The Gift of Story


When I was a kid, I learned to value stories. My parents read books to me at bedtime, which made me want to read stories for myself. Many of the stories they read were fairy tales or fantastical adventures written by Dr Seuss. As soon as I learned to read, I read just about everything—fiction and nonfiction. I had (and still have) an insatiable curiosity for the stories of others. Sharing stories is the main reason why I love to give books away.

  

I love being taken on an adventure through the pages of a book. So many aspects of life are stressful these days, so I value more and more the stories I read and the characters I grow to care about. My favorite time of day is the time I can spend with a book, watching the workaday world fade away beyond the edges of the pages in front of me.

So without further ado, here are the winners of the books for the Christmas giveaways, which were announced in this post and this one:

The winner of Love, God, and Mexican Pastries is Nancy Hatch!

The winner of Up for Air is Laura Bruno Lilly!


The winner of The Art of Breaking Things Is Nicki!


The winner of A Time Traveler’s Theory of Relativity is Marian!

Winners, please comment below to confirm. Happy reading! And thank you to all who commented!

Christmas giveaway image from thefrontporchgourmet. Book stack from blogs.mtu.edu. Books covers (with the exception of those being given away) from Goodreads.

Deck the Halls for 2019

Back when I was in grad school (VCFA), each new class had the assignment of choosing a class name. Usually these names had something to do with books or writing. My class chose the Secret Gardeners based on the book The Secret Garden.

With that being said, this is the second of two holiday season book giveaways (the first described in this post), this time featuring three more awesome Secret Gardener classmates: Laurie Morrison, Laura Sibson, and Nicole Valentine, all of whom stopped by for a brief chat today. Though they appeared on the blog here, here, and here to discuss their novels, and copies were given away before, another copy of each book will be given away this time. ’Tis the season!

 

 

   

Click here for the synopsis for Up for Air.
Click here for the synopsis for The Art of Breaking Things.
Click here for the synopsis for A Time Traveler’s Theory of Relativity.

El Space: What’s the best Christmas gift you received when you were a kid? Why was it special for you?

Laurie: The best Christmas gift I ever got was kittens! When I was eight or nine, my parents brought home two tiny, adorable kittens. My brothers and I were completely surprised. We had no idea our parents were even considering getting pets even though we had asked. We loved figuring out names for them—we went with Christmas and Mistletoe and called them Chrissy and Missy for short—and holding them. One of them disappeared on Christmas Day, and it turned out she was hiding in a tiny space between a piece of furniture and the wall. So that was an adventure! But it was just such a joy to have such a surprise and to feel grown up and responsible as I helped take care of them.

Laura: I have a photo from my sixth Christmas. In it, I am seated on a brand new bike while wearing a fancy bathrobe fit for a princess. I also have a huge grin on my face. This Christmas photo perfectly captures the two sides of me—the girl excited for her first two-wheel bike and the girl who daydreamed about magic and medieval kingdoms.

Nicole: I couldn’t tell you how old I was, but there was one Christmas where my best friend and I thought it would be excellent fun to sneak around our houses and find the hidden presents before the big day. And it was fun! It was the closest thing to a real live treasure hunt a kid could have in 1980-something. However, it soon became painfully obvious to us both that when Christmas morning came we wouldn’t be surprised. I stayed silent and told my parents nothing, but with each passing day I became more disappointed in myself. And then, on Christmas morning there was one extra present under the tree that I had not seen before. It was a small child’s sewing kit and it wasn’t something that I had even asked for, but right then it seemed like the greatest gift in the whole world. The tag said To Nicole, Love Santa in some very familiar cursive handwriting. I still don’t know if my mother saw the telltale signs of our snooping, but I am forever thankful for that sewing kit.

Thank you, Laurie, Laura, and Nicole for stopping by!

What’s the best gift (holiday or otherwise) you received when you were a kid? Comment below to be entered in the drawing. There will be three winners for this giveaway. Each winner will receive one of the above books. Winners of both giveaways to be announced on December 20, 2019.

