Check This Out: The Worst Fairy Godmother Ever!

Today Sarah Aronson is in the hizz-ouse. She is an author, teacher, mentor, and all around awesome person. She wears a ton of hats, some I haven’t even mentioned! She’s here to talk about book 1 in her Wish List middle grade series, The Worst Fairy Godmother Ever! which was published by Scholastic with covers illustrated by Heather Burns.

      

Sarah has written these young adult novels . . .

   

. . . and is represented by Sarah Davies. Now, please give it up for Sarah!

El Space: Four quick facts about yourself?
Sarah: I am the oldest of three sisters, but was no Clotilda!
My first favorite book was The Carrot Seed. I am still an effort girl—not so much into momentum.


I met my husband when I mistook him for someone else, and before I could stop myself, kissed him on the cheek.

I am very fond of shoes! And handbags!

El Space: This book is very different from your other novels. What inspired you to write it?
Sarah: A lot of people have been asking me that. The short answer is, I wrote this for myself. For fun! The idea made me laugh. I like the idea of fairy godmothers, and I wanted to see if they still fit into my feminist mindset. When I thought about them, I realized: they didn’t do that much! And that today’s princess needed a godmother with more skills. Training was imperative!

But I also wrote it because I had come to a turning point in my writing life. Up until September 2014, I was a writer who grappled with tough topics. I went for it all—unlikable characters, themes filled with conflicts, questionable morals, provocative endings. Although I found these books grueling to write, I told myself that the work was worth it—these characters and ideas were calling me. And up until then I felt pretty good about it. I had a great agent. There were editors willing to read my next WIP. My family might have been confused about why I wrote such dark, sad books, but they supported me. 100%. I was not deterred by the mixed reception my last novel received.

That changed, when I got some bad news that had followed other bad news: the editor who loved my newest WIP—a story I had taken two years to write—could not get it past the acquisitions committee. The novel needed to go in a drawer. I began to doubt myself. I don’t know a writer who hasn’t experienced doubt and fear, and yet, when it happened to me, I felt unprepared. I wondered if perhaps my writing career was coming to a close.

Lucky for me, I was at the Highlights Whole Novel Workshop, and I was surrounded by friends. I also had the best kind of work to do—writers to counsel—writers who trusted me to help them work on their novels. I had to get over myself fast. I had to stop worrying about my ego. Product. News. All those obstacles. I had to embrace creativity the way I had when I first started writing.

So right there, I gave myself a challenge: For the next six months, I was going to PLAY. I was going to reclaim my intuitive voice. I wasn’t going to worry at all about finishing anything.

My only goal was to work on projects that made me happy—books that my ego had convinced me I couldn’t/shouldn’t write: picture books, humor, essays, an adult novel, poetry, and most important, my peach sorbet: a chapter book about a very bad fairy godmother. For six months, I was going to write fast. I was not going to edit myself. I was going to focus on accessing my subconscious with drawing and writing and listening to new music and having fun. If I liked an idea, I was going to try it. I was going to eat dessert first. In other words: think less. Smile more.

In my newsletter, i wrote about this a lot. How freeing it was. How happy I felt to be writing for the sake of story and nothing else.

When I was done, I had written a lot of terrible manuscripts. But some held promise. I dipped back into the revision cave. When i was done, The Worst Fairy Godmother Ever sold. So did a picture book biography about Rube Goldberg. And I was once again a writer with a lot of energy and ideas.

El Space: Please tell us about the girlgoyles—what they are, and how you came up with them.
Sarah: The girlgoyles came from a great moment of inspiration. Isabelle’s safe space—her cozy spot—is up at the top of Grandmomma’s tower. I pictured that tower like the churches of France and England—with ornate architecture. And gargoyles. Of course, this was a world of all women and girls. I couldn’t believe it—they weren’t gargoyles. They were girlgoyles!!! Even they don’t talk—they can’t, they’re made of rock—they are Isabelle’s friends. They’re really good listeners.

   
Illustrations by Heather Burns

El Space: How is Isabelle, your fairy godmother protagonist, like you? Different from you?
Sarah: Oh, my mom would love to answer this one!!! But since she’s not here, I’ll tell you: I was not the best student. I still have a hard time paying attention and I never read the fine print. I learn more by doing. Just like Isabelle, I can be a bit impulsive. And just like Nora, I can take things WAY too seriously!

El Space: In a Psychology Today article, “Why We All Need a Fairy Godmother,” the author gave some characteristics for the ideal fairy godmother:

The fairy godmother (or “guidemother”—or, for that matter,“guidefather”) that I have in mind here is one that would encompass a broad array of caring, nurturant qualities: such as empathy, compassion, understanding, trustworthiness, and respect.

I couldn’t help thinking of the list on the synopsis for your book. Why do you think fairy godmothers are such nurturing icons in literature?
Sarah: In theory, I think we all love the idea of a fairy godmother, a nurturing character that makes us happy and wants nothing else in return. But the truth is, there is nothing more satisfying than making the world better! Already, I have spoken to readers who want to be real-life fairy godmothers. I made a Wish Wall for families and classrooms who want to establish “Be a Fairy Godmother” programs.


