig to her left causes Nyx to hurl the fiery circle, which splits into a swarm of deadly copies that would destroy any normal enemy. Against the ebony platemail of Gabriel, the discs puff into balls of harmless smoke that remain hovering in place.

“Your friends have agreed to your idea,” the Destiny God states, ignoring the mortal’s amusing attack. He removes his black cape, which becomes a vague chair for the nervously bowing channeler. “Now, this is unique. In fact, it is quite unheard of, which is why I am granting you an audience. The Law of Influence says I cannot get involved, but nobody has ever asked for permission to do something like this. Needless to say, all of us are very curious to see how all of this plays out.”

“I want to unseal the Ritual of the Lost Lamb,” Nyx politely requests while she takes a seat on the cape. An enchanting warmth rises from the cloth and she nearly falls asleep from the blissful energy that infects her body. “This is the only way to save Luke without marching into the Baron’s territory. We both know that is what he wants. With the forbidden ritual, I can gather my little brother’s residual energy and bring him home. None of us will be at risk since it’s a combination of a summoning and teleportation spell.”

“Strange that you know about a spell designed by channelers. Especially since it has not been used since the ancient Race War,” Gabriel says with a nod of his head. Urging voices in the back of his head causes the god to hum with his mouth closed, the spell jolting the sources of his rising irritation. “The Ritual of the Lost Lamb was taken from mortals before my time, but I understand the reason it made the gods worry. Such a thing could be the first step into summoning a deity against his or her will. Possibly even stealing immortality. Though I believe times have changed and we should reconsider the sealing.”

“Time is also running out,” the channeler replies, shying away when the powerful deity stares at her. A flickering realization that the Baron’s power might be on the same level of Gabriel gives her the courage to meet the man’s piercing eyes. “I apologize for sounding like I’m rushing you. Yet, it has been said that the gods and goddesses have no concept of time since you exist forever. That means I have to push even though I want to speak with respect.”

“In other words, you want a decision now.”

“That would be best, sir.”

“Sadly, I cannot agree to your terms.”

“I haven’t made any terms.”

“Exactly.”

Need to catch Legends of Windemere from the beginning? Then click on the covers below!

You can start for FREE . . .

Cover art by Jason Pedersen

Or grab the $4.99 ‘3 in 1’ bundles!

Cover Art by Jason Pedersen 3D Conversion by Bestt_graphics

Cover Art by Jason Pedersen
3D Conversion by Bestt_graphics

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

 

Also Available in Single eBooks:

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover art by Jason Pedersen

Cover art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Interested in a new adventure? Then grab your Kindle & dive back into the world of Windemere! Don’t forget an apple for Fizzle.

Author PhotoAbout the Author:

Charles Yallowitz was born and raised on Long Island, NY, but he has spent most of his life wandering his own imagination in a blissful haze. Occasionally, he would return from this world for the necessities such as food, showers, and Saturday morning cartoons. One day he returned from his imagination and decided he would share his stories with the world. After his wife decided that she was tired of hearing the same stories repeatedly, she convinced him that it would make more sense to follow his dream of being a fantasy author. So, locked within the house under orders to shut up and get to work, Charles brings you Legends of Windemere. He looks forward to sharing all of his stories with you, and his wife is happy he finally has someone else to play with.

Blog: www.legendsofwindemere.com
Twitter: @cyallowitz
Facebook: Charles Yallowitz
Website: www.charleseyallowitz.com

What Is Beauty?

In case you’re wondering, this is not a review of the movie Collateral Beauty, starring Will Smith, nor a review of Beauty and the Beast, starring Emma Watson. Neither was the catalyst for this post, though each has beauty in the title. I’ll tell you what was in a minute. (Oddly enough, I mused about this subject four years ago. You can find that post here.)

   

I sat down with Lippy Lulu, Beauty Guru, to ask her opinion on the question, “What is beauty?” Before you ask, I didn’t give her that name. You can thank Moose Toys for that. She came with tiny lipsticks, a makeup case with brushes, and an eyeshadow array.

    

“Are you asking for a makeover?” she asked, as she reached for her makeup kit.

“Um no. Just want to know what you thought of beauty. What is beauty?”