Henry is pleased with his tree decorating. But the snowman, who is a stickler for correct spelling, thinks an adjustment needs to be made.

Christmas giveaway image from thefrontporchgourmet. Author photos and covers courtesy of the authors. The Secret Garden cover from Goodreads. Fairy tale castle from clipartpanda. Kittens from the SF SPCA. Sewing kit from dreamstime. Other photo by L. Marie.

Check This Out: An Impossible Distance to Fall

On the blog today is the second of my awesome Secret Gardener classmates, the marvelous Miriam McNamara. No stranger to the blog is Miriam. (Click here for her last visit.) She’s here to talk about her young adult historical novel, An Impossible Distance to Fall, published by Sky Pony Press on July 2. (Click here for a synopsis.)

   

Miriam is represented by Linda Epstein. After our conversation, stay tuned to hear about a giveaway of An Impossible Distance to Fall.

El Space: Four quick facts about yourself?
Miriam: 1. I’ve never flown a biplane or wing walked, but like Birdie, I’ve always loved to dance! The dance scenes were some of the most fun for me to write as I played with how movement and emotion interact in the body creatively. Yum!


2. I went to college pretty young—when I was sixteen—around the time a lot of upheaval in my family of origin was happening. When I got to school, I was kind of adopted by a group of queer upperclassmen who looked out for me and invited me to things, and made sure I was doing okay. Birdie’s departure from her family and integration into the barnstorming circus is based on that experience.
3. I started this novel during the Recession after 2008, when the stock market crash of 1929 and how it affected people seemed particularly relevant. My generation and the young adults of today are still dealing with a lot of financial uncertainty, so I think these lessons of the past are particularly interesting.


4. I have a lot of tattoos, but Birdie’s tattoo that she gets in the novel is based on a stick-and-poke tattoo that I gave my friend Ivy in college. It was a flock of bird silhouettes, just like Birdie’s, and done in the same manner, with a needle and thread and India ink.

Miriam at her book signing at MOON PALACE BOOKS in Minneapolis

El Space: Your last novel was about pirates. What was the inspiration behind this novel about wing walkers and a barnstorming circus in 1930?
Miriam: A nonfiction writer read aloud from a work-in-progress about a real-life wing walker from the ’20s at a workshop I attended, and my mind was blown. I’d never heard of such a thing. As I listened to her read I thought, I would NEVER take such an insane risk as walking out on the wing of a flying airplane! But at exactly the same time, I remembered who I was when I was sixteen, and knew that that me would have done it in a heartbeat. It made me want to write a story about that person.

El Space: What do you hope teens will gain from your main character Birdie’s life and the times in which she lived?
Miriam: Birdie’s external life explodes when the stock market crashes—but what causes her deepest pain is the loss of her father when he disappears. For young Birdie, life and her dad both seemed ideal. She has to learn to accept that things aren’t always perfect. People and circumstance will let you down over and over. You have to love and honor the good stuff while acknowledging that other stuff sucks and it’s okay to be hurt and to grieve. And when your life explodes or falls apart, it also leads to so much possibility and openness that wouldn’t have been there otherwise. Storms bring rainbows, you know?

El Space: Birdie interacts with a large cast of characters who aid in her evolution as a character. Who were the most fun or the most challenging to write about?
Miriam: I think the most challenging for me was Gilda, the woman that Birdie’s father chases after. Birdie initially thinks of her as this Jezebel character who has stolen her father away. It was challenging to really communicate Gilda’s complexity. She plays this seductive character professionally as a lounge singer, but she’s actually a real person who did nothing wrong, and Birdie’s anger is misplaced. It took me a few tries to show who she really is beyond the role she plays in Birdie’s life, which leads to a lot of growth in Birdie.

The most fun to write, though! It’s so hard to choose. I loved writing Colette, the tattooed lady; she’s so cranky and deadpan and soooo NOT impressed with Birdie—but then at the crux of the novel, Colette lets Birdie know that she sees and values the person struggling inside of Birdie’s perfect veneer.

