A Tale of Three Trees

As promised, today I will reveal the winners of Halfway to Happily Ever After by Sarah Aronson and Every Shiny Thing by Cordelia Jensen and Laurie Morrison. See this post and this one if you’re completely confused by that statement.

     

     

Before I get to that, in honor of the first day of summer, here is a photo (the one on the left) of three trees I pass every day. Okay, yeah. You can only see the the trunk of the tree at the far right. So, the photo at the right shows the tree you couldn’t really see in the left photo (though some of the foliage in the left photo belongs to that tree). Yeah. I know. The knot holes give it a creepy look. So, let’s call it Creepy Tree. Despite its appearance, squirrels and birds by the score are drawn to it and to the one across the street from it. The latter tree seems like a happy tree, with its fuller access to the sun’s rays.

 

Happy Tree. Even the branches seem like a smile.

The tree in the foreground of the picture on the left (same tree in the photo at the right) reminds me of a brush, so its nickname is—you guessed it—Brush. Brush is a haven for birds. I’ve seen cardinals dart into it from time to time, though they usually live in one of the larger evergreen trees nearby.

   

Brush has reached a lovely height.

Brush is a place that many birds visit, but don’t live in. Sort of like a Starbucks or a library—a place they go to hang out in or work. But Creepy Tree and Happy Tree are the homes squirrels and birds return to after a hard day’s work.

Creepy Tree is less creepy from this side of the street (the Happy Tree side).

What makes some trees more habitable than others? It takes a squirrel or a bird to know best, since trees are their domain. But as I asked myself that question, I couldn’t help thinking about stories—places we find ourselves inhabiting, even if the settings are completely made up.

There are some stories we visit. We might read them once and move on. But there are stories we call home—the ones that draw us back to their pages again and again. We become citizens of their well-drawn worlds, and gladly tread their well-worn paths.

In what story worlds are you a citizen?

Speaking of well-drawn worlds, time for the book giveaways. Thanks to the random number generator, the winner of Halfway to Happily Ever After is

Is . . .

Is . . .

Is . . .

Is . . .

Is . . .

Is . . .

Nancy Hatch!

The winner of Every Shiny Thing is

Is . . .

Is . . .

Is . . .

Is . . .

Is . . .

Is . . .

Marian!

Congrats to the winners! You know the drill. Please comment below to confirm.

Author photos and book covers courtesy of the authors. Tree photos by L. Marie.

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Making Friends with Failure: Guest Post by Sarah Aronson

As I mentioned in Monday’s post, today on the blog is a guest post written by the marvelous Sarah Aronson, author of the Wish List series, published by Scholastic, and other books. (Check out her website for a list of her books.) If you have read this blog in the last year or so, you will remember Sarah from this post and this one. And now, take it away Sarah!

If you know me in real life, you know I love a good graduation speech. This is partly because I grew up in academia, so I’ve heard a lot of them.

Two favorites were John Irving reading a work-in-progress, and Millicent Fenwick’s message to the Rutgers College Class of 1983: Be careful who you marry. (Great advice that was largely unappreciated.)

 

But mostly, like many writers and artists, I love a great perseverance story—a story that details someone overcoming years of rejection and failure and self-loathing, to finally get a lucky break and succeed.

This year, my favorite message of perseverance comes from Abby Wambach at Barnard College. (Note: she was the inspiration for Parker in Beyond Lucky—so in general—I’m a BIG FAN!)

   

She said,

Here’s something the best athletes understand, but seems like a hard concept for non-athletes to grasp. Non-athletes don’t know what to do with the gift of failure. So they hide it, pretend it never happened, reject it outright—and they end up wasting it. Listen: Failure is not something to be ashamed of. It’s something to be POWERED by. Failure is the highest octane fuel your life can run on. You gotta learn to make failure your fuel.

You can read the whole speech here.

I like how she puts this. Failure is a gift. Not something to fear. That’s because when we fail, we learn. We make connections. We grow. And thus, we should feel good about it. We should celebrate our failures. We don’t have to feel alone. And yet, we need to talk about it all the time.

Social media is packed with threads on perseverance and the struggle to succeed. Most of these messages are pragmatic. And hopeful. Successful creators offer the struggling artist hope: if you keep failing, someday, you will succeed.

