Resilience

Happy Post Easter/Resurrection Sunday!

Chag Pesach Samech!

See this? This might look like an ordinary budding tree to you, but to me, this is a cavalry charge.

This year, winter seemed to linger like a bad odor. Palm Sunday looked like this.

Winter’s (hopefully) last gasp. But the cavalry is here. Winter is defeated! Don’t let the door hit you on your way out, Winter.

Look at these flowers. They made it through last week’s snowstorm. So did we, like we made it through the Polar Vortex’s visit earlier this winter. (Polar Vortex, you will not be missed. Don’t write and don’t text. I will not accept your calls.)

The Seder I attended on Good Friday was another reminder of resilience, as the story was told of the Exodus led by Moses after the people of Israel were released after hundreds of years of slavery. (Check out Exodus chapters 5—15 in the Bible for that.)

This brings to mind the resilience of many during wars and other horrible events. (Columbine [check out Laura Bruno Lilly’s blog post about that], the Manchester arena bombing in 2017, and the recent fire at Notre Dame come to mind.) Perhaps in events like the above you felt like you survived by the skin of your teeth, barely holding on to hope. Hardly a triumphal march, you think. Yet you’re holding on. That is victory.

With the coming of this Easter, my family is especially grateful for the resilience of one of our own, whose sudden onset of mysterious seizures led to two recent hospital stays. For many days we waited by the bedside, hoping, praying. And now we rejoice at the release from the hospital.

This is sort of an awkward segue to the announcement of the winners of Caroline Carlson’s The Door at the End of the World. (See this post for an interview with Caroline.) But in a way, it isn’t. Caroline’s book is about adventures at the end of something. Easter and Passover are reminders of the adventure at the end of struggle and heartbreak. Reminders of the promise of a new life, a new beginning.

  

So, the first winner, thanks to Random.com, is . . .

Is . . .

Is . . .

Is . . .

Is . . .

Sharon Van Zandt!

The second winner is . . .

Is . . .

Is . . .

Is . . .

Is . . .

Marian Beaman!

Sharon and Marian, I rejoice with you! Please comment below to confirm.

  

Cross image from christianitymalaysia.com. Passover greeting image from americangreetings.com. Other photos by L. Marie.

Check This Out: The Door at the End of the World

Hello! Help yourself to a breakfast pastry and have a seat. With me on the blog today is the awesome Caroline Carlson, who is here to talk about her middle grade science fiction novel, The Door at the End of the World, which debuted on April 9.

  

The Door at the End of the World was published by HarperCollins. Like the cover? The cover artist is Poly Bernatene.

Caroline is represented by Sarah Davies. She also is a member of steaMG. See this post about that organization. Be sure to stay till the end for information on a giveaway of this book. Yeah!!!!! Now let’s talk to Caroline!

El Space: Four quick facts about yourself?
Caroline: (1) I love to bake because baking feels like the exact opposite of writing a book: you just follow the instructions in the recipe, and a few hours later, you have a finished product! Books don’t work that way at all.
(2) My least favorite noise is the sound that Styrofoam makes when you lift it out of a cardboard box.
(3) When the zombie apocalypse comes, I would prefer to be one of the first people eaten so I don’t have to deal with all the stress of trying to survive in a zombie-ridden dystopia.


(4) I have been told that I have natural ghost-repelling qualities.

El Space: Wow! An awesome ability to have! You’ve written books about pirates and detectives. Now you’ve written a portal story. C.S. Lewis once said that a faun carrying an umbrella was the image that started his writing of The Lion, the Witch and the Wardrobe. How did The Door at the End of the World come to be? Is this a stand-alone or the start of a series?


Caroline: The Door at the End of the World came to me in a way that most stories don’t: It started with the title. I’d been wondering what it would be like to write a book about the end of the world, and then I thought, What if the end of the world isn’t an event? What if it’s a place? What if it’s where our world meets the next world over? And what if there were a door between the two worlds that you could travel through? Would you need a passport? Would someone stand guard at the end of the world to make sure people weren’t sneaking through the door illegally? What if there were a whole series of worlds, all connected by doors, each with its own unique characteristics? The story really took off from there. It’s a stand-alone novel, but I barely scratched the surface of some of the eight worlds my characters visit, so maybe I’ll set another story in this universe someday.

El Space: Without giving any spoilers, what can you tell us about your world building and how you came to develop characters like Lucy and the worlds mentioned in your book?
Caroline: There are eight different worlds in the book: a magical world, a high-tech world, a world covered in oceans, another world that’s full of cows, and our own world, just to name a few. Each of the worlds is special in its own way, but the world called Southeast, where a lot of the action is set, is a little bit . . . ordinary. Lucy, the heroine, is a little bit ordinary too. It’s her job to file papers and stamp passports at the end of the world, but she doesn’t get to go on any grand adventures, and she knows she only got the job because her parents and her older brother are very famous and important. Over the course of the story, though, Lucy meets a couple other ordinary kids, and they discover together that even though they’re not famous or important, they’re capable of doing truly extraordinary things—like saving eight whole worlds from destruction.

 

El Space: That sounds awesome! How did the process of writing this book compare to the writing of The World’s Greatest Detective or any of your Very Nearly Honorable League of Pirates books?
Caroline: I’m usually the sort of writer who plans a book before I start writing. I outlined each of the three novels in my Very Nearly Honorable League of Pirates series, and I had to make an extensive and complicated outline for The World’s Greatest Detective, which is a murder mystery. When you write a mystery, you need to know exactly how the crime is committed, how the criminal will cover their tracks, where all the clues and red herrings will appear, and how the detective will put together all the pieces to arrive at the solution. I can’t imagine writing a book like that without planning in advance!