But then there’s June. Sigh. . . . I love writing a love interest! June is so sexy. I loved writing her lanky tomboy-in-a-flight-suit Southern Charmer personality.

 

El Space: This is your second historical fiction novel. What is it about historical fiction that appeals to you?
Miriam: I love reading historical fiction, but queer people, especially queer women, have been so written out of history, always relegated to tragic plot devices if they are included at all. I want to write them back into history, and give them so much love and life and joy along with their struggles.

El Space: What was your research process? How did you keep the details you gleaned from research from overwhelming the story you wanted to tell? [One of the tips offered for historical fiction writers in this post here.]
Miriam: With my first novel, I often felt like the details overtook my narrative! The struggle is real. With this novel, I let the narrative guide me into my research. How did banks fail? How did the larger stock market crash impact the financial chain? Who were some wing walkers and women pilots and barnstormers I could use for inspiration? I tried to stick to the story I wanted to tell without getting sidelined by too many interesting details as I came across them. Once I had a strong narrative, then I went back to add in a lot more fun historical stuff—and that led to a lot of richness being layered in once the story was there.

El Space: What books or authors inspire you?
Miriam: This year I decided I was going to read as many books by queer people about queer people as possible. I am very inspired by LGBTQ+ authors telling their stories, especially for young readers. So over the past few months I’ve been super inspired by Amy Rose Capetta and Cori McCarthy, some VCFA friends who are writing all sorts of queer stories; I finally was introduced to Jillian and Mariko Tamaki’s graphic novels, which are amazing; I read awesome books by Kacen Callender and Lev Rosen and Alex Gino; and a Minneapolis author, Junauda Petrus, has a queer young adult love story coming out this fall called The Stars and the Blackness Between Them that I haven’t read yet, but I’ve heard excerpts read aloud, and I know it’s going to inspire the hell out of me.

 

El Space: What will you work on next?
Miriam: I’m taking a break from research and writing a contemporary YA novel, but I also have an idea for a historical fantasy that I’m itching to write. I’m definitely taking it slow and feeling out where I want to go from here. Publishing two books in the past two years has been such a whirlwind, accompanied by a lot of life craziness. I could go anywhere from here, you know? Kinda like Birdie. Anything is possible from here. . . .

Thanks, Miriam, for being my guest!

Looking for Miriam? Look no further than her website or Twitter. On Instagram she is booklovemiriam.

Looking for An Impossible Distance to Fall? (Taken out of context, that question is very interesting.) Check out your local bookstore, Amazon, Barnes and Noble, or Indiebound. Also look no further than your very own mailbox or Kindle (if you prefer), since one of you will get a copy of this book simply by commenting below! Winner to be announced one day next week.

Royal Bee looks skeptically on as Neon practices her wing walker routine. “Looks more like a mummy walking than like Birdie,” Royal Bee quips.

Book cover and author photo courtesy of Miriam McNamara. Author photo by Rose Kaz at Rose Photo. Other book covers from Goodreads. Wing walker image from wallpaperim.net. Dance image from clipground.com. Newspaper clipping from balkanplumbing.com. Old airplane photo from pxhere.com. Other photos by L. Marie. Neonlicious and Royal Bee OMG dolls are products of MGA Entertainment, Inc.

Six Years A-Bloggin’—Happy Post Hoodie-Hoo Day to You

 

February 20 was a blink-and-you’ll-miss it holiday known as Hoodie-Hoo Day. Yeah, I didn’t know about it either until Alexa told me. (Yes, Alexa occupies my desk, telling knock-knock jokes far cornier than the ones I had heard when I was in kindergarten.) What’s that you say? You missed Hoodie-Hoo Day, but you’re wondering what it’s all about? (Well, the hokey pokey is what it’s all about. But I digress.) Here is an explanation of Hoodie-Hoo Day from holidayinsights.com:

It is a day to chase away winter blahs, and bring in spring. After all, everyone in the northern hemisphere are [sic] sick and tired of winter at this point and a little crazy being cooped up inside all winter and not seeing the sun.