For what it’s worth, I’ve written many times about my writing journey, my tangle (or perhaps tango) with failure and success. I have shared the moments when I hit rock bottom, when I promised myself I would find another path. I have shared how I challenged myself to write without expectations—to write for writing’s sake alone.

But this is what I’ve come to understand. When I was failing, talking on and on about how hard it was, I already knew what success felt like. The truth is, most people who write about failure only talk about it after they have succeeded. I rarely see anything about written about failure, while the failing is happening.

This was one of the reasons I wrote The Wish List series. In The Wish List, Isabelle seems to always be on the brink of failure. She does not like to study—because she has some learning issues. She has a hard time concentrating. Just in case that’s not hard enough, she has a high-performing sister. She is the daughter of the biggest failure of all, the worst fairy godmother ever.

  

Because of these books, I have spoken to lots of kids about kindness, determination, gusto, and failure. I’ve told them about my childhood failures (I came late to reading), and about the many drafts I always need to get the stories right. I tell them about the manuscripts that line my desk drawers. About what it feels like to hear no. To not know if YES is ever going to happen.

I will never forget the young reader who waited until everyone else was gone to ask me, “What if I’m not good at anything?”

She came to mind as I read Abby’s motivating speech. I opened up a discussion about failure on Facebook, in preparation for a session on Making Friends with Failure at nErDcamp Kansas.

Very quickly a few things became clear: Failure is not so easy in the present tense. Many of us need to experience a period of mourning—some time to get beyond it. (So if that’s you, don’t feel bad!) More important, fear of failure holds us back. It can keep us from taking risks that would pay off! It keeps us from envisioning greatness—from striving for more.

Although many acknowledged failure and its usefulness, many writers were privately grateful that they did not begin their journeys in this age of social media, where all of us are inundated with distractions that can make us all feel low, worthless, and overlooked.

This is what scares me: in a life surrounded by stories of success, many of us are feeling anxiety. And sadness. We feel out of control. Not safe. We don’t celebrate the process as much as we should.

In Kansas, I shared this feedback. Then I asked the teachers how they approach failure with their students. Right away, I was filled with hope.

Compassionate teachers talked about responding to failure by specifically and meaningfully talking about what went right.

They talked about using humor to quash sadness, but at the same time, knowing that everyone is different. Sometimes, humor doesn’t work. Sometimes we simply need to feel it.

And of course, we talked about the power of community—about how much better we feel about risk taking when we feel supported and safe. Creativity—and great books are born—when TRYING is celebrated—when it is actually rewarded.

Dear writers,
Can we do that?
Can we use humor? Can we embrace sadness? Can we set measurable goals and celebrate them? Can we help each other feel safe?
Can we make friends with failure?

This is what I work to foster in my Highlights retreats and classes at writers.com. I set out to lower the bar, to let writers take risks. I want them to fail gloriously. Because when we do, in fact, only when we do, we succeed.

In those failures, we see seeds. Seeds and glimmers of what will be a foundation for a better draft. A deeper story. A more authentic character.

Take it from Teddy Roosevelt.

It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.

Writers, get into the arena. Be curious. Make trouble. Strive for what you want, but along the way, don’t cower, because failure is part of the process. You have to get used to it. If we stick together, we can all embrace it.

L. Marie here. Sarah just released the third book in her Wish List series, Halfway to Happily Ever After.


Book four of the series will debut on January 29, 2019. By the way, a picture book by Sarah, Just like Rube Goldberg, will debut on March 12, 2019.

I’ll be giving away a copy of Halfway to Happily Ever After to a commenter. The winner will be revealed on June 21.

Wish list book covers courtesy of Sarah Aronson. Beyond Lucky cover from Goodreads. Abby Wambach photo from gossipbucket.com. Teddie Roosevelt photo from commons.wikimedia.org. John Irving photo from sites.google.com. Millicent Fenwick photo from greatthoughtstreasury.com. Failure sign from teachertoolkit.me. Failure cartoon from clipartpanda.com. Other failure image from hownottodosocialwork.wordpress.com. Risk-Failure image from brucecoaching.com. Man in egg image from stevenaichison.co.uk. Success-failure image from livingwithtrust.com.

