Ever audition for anything? If you’re a musical artist, perhaps you’ve auditioned for an orchestra, a band, a choir, or some other venue. Perhaps as a visual artist, you’ve auditioned for illustration, animation, or Web design work. Or maybe you’re an actor who regularly makes the rounds of auditions for plays, commercials, or movie gigs.
Writers, especially freelance writers, also have to audition. Like for work-for-hire gigs. That’s what I’ve been doing a lot lately. (Querying an agent or publisher about a manuscript is another form of auditioning. Been there, done that recently, too.)
If you’re unclear about the notion of work-for-hire projects in the book publishing world (and I shouldn’t assume that everyone knows all about it), in general, this is a contract you sign for a project that nets you a one-time fee, rather than an advance on a royalty. For example, fiction, nonfiction, ghostwriting—you name it. Some work-for-hire projects (but not all, mind you) have led to others that paid an advance. This happened to me awhile ago when I co-wrote a book with a friend. (Another post on someone who auditioned for a writing project can be found here.)
Um, this is not exactly what I mean.
But I couldn’t resist posting this picture.
Even though someone recommended me as a possible book writer or regular article contributor, and I have experience in, say, writing books for kids ages 4–8, I still had to audition by submitting a writing sample to the editor or project manager working for a publishing house or book packager. This is a very humbling process. I have much more respect now for actors, illustrators, and musicians who go through many, many auditions. Which means they might hear “no” a lot. But you have to wade through a lot of “no’s” before you get to the yeses.
After two of my latest auditions, I was told, “Submit a rewrite.” Sounds promising, right? I have a second chance to make good. Perhaps the rewrite phase can be compared to an acting “callback.” I burned the midnight oil to finish two rewrites. Which is why I didn’t post on Monday.
Preparing for other auditions (writing, querying) is the best way I know to pass the time as I wait for the results of other “callbacks.” Well, it beats my usual coping mechanism: consuming mass quantities of chocolate.
Does taking on a work-for-hire project mean I’ve given up on the projects I’ve initiated? Nope. But it is a way to gain an income and continue doing what I enjoy doing: writing.
For what, if anything, have you auditioned?
For what, if anything, are you waiting these days?
Audition sign from smkclaven.wordpress.com. Work-for-hire sign from Pinterest. Callback sign from projectcasting.com.