O. . .kay then. Don’t let the twitching eye fool you. I’m not crazy.

While I didn’t celebrate the holiday, I love the fact that people keep inventing holidays to inject some cheer into life. (Like International Talk Like a Pirate Day, which is September 19.) Injecting cheer into life is kind of the mission of this blog. Which brings me to the first of three reasons for this post.

The title revealed it. This blog is six years old. I never imagined I would last this long as a blogger.

We tend to hear about benchmark anniversaries which are 5s and 10s. But six? Well, for wedding anniversaries, the traditional gifts to give are iron and sugar. I’m not making that up. You can find that info here. But wood is the modern gift. So . . . I guess I should treat myself to a cupcake, a crowbar, and a plank of wood.

 

My niece made this cupcake. 😊

Before I head to the nearest Home Depot to get my anniversary gifts, here is the second reason for this post.

To announce a Twitter giveaway hosted by Laura Sibson. You remember Laura from this post about the cover for her debut young adult novel. Today is the last day to enter, so you still have time to head over to her Twitter page. Click here to do so.

  

⭐GIVEAWAY! ⭐Today is 4 months from pub date for #TheArtofBreakingThings Please ❤️ & Follow. RT to be entered to win one of these amazing #novel19s books that would love to be on your shelf with mine. 😍🤗#giveaway #amwriting #amrevising #writingcommunity


Last but not least, this post is to announce the winner of a preorder of Castle of Concrete by Katia Raina, which will debut in June of this year. This post has the details.

  

The winner of is . . .

Is . . .

Is . . .

Is . . .

Is . . .

Lori from Lori’s Lane!

Congrats, Lori! Please comment below to confirm. And thank you to all who have read my blog over the years!

Author and book photos courtesy of the authors. Wood plank from homedepot.com. Birdgif by Sherchle. Number 1 from clipartix.com. Number 2 from clipartion.com. Number 3 from clipart-library.com. Number 6 from download-free-clip.art. Other photos by L. Marie.

Cover Reveal: The Art of Breaking Things

With me on the blog today is my good friend, the awesome Laura Sibson, who is here for the cover release of her contemporary young adult novel, The Art of Breaking Things, which will be published by Viking.

First, loooooooooook! Take it in! Breathe in the beauty!

Here’s the synopsis:

In the tradition of Laurie Halse Anderson and Sara Zarr, The Art of Breaking Things embraces the power of a single voice.

Skye has her sights set on partying her way through high school and then escaping to art school and not looking back.

But her party-first-ask-questions-later lifestyle starts to crumble when her mom rekindles her romance with the man who betrayed Skye’s trust and boundaries when he was supposed to be protecting her. She was too young to understand what was happening at the time, but now she doesn’t know whether to run as far away from him as possible or give up her dreams to save her little sister. The only problem is that no one knows what he did to her. How can she reveal the secret she’s guarded for so long? With the help of her best friend and the only boy she’s ever trusted, Skye might just find the courage she needs to let her art speak for her when she’s out of words.

Now, let’s talk to Laura!

El Space: For quick facts about yourself?
Laura: (1) I was raised in Maryland but moved to Pennsylvania for college and have lived in the Philadelphia area for most of my adult life. I love the Northeast, but I also love to travel. This past summer, my family took a trip to England and Scotland and we kayaked on Loch Ness! No sightings of Nessie, I’m sorry to say.
(2) I love being in nature. In fact, I have trouble settling down to write if I haven’t first gone for a run or taken my dog for a walk in the woods.
(3) I had a whole career in higher education before I started writing. I didn’t start writing until I was in my early 40s!
(4) I live in a 130-year-old stone Victorian house in an area of Philadelphia that reminds me of Hogsmeade. In fact, we had a popular and super-fun Harry Potter festival here until Warner Bros. sent a cease and desist letter. There is still a festival, but it’s not the same.