Why I Love Fairy Tales

I’ve mentioned on this blog many times that I grew up reading fairy tales. Consequently, I developed a love for them that goes beyond what people mean when they say, “I love chocolate.” Oh yes. I went there.

When you Google “what is a fairy tale,” this comes up:

fair·y tale
ˈferē tāl/
noun
• a children’s story about magical and imaginary beings and lands

• denoting something regarded as resembling a fairy story in being magical, idealized, or extremely happy
modifier noun: fairy-tale “a fairy-tale romance”

I’ve always wondered why fairy tales were called that—fairy tales—when you can’t find fairies in some of them. According to Wikipedia:

A fairy tale is a type of short story that typically features folkloric fantasy characters, such as dwarfs, dragons, elves, fairies, giants, gnomes, goblins, griffins, mermaids, talking animals, trolls, unicorns, or witches, and usually magic or enchantments.

I’ve also wondered why many people consider kids as the primary audience for fairy tales. Sure, my parents read them to me when I was a kid. But I never stopped wanting to read them as I grew older. I find them as soothing today as I did when I was a kid. I love being transported to a world different from my own, where magical activities are par for the course. This is why the stories I write primarily are fairy tales.

By why are they soothing? (Of course, not every fairy tale fits that description. There are many fairy tales—particularly those geared toward adults—that aren’t soothing at all. I can’t help thinking of Pan’s Labyrinth, Guillermo del Toro’s brilliant 2006 movie, which was quite unsettling. But I digress.) In an article entitled, “On the Importance of Fairy Tales,” at the website of Psychology Today (you can find it here), Sheila Kohler writes

Here, in these ancient tales, the small boy or girl can through the hero/heroine triumph over the large and often dangerous-seeming adults around him or her. . . . There is something essential about the repetition of the same words which soothes the child, nurtures the imagination and assuages his fears.

I also love fairy tales, because many follow the hero’s journey model. (See Joseph Campbell’s The Hero with a Thousand Faces.) As the call to action is accepted, we get to travel along as the hero (male or female) sets out on a quest to find a lost treasure, vanquish a villain, or find true love. (Now I’m thinking of the “to blave” scene from the movie adaptation of The Princess Bride, a favorite of mine.)

Here are some of my other favorite fairy tales (or in the case of one, a book about an animated series), or favorite novels that have fairy tale elements (in no particular order; keep in mind that some books represent the series as a whole):

   

   

This seemingly untitled book is Grimm’s Complete Fairy Tales. The spine of it is so worn out, I had to tape it.

    

    

 

   

  

There are many others I could have shown here (like Hans Christian Andersen: The Complete Fairy Tales and Stories, which I also have). Do you like fairy tales? What are some of your favorites?

My unicorn is just chillin’.

Fairy tale image from dreamstime.com. Legends of Windemere cover courtesy of Charles Yallowitz. Other photos by L. Marie.

Check This Out: Keep Calm and Sparkle On!

Hey, everyone! With me on the blog today is the always charming, super splendid Sarah Aronson. She’s here to talk about the second book in her Wish List series, Keep Calm and Sparkle On! (The interview with Sarah about her first book in the series can be found here.) Keep Calm and Sparkle On! was published by Scholastic on December 26. Sarah is represented by Sarah Davies.

   

Now, grab the pastry of your choice, get comfy, and let’s talk to Sarah!

El Space: Four quick facts about yourself?
Sarah: (1) People think I’m tough, but I’m totally a softie. I cry at the end of almost every book and movie! Forget about standing ovations! I’m a mess!
(2) I once deadlifted 300 pounds. (Just once. And I’ll never do it again.)

El Space: Amazing! 🤗 🤩
Sarah: (3) I started writing on a dare!
(4) After scoring Hamilton tickets, I ran out the door and promptly fell into a sewer! Luckily, my elbow stopped me from going too far. I was so excited about the tickets that I climbed out with no loss of shoes, jumped on my bike, and rode to work, leaving a bloody trail behind me.

El Space: Oh my goodness! 😱 Glad you were okay. . . . And here you are at book 2 of your fairy godmother series. How much of the series did you plan in advance, before you began writing the first book? Did you plan for a certain number of books or were you leaving it open to inspiration?
Sarah: I just sent my editor the draft of the fourth and final book! From the beginning, we knew we wanted four—for four levels of training. I have loved every minute of the process. I thought of the series like a pop song: verse, verse, bridge, verse!