She didn’t have an answer. And I shouldn’t have expected one from someone who makes her home on my desk.

In a BBC.com article, “The Myth of Universal Beauty,” author David Robson posted the question, “Do standards of beauty change over time?”

At first, I thought about writing a post about his findings, which you can discover for yourself if you click here. But I soon discovered that I wasn’t so much interested in the prevailing standards of beauty as I was in wanting to feel secure within myself if I don’t fit those standards. So, only one statement in the article really resonated with me:

The deeper you look, the harder it is to define beauty.

Ain’t that the truth?

The catalyst for today’s post was my discovery that an acquaintance (let’s call her Sue; not her real name though) was soon to undergo a double mastectomy because of breast cancer. This happened in the same week that a friend (I’ll call her Amy; not her real name either) had a biopsy. I mentioned that in my last post.

Throughout our lives, starting in childhood (Lippy Lulu is a child’s toy after all), we see various images or hear opinions about beauty, particularly what’s beautiful about a woman. Makeup ads advise women to accent their best features through various products. But when you’re a woman faced with the loss of something that is a fundamental part of being a woman, you can’t help pondering the whole subjective notion of beauty and why a paradigm shift might be needed.

When faced with the prospect of having a mastectomy like Sue, Amy asked her husband how he would feel if she had to face that loss. He said, “I’ll take you as you are, no matter what.”

Now, that’s beauty.

Robson, David. “The Myth of Universal Beauty.” BBC Future/BBC News. BBC, 23 June 2015. Web. 07 May 2017.

Collateral Beauty poster from blackfilm.com. Beauty and the Beast poster from impawards.com. Other photos by L. Marie. Lippy Lulu Shopkins™ Shoppie doll by Moose Toys.

Sometimes, Storms Come

Last week started off like a gentle breeze literally and metaphorically. The temperature was warm and inviting. I had a lovely time with Kate Hosford on the blog. (In case you missed that post, you can read it here.) And I read a beautiful post by Penny over at her Life on the Cutoff blog. The photos of colorful flowers paired with a poem by Robert Frost made a powerful and uplifting combination. (You can read that post here.)

   

My birthday happened midweek. I spent much of the day in a windowless room without wifi. I’ll say more on the why of that in August probably. I can’t discuss it now. In celebration of the day, a friend gave me flowers (below) and a ton of my favorite tea.

Inspired by Penny’s post, I went in search of flowers to photograph, but found many of them windblown and defeated looking.

   

The gentle breeze earlier in the week had turned cold and dreary, thanks to the relentless rainstorms that shoved their way into the area. Fitting weather for the events ending the week. First, a friend texted me to say that her mammogram resulted in the need for a biopsy of “something suspicious.” And then my sister-in-law texted to announce that her mother had been rushed to the hospital.

It doesn’t look good, she wrote. Less than half an hour later, I heard back from her: She’s gone.

Yes, sometimes, storms come.

Even if a loved one has reached old age after living many years in poor health, you still aren’t ready for that person to leave. But after taking turns with my brother to desperately give her mother CPR (no response) until the paramedics came (still no response) and watching the medical team at the hospital try to rouse her mother (no response), my sister-in-law reluctantly let go.

So that was the week—a grim reminder of the cycle of life: birth and death.

On Saturday, the friend who learned of her need for a biopsy handed me this hyacinth:

A reminder that though storms sometimes come, life goes on.

Speaking of life going on, thanks to the random number generator, Lyn Miller-Lachmann, you can expect a copy of How the Queen Found the Perfect Cup of Tea to come your way. Please comment below to confirm.

Photos by L. Marie (except for the author photo). The paintings in the background of one photo were painted by Rick Smith. Copyright © 2016 Rick Smith.

Check This Out: How The Queen Found the Perfect Cup of Tea

With me on the blog today is the always lovely Kate Hosford. She’s here to talk about her latest picture book, How the Queen Found the Perfect Cup of Tea, which was illustrated by the amazing Gabi Swiatkowska. This book, published by Carolrhoda Books in March 2017, is too delightful for words.

  

Check out the book trailer:

Now, let’s talk to Kate!

