Guest Post: Charles Yallowitz—Spinning the Vampire Mythos

A big thank you to L. Marie for helping to promote the first book of my newest series, War of Nytefall: Loyalty (see book blurb toward the end). While this takes place in my previous series, Legends of Windemere, it focuses on a world-changing event. Specifically, the emergence of a new breed of vampire called Dawn Fangs. Due to the topic, L. Marie showed me this quote  from Stephen King:

Here’s what vampires shouldn’t be: pallid detectives who drink Bloody Marys and work only at night; lovelorn southern gentlemen; anorexic teenage girls; boy-toys with big dewy eyes. What should they be? Killers, honey. Stone killers who never get enough of that tasty Type-A. Bad boys and girls. Hunters. In other words, Midnight America. Red, white and blue, accent on the red. Those vamps got hijacked by a lot of soft-focus romance.

I both agree and disagree with Stephen King here because I don’t think anyone can really say that a vampire shouldn’t be something. If it works for the story then that’s what they should be in that world. People seem to take their own preferences for vampires and deem them to be the true standard. Look, I prefer my bloodsuckers monstrous and vicious instead of lovey-dovey stalking a high school. That’s just me though. There’s always been a strange seductive aura around vampires, which the romantic series play up more than the monster side of the extensive mythos. Problems come about in any genre when people step up to say that they should ONLY be done this way because that’s gatekeeping and you lose a lot of potential stories when you go down that route.

Edward Cullen from the Twilight series

Now, while my vampire preference is similar to what King talks about, I don’t think his works for every situation. To me, he’s talking about the monster who is terrorizing the heroes and needs to be overcome. Whether it be one or pack, these are the evil and inhuman beasts that lurk in the shadows. If you want a vampire to be the protagonist, then this doesn’t work because they’ll be driven to do evil. Once they begin fighting against their monstrous nature, they start to fall into the previous examples King mentioned. You can’t keep them as the slavering monster or sinister immortal noble that bathes in blood if they’re going to be a good guy. A sacrifice needs to be made to spin the classic monster into something that people can relate to; many times that’s their ferocity.

This is something I had to consider for War of Nytefall because it isn’t a story about mortals fending off vampires. It’s about the rise of a new breed of vampire in a world of magic and the vampire civil war that ensues afterwards. Mortals are merely bystanders, meals, and the occasional agent while the main cast consists entirely of immortal bloodsuckers. I couldn’t make the vampires entirely monstrous because I wanted readers to connect and I felt like such creatures wouldn’t have a complicated war. This required that I design two breeds with one being the Old World vampires and the other being the newer Dawn Fangs, which I’ll explain in brief.

Old World
These are closer to your classic vampires that can’t feed without killing. They can cast spells and hide in cities of darkness. Since this isn’t Earth, I threw out a lot of weaknesses that didn’t make any sense for Windemere. Holy magic is their bane and I went for an older version of the myth where sunlight weakens instead of kills. This is why Old World vampires in Windemere carry night cloaks, which they wear to retain their powers during the day. Doesn’t help against a smite spell to the face, but not much does. These would normally fit into the type that King recommends.

Dawn Fangs
These are the vampires that required a lot of work since they are the “heroes.” They’re still monsters, but they can feed without killing, have pulses, are immune to sunlight, and possess powers beyond that of the Old Worlds. In fact, the civil war is started because the Old World vampires are terrified that the stronger Dawn Fangs are going to wipe them out if they don’t strike first. Because they have these advantages, the Dawn Fangs can exist within mortal society too, but I didn’t want to pursue the “romantic” subplots. Instead, I play with the idea that these powerful monsters have actually become more human (or elf or dwarf or whatever they were before turning) instead of less. They’ve retained their viciousness and show signs that they are fighting to control a bloodlust that dwarfs that of their predecessors. Yet, a part of this is because they might be more at the mercy of their emotions than both mortals and Old Worlds. Even so, I can’t say they fall into the desired category that King describes, but I can say they don’t really fit into the previous ones either.