Book 3

This is what I can tell you about writing a series: You have to trust your subconscious! And always leave space for the characters to impose themselves on the story.

Yes, I planned ahead. But I also took Annie Dillard’s advice and “spent it all” in every single book. While revising each book, I had epiphanies. Details found their way into the story—and I didn’t always have time to think them through before starting the next book. As it turned out, those details became the keys to the inevitable and surprising ending of the series. They helped me figure out what I wanted to say in each book.

Book 1

El Space: What was one of the most fun aspects of writing this second book?
Sarah: The DRAMA! Growing up, I loved theater! When I took that dare to write, I teamed up with a musical friend and wrote three plays for my daughter and her friends. One of the plays was called, The Secret of the Magic Wishing Well, so I have been thinking about wishes for a long time. I incorporated some of the details of that play into the story. I also used theater to say something about the pressure many kids feel when they are constantly treated like professionals when they could be just having fun. As a director, I did not do that. I limited my players to ten rehearsals. As a writer, I was happy to use the tension that happens when friends are forced to compete!

El Space: Many authors have playlists of songs that remind them of their characters. Thinking of the characters in your book, what songs would be on your playlist?
Sarah: I may have structured my series like a pop song, but I don’t make playlists. When I need inspiration, I walk by Lake Michigan. Or I doodle. Or ride my bike. I love music from the Beatles to the Cure to classical and jazz, but it’s not really part of my writing process.

   

El Space: You’ve been given a magic wand, giving you the ability to grant someone a wish. What wish would you grant if you could, and why?
Sarah: If I could make a wish for the world, I would have to start with more wishes! First, I would bring back trust in objectivity—in the truth. Then I would give everyone a feeling of safety and security, and the confidence that comes with those feelings, so that we all can do our best work. Last, I would grant everyone access to the magic of books! When we read, we understand each other. We feel less afraid. We reach for higher goals that make our world better.

El Space: What will you work on next?
Sarah: Pretty soon, I’ll be revising book four! I’m also working on some picture book manuscripts as well as a super secret project that is making me happily ever after. I love having a peach sorbet—a project that is just for me! No one’s waiting for it. No one even knows what it’s about. One of my goals for 2018 is to finish it and show it to my agent and critique group!

Thank you as always, Sarah, for being my guest!

Looking for Sarah? You can find her at her website, Facebook, Twitter, and Pinterest.

Keep Calm and Sparkle On! can be found at

Amazon
Barnes and Noble
iTunes

But one of you will find a copy of this book in your mailbox or on your tablet! Comment below to be entered in the drawing. The winner will be announced on January 15.

Olive the Ostrich believes she would be an excellent recipient of magical wishes. Just putting it out there for any fairy godmothers in the area.

Wish List book covers courtesy of Sarah Aronson. Hamilton image from phxstages.blogspot.com. Lake Michigan photo from livescience.com. Beatles album cover from amiright.com. Magic wand from clker.com. Olive photo by L. Marie.

Check This Out: The Worst Fairy Godmother Ever!

Today Sarah Aronson is in the hizz-ouse. She is an author, teacher, mentor, and all around awesome person. She wears a ton of hats, some I haven’t even mentioned! She’s here to talk about book 1 in her Wish List middle grade series, The Worst Fairy Godmother Ever! which was published by Scholastic with covers illustrated by Heather Burns.

      

Sarah has written these young adult novels . . .

   

. . . and is represented by Sarah Davies. Now, please give it up for Sarah!

El Space: Four quick facts about yourself?
Sarah: I am the oldest of three sisters, but was no Clotilda!
My first favorite book was The Carrot Seed. I am still an effort girl—not so much into momentum.


I met my husband when I mistook him for someone else, and before I could stop myself, kissed him on the cheek.

I am very fond of shoes! And handbags!

El Space: This book is very different from your other novels. What inspired you to write it?
Sarah: A lot of people have been asking me that. The short answer is, I wrote this for myself. For fun! The idea made me laugh. I like the idea of fairy godmothers, and I wanted to see if they still fit into my feminist mindset. When I thought about them, I realized: they didn’t do that much! And that today’s princess needed a godmother with more skills. Training was imperative!