    

    

When I wrote The Door at the End of the World, though, I didn’t outline at all. Most days I’d sit down to write without knowing what was going to happen next in the story. For a writer like me, who loves structure and planning, it was kind of a terrifying experience. But it was also invigorating, like reading a favorite book for the very first time. I didn’t know what would happen on the next page, but I kept writing because I was excited to find out. Fortunately, it all came together in the end, and a few rounds of thorough revision with my editor helped to make the story nice and tidy.

El Space: Kirkus likens your book to those by Diana Wynne Jones and Eva Ibbotson, How do those comparisons make you feel?
Caroline: That was one of the nicest compliments I’ve received on my writing. Both women are among my literary heroes, and Diana Wynne Jones’s work in particular was a huge inspiration for The Door at the End of the World. As a young reader, I sped through her Chrestomanci books—a series of stories set in linked parallel worlds that were painted so vividly—I felt as if I’d visited those magical worlds myself. The worlds-wide adventure that my own characters embark on is very much intended as a tribute to Diana, and I hope that readers who love her books as much as I do will enjoy this story, too.

    

El Space: What will you work on next?
Caroline: I’m not sure what my next published book will be, but right now I’m working on another middle grade fantasy novel that’s full of magicians, spies in hot-air balloons, and an opinionated talking goat.

Thanks, Caroline, for being my guest.

Looking for Caroline? Check out her website, Facebook author page, Twitter, Instagram, and steaMG.

The Door at the End of the World can be purchased at your local independent bookstore, as well as Amazon, Barnes and Noble, Indiebound, and Powell’s. But two of you—that’s right, two—will be given a copy of this book, simply by commenting. Winner to be announced on the day after Easter—April 22!

Henry is hoping that this door will take him to one of the worlds described in Caroline’s book. I fear that he is doomed to disappointment.

P.S. My heart goes out to the citizens of Paris and those all over the world saddened by the recent fire at Notre Dame Cathedral.

Author photo and book cover courtesy of Caroline Carlson. Author photo by Amy Rose Capetta. Other book covers from Goodreads. Zombie from somewhere on Pinterest. Henry photo by L. Marie.

Is Your Writing “Real”?

Before I get to the topic addressed in the title, let me take care of a little business first. To choose the winner of the $20 Amazon card for use in purchasing Believe by Sarah Aronson, I turned to the Random number generator instead of drawing a name out of a box. (If you’ve reached this blog for the first time and are totally mystified, click here to learn more about Sarah.)

believeLooks like everything’s coming up . . .

Brickhousechick!

Congratulations, Brickhousechick! Please comment below with your email address or contact me at lmarie7b(at)gmail(dot)com.

Okay, now I’ll tell you what else has been on my mind lately. First, let’s travel back in time a bit. Picture in your mind large dinosaurs roaming the earth. (Feel free to think of the movie Jurassic Park, if that helps.) I was an undergraduate then, writing genre fiction. But in my critique group, genre fiction wasn’t exactly celebrated, nor was writing books geared toward an audience of kids.

“That’s not ‘real’ writing,” several members of the critique group informed me.

I touched the paper on which my story had been printed. It felt real to me.

“Real writing is writing for adults. Anyone can write for kids.”

I heard sentiments like that expressed over and over through the years. The implication was that writing with “literary merit” (whatever that may mean) can only be found in books for adults.

I stopped writing genre fiction or stories for kids for many years and wrote novels for adults. Now, I shudder to think of the manuscripts I wrote—sad, pretentious things they were—in my quest to be “real.” Don’t get me wrong. I like adult fiction. I just know my heart was in none of those manuscripts.

Velveteen-Rabbit-and-Skin-HorseAs I ponder the question of what “real” writing is, I’m reminded of a quote from The Velveteen Rabbit by Margery Williams (illustrated by William Nicholson). If you’ve never read that classic story, you can read it here. The Rabbit asked a question of the Skin Horse, another toy in the nursery.

“What is REAL?” asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. “Does it mean having things that buzz inside you and a stick-out handle?”

I love the Skin Horse’s response:

“Real isn’t how you are made,” said the Skin Horse. “It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.”

Some might discount the love a child has for a book or a toy. They cite the fact that children don’t have fully formed frontal lobes or the fact that kids often like interesting mixtures of things—like peanut butter and eggs or peppermint and pickles. But how many of you readily recall books you loved as a child—books that were a formative part of your life? And judging by how well received the Toy Story movies have been, many people have fond memories of old toys.

My entire life changed when a librarian handed me a copy of A Wrinkle in Time by Madeleine L’Engle. In case you’ve never read this blog before (I’ve written about this experience before) or have never seen this book, let me school you: this is a science fiction book for kids. A Newbery-award winning science fiction book for kids, in case you’re of the belief that writing a book for kids isn’t all that challenging, since even a ferret could be trained to write one. (If you truly believe that, I’ve got some swamp property to sell. . . . See me after this post.) I decided to join the ranks of writers then and produce the types of stories that transformed my existence as a kid.

So, what is “real” writing? That which is that life changing, life giving, life affirming. Whatever turns a light bulb on in your head, puts a spring in your step, or makes you laugh or weep with joy. Whatever you LOVE—whether it’s science fiction, fantasy, humorous contemporary fiction, historical fiction, poetry, chick lit, guy lit, graphic novels, nonfiction—that’s “real.” Because writing what you love makes it so.

Velveteen Rabbit image from word-ink.net