A Writer’s Process (5b)

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We’re back with E. L. Kaminsky—the awesome El. Thanks for your comments yesterday—always appreciated. We’re continuing our conversation about mysteries and El’s work in progress. If you’re just tuning in, this is part 2. You might check back to part 1. Also, might I remind you of the suggested blog theme music courtesy of Dreamland’s Insurgents.

As we begin, let me share the GOOD NEWS: Congrats are in order for El! Her short story, “All in the Family” was accepted in the short story anthology, Death Knell, edited by Nancy Daversa, Terry Friedman, and Elena Santagelo (Infinity Publishing). It is available here. Huzzah!!!

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El Space: Happy to hear that, El! So, what authors influenced you as a writer? Why?
El: I started reading Kurt Vonnegut in high school, then got hooked on Tom Robbins. Jitterbug Perfume is one of my all time favorite books.

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I started seeking out the humorous, sarcastic characters of Gregory MacDonald, Elmore Leonard, Tim Dorsey, Christopher Moore (who wins best book title ever, IMHO, for Island of the Sequined Love Nun.

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I then sought out the strong heroines of Rita May Brown, Sara Paretsky, Patricia Cornwall—love them all. But then along came Janet Evanovich and that changed everything for me. Her style, her humor, but mainly her characters were everything I ever wanted in a mystery novel—to read or to write.

What attracts me to all of theses authors is the “quirk” factor, either in their characters of their use of language. The humor, sarcasm, zany situations all appeal to my desire to get lost for a while in a novel.

El Space: You mentioned that your main character is haunted by her grandmother’s ghost. What do you find appealing about working on a ghost story?
El: I’ve had a few experiences in life that lead me to believe there is more to our existence than meets the eye. I thought it would be interesting to explore the concept of my main character’s conscience through the use of a ghost, her grandmother, who meddles in her everyday life, giving her advice—solicited or not.

El Space: Will you pursue an agent, a publisher directly, or go the indie route?
El: That’s a really good question. When I began this journey, it was traditional all the way. I have queried agents, gone to conferences, entered contests; as yet none have brought me much luck. I received good comments, had encouraging scores, but no deals. So I stopped spinning my wheels for a while and decided to write again. The activity of trying to get published was too much like work. It was stressful and dissatisfying. I went back to my characters for a while.

In the meantime, I helped a dear friend write his memoirs. We used CreateSpace for his process and it was fairly easy. In the future, I may go that route. This book is available on Kindle and in print here.

El Space: It’s great that you could help out in that way. But what do you like most about the mystery genre?
El: It absorbs me and entertains me without disturbing me. I have an imagination that keeps me up at night, so I can’t read anything too realistic. I need the farfetched, wacky stuff.

El Space: What mystery books have you read recently that you thought were great? Why?
El: Anything by Donna Leon, because her descriptions of Venice put me right back there; Janet Evanovich’s Plum Spooky, because no matter how many times I read it, I still laugh out loud.

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Fear Itself by Elena Santangelo, because the family she portrays reminds me of my own in so many lovely ways.

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El Space: You’re also a singer. What’s your specialty?
El: Right now, I sing lots of stuff from the 50s, 60s, and 70s in a group called Package Goods Orchestra. My first love is jazz standards, and I have the good fortune of sitting in once in a while with some very talented musicians from the Somers Point Jazz Society. I had the great fortune of singing in a group that backed up the great Rosemary Clooney back in 1996 and 97.

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El Space: Awesome!
El: Awsome is exactly the right word. Rosie was one of my mother’s favorite singers, so I heard her music all my life. I feel that my mom had a hand in my getting the gig. Mom had been gone about a year when I answered the ad.

To this day, I am amazed that I passed the audition and had the priviledge of working in Rosie’s great presence. She was an amazing musician, beloved by her band and all of us. Even with her physical challenges, she was a trouper. Generous, kind, and funny as hell. When she died a few years later, I felt as if I had lost my favorite aunt. I wrote a tribute that ran in a magazine where I was a contributing editor. Rosie’s official fan site also ran my story. Here is the link.

El Space: How do you incorporate your music in your writing?
El: There is a headspace that you go into when a song is lifting you up. Your voice is in the zone, harmony is flowing and it just transcends. That’s the way writing feels when my writing is working. Time flies and I have an exhausted, exhilarated feeling afterward.

Music plays a big role in my life, and my writing. I listen while I work; my characters have favorite music, too. And I have an idea for some music-themed mysteries. Stay tuned.

Well, as the old saying goes, how time flies when you’re having fun. Thanks again, El, for being my guest on the blog. If you have questions for El about her process or her music, please comment below. And don’t forget El’s blog here.

Photo of Rosemary Clooney from npr.org. Congrats from free-extras.com.

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4 thoughts on “A Writer’s Process (5b)

    • Me, too, Andy! As a writer, I want to be in the “zone.” But I often feel in the “trenches.” I guess there’s a headspace in that too somehow.

  1. There’s really nothing better than that feeling of “flow” – I love those times when you are writing and you have no concept of how much time is past. The words just fly out and onto the page. As they say in baseball, you have to honor the streak.

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