One thing I’ve learned with vampires is that the type you use depends entirely on the genre and specific story. I think a big issue for vampires recently is that culture has tried to pigeonhole them into one category and it’s caused a big clash between personal preferences. This is something that an author should consider, but not to the point where they make the social conflict the deciding factor of how they portray these monsters. You can, and should, tailor them to your own needs because they should be more than simply “a vampire,” at least if they’re more than the terrifying monster that has to be overcome, which is more plot device than character.

Book Blurb
In the wake of the Great Cataclysm, a new predator will emerge within Windemere’s shadow.

For fifty years, Clyde has remained buried while the rest of the vampires have been battling against their enemies. Only Mab believes that her former partner survived his execution and is determined to bring him back to the city of Nyte. Retrieving the vampiric thief is only the beginning as he comes out of the ground stronger, faster, and demonstrating powers that their kind have never witnessed throughout their ancient history. Thrown into the war, Clyde must be careful to hide his true nature while fighting alongside his old friends. Too bad he is having so much fun that keeping his secret might be furthest from his mind.

Will anyone be ready for the rise of the Dawn Fangs?
Grab your copy of War of Nytefall: Loyalty on Amazon!

Author Info
Charles Yallowitz was born and raised on Long Island, NY, but he has spent most of his life wandering his own imagination in a blissful haze. Occasionally, he would return from this world for the necessities such as food, showers, and Saturday morning cartoons. One day he returned from his imagination and decided he would share his stories with the world. After his wife decided that she was tired of hearing the same stories repeatedly, she convinced him that it would make more sense to follow his dream of being a fantasy author. So, locked within the house under orders to shut up and get to work, Charles brings you Legends of Windemere. He looks forward to sharing all of his stories with you, and his wife is happy he finally has someone else to play with.
Blog: www.legendsofwindemere.com
Twitter: @cyallowitz
Facebook: Charles Yallowitz
Website: www.charleseyallowitz.com

Author photo courtesy of the author. Book cover designed by Alison Hunt. Stephen King photo found at dreadcentral. Vampire trope image from vampires.com. Robert Pattinson as Edward Cullen image from fanpop.com.

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Beneath the Surface

Lately, when I’ve heard people talk about the movies they’ve seen, invariably I’ve heard phrases along these lines:

• Stunning visuals
• Bad script
• No character work
• Script okay, but not memorable
• Rich in cinematography, but dialogue poor

The last comment really resonated with me, because I love dialogue. I’ve memorized whole sections of dialogue from movies like The Princess Bride and Moonstruck. Not so with the movies I’ve seen lately. In fact, I can’t think of a single line of dialogue from any of the movies I’ve seen in the last four months. This is not to say that I disliked those films. They were very enjoyable.

As you know, dialogue and characterization go hand in hand. Dialogue can reveal a character’s motives and help move the plot along. Good dialogue can be fraught with tension.

I brought up dialogue, because I’m reminded of some feedback I received on a chapter I’d written, which centers around a family dealing with a crisis. The friend who’d read the chapter mentioned that she wanted to feel worried about the main character, but didn’t. While she complimented the writing, the scene just didn’t have enough tension. I later stumbled upon an article online that helped me realize why that scene was so troublesome.

In the article, “What Can You Learn from David Mamet About Adding Subtext to Your Script?” Justin Morrow mentioned this:

In all good drama, no one says what they want. . . [D]ialogue (or conversation, depending on what plane of reality you happen to be inhabiting) is all in the subtext, the hidden motivations and secret engines that drive our interactions.

The author went on to talk about Mamet’s screenplay for the movie, Glengarry Glen Ross, a 1992 movie adaptation of Mamet’s award-winning 1984 play. But what really caught my eye in that article (which you can find here), is this quote by Ernest Hemingway (sorry, David Mamet):

If a writer of prose knows enough about what he is writing about, he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water.

In my scene, the characters said what they meant (i.e., that they were angry or hurt), because I thought directly stating what was going on created tension. But the scene lacked subtext-—those simmering undercurrents that let you know there is more to a scene than meets the eye.

The following excerpt is from “The Light of the World,” a short story by Hemingway.