El Space: What was your path to publication?
Laura: Well, how long you got? In all seriousness, I think my path to publication is long, but aspiring novelists may want to know that my path isn’t all that unusual. As I said above, I didn’t start writing a novel until my early 40s. I had always been an avid reader and I’d wanted to write a novel, but it took a while until I finally found the courage to start.

After completing my first manuscript about two sisters who learn that they are witches and not obtaining an agent, I realized that I had a lot to learn about writing well. I attended VCFA’s program in Writing for Children and Young Adults—where I met you!—and while there completed a second novel about a girl whose mom dies and then she fights her uncle to remain in her house. I didn’t obtain an agent for that one either, but I got closer! I also got discouraged. I started writing a book just for me and my writer friends like you suggested I keep at it. Fast forward and it took almost fifty queries to land the agent who offered me representation. Brianne Johnson of Writers’ House was a great champion of my story and sold it in a few months. The book, The Art of Breaking Things, comes out on June 18! All and all, it took about ten years from when I first started writing to when I’ll have a book published.

El Space: Who is the cover designer? The artist?
Laura: The cover designer is Dana Li and the illustrator is Agata Wierzbicka. Dana also designed the cover for I Am Still Alive by Kate Marshall, which has just been optioned for a movie deal! Fun fact: I Am Still Alive was edited by my editor, Maggie Rosenthal! And Agata illustrated the striking cover of Courtney Summer’s latest novel, Sadie. I love how the design team worked together to create a look that is original and so inviting!

   

El Space: What elements make this a great cover for your novel?
Laura: In the novel, Skye has difficulty speaking the truth of what has happened to her. She comes off as self-reliant and fun-loving, but she’s also deeply wounded. Agata’s illustration beautifully captures that dynamic. The triangles flying off of Skye’s jacket show the reader the idea of things breaking, especially Skye herself and also hint at Skye’s artistic background. The title, along with the charcoal smudges on the cover, further cement that artistic sensibility—and the purple background color is just swoony.

The Art of Breaking Things will debut on June 18, 2019!

Check out the cover release at PenguinTeen.com.

Look for Laura at her website.

Author photo courtesy of Laura Sibson. Photo attribution: Rachael Balascak. Other covers from Goodreads.

Check This Out: The Way the Light Bends

Before I continue with today’s post, let me first say that thoughts and prayers are with those who live in the areas affected by Hurricane Florence. Florence, you have outstayed your welcome. Go away!

Now, please join me in welcoming back to the blog the awesome Cordelia Jensen. She was here not long ago with Laurie Morrison to talk about their middle grade novel, Every Shiny Thing. (Click here for that interview.) Today, she’s here to talk about her young adult verse novel, The Way the Light Bends, which was published by Philomel Books earlier this year.

      

Cordelia is represented by Sara Crowe. Okay, let’s strap on our gab bag and talk to Cordelia!

El Space: Four quick facts about yourself?
Cordelia: (1) I grew up in Manhattan where Skyscraping and The Way the Light Bends take place.
(2) Currently, I live in a neighborhood in Northwest Philadelphia where Every Shiny Thing, the MG book I co-authored with my friend Laurie Morrison, takes place.


(3) I’m the mom of boy-girl twins. They just started seventh grade! Eep!
(4) Along with an MFA in Writing for Children & Young Adults, I have a MEd in School Counseling and a certificate in Family Therapy. Although I don’t actively use my counseling degree, I do think it comes in handy as an author!

El Space: You are having a busy year, with the release of Every Shiny Thing, and The Way the Light Bends. What, if anything, did you find most challenging in the writing of your verse novel?
Cordelia: The book was sold on proposal and I had never done that before. So, it went through a lot of different drafts and stages. At one point, which you know already since you read it at that stage, the book was actually a dual POV between the two sisters, Linc and Holly. Probably the hardest part of the process was writing Holly’s POV and then cutting it. But, in the end, it helped me get to know her so much better and I hope the book reads more authentically from me having spent that much time getting to know Holly’s journey.

