Check This Out: In Brigantia

It’s raining authors around the blog! Today, the amazing Andrew Murray (or Andy as many of you who know him and follow his blogs, City Jackdaw and Coronets For Ghosts, call him) is here to talk about his latest poetry collection, In Brigantia. (His first was Heading North, which we talked about here.)

  

Stick around after the interview to learn about a giveaway of this collection. Now, let’s talk to Andy.

El Space: Four quick facts about yourself?
Andy: Thank you! (1) I’m (at least) the fifth generation of Murray born in Manchester.
(2) My favourite place is Orkney.

 

Photos by Andy Murray © 2019

(3) A big Whovian, I once stumbled across a scene being filmed for the Doctor Who 50th Anniversary episode, and was totally unaware of it until it aired on TV.
(4) My dreams begin while I’m still awake.

El Space: Please tell us how you came to choose the theme you chose for In Brigantia.

12294646_10153732827966740_3177437019818522964_nAndy: The title of the collection takes its name from the opening long poem, ‘Brigantia’ being the territorial name of northern Celtic tribe the Brigantes. Being northern myself, the poems are either set in, or were written in, that same area, though set in the modern day. My writing is often rooted in place.


Romano-British Brigantes map

El Space: How long did it take to complete this collection?
Andy: I never started writing with a collection in mind. I continued to write individual poems following the publication of Heading North in late 2015 and eventually, when I had a considerable number, I began to go through them with an eye on bringing some together in a new book.

Along with the post-2015 poems, there are three older poems also included, one dating back to the September 11th attack, when I received a postcard from a close friend of mine, on that very day, telling me that she was in New York and going to go up one of those towers. It shook my complacency about our friendship. That friend is now my wife.

El Space: Wow! What a great story! What’s your process for writing a poem? How do you know when a poem is “done”?
Andy: I never sit to write a poem; words and lines tend to come to me when I’m out and about doing other things. I take a note of them and they grow from there; it’s quite organic really. Knowing when they are ‘done’ is an instinctive thing, just a feeling I get. As with all writing, I guess, it’s a subjective process. I was sat in a coffee shop watching a guy working the room, trying, unsuccessfully, to chat up the girls who were in there, and straight away I got every single line for ‘Romeo of Lever Street,’ written on the handy notes section of my phone. That also comes in useful for phrases that come to me when on the edge of sleep.

El Space: Amazon’s description of this collection mentions historical royalty like Queen Cartimandua and Hollywood “royalty” like Marilyn Monroe and Tom Cruise. How did these individuals come to be in this collection?

  

Andy: There’s a story to the Monroe one. I was on a train journey, listening to an audio drama over headphones as we approached the next station. As the train pulled in, the guard announced, “The next station, ladies and gentlemen, is Mytholmroyd.” I really thought, above the story that I was tuned into, that what had been said was “Ladies and gentlemen: Marilyn Monroe!” I pulled my headphones off, “What?!” Looking wildly through the window to see exactly where we were. In my defence, I was also due to have my ears syringed soon at the local surgery, but still-—Monroe! I thought to myself ‘Wouldn’t that have been a sight for a Thursday morning?’ And that’s how ‘Mytholmroyd’ came into being.

Photo by Andy Murray © 2019

As for Cartimandua, she was the queen of the Brigantes tribe. Her name translates as ‘sleek pony,’ and that’s how I came up with the cover image for the book.

El Space: Which poem(s) in the collection had the most difficult birth?
Andy: ‘Hanging On ‘Til Morning.’ With this one I went against my usual writing process, mentioned above, looking to write lyrics instead of waiting for the lyrics to come to me. I say lyrics, because this originally was for a friend who is in a band and had asked for help in coming up with words for a song. I got carried away, imagining all sorts of melodies and chord changes before I came to my senses and reigned myself in. Music is his talent, not mine, so I gave him what I’d written and told him to adapt it however he wanted to fit what he was doing.

El Space: Which poets or other artists inspire you?
Andy: There are many. Different poets speak to different people. I like Kenneth White—he writes about the things that inspire me. Now in his eighties, I mentioned him in the foreword to Heading North and received a letter from him wishing me well upon my own journey, which was wonderful. I also like Werner Aspenström, but need to brush up on my Swedish as there is only a limited amount of his work translated into English.

  

  

El Space: What will you work on next?
Andy: I will be turning to fiction next. A new publisher has expressed interest in a short story collection, tentatively called The Night Spills In. It’s the kind of stuff I read when growing up—folklore and the supernatural. I was that kind of kid! Beyond that I have the first draft of a contemporary novel, Seasons on the Hill, that I’ve left to breathe for a while, to pick up again. And I will still be writing poetry along the way.