When he saw us come in the door the bartender looked up and then reached over and put the glass covers on the two free-lunch bowls.
“Give me a beer,” I said. He drew it, cut the top off with the spatula and then held the glass in his hand. I put the nickel on the wood and he slid the beer toward me.
“What’s yours?” he said to Tom.
“Beer.”
He drew that beer and cut it off and when he saw the money he pushed the beer across to Tom.
“What’s the matter?” Tom asked.
The bartender didn’t answer him. He just looked over our heads and said, “What’s yours?” to a man who’d come in.

You can infer by the bartender’s actions that he has a low opinion of the narrator (Nick) and Tom. Though the dialogue seems sparse, I felt the tension of this scene, because of what the bartender didn’t say.

If I had written that scene, I probably would have had the bartender show his disdain by saying something mean or sarcastic immediately. But I love the fact that Hemingway didn’t do that. He showed the tip of the iceberg and let the reader infer that there was a lot more going on beneath the surface.

Does every conversation have to be as subtle as the one Hemingway wrote? No. But considering the subtext can make your dialogue memorable.

What was the last movie you saw or book you read that had memorable dialogue or a scene of tension that you thought the author/screenwriter handled well? What engaged you about that dialogue or scene?

Glengarry Glen Ross movie poster from movieposter.com. Subtext image from theatrefolk.com. Dialogue image from clipartkid.com.

Returning to Childish Things

Before I get into the subject of today’s post, let me just say my thoughts and prayers are with and for those affected by Hurricane Irma. And of course I think about 9/11 so many years ago, when terrorist attacks here in the States changed our world in so many ways.

😦

You know how you’re told to “put away childish things” when you become an adult? That’s good advice, especially when it comes to relating to people. It encourages us to actually talk to people we’re in conflict with, instead of rolling our eyes and sticking our tongues out at them, like we did when we were kids, or making up a song about them and taunting them with it.

Oh wait . . .

Moving on (though you probably have the song “Bad Blood” going through your head), I went against the advice to put childish things away and returned to a childhood pastime—making paper rooms.

Why would you do that? I hear you asking. Well, fiction writing has been difficult for me lately. I freeze up whenever I attempt to put words on a page in any of the stories I’ve been working on. Whenever I ran low on inspiration when I was a kid, I made what I called a chain house. First, I would make furniture by folding notebook paper and taping or gluing it so that it would stand up. Second, I would arrange the furniture of each room to fit on one sheet of paper. When I finished two rooms, I would tape them together in a chain before moving on to the next set of two, until the house was complete. The chain houses could be rolled up and stored away.

But these days, instead of using notebook paper, I use the paper you find in the paper crafting section of Michaels or Jo-Ann. Yeah. The good stuff.

Here’s my first attempt at a living room, bedroom, and kitchen.

    

This room is my crafter’s room:

When I was a kid, I never revised anything. Stories remained as they were first written. Same with drawings and chain house rooms.

Now that I’m an adult, revision is second nature. Whatever I write, I revise. And now I’ve begun revising the paper rooms. Here is the revision of the bedroom above. Instead of just a generic bedroom, I positioned it as the ultimate girl’s room. I’m picturing a kid who isn’t the neatest kid on earth living in this room and having sleepovers here.

Instead of a generic living room-like space as before, I’m going for a cozy family room in this revision. Obviously, I have a lot more to do in this room to add more character. Like maybe adding more furniture.

What I realized through this paper room exercise is the value of having specific goals for each space, as well as having characters in mind. When I made the first rooms (the living room and bedroom), I didn’t put much thought into the rooms. I just made them, because they were fun to make. But during the revision phase, I realized I needed to have goals for the space, as well as character marks to show what the person or people who occupy that space is/are like.

When I made the crafter’s room, I had a specific person in mind—myself. I don’t really have a craft room like this. This room reflects my crafting style and the tools I often use. But the reason why you don’t see a revised version of this room, is because I knew when I started it what the goal was and who it was for. I’m happy with how it turned out.

Maybe what I learned while making paper rooms will help me when I return to fiction writing. So many times, I’ve leaped into a story without giving much thought to goals and without really knowing the characters I wanted to write about. But now I know I can give more thought to both and have fun during the journey.

Sometimes it’s good to return to childish things.

Have you returned to an activity you loved when you were a kid? How has this activity helped you in your adult life?

The start of the next room . . .

Girl sticking her tongue out image from imgrcade.com. All other photos by L. Marie.