But I also wrote it because I had come to a turning point in my writing life. Up until September 2014, I was a writer who grappled with tough topics. I went for it all—unlikable characters, themes filled with conflicts, questionable morals, provocative endings. Although I found these books grueling to write, I told myself that the work was worth it—these characters and ideas were calling me. And up until then I felt pretty good about it. I had a great agent. There were editors willing to read my next WIP. My family might have been confused about why I wrote such dark, sad books, but they supported me. 100%. I was not deterred by the mixed reception my last novel received.

That changed, when I got some bad news that had followed other bad news: the editor who loved my newest WIP—a story I had taken two years to write—could not get it past the acquisitions committee. The novel needed to go in a drawer. I began to doubt myself. I don’t know a writer who hasn’t experienced doubt and fear, and yet, when it happened to me, I felt unprepared. I wondered if perhaps my writing career was coming to a close.

Lucky for me, I was at the Highlights Whole Novel Workshop, and I was surrounded by friends. I also had the best kind of work to do—writers to counsel—writers who trusted me to help them work on their novels. I had to get over myself fast. I had to stop worrying about my ego. Product. News. All those obstacles. I had to embrace creativity the way I had when I first started writing.

So right there, I gave myself a challenge: For the next six months, I was going to PLAY. I was going to reclaim my intuitive voice. I wasn’t going to worry at all about finishing anything.

My only goal was to work on projects that made me happy—books that my ego had convinced me I couldn’t/shouldn’t write: picture books, humor, essays, an adult novel, poetry, and most important, my peach sorbet: a chapter book about a very bad fairy godmother. For six months, I was going to write fast. I was not going to edit myself. I was going to focus on accessing my subconscious with drawing and writing and listening to new music and having fun. If I liked an idea, I was going to try it. I was going to eat dessert first. In other words: think less. Smile more.

In my newsletter, i wrote about this a lot. How freeing it was. How happy I felt to be writing for the sake of story and nothing else.

When I was done, I had written a lot of terrible manuscripts. But some held promise. I dipped back into the revision cave. When i was done, The Worst Fairy Godmother Ever sold. So did a picture book biography about Rube Goldberg. And I was once again a writer with a lot of energy and ideas.

El Space: Please tell us about the girlgoyles—what they are, and how you came up with them.
Sarah: The girlgoyles came from a great moment of inspiration. Isabelle’s safe space—her cozy spot—is up at the top of Grandmomma’s tower. I pictured that tower like the churches of France and England—with ornate architecture. And gargoyles. Of course, this was a world of all women and girls. I couldn’t believe it—they weren’t gargoyles. They were girlgoyles!!! Even they don’t talk—they can’t, they’re made of rock—they are Isabelle’s friends. They’re really good listeners.

   
Illustrations by Heather Burns

El Space: How is Isabelle, your fairy godmother protagonist, like you? Different from you?
Sarah: Oh, my mom would love to answer this one!!! But since she’s not here, I’ll tell you: I was not the best student. I still have a hard time paying attention and I never read the fine print. I learn more by doing. Just like Isabelle, I can be a bit impulsive. And just like Nora, I can take things WAY too seriously!

El Space: In a Psychology Today article, “Why We All Need a Fairy Godmother,” the author gave some characteristics for the ideal fairy godmother:

The fairy godmother (or “guidemother”—or, for that matter,“guidefather”) that I have in mind here is one that would encompass a broad array of caring, nurturant qualities: such as empathy, compassion, understanding, trustworthiness, and respect.

I couldn’t help thinking of the list on the synopsis for your book. Why do you think fairy godmothers are such nurturing icons in literature?
Sarah: In theory, I think we all love the idea of a fairy godmother, a nurturing character that makes us happy and wants nothing else in return. But the truth is, there is nothing more satisfying than making the world better! Already, I have spoken to readers who want to be real-life fairy godmothers. I made a Wish Wall for families and classrooms who want to establish “Be a Fairy Godmother” programs.


I believe that today’s fairy godmother needs compassion and kindness, but also gusto! A big, big heart is essential, too. When you think about it, it’s sort of like writing a book!

El Space: What do you hope your readers will take away from this book?
Sarah: First, I hope they laugh! I laughed a lot writing it. But to be serious, I hope they’re excited about sharing the sparkle and helping each other!!! Today’s world needs fairy godmothers. Empathy makes us all happily ever after. Right?