Thank you, Andy, for being my guest!

Looking for Andy? You can find him at his blogs (City Jackdaw and Coronets For Ghosts).

Looking for In Brigantia? You can find it at Amazon. But one of you will get a copy of In Brigantia simply because you commented. Winner to be announced next week sometime!

Author photo and other photos courtesy of Andy Murray. In Brigantia cover came from Andy’s City Jackdaw blog. Kenneth White and Werner Aspenström poetry collection covers came from Goodreads and Amazon. Romano-British Brigantes map from Wikipedia. Marilyn Monroe photo from thefashiontag blog. Tom Cruise photo from vulture.com. Doctor Who image from fandomania.

Color Grading Your Story

Happy Good Friday/Regular Friday (if the celebration of Good Friday is not your thing).

Days ago, I watched a YouTube video on the digital color grading for Peter Jackson’s Lord of the Rings movie trilogy (2001-2003). I know. Random. The following is not the video I watched that day. But it provides a really good explanation about digital color grading for film.

Lest you’re sitting there, unable to muster concern about the subject, let me just say there’s been a lot of talk of movie color palettes. While some praised the Lord of the Rings movies for their color palette, others denounced Jackson’s The Hobbit (2012) for being “too crisp and bright.” And while some Marvel’s movie palettes have been praised for their brightness, some DC movie palettes have been criticized as too murky. Even when DC tried to brighten things up with Justice League (2017), some people still criticized them. Movie fans can be fickle, I guess.

       

In an article by David Geffin, “The Power Of Color Grading And The Benefit It Can Have On Your Work Summarized In Two Minutes” (and yes, all of those articles and prepositions were capitalized by this author, so please don’t feel the need to point out capitalization errors in the comments), we find this truth:

Color is so important because, like lighting, it affects a mood and feel of a piece, and therefore how we interpret the final image.

Geffin includes the two-minute video mentioned in the title that you can check out if you click here.

I’m a big fan of color to enhance mood. But what can you do in a book where the imagination is the only screen you have to work with?

I like to use thematic colors in narration. In my young adult novel with three protagonists, I have a fire wielder, a plant wielder, and one person in between who is neutral. (While he does not wield an element, he has the ability to block magic.)

Let’s say Rosie Bloom (left) is my fire wielder while Macy Macaron (right) is my plant wielder. (Okay, the fact that Rosie has roses kind of messes up the analogy, but work with me here.) Shuri (middle) is my neutral person.

My plant wielder might be dressed in natural colors on the cooler side of the spectrum (green and blue) to make you think of a forest or a river flowing by trees. Emotionally, she’s a bit down also, so the blue palette does double duty for her.

My fire wielder was trickier. As an assassin, I couldn’t put him in warm, fiery colors, because he’d stand out. He prefers the shadows. So, I had to use color in a different way—to highlight his emotion, i.e., through phrases like “the red blaze of his anger.”

My neutral dude was a lot easier. He wears a lot of gray, because some of his actions fall into a gray area morally at times.

Another way to color grade a story is to make sure the colors that emphasize mood are the ones emphasized on a page.

19063In this passage from The Book Thief by Markus Zusak, what do you see? (SPOILER ALERT. Look away if you don’t want to know something that could possibly spoil a plot point in the book or the movie. I will tell you when to look.)

   There were shocked pajamas and torn faces. It was the boy’s hair she saw first.

Rudy?

She did more than mouth the word now. “Rudy?”

He lay with his yellow hair and closed eyes, and the book thief ran toward him and fell down. She dropped the black book. (Zusak, 535)

In this aftermath of a bombing, I see two colors: yellow and black. This scene involves Liesel Meminger who makes a grisly discover concerning her friend, Rudy Steiner. Zusak mentioned two colors that enhance mood: the bright yellow of Rudy’s hair, which shows the brightness of a life tragically ending in death—reminiscent of the black book Liesel drops. Ending with the black book after the yellow hair is like watching a solar eclipse. (END SPOILER)

In what ways have you seen colors used effectively to enhance mood? Perhaps you’ve seen filters and other highlights done well on Instagram or Facebook. Do tell!

Zusak, Markus. The Book Thief. New York: Alfred A. Knopf, 2006. Print.

Color grade image from fstoppers.com. Book cover from Goodreads. Justice League movie poster from fanpop.com. The Hobbit movie poster from flicks.co.nz. Rose Bloom and Macy Macaron are Shoppie dolls made by Moose Toys. Shuri, from the movie Black Panther, was made by Hasbro. Photo by L. Marie.