Two Articles—One Connection

Last week, I read two online posts I hadn’t realized had a connection until a friend pointed it out. Here are the links to both:

http://writerunboxed.com/2017/06/19/heartened-by-wonder-woman-the-case-for-sincere-storytelling/

http://www.huffingtonpost.com/entry/what-ya-gets-wrong-about-teenagers-from-a-teen_us_594a8e4de4b062254f3a5a94

The first post included a quote by the director of Wonder WomanPatty Jenkins:

I’m tired of sincerity being something we have to be afraid of doing. It’s been like that for 20 years, that the entertainment and art world has shied from sincerity, real sincerity, because we feel like we have to wink at the audience because it’s what kids like.

Before I reveal the quote from the HuffPost article, let me ask you a question: What do you think a typical teen is like? Is she cool and confident—queen of her domain?

Or is she awkward, shy, hopeful?

That was a trick question. Is there really a “typical” teen—one that represents every teen on the planet? Nope. With that in mind, here’s the quote from the second post:

[N]ot all teens are adorable, wise-cracking, defiant, sarcastic little squirts. . . . Most of us teens are awkward and spend bus rides thinking up comebacks for arguments that we lost hours ago.

In other words, many real teens are not as cynical as those found in fiction books. Many are sincere—the connector to the Wonder Woman post.

Both posts fed something within me. I’ve seen Wonder Woman twice at the theater. The first post helped me realize what I especially love about the movie: the sincerity of the main character. Oh, she kicks butt with great skill. But (hee hee) she has a genuine interest in helping others.

The second post reminds me of teens I know. Sure, they sometimes grumble about what’s boring. (Read the post above, and you’ll see what this teen finds boring.) But they also talk about what they want to do to make a difference in the world. They have hope. This brings to mind something else the teen author of the above post said

I have something to say that may shock an inexperienced YA writer: I do not automatically and inexplicably hate any of my classmates. . . . In my school, most people like each other!

“Whoa, whoa, whoa!” I hear you caution. “What about all those teens who bully other teens or shoot those who bullied them?”

Please note that the teen who wrote the above article mentioned her school, not all schools. I also was bullied as a teen back in the day when everybody had a stegosaurus for a pet. I also know teens today who have been bullied. But there are many, many teens who don’t bully others or shoot them.

Also, not every teen has the expectation that in order for a movie to succeed in entertaining him or her, the main character has to be cynical—always ready with an apt, sarcastic quip. They can appreciate sincerity. Men too, if you took note of the author of the first article.

Both posts remind me of what I love: writing about people who aren’t sure of themselves; who get scared or feel lonely and tongue-tied. And yes, some of these individuals are antagonists who harm others because of the pain they feel inside. But they aren’t the quipping sort. In their own way, they are sincere.

Please don’t get me wrong. I appreciate good sarcasm. I’m just not the kind of clever writer who can produce it with aplomb. I’m too earnest and awkward to be convincing.

So lately, I’ve been tempted to give up writing fiction, feeling pushed aside in a world craving something other than what I’ve been writing. But these posts give me hope. They remind me that maybe someone is looking for what I’m writing.

Patty Jenkins photo from slashfilms.com. Other photos by L. Marie. Macy Macaron (fourth photo) and Gemma Stone (third photo) are Shopkins Shoppie dolls by Moose Toys.

Check This Out: The Worst Fairy Godmother Ever!

Today Sarah Aronson is in the hizz-ouse. She is an author, teacher, mentor, and all around awesome person. She wears a ton of hats, some I haven’t even mentioned! She’s here to talk about book 1 in her Wish List middle grade series, The Worst Fairy Godmother Ever! which was published by Scholastic with covers illustrated by Heather Burns.

      

Sarah has written these young adult novels . . .

   

. . . and is represented by Sarah Davies. Now, please give it up for Sarah!

El Space: Four quick facts about yourself?
Sarah: I am the oldest of three sisters, but was no Clotilda!
My first favorite book was The Carrot Seed. I am still an effort girl—not so much into momentum.


I met my husband when I mistook him for someone else, and before I could stop myself, kissed him on the cheek.

I am very fond of shoes! And handbags!