El Space: Yup! What will you work on next?
Sarah: Well, we just released the cover of book two, Keep Calm and Sparkle On! I’m getting ready to revise book three, and book four is not far away. I’ve also got a picture book biography to finish and a brand new peach sorbet to play with. For now, that’s a secret!

Thank you, Sarah, for being such an inspiring guest!

Want to find Sarah online? Check out her website, Facebook, Twitter.

The Worst Fairy Godmother Ever! can be found at Amazon, Barnes and Noble, and Indiebound.

But I will be a fairy godmother to one of you! Poof! You’ll find a copy of The Worst Fairy Godmother Ever! at your home! But first, you have to comment to be entered in the drawing! Winner to be announced on June 19.

Lippy Lulu and Kirstea are excited about Sarah’s series. They’re wondering how they can get a fairy godmother.

Author photo and Wish List series covers courtesy of the author. Other book covers Goodreads. Fairy godmother from clipsarts.co. Magic wand from clker.com. Creativity image from weerbaarheidlimburg.nl. Peach sorbet photo from dessertbulletblog.com. Shopkins Shoppie dolls Kirstea and Lippy Lulu by Moose Toys. Photo by L. Marie.

Check This Out: Ritual of the Lost Lamb

Dark times are waiting for the champions in
RITUAL OF THE LOST LAMB!

Cover Art by Jason Pedersen

Death is a blessing that the Baron is not ready to bestow upon his new toy.

In the chaos surrounding the Spirit Well, Luke Callindor has disappeared and the only clue the psychic scream of agony that Dariana cannot ignore. Knowing that a journey to Shayd will result in their ultimate battle, the champions have devised another way to rescue their friend. With permission from the gods, Nyx has begun the Ritual of the Lost Lamb. It is a long and exhausting spell, which is made even more difficult by a new threat that is out to make all of the Baron’s enemies suffer.

It is a race against time where every minute lost brings Luke Callindor one step closer to a fate worse than oblivion.

Grab it on Amazon!

Add it to your Goodreads ‘To Read’ List!

Excerpt: Audience Granted

Having said her piece, Nyx gnaws on a hunk of jerky and sips at a waterskin while the others discuss her idea. She refuses to admit that she is having second thoughts about breaking a god seal even with permission. The last time she accomplished such a feat was by accident and resulted in her magic being sealed for days. Nyx shudders at the memory of feeling so many lives ending at her hands and takes a sloppy drink of leathery water to steady her nerves. The result is a full body convulsion of disgust and a hacking cough as the liquid goes down her windpipe. Flicking a green beetle off her shoulder, the channeler impatiently paces in a circle and wonders why the others are taking so long.

The hairs on the back of Nyx’s neck rise and her arms become covered in goosebumps as a pulse of energy ripples through the clearing. She is about to ask her friends if they feel anything, but stops when she sees that they are frozen in time. The half-elf’s heart pounds in her chest as she fears that the Baron is about to attack. More terror seeps into her mind when she expects to turn around and find Luke’s tortured body dangling before her eyes. Not wanting to be caught by surprise, a flaming disc appears in her palm and hums as she searches for the source of the powerful spell. The snap of a twig to her left causes Nyx to hurl the fiery circle, which splits into a swarm of deadly copies that would destroy any normal enemy. Against the ebony platemail of Gabriel, the discs puff into balls of harmless smoke that remain hovering in place.

“Your friends have agreed to your idea,” the Destiny God states, ignoring the mortal’s amusing attack. He removes his black cape, which becomes a vague chair for the nervously bowing channeler. “Now, this is unique. In fact, it is quite unheard of, which is why I am granting you an audience. The Law of Influence says I cannot get involved, but nobody has ever asked for permission to do something like this. Needless to say, all of us are very curious to see how all of this plays out.”

“I want to unseal the Ritual of the Lost Lamb,” Nyx politely requests while she takes a seat on the cape. An enchanting warmth rises from the cloth and she nearly falls asleep from the blissful energy that infects her body. “This is the only way to save Luke without marching into the Baron’s territory. We both know that is what he wants. With the forbidden ritual, I can gather my little brother’s residual energy and bring him home. None of us will be at risk since it’s a combination of a summoning and teleportation spell.”

