In the comments section of my last post, I threatened to write a post about graphic novels. Here it is. If graphic novels aren’t your thing, I’ll save you the trouble and give you the punch line: It fits the theme of the last post.
I’ve mentioned in other posts that I grew up reading comic books. But I have my father to thank for my love of comics in general. He always read the comics in the newspaper. Following in his footsteps, I read them too. So, it’s only natural that I would gravitate to the graphic novel. I haven’t written one, though I’m a fan of the form. If you saw my bookshelves and living room floor, you’d believe that instantly.
Years ago, while searching on Amazon for graphic novels, I was surprised at how appalled some individuals were that authors like Jim Butcher and Patricia Briggs wrote graphic novels for their urban fantasy series for adults. (I have one of Jim Butcher’s graphic novels on my shelf—Welcome to the Jungle, illustrated by Ardian Syaf.) Some individuals voiced their complaints, which boiled down to “graphic novels are just comics” or “graphic novels are for kids.” Expressions of disdain.
Because I grew up in a house with an adult who loved comics, I’ve never understood the prejudice against them. I admit I’m biased about them, since at one point I wanted to be an illustrator. But I’ve never thought of comic books or graphic novels as solely “for kids.”
I’m not certain what age range is meant when commenters talk of kids and graphic novels. Middle grade kids or younger? Many graphic novels were written for kids, including
• Jeff Smith’s Bone series
• The Dragonbreath series by Ursula Vernon
• The Amulet series by Kazu Kibuishi (He’s the illustrator of the new covers for the Harry Potter series.)
• Drama by Raina Telgemeier
• A Wrinkle in Time: The Graphic Novel—an adaptation of A Wrinkle in Time, illustrated by Hope Larson
• Sidekicks by Dan Santat
• The Secret Science Alliance and the Copycat Crook by Eleanor Davis
• Cardboard by Doug Tennapel
And there are many others. By the way, the Bone series won 10 Eisners, which Wikipedia describes as “the Comics Industry’s equivalent of the Oscar Awards.” It also won 11 Harvey Awards. I had to look those up:
The Harveys recognize outstanding achievements in over 20 categories, ranging from Best Artist to the Jack Kirby Hall of Fame. They are the only industry awards both nominated by and selected by the full body of comic book professionals.
Telgemeier also was nominated for an Eisner, but for another of her graphic novels—Smile.
Perhaps teens are the audience some would assign to graphic novels. Many graphic novels were written for young adults, including
• Anya’s Ghost by Vera Brosgol
• American Born Chinese by Gene Luen Yang
• Page by Paige by Laura Lee Gulledge
• Nothing Can Possibly Go Wrong by Prudence Shen & Faith Erin Hicks
• Friends with Boys by Faith Erin Hicks
And there are many others. But I can’t believe anyone with the “graphic novels are just for kids” belief has ever cracked open Watchmen written by Alan Moore and illustrated by Dave Gibbons (or basically any other graphic novel by Alan Moore); Neil Gaiman’s Sandman series; Batman: Year One by Frank Miller and David Mazzucchelli or any other Frank Miller graphic novel; Persepolis: The Story of a Childhood and Persepolis 2: The Story of a Return by Marjane Satrapi; Blankets or Habibi by Craig Thompson; or the Fables series by Bill Willingham. And I certainly can’t believe anyone who would sneer at graphic novels as if they were a lower life-form has ever read Watchmen, which appears on some best novels lists, or American Born Chinese, which won the Printz Award in 2007—the award for best young adult novel.
Perhaps the graphic novels’ position in the library leads some to conclude that they’re “just for kids.” At the library close to me, graphic novels are shelved in the teen section.
Anyway, I can understand that graphic novels are an acquired taste. Either you like them or you don’t. But why put down a hard-working author/illustrator team simply because they elected to add another form to broaden the appeal of a series? Is the belief that graphic novels add to the “dumbing down” factor of this country (and I’ve heard that opinion expressed in regard to some colleges which have courses on graphic novels) at the root of the prejudice toward them? I’m not really sure. So, I’m asking you. Have you heard anyone voice this opinion? What’s your belief?
Book covers from Goodreads