Hello, and welcome to an occasional series in which I guess, using nonscientific means, why something works. By occasional, I mean a series that I might forget about until six months down the road. And then I’ll go, “Oh yeah, I started that series. I should do another installment.”
And yes, I’ll reveal the winner of Playing for the Devil’s Fire by Phillippe Diederich also. **CoughJillWeatherholtcough.** See what I did there? 🙂 (Congrats, Jill!)
In a previous post, I mentioned Miraculous: Tales of LadyBug & Cat Noir, a French animated series released internationally. Okay, I didn’t mention the international release in that previous post. I’m telling you that stuff now. The concept came from Thomas Astruc, an animator aided by Jeremy Zag, the cofounder of Zagtoon, and later by Method Animation, Toei Animation, SAMG Animation, and SK Broadband, to introduce a series starring a female superhero who saves the citizens of Paris. Thomas Astruc also is the writer and director of the show. Thanks also to other financial partners like Bandai, Curlstone, and Disney, people around the world can see this show. In the States, we can see the English dubbed version on Nickelodeon.
Ladybug is a French teen (Marinette Dupain-Cheng) with a crime fighting partner—Cat Noir (Adrien Agreste), who goes to her school in Paris. Neither knows the alter ego of the other. You’d think identification would be obvious, since Ladybug has the same hairstyle and easily identifiable eyes the color of bluebells as Marinette. And Adrien’s artfully styled blond hair is the same, though his eyes are somewhat changed due to his mask. Sigh. It’s the same principle as superheroes like Superman, where a pair of glasses is all that stands between someone identifying him as Clark Kent. You have to suspend disbelief so hard, you almost get whiplash.
I’ve seen about fifteen episodes of the show. And I can tell you that in every episode, the same scenario plays out. Someone gets his or her feelings hurt. A villain named Hawk Moth (below) releases an evil butterfly (yep—an evil butterfly) called an akuma to “evilize” the hurt individual. This action completely subjugates that person’s will to Hawk Moth’s control and turns him or her into a villain. What does Hawk Moth want? The tiny creatures called kwami who live in the Miraculous jewelry that empower Marinette and Adrien for a limited amount of time. He also wants total power. So he uses innocent people to wreak havoc. But Ladybug has a special ability to “de-evilize” the person under Hawk Moth’s control. (Next time you do something wrong, you might use the akuma as an excuse. I plan to.)
Some of the scenes are very repetitive. In every episode you see the same Ladybug/Cat Noir transformation scenes, hear the same dialogue (“Tikki, spots on!”/“Plagg, claws out!”), and see the same scene where Ladybug de-evilizes someone. Also, the characters do not break new ground in general. Marinette is the clumsy teen who longs for hot-guy Adrien. How many times have we seen the clumsy girl in a story? Dozens. A rich diva at school picks on everyone (except Adrien) and has a sycophant friend. Sounds like the storyline of Mean Girls.
So why are the people who watch this show (including myself) obsessed with it? The “incredible graphic design” as Aton Soumache, the CEO of Method Animation, explained in an interview on one of the Miraculous DVDs. And this is all thanks to Thomas Astruc and Nathanaël Bronn, the art director on the show. The show has a manga look with a gorgeous Parisian backdrop. Thus, the characters are attractive and winsome, and the action sequences inventive and entertaining. For example, in each episode, Ladybug gains an object to use to foil Hawk Moth’s plan. She has to figure out how to use what she has to defeat the “evilized” person. Sometimes, the method involves a MacGyver-like bit of ingenuity.
And each episode also has a touch of romance. As I mentioned, Marinette pines over Adrien, who views her as a friend. But Cat Noir pines over Ladybug, who finds him annoying. Most of all, this is a fun show where superheroes save the day while learning something about themselves.
What I love about this production, is that people around the world have banded together to produce and distribute it. They’re committed to the cause. And that is the number one reason why this show works: it has a committed group of people behind it. Wouldn’t we all like that level of commitment behind our creations?
Ladybug and Cat Noir images from fanpop. Hawk Moth from nick.com. Author photo by Selina Roman. Book cover from Goodreads.