“Strange that you know about a spell designed by channelers. Especially since it has not been used since the ancient Race War,” Gabriel says with a nod of his head. Urging voices in the back of his head causes the god to hum with his mouth closed, the spell jolting the sources of his rising irritation. “The Ritual of the Lost Lamb was taken from mortals before my time, but I understand the reason it made the gods worry. Such a thing could be the first step into summoning a deity against his or her will. Possibly even stealing immortality. Though I believe times have changed and we should reconsider the sealing.”

“Time is also running out,” the channeler replies, shying away when the powerful deity stares at her. A flickering realization that the Baron’s power might be on the same level of Gabriel gives her the courage to meet the man’s piercing eyes. “I apologize for sounding like I’m rushing you. Yet, it has been said that the gods and goddesses have no concept of time since you exist forever. That means I have to push even though I want to speak with respect.”

“In other words, you want a decision now.”

“That would be best, sir.”

“Sadly, I cannot agree to your terms.”

“I haven’t made any terms.”

“Exactly.”

Need to catch Legends of Windemere from the beginning? Then click on the covers below!

You can start for FREE . . .

Cover art by Jason Pedersen

Or grab the $4.99 ‘3 in 1’ bundles!

Cover Art by Jason Pedersen 3D Conversion by Bestt_graphics

Cover Art by Jason Pedersen
3D Conversion by Bestt_graphics

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

 

Also Available in Single eBooks:

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover art by Jason Pedersen

Cover art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Interested in a new adventure? Then grab your Kindle & dive back into the world of Windemere! Don’t forget an apple for Fizzle.

Author PhotoAbout the Author:

Charles Yallowitz was born and raised on Long Island, NY, but he has spent most of his life wandering his own imagination in a blissful haze. Occasionally, he would return from this world for the necessities such as food, showers, and Saturday morning cartoons. One day he returned from his imagination and decided he would share his stories with the world. After his wife decided that she was tired of hearing the same stories repeatedly, she convinced him that it would make more sense to follow his dream of being a fantasy author. So, locked within the house under orders to shut up and get to work, Charles brings you Legends of Windemere. He looks forward to sharing all of his stories with you, and his wife is happy he finally has someone else to play with.

Blog: www.legendsofwindemere.com
Twitter: @cyallowitz
Facebook: Charles Yallowitz
Website: www.charleseyallowitz.com

Check This Out: The Charmed Children of Rookskill Castle

Today on the blog, you can help me welcome the awesomely splendid Janet Fox. I met Janet in a workshop during my first semester at VCFA. Janet is here to talk about her middle grade historical novel, The Charmed Children of Rookskill Castle, which includes an element of magic.

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Janet is represented by Erin Murphy. The Charmed Children of Rookskill Castle will be published by Viking on March 15. Go here to read the synopsis and to watch the book trailer.

El Space: Four quick facts about yourself?
Janet: I love gardening and hiking in the mountains. Once upon a time I thought I would be a musician. I’ve been to the bottom of the sea floor in a submersible several times while researching my MS degree. I write every day, including weekends.

El Space: You’ve written a number of young adult novels. What inspired you to write this middle grade story?

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Janet: Great question. This story was inspired by a picture of an odd piece of jewelry, which then ignited the premise. In fact, I was so inspired by that picture and premise that I began to write in a fever and had forty pages—most of which are still in the novel—written in five days—a record for me. The story came out in a younger voice, because the premise that grew in my mind slanted younger. I really had no choice in the matter!

But as with all my work, I had to write an ugly first draft before I understood who my protagonist was, and then I had to “find” her through revision and a lot of effort. In the end, only 12-year-old Kat could have told this particular story.

El Space: Congratulations on your starred reviews for Charmed Children! What was your process for bringing this turbulent time period to life in the twenty-first century?
Janet: Thank you! I’m thrilled, and so much credit goes to my agent, Erin Murphy, who made me polish to a shine before she subbed, and my incredible editor, Kendra Levin. Once I’d established the premise and the characters, I knew it had the feeling of a story set in another time, a time of turmoil. And by the very nature of the jewelry that inspired the story—a chatelaine*—I felt it had to be set in a castle. I chose the start of World War II because the Blitz would give me a reason to send children away from home and away from helpful adults, and because the war itself provided opportunities for additional threats to them and to those they loved. And, of course, the war was much more strongly felt in the UK than it was here in the US.