El Space: This book is very different from your other novels. What inspired you to write it?
Sarah: A lot of people have been asking me that. The short answer is, I wrote this for myself. For fun! The idea made me laugh. I like the idea of fairy godmothers, and I wanted to see if they still fit into my feminist mindset. When I thought about them, I realized: they didn’t do that much! And that today’s princess needed a godmother with more skills. Training was imperative!

But I also wrote it because I had come to a turning point in my writing life. Up until September 2014, I was a writer who grappled with tough topics. I went for it all—unlikable characters, themes filled with conflicts, questionable morals, provocative endings. Although I found these books grueling to write, I told myself that the work was worth it—these characters and ideas were calling me. And up until then I felt pretty good about it. I had a great agent. There were editors willing to read my next WIP. My family might have been confused about why I wrote such dark, sad books, but they supported me. 100%. I was not deterred by the mixed reception my last novel received.

That changed, when I got some bad news that had followed other bad news: the editor who loved my newest WIP—a story I had taken two years to write—could not get it past the acquisitions committee. The novel needed to go in a drawer. I began to doubt myself. I don’t know a writer who hasn’t experienced doubt and fear, and yet, when it happened to me, I felt unprepared. I wondered if perhaps my writing career was coming to a close.

Lucky for me, I was at the Highlights Whole Novel Workshop, and I was surrounded by friends. I also had the best kind of work to do—writers to counsel—writers who trusted me to help them work on their novels. I had to get over myself fast. I had to stop worrying about my ego. Product. News. All those obstacles. I had to embrace creativity the way I had when I first started writing.

So right there, I gave myself a challenge: For the next six months, I was going to PLAY. I was going to reclaim my intuitive voice. I wasn’t going to worry at all about finishing anything.

My only goal was to work on projects that made me happy—books that my ego had convinced me I couldn’t/shouldn’t write: picture books, humor, essays, an adult novel, poetry, and most important, my peach sorbet: a chapter book about a very bad fairy godmother. For six months, I was going to write fast. I was not going to edit myself. I was going to focus on accessing my subconscious with drawing and writing and listening to new music and having fun. If I liked an idea, I was going to try it. I was going to eat dessert first. In other words: think less. Smile more.

In my newsletter, i wrote about this a lot. How freeing it was. How happy I felt to be writing for the sake of story and nothing else.

When I was done, I had written a lot of terrible manuscripts. But some held promise. I dipped back into the revision cave. When i was done, The Worst Fairy Godmother Ever sold. So did a picture book biography about Rube Goldberg. And I was once again a writer with a lot of energy and ideas.

El Space: Please tell us about the girlgoyles—what they are, and how you came up with them.
Sarah: The girlgoyles came from a great moment of inspiration. Isabelle’s safe space—her cozy spot—is up at the top of Grandmomma’s tower. I pictured that tower like the churches of France and England—with ornate architecture. And gargoyles. Of course, this was a world of all women and girls. I couldn’t believe it—they weren’t gargoyles. They were girlgoyles!!! Even they don’t talk—they can’t, they’re made of rock—they are Isabelle’s friends. They’re really good listeners.

   
Illustrations by Heather Burns

El Space: How is Isabelle, your fairy godmother protagonist, like you? Different from you?
Sarah: Oh, my mom would love to answer this one!!! But since she’s not here, I’ll tell you: I was not the best student. I still have a hard time paying attention and I never read the fine print. I learn more by doing. Just like Isabelle, I can be a bit impulsive. And just like Nora, I can take things WAY too seriously!

El Space: In a Psychology Today article, “Why We All Need a Fairy Godmother,” the author gave some characteristics for the ideal fairy godmother:

The fairy godmother (or “guidemother”—or, for that matter,“guidefather”) that I have in mind here is one that would encompass a broad array of caring, nurturant qualities: such as empathy, compassion, understanding, trustworthiness, and respect.

I couldn’t help thinking of the list on the synopsis for your book. Why do you think fairy godmothers are such nurturing icons in literature?
Sarah: In theory, I think we all love the idea of a fairy godmother, a nurturing character that makes us happy and wants nothing else in return. But the truth is, there is nothing more satisfying than making the world better! Already, I have spoken to readers who want to be real-life fairy godmothers. I made a Wish Wall for families and classrooms who want to establish “Be a Fairy Godmother” programs.