El Space: Linc and Holly’s relationship as sisters is very poignant, as is Linc’s relationship with their mom. Please tell us how you came to write about these relationships and their conflicts.
Cordelia: The idea for the book first came to me from hearing a story on NPR about Seneca Village. When I heard the story, I immediately saw two sisters—one white, one black; one biological, one adopted—wandering Central Park. I knew they used to be close but were very disconnected and that part of the work of the story would be them finding each other again.

When my twins were little, I used to write articles for a publication about multiples and once I interviewed “virtual twins” for one of these articles. That idea of kids being just a few months a part but raised in the same home as twins, always stayed with me as a really fascinating family dynamic. Competition is often an issue in a twin dynamic and I guess I think that can often be encouraged or discouraged due to parental style. In this case, I wanted to write about a parent who favored one girl so much over another that she was doing serious damage to virtually everyone in the family. The mom is clearly the antagonist in The Way the Light Bends, although it feels to Linc sometimes that Holly is I think. The reasons behind the mom’s behavior though wasn’t clear to me from the beginning. I had to write myself into a place of understanding her and her behavior.

This story is about sisters but, in a way, it is almost as much about how parents can impact the self-esteem of their children.

El Space: Linc is a photographer. I loved the photography imagery you used in the titles of the poems and elsewhere in the book. Why did you choose that art form for Linc?
Cordelia: Thanks! It was fun to learn more about photography, as my mom is a professional photographer, but I didn’t know a lot about the technicalities of the art before writing The Way the Light Bends. Honestly, it didn’t feel like I chose it. When her character came with me, her camera came too!

El Space: When we talked about your other novel in verse, Skyscraping (click here for that interview), you mentioned that astronomy was a theme, and that playing with space in poetry is important. What was important to you theme-wise in this book? Why?
Cordelia: It was very important in this book that the verse reflected Linc’s imaginative and artistic personality and viewpoint. So, I played with white space even more than I normally do and saw some of the image construction as actually the way she sees the world—if that makes sense. Like, there is less metaphor, though there is some, and more of a fantastical way of actually seeing the world. Sort of like La La Land, where it is harder to distinguish what is happening and what is in the character’s imagination. I also played around more with fonts!

El Space: You teach creative writing. What to you are the ingredients of a great verse novel? Or are those easy to pinpoint? Why or why not?
Cordelia: I think any verse novel needs to use poetic elements to create an overall narrative to be considered one. I think a great verse novel has to play with white space, play with language, and use imagery, while having a strong handle on plot, setting, character development, etc.

El Space: Who are some authors who inspire you?
Cordelia: I guess my favorite authors write lyrical, coming-of-age stories that are both beautiful and sad. So, I love writers like An Na and Jandy Nelson. I also have really enjoyed Celeste Ng’s books, though she technically writes for adults.

   

El Space: What will you work on next?
Cordelia: I have started a middle grade book, a young adult book, and a picture book—all in verse! And Laurie and I are also working on collaborating on a project again.

Thank you, Cordelia, for being my guest.

Looking for Cordelia? You can find her at her website, Twitter, Instagram.

The Way the Light Bends can be found at your local bookstore, Amazon, Barnes and Noble, and Big Blue Marble Bookstore. But one of you will be given a copy of this verse novel just for commenting. I will say it in rhyme!

One of you will win this book.
Leave a comment that’s worth a look.
Come on the twenty-fourth, and you will see
who the winner of the book will be.

Author photo courtesy of Cordelia Jensen. Book covers from Goodreads. Camera image from cliparting.com. lifeasahuman.com. Seneca Village images from roadtrippers.com and Pinterest.com. La La Land movie poster from backstageol.com.

Guest Post by Phillippe Diederich: Writing from the Heart without Flinching

Today it is my privilege to present this guest post by by Phillippe Diederich, author of Playing for the Devil’s Fire, a young adult novel published by Cinco Puntos Press. This is part of an ongoing blog tour celebrating the release of Playing for the Devil’s Fire. Stayed tuned afterward for the giveaway news.