El Space: Four quick facts about yourself?
Kate: (1) I love the tea set that my grandmother left me.

Kate’s grandmother’s Spode china

(2) When I studied in India during college, I loved drinking chai on trains.

Indian chai at the launch party at Books of Wonder in New York

(3) This summer, I got to drink tea at the Buckingham Palace Garden Café, where they have really nice paper cups.

Fancy to-go cups

(4) My new favorite place in New York is the Japanese tea house, Cha-An, where they have wonderful Matcha and a great selection of desserts.


Matcha with something sweet at Cha-An

El Space: How did you come up with the idea for this picture book?
Kate: At first, I simply had a vague idea about a queen going around the world and drinking tea with children from different cultures. But after several revisions, the story became about a lonely, pampered Queen who thinks she is searching for the perfect cup of tea, when she is actually searching for friends and meaning in her life. In the final version, tea still has a multicultural function in the story, but it is also a metaphorical device for tracking the Queen’s emotional state. Gabi Swiatkowska did such a great job showing the Queen’s many emotional states not only as she learns to make tea, but as she learns how to do other things as well, like snuggle a kitten.

El Space: This is your second collaboration with illustrator Gabi Swiatkowska. What was your process for working with Gabi? How long was the process from writing to production?
Kate: Gabi and I met in an illustrators’ group in 2000, back when I was doing illustration. We were good friends before we became collaborators, which was probably helpful. This book has a complex emotional arc, with the Queen making a bit more progress in each place she visits, but then backsliding to her old haughty ways at the beginning of each visit to a new place. Gabi did an amazing job of conveying all the emotional complexity in the book. Sometimes I offered opinions that Gabi took, and other times, she would stand her ground. I have learned that when Gabi stands her ground, she is always right!

Gabi and Kate at their launch party at Books of Wonder

I started this book with my faculty advisor, Uma Krishnaswami, in 2009, when I was getting my MFA in Writing for Children and Young Adults at Vermont College of Fine Arts. I sold it to Carolrhoda Books in 2013, and it came out this spring. In my original drafts, I had the children in each country giving the Queen little gifts, and acting deferential. Uma encouraged me to “turn colonialism on its ear,” and create child characters that are completely unimpressed with royalty. This is when the book really came together. When the children treat her like a normal person, the Queen begins to evolve emotionally.

Interior illustrations © 2017 by Gabi Swiatkowska

El Space: Favorite tea? What, if anything, do you take in your tea?
Kate: I drink a lot of peppermint tea and honey, lemon tea and honey, green tea, and chai.

El Space: In a discussion of why picture books are important, Kwame Alexander said

Picture books are the great experience equalizer. We don’t have to leave the comforts of the beds in the rooms of our houses, and yet we can still travel through time and place and circumstance.

Erzsi Deak said

Picture books are also the groundwork for understanding innately how Story works, as the reader anxiously turns the page to see WHAT HAPPENS NEXT.

Why do you think they’re important?
Kate: Oh there are so many reasons! I agree with everything that Kwame and Erzsi said, and here a few other reasons as well:

Picture books can create intimacy. Often picture books are read out loud, either by a teacher or parent. This sort of intimate experience allows the child and adult to bond over the book together, which then gives the child yet another reason to continue reading.

Picture books hone a child’s ear. When picture books are read out loud, they allow children to hear the rhythms and cadences of beautiful language, which hopefully makes them want to read more.

Picture books are good for the brain. The child who is seated next to a picture book reader is synthesizing the words on the page, the language of the reader, and the illustrations. The constant toggling back and forth between these elements is stimulating and complex, forging the neural pathways that are essential for increasing intelligence in a young child.

El Space: Name a favorite picture book from your childhood. Why was it a favorite?
Kate: Probably my favorite book was called Alexander and the Magic Mouse by Martha Sanders and Philippe Fix. It is a gorgeous, eccentric book about an old lady who lives on the top of a hill with a Magical Mouse, a Brindle London Squatting Cat, a Yak, and an alligator. One day, the Magical Mouse predicts that the town below will be endangered by thirty days of rain. It is then up to Alexander to make the treacherous journey into town to warn the mayor about the rain. The book’s illustrations are just spectacular, and I loved the fact that this eclectic group of animals lived with the Old Lady.