I believe that today’s fairy godmother needs compassion and kindness, but also gusto! A big, big heart is essential, too. When you think about it, it’s sort of like writing a book!

El Space: What do you hope your readers will take away from this book?
Sarah: First, I hope they laugh! I laughed a lot writing it. But to be serious, I hope they’re excited about sharing the sparkle and helping each other!!! Today’s world needs fairy godmothers. Empathy makes us all happily ever after. Right?

El Space: Yup! What will you work on next?
Sarah: Well, we just released the cover of book two, Keep Calm and Sparkle On! I’m getting ready to revise book three, and book four is not far away. I’ve also got a picture book biography to finish and a brand new peach sorbet to play with. For now, that’s a secret!

Thank you, Sarah, for being such an inspiring guest!

Want to find Sarah online? Check out her website, Facebook, Twitter.

The Worst Fairy Godmother Ever! can be found at Amazon, Barnes and Noble, and Indiebound.

But I will be a fairy godmother to one of you! Poof! You’ll find a copy of The Worst Fairy Godmother Ever! at your home! But first, you have to comment to be entered in the drawing! Winner to be announced on June 19.

Lippy Lulu and Kirstea are excited about Sarah’s series. They’re wondering how they can get a fairy godmother.

Author photo and Wish List series covers courtesy of the author. Other book covers Goodreads. Fairy godmother from clipsarts.co. Magic wand from clker.com. Creativity image from weerbaarheidlimburg.nl. Peach sorbet photo from dessertbulletblog.com. Shopkins Shoppie dolls Kirstea and Lippy Lulu by Moose Toys. Photo by L. Marie.

We Can’t Let Evil Win

Today, I began a post called, “What Is Happening to the World?” which was full of my anxious thoughts about recent events. I had gone to bed the other night, feeling anxious and angry after the news account of the attack on London. I woke up with the same anxiety. Hence the post I just mentioned.

But I scrapped that post.

Look at this.

    

And this.

And this.

I’m reminded that the world isn’t totally full of sadness and evil. There is beauty, kindness, love, joy.

Yes, there is grief. I’m grieved by acts of senseless violence.

Maybe that’s why one of my favorite comic book characters is Wonder Woman. I haven’t yet seen the movie. But my friends and I plan to see it on Tuesday. When I was a kid, I read Wonder Woman comic books, and dreamed of being a superhero. While I didn’t love her outfit, I loved her strength and outlook of hope. I loved that she used her gifts to make a difference in the world—her way of combatting the darkness.

See that glint of light on the poster? I chose this poster because of the light. Though darkness might seem to hold sway, a little bit of light always shines through.

We can choose to bring the light of hope to someone in the darkness of despair. (Yes, there is a way to do that without sounding Pollyanna or giving false hope.)

We can choose to be fully present to those around us who need a listening ear.

We can choose to let a child show us the wonder he or she sees in the world.

We can choose to be kinder to each other.

A friend sent this video to me on a day when I needed a laugh. Maybe you need this right now. It’s not the cure for cancer or hopelessness. But it’s a start.

Wonder Woman movie poster from dvdreleasedates.com. Other photos by L. Marie.

Check This Out: The Spirit Well

Return to Windemere in THE SPIRIT WELL!

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Born from the light and darkness, Dariana can no longer avoid her fate.

The final corrupted temple stands between the champions and Baron Kernaghan having their great battle. Only one problem: the Compass Key refuses to work with Dariana, who long ago wiped all memories of the Spirit Well from her mind. Now, they are forced to follow a trail of clues that Dariana’s former self left behind centuries ago. It is a path that will lead the champions into a part of their friend’s past that could tear them all apart.

Will the bonds of friendship be stronger than the call of blood?

Grab it on Amazon!

Add it to your Goodreads ‘To Read’ List!

Excerpt: I’m Sorry . . . Again

“I’m sorry, but I told you that my powers make the Compass Key argumentative when it comes to the Spirit Well,” Dariana sheepishly explains while rubbing her clear ring. She smiles when Fizzle lands on her head, the drite’s cool tail running down her spine. “This is very scary for me. None of the champions have made it to this temple, much less the final battle with my father. It’s hard to take in after this destiny being my entire life for so long. I used to always dream of how I would handle my temple, but things are different now that it’s no longer a distant dream. What if I make a mistake and get someone killed?”