The London Blitz aftermath

The London Blitz aftermath

I do love research, and I tend to research a topic as I go. When I’d decided on the UK in 1940, I focused on all the details necessary to bring that time period to life for kids. Specifically, I wanted to focus on spying, because Kat’s father is a spy missing in action.

The main thing about bringing history to life in any book is to focus not on the history but the characters, because it’s the characters that readers relate to. Yes, getting the historical details right is important. But having the characters right is crucial.

Homeless children in London after the Blitz

Homeless children in London after the Blitz

El Space: I agree! How have your travels been a help to you in your writing?
Janet: I’ve been to Scotland three times—the third while the novel was in edits. I think having a feeling for a place is important—the smells and sounds, the food, the weather, the habits—there are so many little things that we take for granted that don’t exist elsewhere and vice versa. How would I know how water is such a factor in Scotland if I hadn’t seen the number of small streams and driven along the coast and hiked in the pouring rain? And I love learning about how other people in the world think and feel. Plus, travel is fun.

El Space: A drafty castle in Scotland is a great setting for a spooky story. But what’s the scariest place you’ve ever been?
Janet: Here’s an interesting tidbit, since readers seem to think this is a pretty scary story: I don’t do scary! I can’t watch scary movies, I don’t visit haunted houses, I avoid dark alleys. When I was a kid, I slept with the lights on and a huge pile of stuffed animals around me, like a fortress. Now, I did once live in a house I’m sure was haunted, and had several haunting experiences there. And the basement of that house gave me the creeps. Needless to say, I spent as little time as possible in that basement. But as to scary places in general? I avoid them!

Eilean Donan Castle, Scotland

Eilean Donan Castle, Scotland

El Space: I do too! I understand you also make jewelry. Please tell us about that.
Janet: I don’t make jewelry as a rule. But I did make some with charms that relate to the novel to give away to readers. Once you have the right tools and the right “ingredients,” jewelry-making is very satisfying and relatively easy. Etsy is a great resource, but I also found things in my local shops. Normally, my relaxing craft of choice is knitting.

I do think doing something with my hands—knitting, jewelry-making, piano playing, whatever—is a great way for me to relax the right brain and let it stew on a thought, and putting the left brain, which demands productivity and is a relentless editor, to sleep.

El Space: If you could recommend any book to your main character, Kat, to keep her encouraged during the time frame of your book, what book would you recommend? Why? What children’s story has been a help to you when you needed to be brave?
Janet: Interesting question! My favorite books, ever, are C.S. Lewis’s Narnia books. I must have read them a hundred times each when I was young—and even now, for inspiration. I’d definitely recommend them to Kat because they feature children who brave pretty scary things alone and who succeed, even when some of them slip up. And if they’d been available, I’d recommend the Harry Potter books, because, like Kat, Harry faces some awful and even deadly trials, and, like Kat, he’s not perfect and makes mistakes; yet in the end he prevails.

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El Space: What are you working on next?
Janet: I have a few things cooking that I’m excited about. First, another middle grade that’s a fantasy but also quite different from Charmed Children. Then a young adult contemporary with magical realism. And I’m playing with a possible sequel to Charmed Children—just for fun, because nothing’s settled there. My agent is also shopping a picture book, and a speculative YA, which you actually saw a bit of in workshop at VCFA! I like to have a bunch of things going at once.

El Space: Thanks for being my guest, Janet!
Janet: Thank you so much!

*If you want to learn about chatelaines, go here. If you’d like to check out the reviews of this book, go here.

You can catch Janet at her website, Facebook, Twitter, and Pinterest. You can also preorder a copy of The Charmed Children of Rookskill Castle at these sites:

Amazon
Barnes and Noble
Indiebound
Country Bookshelf

But one of you will win a preorder of Janet’s book from Country Bookshelf, plus some sweet swag. Comment below to be entered into the drawing. You might tell us a book that helped you when you needed to be brave. The winner will be announced on February 8.

Author photo and book cover courtesy of Janet Fox. Other book covers from Goodreads. London blitz photo from peanutonthetable.com. Children after the Blitz photo and caption from Wikipedia. Eilean Donan Castle from worldfortravel.com.