The cover where the Old Lady is serving tea

Strangely, I didn’t realize until I just reread the story that tea plays a rather important role in the book. The Old Lady gathers her friends every day in the drawing room for tea, she nurses Alexander back to health with ginger tea when he returns from warning the mayor, and at the end of the book, when the mayor comes to honor the Old Lady for saving the town, she gives the medal to Alexander instead, and invites the mayor and her animal family to tea.

  

The Old Lady, nursing Alexander back to health with ginger tea (left); the mayor, having tea with the Old Lady and her friends at the end of the book

El Space: What will you work on next?
Kate: A poetry collection about how brilliant the octopus is! I read Sy Montgomery’s incredible book, The Soul of an Octopus: A Surprising Exploration into the Wonders of Consciousness. and then was lucky enough to meet Sy and interact with her namesake, Sy the Giant Pacific Octopus at the New England Aquarium. I also want to do something funny related to the life of a classical musician. This is a bit of a challenge since most of them had really difficult and tragic lives. However, Jonah Winter was able to do it in his fabulous picture book, The 39 Apartments of Ludwig van Beethoven, where he tries to figure out how Beethoven could have moved five legless pianos to 39 different apartments. It’s such a unique topic, and his treatment of it is wonderful.
I’m also very excited about a picture book I have coming out next spring with Abrams called Mama’s Belly. It’s about a little girl waiting for her sister to be born, and wondering if there will be enough love to go around. (Spoiler alert: There is!)

    

Thanks, Kate, for being my guest!

And thank you to all who visited this blog. You can find How the Queen Found the Perfect Cup of Tea at Amazon, Barnes and Noble, and Indiebound.

Want a curriculum guide for How the Queen Found the Perfect Cup of Tea? Click here.

You can find Kate at her website, Twitter, and Facebook.

One of you will find her book in your mailbox or tablet. Comment below to be entered in the drawing. You could name your favorite tea as you comment. The winner will be announced on May 1.

Kirstea, the tea-loving Shoppie, gives Kate’s book five stars!

Book covers, author photo, interior illustrations, and book signing photos courtesy of the author. The Soul of an Octopus, Surf’s Up, and Pumpkin Time covers from Goodreads. Kirstea photo by L. Marie. Kirstea Shoppie doll by Moose Toys.

Bending in the Wind

Happy post-Easter! I had a great Easter. If the celebration of Easter is part of your tradition, hope you had a good one too.

While out for a walk in a high wind the other day, I couldn’t help noticing the flowers. Many were doubled over, their stems bent by the wind. Bent, but not broken. This roused my curiosity. Why was this the case?

Botanists have studied why plant stems can take the pressure of the wind without breaking. The vascular tissue in a plant stem helps stiffen the plant enough to take the wind, while keeping it flexible enough to bend and not break.

While searching the Internet on the subject, I discovered a new word: thigmomorphogenesis, which is

the response by plants to mechanical sensation (touch) by altering their growth patterns

A “mechanical sensation” like wind can cause a plant to change the way it grows. A plant hormone like ethylene also aids in this process.

Imagine that—change inspiring growth in a new way.

You’re probably not here for a botany lesson, so I’ll get to the point. I couldn’t help comparing myself to the plant stems I observed. When the winds of change come, I tense up, rather than welcoming the change as a catalyst for growth. Instead, I plant my feet—the very image of inflexibility. I’m not overly fond of change—especially change involving discipline.

Growing up, my mother used to say that I was stubborn. I preferred to think of it as firmly resistant. But lately I’ve also noticed that the more resistant I am toward change, the easier it is to be broken by an unavoidable change. Bending seems a lot healthier.

For those of you who are reading these words (and I’m grateful you took time to do so), please don’t think this post is a veiled attempt at calling you or anyone else out. It’s totally not. This is what I observed about my own life.

Since Easter is a celebration of new life, I can’t help being reminded that new life can mean a new attitude. I desperately need one. Because like it or not, change comes like the wind. I can either bend with it or break.

How about you? Do you bend with change or resist it?

Photos by L. Marie.