I believe that today’s fairy godmother needs compassion and kindness, but also gusto! A big, big heart is essential, too. When you think about it, it’s sort of like writing a book!

El Space: What do you hope your readers will take away from this book?
Sarah: First, I hope they laugh! I laughed a lot writing it. But to be serious, I hope they’re excited about sharing the sparkle and helping each other!!! Today’s world needs fairy godmothers. Empathy makes us all happily ever after. Right?

El Space: Yup! What will you work on next?
Sarah: Well, we just released the cover of book two, Keep Calm and Sparkle On! I’m getting ready to revise book three, and book four is not far away. I’ve also got a picture book biography to finish and a brand new peach sorbet to play with. For now, that’s a secret!

Thank you, Sarah, for being such an inspiring guest!

Want to find Sarah online? Check out her website, Facebook, Twitter.

The Worst Fairy Godmother Ever! can be found at Amazon, Barnes and Noble, and Indiebound.

But I will be a fairy godmother to one of you! Poof! You’ll find a copy of The Worst Fairy Godmother Ever! at your home! But first, you have to comment to be entered in the drawing! Winner to be announced on June 19.

Lippy Lulu and Kirstea are excited about Sarah’s series. They’re wondering how they can get a fairy godmother.

Author photo and Wish List series covers courtesy of the author. Other book covers Goodreads. Fairy godmother from clipsarts.co. Magic wand from clker.com. Creativity image from weerbaarheidlimburg.nl. Peach sorbet photo from dessertbulletblog.com. Shopkins Shoppie dolls Kirstea and Lippy Lulu by Moose Toys. Photo by L. Marie.

Suits Me to a “Tea”: A Birthday Gift for You

free-giftI had a great birthday weekend. (If you’re totally confused about that sentence or its relevance, read this post.) Friends and family treated me to three great meals during which I ate more than a human being should ever ingest and still hope to retain the ability to stand.

Since I had such a great time and am very full, I want to share the wealth. Before you recoil due to the belief that I’m about to do something disgusting (like provide a photo of myself with gross, chewed food in my mouth ala what my older brother used to do when we were younger), let me quickly reassure you, starting by reminding you of the tea I received as a birthday gift.

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In a minute, I’ll tell you why I brought that up. But first, a quick word about a meeting I attended this past Saturday—the quarterly meeting of my SCBWI chapter. Our speaker talked about e-publishing and mentioned that some of her friends can write 100,000 words a month and therefore produce several books a year. The speaker also had a couple of projects of her own and hoped to squeeze in a third later on.

As I listened, my first thought was, I have a hard time finishing one project. But today, I realize that I’ve convinced myself that I have this limitation. When pressed, I can produce way more than my current level of output, as I’ve done in the past.

It’s funny how you get used to a certain level of activity (or inactivity). There was a time when I wrote three books in a year, because the book packager I worked for had extremely tight deadlines and demanding clients. When I stopped working there, I convinced myself that I was now free from the pressure to produce, and therefore, could focus on quality. But that was an excuse to slack off. I can’t say my quality increased when my output severely dropped. I can, however, put a name to this state of affairs:

Inertia is the resistance of any physical object to any change in its state of motion, including changes to its speed and direction. In other words, it is the tendency of objects to keep moving in a straight line at constant linear velocity. The principle of inertia is one of the fundamental principles of classical physics that are used to describe the motion of objects and how they are affected by applied forces. Inertia comes from the Latin word, iners, meaning idle, sluggish. (Wikipedia)

Having tight deadlines on the job or in graduate school helped establish the discipline of regular writing. Being forced to crank out a certain amount of words every week (for some projects, no less than 10,000—12,000 words) pushed me past my comfort zone. I grumbled, but I met the deadlines. So why do I settle for less now? Picture me shrugging or sitting slacked jawed. The only limits I have currently are the ones I’ve placed on myself due to doubt, fear of failure, or fear of rejection. It’s time to go beyond those limits and reach for the sky.

Number-2-iconNow, about that giveaway: I thought it would be fun to give away something I was given for my birthday. (Um, no, I don’t plan to regift a gift.) I’m giving away two (new) tins of chocolate mint tea, one per winner. Why two? Because I’m writing a duology and 2 is the magic number. Sadly this has to be a domestic, rather than an international giveaway. But if you live abroad, don’t worry. There will be other giveaways.

If the thought of chocolate mint tea gives you the hives, I’m willing to go this route:

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Wondering how you can win one? Just comment below. Share how you’re willing to push yourself past your comfort zone in order to achieve a goal. Winners will be announced on Monday, May 5.

Here’s another gift from me to you, along with these special words of advice:

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Cinnamon sunset burst tea from Target.com. Number 2 image from iconarchive.com. Gift image from thebeautyroom.co.uk. Cat from LOL Cats.