“We trust you, my friend, and know that you will not fail,” Timoran whispers as he slides the Compass Key across the table. He is confused when the relic sparks at her touch and gets pushed back into his hand. “That is fairly disheartening. If you cannot use the Compass Key then there is no way to find this Spirit Well. Perhaps it does not like your physical touch and will respond to your telepathy. I wonder why the gods would create this obstacle.”

“It’s possible that we did this,” Delvin suggests while using one of his enchanted rings to create a delicious cup of coffee. He gestures for the barbarian to throw the relic over to him, but the red-haired barbarian refuses. “You’re right, Timoran. Probably not a good idea to toss something like that around. Anyway, we had the Compass Key warded against agents of the Baron. They aren’t able to see it, which means they can’t find or use it. The decision made sense at the time, but things are different now. Maybe our spell has a small effect on Dariana. Not saying you’re working with the Baron, but there could be enough of an aural touch to cause this problem. Do you think we should cancel the spells, Nyx?”

The channeler heats up a cup of tea, which she sips at while considering the possibility of her magic being the issue. “They should stay because I don’t think they’re the problem. Dariana said this has happened before, which means the gods made a mistake. Sorry for how that came out. Gabriel, who better not get angry at this conversation, created the Compass Key first and then turned Dariana into a champion. He couldn’t fix the problem thanks to the Law of Influence, so it’s remained all this time. Though he had to have created something to help us move on.”

“Maybe we have to find Isaiah and he’ll lead the way,” Sari says from the couch. Flipping to her feet, she joins her friends and immediately takes a strawberry off Luke’s plate. “He hasn’t been much help since the first temple, so one has to wonder what his purpose is. I doubt we need his protection any more, which means he has to have another role to play. What do you think, Dari?”

The telepath rubs her temples while scanning the city for a sign of the fireskin, part of her praying he is not nearby. Dariana finds evidence that Isaiah has been spying on them until recently, but the caster is long gone. She considers tracking the faint trail and goes as far as the outer wall, which is where the psychic tracks make an odd leap into the sky. The strain of following Isaiah any further makes Dariana pull back and return to find that everyone is staring at her again. Realizing that she can no longer delay the inevitable, she gets out of her chair and kneels to her friends. Fizzle is still clinging to her head, which makes the apologetic bow both amusing and awkward.

“I know I say this a lot, but I really am sorry, my friends,” Dariana states while keeping her forehead pressed to the stone floor. She looks up at the sound of rustling feet and is surprised to see that everyone is approaching her. “Long ago, I managed to avoid being put back to sleep long enough to track down the Spirit Well. My curiosity got the best of me and I wanted to know where my path would meet its end. I was still forced to wipe my memory of the location, but I do know that I left a map behind. There are a few clues that I buried in my subconscious where even I could not dislodge them after erasing the original discovery. More may come to me as we get closer, but all I know now is that we should go to Rodillen. I was hoping the Compass Key would work and we could avoid this extra journey.”

“Like our luck would be that good,” Nyx mutters while she helps Dariana stand.

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Cover art by Jason Pedersen

Cover Art by Jason Pedersen

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Author PhotoAbout the Author:

Charles Yallowitz was born and raised on Long Island, NY, but he has spent most of his life wandering his own imagination in a blissful haze. Occasionally, he would return from this world for the necessities such as food, showers, and Saturday morning cartoons. One day he returned from his imagination and decided he would share his stories with the world. After his wife decided that she was tired of hearing the same stories repeatedly, she convinced him that it would make more sense to follow his dream of being a fantasy author. So, locked within the house under orders to shut up and get to work, Charles brings you Legends of Windemere. He looks forward to sharing all of his stories with you, and his wife is happy he finally has someone else to play with.

Blog: www.legendsofwindemere.com
Twitter: @cyallowitz
Facebook: Charles Yallowitz
Website: www.charleseyallowitz.com

[L. Marie here. I plan to give away a copy of The Spirit Well to a commenter. The winner will be announced toward the end of the week.]