25330167   phillippediedrichbyselinaroman

I write from the heart. I fall in love with my characters and try and help them navigate the conflicts they encounter. I do not shy away from subject matter, whether it’s poverty, drugs, war or crime because this is reality. And I have something to say about it. That’s why I write.

The U.S. has been at war in Afghanistan for more than 14 years, but we don’t experience it the way Afghans do. Imagine having attacks like 9/11 happening every day in different parts of our country, year after year after year. That’s the reality of war.

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It’s the same with crime and drugs and poverty. In Mexico, the drug war has killed more than 100 thousand people in a little more than a decade. Most of the weapons used in this so-called war come from the U.S. And the market for the drugs is the U.S. Whether we like it or not, we are complicit in this war. And yet what we see and hear in the news is statistics, glorified prison escapes, arrests, and major drug busts. We never hear about the individuals who are suffering the consequences of government policies. We never hear about the mothers and fathers and sons and daughters who fight and suffer just to survive another day.

mexico-map

In my novel, Playing for the Devil’s Fire, I wanted to address the problems in Mexico, more specifically, the violence and impunity that happens every day. When I wrote the story, I had to make it as real as I could without going overboard. I did not want to place the narcos as simple bad guys, but as individuals who have families just like their victims. I also didn’t want to glorify them or the violence or create unrealistic scenarios, because I would be doing a disservice to the victims of the violence many Mexicans are living every day.

I don’t believe writers should self-censor, and I don’t think we should hold back when trying to write for teens. I think teens are much smarter than we give them credit for. We shouldn’t sanitize the stories we want to tell.

When I was in the seventh grade I read an incredibly powerful memoir by and African-American. I want to say it was Nigger by Dick Gregory, but I’m not sure. It was a shocking book that dealt with a lot of tough issues. But it showed me a world I knew nothing about. It also showed me the power of the written word. I won’t say that book changed my life, but it did open my eyes to reality in a way no other media did.

dick_gregory_2015

But I must make it clear that I don’t write to shock. I don’t think Playing for the Devil’s Fire is shocking in a gratuitous way. But I do think the reality that Boli, the main character, is living through is as real as what many Mexicans are experiencing. As a matter of fact, I think the horror of the victims of the drug war are going through—especially the people on the sidelines—is much worse.

When I first set out to write Playing for the Devil’s Fire, I had been reading a lot about the drug war and what was happening in Mexico. I love Mexico. I grew up there. So I was truly heartbroken as I lay down that first draft. I wanted to put a face to the statistics. I didn’t think of my audience for the book. Instead, I left it all to Boli. He guided me. Everything I wrote, I got from him—I saw it through his eyes. I was just hitting the keys on the typewriter.

If you read the book, you will find something to like in many of the characters, even in Zopilote and Ximena and Chato and Pepino. They’re only trying to survive as best they can. People are generally good, but greed and the glorification of violence on TV and popular culture can seduce even the best people.

Everything that happens in Playing for the Devil’s Fire, especially the end, it is not easy. But life is not easy.

I can only write about the reality that I know, the one that tugs at my heart. It’s not that I want people to feel the pain I feel, or about being sentimental. I just want people to join me in condemning the horror that is taking place all around us. If this is not the task of a writer, then what is?

Phillippe Diederich was born in the Dominican Republic and grew up in Mexico City and Miami. He is the author of Sofrito and Playing for the Devil’s Fire. He lives in Florida with his wife and three teenage children and their neurotic dog, Toby. Whenever he’s not writing, Diederich is helping with homework, cooking dinner, or fixing the plumbing in the house.

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One of you will win a copy of Playing for the Devil’s Fire simply by commenting below. Winner to be announced on September 19.

Next up on the Blog Tour: Check out an excerpt, review, and guest post at Mom Read It—https://momreadit.wordpress.com on September 13.

Author photo by Selina Roman. Book covers from Goodreads. Mexico map from ezilon.com. Dick Gregory photo from Wikipedia. War quote from geckandfly.com.